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This image displays a vintage newspaper clipping from the Christian Science Monitor, dated August 7, 1930, mounted on a light brown, three-hole-punched folder or scrapbook page.

Header Information:

• Source: Boston News Clip, 180 Tremont Street, Boston 8, Mass.
• Publication: Christian Science Monitor, Boston, Mass.
• Date: Aug 7 - 1930
• Section: Art—Music—Theatre
• Headline: “Art in Cambridge”
• Sub-headline: “Renaissance Drawings, Copley Portraits at Fogg”
• Author: By Dorothy Adlow

Content Summary:

The article reviews current exhibitions at the Fogg Museum in Cambridge, highlighting two main attractions:

1. Renaissance Drawings: An intentionally curated group of early Italian drawings from the 15th and 16th centuries, described as “graphic art and particularly” suitable for students. The article notes that these works, from the late medieval and Early Renaissance periods, emphasize line and form over color, and were created to study figures and drapery rather than for immediate aesthetic display. It mentions Flemish and German “primitive paintings, Flemish tapestries, and carvings” are also present.

2. Copley Portraits: The article praises a display of portraits by John Singleton Copley, titled “Familiar and Unfamiliar Paintings by Copley.” It highlights portraits of Mrs. Nathaniel Appleton and Mrs. Thomas Boylston as examples of his finest work, noting their “personal portraiture” qualities. The article mentions Copley’s interest in historical themes and his use of “rare technique” and “underlying mood of decision,” and also notes his exploration of new techniques in his later works.

Additional Art Mentioned:

• A special gallery features nineteenth-century French painters, including:
  • Vincent Van Gogh: A canvas of “Sunflowers.”
  • Pablo Picasso: Two abstractions.
  • Juan Gris: “Le Porcel,” noted as an abstract portrait more detailed than Picasso’s, and “specially buoyant and amiable.”

The article concludes by praising the abstracts of Picasso and Gris for their “decorative vitality,” while noting that the Picasso seems “more intellectualized.”

Visual Element:

To the right of the text is a black-and-white photograph of a Copley portrait of Mrs. Thomas Boylston, captioned:

“Copley portrait of Mrs. Thomas Boylston, on exhibition during the summer at the Fogg Museum in Cambridge.”

The portrait depicts a woman in 18th-century attire — a white kerchief, bonnet, and a dark gown with lace trim — seated with her hands folded and holding what appears to be a book or fan on her lap. The pose is formal and dignified, typical of colonial American portraiture.

Physical Appearance of the Clipping:

• The paper is yellowed with age.
• A red pencil line underlines part of the text near the bottom, possibly indicating emphasis or note by the original collector.
• Three standard binder holes are punched along the right margin of the backing sheet.
• A small handwritten notation, “6¹⁄2 x 12 5/8”, appears above the headline, likely indicating the clipping’s dimensions.

Historical Context:

This clipping captures a moment in early 20th-century American art criticism, showing how institutions like the Fogg Museum were presenting traditional European and American art alongside emerging modernist trends — reflecting broader cultural debates about art education and value at the time.

In short, this is a well-preserved artifact from 1930 showcasing art criticism of its day, focused on the Fogg Museum’s summer exhibitions of Renaissance drawings and Copley portraits, with a touch of modernism in the form of Picasso and Gris.

This image appears to be a scanned page from a printed article. The article is titled "Art in Cambridge" and is dated August 7, 1950, as indicated on the top-left corner. It is an article from the Christian Science Monitor, located in Boston, Massachusetts. The article discusses various art exhibitions and displays at the Fogg Museum in Cambridge, Massachusetts, during the summer of 1950.

The article mentions several special displays, including:

• Renaissance drawings
• Copley portraits
• French paintings from the 19th century
• Abstract portraits by Picasso and Juan Gris

A photograph of a portrait by John Singleton Copley of Mrs. Thomas Boylston is also included in the article. The photograph is labeled as being on exhibition during the summer at the Fogg Museum in Cambridge.

The article is written by Dorothy Adlow and provides insights into the various art collections and exhibitions at the Fogg Museum, highlighting the diversity and richness of the displays. The page appears to be part of a collection, as indicated by the perforated holes along the right margin, suggesting it was likely stored in a binder or folder.

This image shows a vintage newspaper clipping from the Christian Science Monitor, dated August 7, 1950. The clipping is titled "Art in Cambridge" and discusses an art exhibition at the Fogg Museum in Cambridge, featuring Renaissance drawings and portraits by John Singleton Copley. The article is written by Dorothy Adlow and provides details about the exhibition, including the display of treasures of antiquity, Renaissance and modern art, and the photograph library with reproductions of works from various cities and countries.

The clipping includes a photograph of a Copley portrait of Mrs. Thomas Boylston, which is on exhibition during the summer at the Fogg Museum. The photograph shows a woman dressed in period attire, sitting in a chair with a calm and composed expression.

The newspaper clipping is attached to a beige-colored page with three holes on the right side, indicating it was likely part of a binder or folder. The overall appearance suggests it is an archival document, possibly used for historical research or documentation of art exhibitions.

The image shows a page from a newspaper. The page is titled "Art in Cambridge" and is divided into two sections. On the left side, there is a text article about the Fogg Museum's exhibition of Renaissance drawings and Copley portraits. The article highlights the importance of studying art history and the techniques used by artists. On the right side, there is a black-and-white photograph of a woman wearing a bonnet and a dress. The photograph is labeled as a portrait of Mrs. Thomas Boylston, on exhibition during the summer at the Fogg Museum in Cambridge.

A brown paper folder with a white label on top that reads "BOSTON NEWS CLIP" and "Christian Science Monitor Boston, Mass. Aug 7 - 1950" contains an article titled "Art in Cambridge" with a photo of a woman in a dress. The article discusses the Fogg Museum in Cambridge, Massachusetts, and its collection of Renaissance drawings and Copley portraits. The article also mentions a group of Renaissance drawings and paintings on loan from Harvard University, which are displayed in the museum.

The image shows a newspaper clipping from the Boston News Clip dated August 7, 1950, featuring an article titled "Art in Cambridge" from the Christian Science Monitor. The article discusses an exhibition of Renaissance Drawings and Copley Portraits at the Fogg Art Museum in Cambridge, Massachusetts.

Key Details from the Image:

1. Header Information:

   • The clipping is labeled as a Boston News Clip, with the address 100 Tremont Street, Boston 6, Mass.
   • The publication is the Christian Science Monitor, dated August 7, 1950.
   • The section is categorized under Art-Music-Theatre.

2. Article Title:

   • The headline reads: "Art in Cambridge".
   • The subheading specifies the focus: "Renaissance Drawings, Copley Portraits at Fogg".

3. Author:

   • The article is written by Dorothy Adkins.

4. Content Overview:

   • The article highlights the Fogg Art Museum and its summer exhibition, which includes:
     • Renaissance Drawings: A group of works from the 16th century, showcasing techniques and styles from northern countries, with a focus on the transition from Gothic to Renaissance art.
     • Copley Portraits: Works by John Singleton Copley, a prominent American colonial portraitist. The article mentions a portrait of Mrs. Thomas Boylston, exhibited during the summer at the Fogg Museum.
   • The article emphasizes the educational value of the exhibition, noting that it allows students and the public to study original works in person, rather than relying on reproductions or photographs.
   • It also discusses the Fine Arts Department at Harvard University, which collaborates with the museum, and highlights the importance of studying original art to understand its techniques and emotional impact.

5. Visual Element:

   • To the right of the article text, there is a black-and-white photograph of a Copley portrait of Mrs. Thomas Boylston. The caption below the image reads:
     "Copley portrait of Mrs. Thomas Boylston, on exhibition during the summer at the Fogg Museum in Cambridge."

6. Design and Layout:

   • The clipping appears to be preserved in a manila folder or archival sleeve, with visible metal fasteners (likely binder clips) on the right side.
   • The text is printed in a clear, legible font, typical of mid-20th-century newspaper design.

Summary:

The image depicts a historical newspaper clipping documenting an art exhibition at the Fogg Art Museum in Cambridge, Massachusetts, in 1950. The article focuses on Renaissance drawings and portraits by John Singleton Copley, emphasizing the educational and cultural significance of viewing original artworks. The accompanying photograph of a Copley portrait adds a visual element to the article, illustrating one of the featured pieces in the exhibition.

This image shows an aged and slightly yellowed scrapbook or archival page containing a newspaper clipping. The clipping is titled "Art in Cambridge: Renaissance Drawings, Copley Portraits at Fogg," referring to an art exhibition. The news source is specified as Boston News Clip with a header citing the Christian Science Monitor and a date of August 7th, 1950.

The text discusses art exhibitions at the Fogg Museum in Cambridge, focusing on renaissance drawings and portraits, and provides commentary on specific works of art.

To the right of the text, there's a black-and-white reproduction of a painting titled "Copley portrait of Mrs. Thomas Boylston." This historical portrait features a seated individual in formal attire holding flowers, though the face has been intentionally obscured in the reproduction (possibly to anonymize the subject). The page also shows minor wear and tear, such as creases and holes for binding.

The image shows an old newspaper clipping mounted on a light brown piece of paper with two punched holes on the right side. The clipping consists of a text article and a black-and-white photograph.

The article is titled "Art in Cambridge" with a subtitle "Renaissance Drawings, Copley Portraits at Fogg" by Dorothy Adlow. It discusses exhibitions at the Fogg Museum in Cambridge, focusing on Renaissance drawings and Copley portraits. The article delves into various art styles, the traits of certain exhibitions, and gives insights about specific artists and their works.

To the right of the article is a photograph of a Copley portrait showing a woman, identified in the caption as "Mrs. Thomas Boylston," on exhibition during the summer at the Fogg Museum in Cambridge. The portrait features a woman dressed in formal, old-fashioned attire, sitting in a composed pose.

There is also a small label in the top left corner that reads:
"BOSTON NEWS CLIP
129 Tremont Street
Boston 8, Mass.
Christian Science Monitor
Boston, Mass.
Aug 7 1950"

The date "Aug 7, 1950" indicates when the article was published or clipped. The overall look of the paper and clipping suggests it is archived or preserved as part of a collection.

• A vintage scrapbook page made of light brown paper, with three old newspaper clippings pasted on it.
• The main clipping is a columned article titled “Art in Cambridge” with a subheading that mentions Renaissance drawings and Copley portraits at the Fogg Museum.
• A small clipping at the top left references Boston news (Christian Science Monitor, dated Aug 7, 1950).
• On the right, there is a black-and-white photograph of a person in period clothing; the caption underneath reads something like “Copley portrait of Mrs. Thomas Boylston … at the Fogg Museum in Cambridge.”
• The page shows binder holes on the right edge, suggesting it came from a three-ring binder; the overall look is aged and archival.

This image shows an old, brown paper folder with newspaper clippings attached to it. At the top left, there is a label that reads "BOSTON NEWS CLIP" with an address in Boston, Massachusetts, and the date March 17, 1950. Below this, there is a large newspaper excerpt with a headline "Art in Cambridge" and a subheading "Renaissance Drawings, Copley Portraits at Fogg." The article appears to discuss an art exhibit that includes Renaissance drawings and portraits by the artist Copley, presented at the Fogg Museum. There is also a smaller newspaper cutting inserted below the main article, providing additional information related to the exhibit. The paper folder also has visible holes on the left side, suggesting it may be from a binder or filing system, and there is a single metallic ring fastener showing at the top.