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This image shows a newspaper clipping from the Herald (Boston, Mass.), dated February 22, 1950, with a note indicating it was received from “BOSTON NEWS CLIP” located at 120 Tremont Street, Boston 8, Mass.

The article is titled:
“HANOVER, N. H., PAINTING CALLED REAL MONA LISA”

It reports on a sensational claim from New York, dated February 21 (via AP), that a painting in a Hanover, New Hampshire, home has been authenticated as a genuine Mona Lisa by Leonardo da Vinci.

Key points from the article:

• The painting is owned by Dr. Ambrose W. Vernon and his family, who have possessed it since 1797.
• It was reportedly given to William Henry Vernon (Dr. Vernon’s ancestor) by Marie Antoinette just before her execution in 1793.
• Authentication was performed by Dr. Thomas Macoughtry Judson, an American who was a longtime curator of the Ciccognara Collection at the Vatican. He stated after “extensive study and tests” that the work is “in my opinion is by the hand of Leonardo da Vinci.”
• Dr. Judson described the painting as a portrait of Mona Lisa, specifically the third wife of Francesco di Bartolommeo di Zanobi del Giocondo of Florence — the same subject as the Louvre painting — and noted that this version was painted earlier than the Louvre Mona Lisa.
• The painting was sent to the Fogg Art Museum at Harvard University in 1933 for cleaning and x-ray analysis. Technicians reportedly confirmed that the canvas was ancient and dated to the period when Leonardo painted the La Gioconda (Mona Lisa).
• The painting is now jointly owned by Dr. Vernon (a great-grandnephew of William Henry Vernon) and his brother's widow, Mrs. Alice C. E. Vernon, of New Jersey and Connecticut.

Markings on the clipping:

• A red line underlines the final sentence of the article.
• A red stamp or marking “128 F” is visible near the top of the clipping.

The clipping appears aged, with yellowed paper and slight creases, suggesting it was manually archived or stored for decades.

In summary, this is a 1950 newspaper report documenting a claim that a privately owned painting in New Hampshire is an authentic, earlier version of the Mona Lisa by Leonardo da Vinci, authenticated by a Vatican art expert and supported by technical analysis at Harvard. The story combines art history, aristocratic provenance, and scientific verification — typical of mid-century art mystery coverage.

The image is a photograph of a newspaper clipping from 1950. The headline reads, "HANOVER, N. H., PAINTING CALLED REAL MONA LISA." The article discusses the authentication of a painting in Hanover, New Hampshire, as a Mona Lisa by Leonardo da Vinci. It mentions that an art expert from the Vatican authenticated the painting, and it was previously owned by the Vernon family since 1797. The article provides details about the painting's history and its current status as a joint property of the Vernon family. The clipping also includes a note in red marker that reads, "128 F," and a smaller note at the top of the clipping that says, "in 'no contract-no work' strike involving United Mine Workers." The clipping is dated February 22, 1950, and is from the Boston Herald.

This image shows a news clipping from the Boston Herald dated February 22, 1950. The headline reads: "HANOVER, N. H., PAINTING CALLED REAL MONA LISA." The article discusses the authentication of a painting in a Hanover, N.H., home as a Mona Lisa by Leonardo da Vinci. It mentions that a Vatican art expert, Dr. Thomas Macoughtry Judson, who was the curator of the Cicognara collection of the Vatican, authenticated the painting. The painting has been in the Vernon family since 1797, when it was brought from France by William Henry Vernon. The article also notes that the painting was sent to the Fogg Art Museum at Harvard University in 1933 for cleaning and x-rays, which confirmed it to be from the period when Leonardo da Vinci was known to have painted the Mona Lisa. The clipping includes some handwritten notes and markings.

The image shows a piece of paper that appears to be a clipping from a newspaper. The paper is folded in half, with the top part containing text and the bottom part containing a picture of a painting. The top part of the paper has the words "Boston News Clip" and "Herald Boston, Mass." written on it, along with the date "FEB 22 1950". The bottom part of the paper has a picture of a painting with the words "HANOVER, N. H., PAINTING CALLED REAL MONA LISA" written above it.

The image shows a clipping from the Boston Herald newspaper, dated February 22, 1950. The clipping reports on a painting called the "Real Mona Lisa" found in Hanover, New Hampshire. It mentions that a Vatican art expert authenticated the painting as a genuine work by Leonardo da Vinci. The painting is described as a portrait of Lisa Gherardini, the third wife of Francesco di Bartolomeo di Zanobi del Giocondo of Florence. The article also notes that the painting has been in the Vernon family since 1797 and was brought to the United States from France by William Henry Vernon.

The image shows a newspaper clipping from the Boston News Clip dated February 22, 1950, originating from the Boston Herald. The headline prominently reads: "HANOVER, N. H., PAINTING CALLED REAL MONA LISA."

Key Details from the Clipping:

1. Headline and Context:

   • The article reports that a painting in Hanover, New Hampshire, has been identified as a genuine work of art, potentially the Mona Lisa by Leonardo da Vinci.
   • The painting is housed in the home of Dr. Ambrose W. Vernon in Hanover.

2. Authentication:

   • A Vatican art expert has authenticated the painting as a Mona Lisa by Leonardo da Vinci.
   • The authentication was conducted by Dr. Thomas Macougaly Judson, an American who served as a curator of the Cicognara Collection at the Vatican.

3. Family History:

   • The painting has been in the possession of the Vernon family since 1797, when it was brought to Hanover from France by William Henry Vernon.
   • It is believed to have been a gift or for safekeeping from Marie Antoinette shortly before her execution in 1793.

4. Current Ownership:

   • The painting is now jointly owned by Dr. Vernon, who is described as a great-grandnephew of William Henry Vernon.

5. Additional Details:

   • The Vernon family claims that the painting is a portrait of Mona Lisa, the wife of Francesco del Giocondo of Florence, and that it predates the more famous Mona Lisa in the Louvre.
   • The painting was sent to the Fogg Art Museum at Harvard University in 1933 for cleaning and technical analysis.
   • Technicians at the Fogg used X-rays to confirm that the canvas is from the same period when Leonardo da Vinci was known to have painted the Gioconda (Mona Lisa).

Visual Layout:

• The clipping is a scanned or photographed image of a physical newspaper page, showing a portion of the article.
• The text is clearly legible, with the headline and subheadings in bold, emphasizing the sensational claim about the painting.
• The article is dated February 21, 1950, as indicated in the body of the text, while the clipping itself is labeled as being from February 22, 1950.

Overall Impression:

The clipping captures a historical moment of art authentication, highlighting a controversial claim that a painting in a private home in Hanover, New Hampshire, is the original Mona Lisa by Leonardo da Vinci. The article provides details about the painting's provenance, authentication process, and its connection to historical figures such as Marie Antoinette and Leonardo da Vinci.

The image presents a newspaper clipping from the Boston News Clip, dated February 21, 1950, with a headline that reads "HANOVER, N. H., PAINTING CALLED REAL MONA LISA." The article discusses a painting in Hanover, New Hampshire, believed to be an authentic work by Leonardo da Vinci, potentially the original Mona Lisa.

Key Elements:

• Newspaper Clipping: The clipping is from the Boston News Clip, dated February 21, 1950.
• Headline: "HANOVER, N. H., PAINTING CALLED REAL MONA LISA"
• Article Content: The article discusses a painting in Hanover, New Hampshire, believed to be an authentic work by Leonardo da Vinci, potentially the original Mona Lisa.
• Authentication: The painting was authenticated by Dr. Thomas MacCoughtry Judson, an American curator of the Cicognara collection at the Vatican.
• Provenance: The painting has been in the Vernon family since 1797 and was brought to the United States by William Henry Vernon.
• Expert Opinion: Dr. Judson stated that the painting is "in my opinion is by the hand of Leonardo da Vinci."

Visual Description:

• The clipping is yellowed and features a bold headline.
• The article is written in a formal tone and includes quotes from experts.
• The clipping is placed on a gray background, which helps to highlight the text and headline.

Overall Impression:

The image presents a fascinating historical artifact that sheds light on a potentially significant art discovery. The clipping provides a glimpse into the past, highlighting the excitement and debate surrounding the authentication of the painting.

The image presents a vintage newspaper clipping from the Boston Herald, dated February 2, 1950. The clipping is titled "HANOVER, N. H., PAINTING CALLED REAL MONA LISA" and features an article discussing a painting in Hanover, New Hampshire, that has been authenticated as a genuine Mona Lisa by Leonardo da Vinci.

Newspaper Clipping:

• Title: HANOVER, N. H., PAINTING CALLED REAL MONA LISA
• Date: February 2, 1950
• Source: Boston Herald
• Content: The article discusses a painting in Hanover, New Hampshire, that has been authenticated as a genuine Mona Lisa by Leonardo da Vinci.
• Details:
  • The painting has been in the Vernon family since 1797.
  • It was brought to the United States from France by William Henry Vernon.
  • The painting was sent to the Fogg Art Museum at Harvard University in 1933 for cleaning.
  • Technicians at the museum took x-rays of the painting, which revealed that the ancient canvas was definitely from the period when Leonardo da Vinci was known to have painted a La Gioconda (Mona Lisa).

Boston News Clip:

• Address: 120 Tremont Street, Boston 8, Mass.
• Date: February 2, 1950
• Source: Boston Herald

The image provides a unique glimpse into the history of art authentication and the controversy surrounding the Mona Lisa. The clipping and accompanying note suggest that the Boston News Clip service provided a convenient way for people to access and share news articles, including this one about the potential discovery of a genuine Mona Lisa.

The image presents a newspaper clipping and a news clipping from the Boston News Clip, dated February 22, 1950, featuring an article about a painting attributed to Leonardo da Vinci. The clipping is placed on a light gray background.

• Newspaper Clipping:
  • The clipping is from the Boston News Clip, dated February 22, 1950.
  • It features an article about a painting attributed to Leonardo da Vinci.
  • The article discusses the painting's authenticity and its significance in art history.
  • The clipping includes a quote from Dr. Ambrose W. Vernon, who made the attribution.
• News Clipping:
  • The clipping is from the Boston News Clip, dated February 22, 1950.
  • It features an article about a painting attributed to Leonardo da Vinci.
  • The article discusses the painting's authenticity and its significance in art history.
  • The clipping includes a quote from Dr. Ambrose W. Vernon, who made the attribution.

The image provides a historical context for the painting and its attribution, highlighting the significance of the discovery in the art world.

The image presents a newspaper clipping from the Boston News Clip, dated February 22, 1950, with the headline "HANOVER, N.H., PAINTING CALLED REAL MONA LISA." The article discusses the authentication of a painting as a genuine Mona Lisa by Leonardo da Vinci. The painting was previously owned by Dr. Ambrose W. Vernon of Hanover, New Hampshire, and was later acquired by the Fogg Art Museum at Harvard University in 1933 for cleaning and restoration.

The article highlights the significance of the painting's discovery and its potential impact on the art world. It also mentions the involvement of various experts and institutions in the authentication process, including Dr. Thomas Macoughtry Judson, an American art curator, and the Louvre in Paris.

Overall, the image provides a fascinating glimpse into the history of art authentication and the discovery of a rare and valuable masterpiece.