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This image is a photograph of a newspaper clipping from "The Providence Sunday Post" dated December 28, 1949. The headline reads "R.I. Art Treasures Included in New Book," featuring an article about a book titled "One Hundred Master Drawings." The book was edited by Agnes Mongan and published by Harvard University Press. The article discusses the inclusion of three Rhode Island artworks in the book, including a drawing by Jean-Baptiste-Camille Corot titled "Village Square" and another by Paul Cézanne, titled "The Cardplayer." These reproductions were part of a larger collection of 100 master drawings selected from various museums and collections across the United States. The article provides insights into the content and significance of the book, along with details about the authors and scholars who contributed to it. The edition of the newspaper appears to be marked with the date "12/18/49" and includes a small clipping from the Christian Science Monitor discussing art exhibitions in Boston, dated December 28, 1949.

This image is a vintage newspaper clipping from "The Providence Sunday" dated December 18, 1949. The headline reads "R.I. Art Treasures Included in New Book," and it discusses the inclusion of four Rhode Island art treasures in the book "One Hundred Master Drawings" published by the Harvard University Press. The article, written by Frank Pemberton, describes the significance of the artworks and their reproduction in the book.

The clipping includes three black-and-white reproductions of the artworks mentioned:

1. "Village Square" by Corot, also called "Courtyard of a Monastery."
2. "The Cardplayer" by Paul Cézanne, done in pencil with touches of water color.
3. "Gabrielle and Jean" by Renoir, a drawing in charcoal and black crayon.

The article provides detailed descriptions of each artwork and their owners. It also mentions the book's editor, Miss Agnes Mongan, and the curator of drawings at Harvard's Fogg Art Museum. The article highlights the historical and artistic value of the drawings and their importance in the context of the book.

Additionally, there are other clippings and notes attached to the main clipping, including a section from the Christian Science Monitor dated December 28, 1949, discussing art exhibitions in Boston and outside Boston. The notes and clippings are handwritten and appear to be from a personal collection or archive.

This image displays a yellowed, aged newspaper clipping, likely from the mid-20th century, featuring an article titled:

“R.I. Art Treasures Included in New Book”

Published in “THE PROVIDENCE SUNDAY” newspaper, as indicated at the top right. A handwritten date, “12/18/49”, is visible in the upper right corner, suggesting the article was clipped or cataloged on December 18, 1949. The clipping appears to have been cut from a larger page and glued or taped onto a backing sheet, as evidenced by a visible hole punch and adhesive residue on the top left.

Main Article Content

The article, written by Frank Pemberton, reports on four Rhode Island (R.I.) art treasures that have been selected for reproduction in a new book titled:

“One Hundred Master Drawings”, edited by Agnes Mongan and published by the Harvard University Press (208 pp., $7.50).

The accompanying text explains that these four selected works are on loan from the Rhode Island School of Design Museum, which also hosted a related exhibition of 30 drawings from the Fogg Art Museum’s collection. The article highlights:

• Why these works were chosen: The book aims to showcase master drawings, and these four were selected due to their quality and historical significance.

Featured Artworks (with Images)

The article includes three black-and-white reproductions of the drawings, each accompanied by a caption:

1. “Village Square” by Jean Baptiste Camille Corot (French, 1796–1875).

   • Caption: Above is “Village Square”, also called “Courtyard of a Monastery”, by Corot. It is owned by Mrs. Murray S. Danforth.
   • Image: A landscape drawing depicting a courtyard or square with buildings, a tree, and a figure in the foreground. The style is loose and sketchy.

2. “The Cardplayer” by Paul Cézanne (French, 1839–1906).

   • Caption: “THE CARDPLAYER”, done in pencil with touches of water color by Cezanne, is in the R.I. School of Design Museum.
   • Image: A seated male figure wearing a hat, leaning forward with his hands clasped or in his lap. The drawing is rendered with expressive lines and shading.

3. “Gabrielle and Jean” by Pierre-Auguste Renoir (French, 1841–1919).

   • Caption: “GABRIELLE AND JEAN”, a drawing in charcoal or black crayon by Renoir. This item, owned by Mrs. Danforth, is now on loan to the School of Design Museum.
   • Image: A close-up drawing of two figures, likely a woman and a child, rendered with soft, blended strokes typical of charcoal or crayon.

Additional Clippings

The left-hand side of the backing sheet features two smaller newspaper clippings, likely related to the same topic:

1. Top Left Clip (Boston News Clip):

   • Headline: “Art Exhibitions”
   • From the Christian Science Monitor, Boston, Mass., dated DEC 28 1949.
   • Mentions an exhibition of drawings from the Fogg Art Museum, including works by “Cezanne, Renoir, Corot, Ingres, Daumier, Manet, Degas, Gutch and Cassano.” It notes the exhibition was at the R.I. School of Design Museum (through January) and credits Paul J. Mangan, director of the Museum, and W. P. Bosch, curator.
   • Includes a “DST-DISPAI” stamp and a red “$ 1.00” price mark.

2. Bottom Left Clip (Boston News Clip):

   • Headline: “A Hundred Reproductions”
   • Briefly describes the book “One Hundred Master Drawings,” mentioning its editor, publisher, and price ($7.50). It also notes the book is “an equitably bon [sic] tribute book dedicated to Pa [sic] Sacka” and is “in a 20th and comprehensive group, ranging from Di [sic] to Toulouse-Lautrec.”

Overall Significance

This clipping is a historical artifact documenting:

• The promotion of the book “One Hundred Master Drawings” in 1949.
• The recognition of the Rhode Island School of Design Museum’s collection, specifically highlighting key works by Corot, Cézanne, and Renoir.
• The museum’s role in hosting major exhibitions of drawings from the Fogg Art Museum.
• The provenance and loan status of these artworks (owned by Mrs. Murray S. Danforth, on loan to RISD).
• A small glimpse into art criticism and reporting in the late 1940s.

The physical state of the clipping—yellowed paper, taped backing, handwritten date, and glue residues—underscores its age and value as a piece of archival material. It was likely saved for a museum’s or individual’s records concerning art exhibitions, acquisitions, or publications. The name “HOWARD DERRICKSON” is handwritten at the bottom left, perhaps indicating the person who compiled or annotated the clipping.

An old newspaper clipping from The Providence Sunday is placed on a white surface. The clipping features an article titled "R.I. Art Treasures Included in New Book" with a date of 12/18/49. The article includes a photograph of a man in a hat and a drawing of a tree. The clipping also has a list of art exhibitions, including "Christian Science Monitor" and "Art Exhibitions," with dates and locations.

The image depicts a newspaper clipping with a headline that reads "R.I. Art Treasures Included in New Book." It features four illustrations of art pieces and a brief article about them. The illustrations include a drawing of a man, a drawing of a tree, a drawing of a village square, and a drawing of a card player. The article discusses the inclusion of these art pieces in a new book and provides information about their origins and significance.

The image depicts a newspaper clipping from The Providence Sunday, dated December 18, 1949. The article is titled "R.I. Art Treasures Included in New Book" and discusses the inclusion of several notable drawings in a newly published book titled "One Hundred Master Drawings." The article highlights the significance of the drawings, which are part of the Rhode Island School of Design Museum's collection.

Key Elements in the Image:

1. Headline and Subheadings:

   • The main headline reads: "R.I. Art Treasures Included in New Book."
   • Subheadings include:
     • "Four Works Owned Here Reproduced in 'One Hundred Master Drawings'"
     • "Chosen for reproduction in a new book, 'One Hundred Master Drawings,' are four art treasures from Rhode Island."

2. Visual Elements:

   • The article features four illustrations of the master drawings being discussed:
     • Top Left: A detailed pencil and watercolor drawing titled "The Cardplayer" by Cassane, owned by the R.I. School of Design Museum.
     • Top Right: A charcoal drawing titled "Gabrielle and Jean" by Miss Morgan, also from the museum's collection.
     • Bottom Left: A drawing of a tree by Frank Pemberton, described as part of the museum's collection.
     • Bottom Right: A drawing of a figure by Cassane, labeled as "Village Square Qualities."

3. Text Content:

   • The article mentions that the book "One Hundred Master Drawings" was published by Paul J. Sachs and includes reproductions of drawings from the Harvard University Art Museums.
   • It highlights the historical and artistic value of the drawings, noting that they are from the Rhode Island School of Design Museum.
   • Specific details about the artists and their works are provided, such as:
     • Cassane's "The Cardplayer" and "Village Square Qualities."
     • Miss Morgan's "Gabrielle and Jean."
     • Frank Pemberton's drawing of a tree.
   • The article also discusses the significance of these works in the context of art history and their representation in the new book.

4. Additional Context:

   • The article references the R.I. School of Design Museum and its role in preserving and showcasing these master drawings.
   • It notes that the drawings are part of a larger collection of 100 master drawings featured in the book, which includes works from various countries and artists.

5. Layout and Design:

   • The article is formatted in a typical newspaper style, with a clear headline, subheadings, and accompanying illustrations.
   • The illustrations are placed strategically to visually represent the content of the article, enhancing the reader's understanding of the discussed artworks.

Overall Impression:

The image captures a historical moment in art journalism, showcasing the inclusion of significant drawings from the Rhode Island School of Design Museum in a prestigious publication. The article emphasizes the artistic and cultural value of these works and their representation in a comprehensive collection of master drawings. The layout and illustrations effectively convey the importance of these artworks and their place in the broader art world.

This image features a collection of newspaper clippings and articles mounted together, likely for archival or personal interest purposes. The main piece is a section from "The Providence Sunday Journal" dated December 18, 1949, which contains an article with the headline "R.I. Art Treasures Included in New Book." The article discusses various works of art and mentions a new book entitled "One Hundred Master Drawings." Pencil drawings accompany the text—one depicting a barren tree and homes in a winter setting and another showing an abstract form.

The left side of the image contains a detached newspaper clipping labeled "Boston News Clip" from "The Christian Science Monitor," dated December 2, 1949. This clipping appears to highlight information related to art exhibitions. The content of this clipping and its relationship to the main article is not fully discernible from the image.

The overall condition of the papers includes some creasing, discoloration, and signs of wear, indicating age and handling. A hole is punched through the top left corner, suggesting that these articles were perhaps compiled in a scrapbook or binder.

The image shows a yellowed newspaper clipping dated 12/18/49 from The Providence Sunday Journal with the headline "R.I. Art Treasures Included in New Book." The article discusses a new book titled "One Hundred Master Drawings" that includes reproductions of artworks from Rhode Island.

There are two pencil sketches in the clipping: one labeled "THE CARDPLAYER," done in pencil with touches of watercolor by Cezanne, and another labeled "GABRIELLE AND JEAN," a drawing in charcoal and black crayon by Renoir. Both works are on loan to the School of Design Museum.

The article mentions several drawings from Rhode Island collections by artists such as Mirs Agnes Mongan, Corot, and Renoir, highlighting their significance and qualities. The piece also refers to the book published by the Harvard University Press and includes an emphasis on the cultural value of preserving and exhibiting these artworks.

Additionally, the clipping has other smaller newspaper snippets attached to the left side, including one from the Christian Science Monitor dated Dec 28, 1949, and a Boston news clip. The smaller notes mention art exhibitions and related events. The bottom of the clipping is slightly torn.

This image is a scanned newspaper or newsletter page titled "R.I. Art Treasures Included in New Book," dated "12/18/49" in handwritten text in the top margin. It appears to contain articles and images related to Rhode Island art treasures.

Key elements of the page include:

1. Headlines and Articles: The central article discusses art treasures from Rhode Island featured in a book titled "One Hundred Master Drawings." It highlights selected works owned in Rhode Island.
2. Images of Artworks: To the right, there are two main images of artworks:
   • A rural scene showcasing a barren tree and buildings, titled "Courtyard of a Monastery."
   • A series of sketches of human figures, including one identified as "The Cardplayer."
3. Side Articles and Clippings: The left margin includes smaller columns and clippings, such as an excerpt titled "Art Exhibitions" from "The Christian Science Monitor" and another heading, "A Hundred Reproductions." These are smaller inserts discussing related art exhibitions and works.
4. Captions: There are captions describing specific drawings, including "Gabrielle and Jean," done in charcoal and black crayon by Renoir, and "The Cardplayer," done in pencil with watercolor by Cézanne.
5. General Appearance: The paper looks aged, with visible yellowing, small tears, and holes from binders on the left edge.

It's a preserved record emphasizing Rhode Island's art contributions to a significant art publication.

A vintage newspaper clipping mounted on tan backing. The page has a sepia/gray tone and shows a central article with the headline “R.I. Art Treasures Included in New Book,” with a handwritten date 12/18/49 at the top.

Notable details:

• The main article is flanked by small pencil sketches or reproductions: on the left a bare tree near a house, in the middle a figure labeled “THE CARDPLAYER” (a man with a hat), and on the bottom right a series of head-and-shoulder portraits or sketches.
• The left edge contains a vertical collage of smaller clippings titled “BOSTON NEWS CLIP” and other art-exhibition notes, dated around December 1949.
• A caption near the bottom mentions four works owned locally that are reproduced in a book described as “One Hundred Master Drawings.”
• The overall condition looks aged and brittle, with perforations and torn edges, and the page shows typical halftone newspaper textures.

In short: it’s a clipped page about Rhode Island art treasures being included in a new art-book, featuring a few small reproductions of drawings and related notices from 1949.