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This image is a photograph of a newspaper clipping from "The Providence Sunday Post" dated December 28, 1949. The headline reads "R.I. Art Treasures Included in New Book," featuring an article about a book titled "One Hundred Master Drawings." The book was edited by Agnes Mongan and published by Harvard University Press. The article discusses the inclusion of three Rhode Island artworks in the book, including a drawing by Jean-Baptiste-Camille Corot titled "Village Square" and another by Paul Cézanne, titled "The Cardplayer." These reproductions were part of a larger collection of 100 master drawings selected from various museums and collections across the United States. The article provides insights into the content and significance of the book, along with details about the authors and scholars who contributed to it. The edition of the newspaper appears to be marked with the date "12/18/49" and includes a small clipping from the Christian Science Monitor discussing art exhibitions in Boston, dated December 28, 1949.

This image is a vintage newspaper clipping from "The Providence Sunday" dated December 18, 1949. The headline reads "R.I. Art Treasures Included in New Book," and it discusses the inclusion of four Rhode Island art treasures in the book "One Hundred Master Drawings" published by the Harvard University Press. The article, written by Frank Pemberton, describes the significance of the artworks and their reproduction in the book.

The clipping includes three black-and-white reproductions of the artworks mentioned:

1. "Village Square" by Corot, also called "Courtyard of a Monastery."
2. "The Cardplayer" by Paul Cézanne, done in pencil with touches of water color.
3. "Gabrielle and Jean" by Renoir, a drawing in charcoal and black crayon.

The article provides detailed descriptions of each artwork and their owners. It also mentions the book's editor, Miss Agnes Mongan, and the curator of drawings at Harvard's Fogg Art Museum. The article highlights the historical and artistic value of the drawings and their importance in the context of the book.

Additionally, there are other clippings and notes attached to the main clipping, including a section from the Christian Science Monitor dated December 28, 1949, discussing art exhibitions in Boston and outside Boston. The notes and clippings are handwritten and appear to be from a personal collection or archive.

This image displays a yellowed, aged newspaper clipping, likely from the mid-20th century, featuring an article titled:

“R.I. Art Treasures Included in New Book”

Published in “THE PROVIDENCE SUNDAY” newspaper, as indicated at the top right. A handwritten date, “12/18/49”, is visible in the upper right corner, suggesting the article was clipped or cataloged on December 18, 1949. The clipping appears to have been cut from a larger page and glued or taped onto a backing sheet, as evidenced by a visible hole punch and adhesive residue on the top left.

Main Article Content

The article, written by Frank Pemberton, reports on four Rhode Island (R.I.) art treasures that have been selected for reproduction in a new book titled:

“One Hundred Master Drawings”, edited by Agnes Mongan and published by the Harvard University Press (208 pp., $7.50).

The accompanying text explains that these four selected works are on loan from the Rhode Island School of Design Museum, which also hosted a related exhibition of 30 drawings from the Fogg Art Museum’s collection. The article highlights:

• Why these works were chosen: The book aims to showcase master drawings, and these four were selected due to their quality and historical significance.

Featured Artworks (with Images)

The article includes three black-and-white reproductions of the drawings, each accompanied by a caption:

1. “Village Square” by Jean Baptiste Camille Corot (French, 1796–1875).

   • Caption: Above is “Village Square”, also called “Courtyard of a Monastery”, by Corot. It is owned by Mrs. Murray S. Danforth.
   • Image: A landscape drawing depicting a courtyard or square with buildings, a tree, and a figure in the foreground. The style is loose and sketchy.

2. “The Cardplayer” by Paul Cézanne (French, 1839–1906).

   • Caption: “THE CARDPLAYER”, done in pencil with touches of water color by Cezanne, is in the R.I. School of Design Museum.
   • Image: A seated male figure wearing a hat, leaning forward with his hands clasped or in his lap. The drawing is rendered with expressive lines and shading.

3. “Gabrielle and Jean” by Pierre-Auguste Renoir (French, 1841–1919).

   • Caption: “GABRIELLE AND JEAN”, a drawing in charcoal or black crayon by Renoir. This item, owned by Mrs. Danforth, is now on loan to the School of Design Museum.
   • Image: A close-up drawing of two figures, likely a woman and a child, rendered with soft, blended strokes typical of charcoal or crayon.

Additional Clippings

The left-hand side of the backing sheet features two smaller newspaper clippings, likely related to the same topic:

1. Top Left Clip (Boston News Clip):

   • Headline: “Art Exhibitions”
   • From the Christian Science Monitor, Boston, Mass., dated DEC 28 1949.
   • Mentions an exhibition of drawings from the Fogg Art Museum, including works by “Cezanne, Renoir, Corot, Ingres, Daumier, Manet, Degas, Gutch and Cassano.” It notes the exhibition was at the R.I. School of Design Museum (through January) and credits Paul J. Mangan, director of the Museum, and W. P. Bosch, curator.
   • Includes a “DST-DISPAI” stamp and a red “$ 1.00” price mark.

2. Bottom Left Clip (Boston News Clip):

   • Headline: “A Hundred Reproductions”
   • Briefly describes the book “One Hundred Master Drawings,” mentioning its editor, publisher, and price ($7.50). It also notes the book is “an equitably bon [sic] tribute book dedicated to Pa [sic] Sacka” and is “in a 20th and comprehensive group, ranging from Di [sic] to Toulouse-Lautrec.”

Overall Significance

This clipping is a historical artifact documenting:

• The promotion of the book “One Hundred Master Drawings” in 1949.
• The recognition of the Rhode Island School of Design Museum’s collection, specifically highlighting key works by Corot, Cézanne, and Renoir.
• The museum’s role in hosting major exhibitions of drawings from the Fogg Art Museum.
• The provenance and loan status of these artworks (owned by Mrs. Murray S. Danforth, on loan to RISD).
• A small glimpse into art criticism and reporting in the late 1940s.

The physical state of the clipping—yellowed paper, taped backing, handwritten date, and glue residues—underscores its age and value as a piece of archival material. It was likely saved for a museum’s or individual’s records concerning art exhibitions, acquisitions, or publications. The name “HOWARD DERRICKSON” is handwritten at the bottom left, perhaps indicating the person who compiled or annotated the clipping.

An old newspaper clipping from The Providence Sunday is placed on a white surface. The clipping features an article titled "R.I. Art Treasures Included in New Book" with a date of 12/18/49. The article includes a photograph of a man in a hat and a drawing of a tree. The clipping also has a list of art exhibitions, including "Christian Science Monitor" and "Art Exhibitions," with dates and locations.

The image depicts a newspaper clipping with a headline that reads "R.I. Art Treasures Included in New Book." It features four illustrations of art pieces and a brief article about them. The illustrations include a drawing of a man, a drawing of a tree, a drawing of a village square, and a drawing of a card player. The article discusses the inclusion of these art pieces in a new book and provides information about their origins and significance.

The image depicts a newspaper clipping from The Providence Sunday, dated December 18, 1949. The article is titled "R.I. Art Treasures Included in New Book" and discusses the inclusion of several notable drawings in a newly published book titled "One Hundred Master Drawings." The article highlights the significance of the drawings, which are part of the Rhode Island School of Design Museum's collection.

Key Elements in the Image:

1. Headline and Subheadings:

   • The main headline reads: "R.I. Art Treasures Included in New Book."
   • Subheadings include:
     • "Four Works Owned Here Reproduced in 'One Hundred Master Drawings'"
     • "Chosen for reproduction in a new book, 'One Hundred Master Drawings,' are four art treasures from Rhode Island."

2. Visual Elements:

   • The article features four illustrations of the master drawings being discussed:
     • Top Left: A detailed pencil and watercolor drawing titled "The Cardplayer" by Cassane, owned by the R.I. School of Design Museum.
     • Top Right: A charcoal drawing titled "Gabrielle and Jean" by Miss Morgan, also from the museum's collection.
     • Bottom Left: A drawing of a tree by Frank Pemberton, described as part of the museum's collection.
     • Bottom Right: A drawing of a figure by Cassane, labeled as "Village Square Qualities."

3. Text Content:

   • The article mentions that the book "One Hundred Master Drawings" was published by Paul J. Sachs and includes reproductions of drawings from the Harvard University Art Museums.
   • It highlights the historical and artistic value of the drawings, noting that they are from the Rhode Island School of Design Museum.
   • Specific details about the artists and their works are provided, such as:
     • Cassane's "The Cardplayer" and "Village Square Qualities."
     • Miss Morgan's "Gabrielle and Jean."
     • Frank Pemberton's drawing of a tree.
   • The article also discusses the significance of these works in the context of art history and their representation in the new book.

4. Additional Context:

   • The article references the R.I. School of Design Museum and its role in preserving and showcasing these master drawings.
   • It notes that the drawings are part of a larger collection of 100 master drawings featured in the book, which includes works from various countries and artists.

5. Layout and Design:

   • The article is formatted in a typical newspaper style, with a clear headline, subheadings, and accompanying illustrations.
   • The illustrations are placed strategically to visually represent the content of the article, enhancing the reader's understanding of the discussed artworks.

Overall Impression:

The image captures a historical moment in art journalism, showcasing the inclusion of significant drawings from the Rhode Island School of Design Museum in a prestigious publication. The article emphasizes the artistic and cultural value of these works and their representation in a comprehensive collection of master drawings. The layout and illustrations effectively convey the importance of these artworks and their place in the broader art world.

The image presents a newspaper clipping featuring an article about art treasures included in a new book, accompanied by sketches and illustrations. The clipping is from The Providence Sunday Journal, dated December 18, 1949.

• Title and Date
  • Title: "R.I. Art Treasures Included in New Book"
  • Date: December 18, 1949
• Article
  • Author: Frank Pemberton
  • Summary: The article discusses the book "One Hundred Master Drawings" by Rhode Island, which features four art treasures from Rhode Island, including three from the "Village Square" and one from the "Courtyard of a Monastery."
  • Quotes: "Four Works Owned Here Reproduced in 'One Hundred Master Drawings'"
• Sketches and Illustrations
  • Sketches: A sketch of a man in a hat, a tree, and a house
  • Illustrations: An illustration of a woman's face
• Additional Information
  • The article mentions that the book is well-represented in a new book, "One Hundred Master Drawings," which was published by the Harvard University Press.
  • The article also mentions that the book includes four drawings from Rhode Island, including three from the "Village Square" and one from the "Courtyard of a Monastery."
• Newspaper Clipping
  • The clipping is from The Providence Sunday Journal.
  • The clipping is yellowed and torn, with a hole punched in the left margin.

In summary, the image presents a newspaper clipping featuring an article about art treasures included in a new book, accompanied by sketches and illustrations. The article discusses the book "One Hundred Master Drawings" by Rhode Island, which features four art treasures from Rhode Island, including three from the "Village Square" and one from the "Courtyard of a Monastery." The clipping is from The Providence Sunday Journal, dated December 18, 1949.

The image is a yellowed newspaper page from "The Providence Sunday Journal" dated December 18, 1949. The main headline reads "R.I. Art Treasures Included in New Book."

The page features a prominent article with the subheading "Four Works Owned Here Reproduced in 'One Hundred Master Drawings'." The article discusses a new book titled "One Hundred Master Drawings," which includes reproductions of various artworks, including four pieces owned by Rhode Island residents or institutions.

The article is accompanied by images of the reproduced artworks, showcasing different styles and techniques. The overall tone of the article is informative and celebratory, highlighting the significance of the artworks and the new book.

The page also includes other articles and advertisements, but the main focus is on the featured article about the new book and the Rhode Island art treasures it includes. The yellowed color and worn edges of the page suggest that it is an older newspaper, adding to its historical significance.

The image presents a vintage newspaper clipping, likely from The Providence Sunday Journal, featuring an article titled "R.I. Art Treasures Included in New Book." The clipping is yellowed and worn, with visible signs of aging.

Article Details:

• The article discusses the inclusion of Rhode Island art treasures in a new book titled "One Hundred Master Drawings."
• The book features drawings from the collection of Harvard University, with some pieces on loan from the Rhode Island School of Design Museum.
• The article highlights four works owned by Rhode Islanders that are reproduced in the book, including:
  • "Courtyard of a Monastery" (also known as "Village Square") by Cesare
  • "The Cardplayer" by Cézanne
  • "Gabriel and Jean" by Renoir
  • A fourth work by an unnamed artist

Newspaper Clipping Information:

• The clipping is dated December 18, 1949.
• It appears to be a page from The Providence Sunday Journal, with the section number "4" visible at the top.
• The article is accompanied by three sketches:
  • A landscape with a tree and buildings
  • A man playing cards
  • Two children's portraits

Additional Elements:

• A handwritten date, "12/18/49," is visible at the top of the clipping.
• A small piece of paper with the text "BOSTON NEWS CLIP" is attached to the left side of the clipping.
• Several other newspaper clippings are partially visible on the left side of the image.

Overall, the image provides a glimpse into the art world of the late 1940s, highlighting the inclusion of Rhode Island art treasures in a prestigious book of master drawings.

The image presents a newspaper clipping from "The Providence Sunday Journal" dated December 18, 1949, featuring an article titled "R.I. Art Treasures Included in New Book." The article showcases four artworks reproduced in the book "One Hundred Master Drawings," which was published by Harvard University Press.

The clipping includes a sketch of a man wearing a hat, titled "The Cardplayer," done in pencil with touches of watercolor by Catana, on display at the R.I. School of Design Museum. Additionally, it features a sketch of a tree and buildings, as well as a sketch of two people's heads.

The article also mentions that four works owned by the Rhode Island School of Design are reproduced in the book, including "Courtyard of a Monastery" by Corot, owned by Mrs. Murray S. Danforth. Furthermore, it highlights that the book contains drawings from all the great masters of drawing, from the Renaissance to the present day, and that it will contribute to the Pageant of Art, which was assembled from the book's collection of 100 master drawings.

Overall, the image provides a glimpse into the world of art and culture in Rhode Island during the mid-20th century, highlighting the significance of the book "One Hundred Master Drawings" and its inclusion of local art treasures.