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The image is a newspaper clipping from "The Providence Sunday," dated December 19, 1948. The article is titled "R.I. Art Treasures Included in New Book." The article discusses the inclusion of four artworks owned by Rhode Island residents in a new book titled "One Hundred Master Drawings," published by Harvard University Press.

The four works mentioned are:

1. "The Cardplayer," a drawing in pencil with touches of watercolor by Jean-Louis Forain, owned by Mrs. Murray S. Danforth.
2. "Gabrielle and Jean," a drawing in charcoal and pastel by Edgar Degas, owned by Mrs. Murray S. Danforth.
3. "Portrait of Carol," a drawing in pencil by Carolus-Duran, owned by Mrs. Murray S. Danforth.
4. "Horse and Rider," a drawing in pencil by Rosa Bonheur, owned by Miss Anna Monroe.

The article provides brief descriptions and ownership details of each artwork. It highlights the significance of these works being included in the book, which is a collection of master drawings from various museums and private collections. The article also mentions the Rhode Island School of Design Museum, where some of these works are housed.

The images accompanying the article show the drawings "The Cardplayer" and "Gabrielle and Jean." The clipping appears to be part of a larger collection, as indicated by the label "BOSTON NEWS CLIP" at the top, which suggests it was sent to someone in Boston.

The image shows a newspaper clipping from "The Providence Sunday," dated December 6, 1948. The headline reads "R.I. Art Treasures Included in New Book." The article, written by Frank F. Fennerton, discusses the inclusion of four art treasures from Rhode Island in a new book titled "One Hundred Master Drawings."

The first piece mentioned is "Courtyard of a Monastery" by Corot, owned by Mrs. Murray S. Danforth. The second is "Study for the Head of Christ" by Murillo, also owned by Mrs. Danforth. The third is "Gabrielle and Jean," a charcoal and black crayon drawing by Renoir, owned by Miss Mary M. C. M. Williams. The fourth is "The Cardplayer," a drawing by Cesanne, owned by the Rhode Island School of Design Museum.

The article provides details about the art pieces and their significance, as well as information about the book, which was edited by Professor David R. Frances of Harvard University and published by the Harvard University Press. The book features 100 drawings from various periods and countries, with the selected pieces from Rhode Island being highlighted. The clipping also includes illustrations of two of the drawings: "The Cardplayer" by Cesanne and "Gabrielle and Jean" by Renoir.

The image is a newspaper clipping from The Providence Sunday, dated December 3, 1949. The main focus of the article is on art treasures from Rhode Island included in a new book titled "One Hundred Master Drawings."

Key points from the article include:

1. Art Treasures Featured: Four specific artworks from Rhode Island are highlighted in the new book:

   • "Cabinet View of a Monastery" by Corot
   • "The Cardplayer" by Cézanne
   • "Study of a Young Man" by Corot
   • "Buddy da Vinci" by Mary Morrey S. Denforth
   • "The Garden of the Fountain" by John Nicholas Brown
   • "Portrait of Paul Cézanne" by the Rhode Island School of Design

2. Context and Display: The works are noted for their inclusion in an exhibit titled "Four Works Owned Here Reproduced in 'One Hundred Master Drawings'". This exhibit showcases drawings from private and public collections, with the aim of promoting Rhode Island’s artistic heritage.

3. Exhibition Details:

   • The exhibition was at the Rhode Island School of Design.
   • The drawings are being displayed on loan for a short period, with the hope that they will eventually be available for public viewing in permanent exhibitions.

4. Description of Artworks:

   • The article describes the artistic qualities and historical context of each drawing, emphasizing their unique characteristics and contributions to art history.

The accompanying illustrations in the article include sketches and photographs of some of the mentioned artworks, enhancing the visual appeal of the piece.

The article is credited to Frank Fenner from the Boston News Clip, and the book "One Hundred Master Drawings" is published by Harvard University Press.

The image is a newspaper clipping from the Providence Sunday edition, dated December 10, 1949. The headline reads "R.I. Art Treasures Included in New Book," indicating that several artworks from Rhode Island are featured in a new book titled "One Hundred Master Drawings."

The clipping includes a detailed article by Frank Pemberton, with the main focus on four art pieces from Rhode Island that are reproduced in the book. The article highlights that these pieces are significant and represent the island's rich artistic heritage.

1. Headline and Subheadings:

   • Main headline: "R.I. Art Treasures Included in New Book"
   • Subheadings: "Chosen for reproduction in a new book, 'One Hundred Master Drawings,' are four art treasures from Rhode Island, three of which are shown here. Above is 'Courtyard of a Monastery,' by Corot, in the collection of Mrs. Henry S. Paine, of Newport."

2. Artworks:

   • The clipping includes three black-and-white images of artworks:
     • The first artwork, titled "The Cardplayer," is a drawing by Cézanne, in pencil with touches of watercolor, from the School of Design Museum.
     • The second artwork is a drawing by an unknown artist of a "Courtyard of a Monastery."
     • The third artwork is titled "Gabrielle and Jean," a drawing in charcoal and black crayon by Rembrandt, owned by the School of Design Museum.

3. Article Details:

   • The article discusses four works owned in Rhode Island that are featured in the book:
     • "Courtyard of a Monastery" by Corot.
     • "The Cardplayer" by Cézanne.
     • "Gabrielle and Jean" by Rembrandt.
     • "The Man of Sorrows" by Hans Holbein.
   • It mentions that these works are being showcased to highlight their artistic and historical significance, with detailed descriptions of each piece and their current locations.

4. Additional Information:

   • The clipping notes that the book, "One Hundred Master Drawings," includes works from various artists and periods, emphasizing the diversity and quality of the artworks.
   • The article also mentions the efforts to loan these pieces for exhibitions and the interest in their historical context and provenance.

The clipping provides a snapshot of how these artworks were celebrated and preserved, offering insights into their cultural importance and the efforts to bring them to a wider audience.

The image is a newspaper clipping from The Providence Sunday Journal dated December 11, 1949. The headline reads "R.I. Art Treasures Included in New Book" and focuses on Rhode Island's contributions to a new book titled "One Hundred Master Drawings."

The article, written by Frank Pembleton, highlights four art treasures from Rhode Island that are included in the book. These works are:

1. "Courtyard of a Monastery" by Corot, owned by Mrs. Murray S. Danforth.
2. "Bludy Martyr" by Rembrandt, owned by Mr. and Mrs. John Nicholas Brown.
3. "Gabrielle and Jean" by Rembrandt, owned by the Mr. and Mrs. Paul Mellon Collection at the Yale University Art Gallery.
4. "The Cardplayer" by Cézanne, owned by the Mr. and Mrs. Paul Mellon Collection at the School of Design.

The article describes each piece in detail, mentioning their unique qualities and significance. For instance, "Courtyard of a Monastery" is noted for its light and shade play, while "Bludy Martyr" is praised for its dramatic and emotional impact. "Gabrielle and Jean" is highlighted for its intimate and tender portrayal, and "The Cardplayer" is celebrated for its refined and expressive character.

The clipping includes illustrations of the four drawings, providing a visual representation of the artworks being discussed. The drawings are described as being on loan for exhibition from various private collections and museums, emphasizing their importance and rarity.

The image is a newspaper clipping from the Providence Sunday Journal, dated December 8, 1946. The article is titled "R.I. Art Treasures Included in New Book" and discusses a new publication titled "One Hundred Master Drawings."

Key points from the article:

1. Content of the Book:

   • The book features 100 master drawings from various collections, including four significant art treasures from Rhode Island.

2. Rhode Island Art Treasures:

   • The article highlights four specific artworks from Rhode Island that are included in the book:
     1. "Study of Trees" by John La Farge, from the Rhode Island School of Design.
     2. "Landscape" by George Inness, also from the Rhode Island School of Design.
     3. "The Cardplayer" by Paul Cézanne, from the collection of Mrs. Murray S. Danforth.
     4. A charcoal drawing by Francisco Goya, "Garibaldi and Jean," owned by Mrs. Murray S. Danforth.

3. Descriptions of Artworks:

   • John La Farge's "Study of Trees": This drawing is noted for its detailed depiction of trees and is part of a collection that showcases his work.
   • George Inness's "Landscape": The article mentions this as a significant piece within the book.
   • Paul Cézanne's "The Cardplayer": This drawing, done in pencil, is noted for its expressive character.
   • Francisco Goya's "Garibaldi and Jean": This drawing, created in charcoal, is another standout piece and is described in detail.

4. Other Artworks Mentioned:

   • The article lists other notable artists and their works included in the book, such as drawings by Hans Holbein, Rembrandt, and Dürer.

5. Book Details:

   • The book, compiled by Dr. Jakob Rosenberg, is published by the Harvard University Press in Cambridge, Massachusetts.

The clipping also includes small sketches of the artworks mentioned, providing a visual reference for the readers. The article emphasizes the value and importance of these Rhode Island art treasures being included in a significant publication.

The image shows a clipped and aged newspaper article mounted on a brown backing sheet. The article is titled "R.I. Art Treasures Included in New Book" and is from "The Providence Sunday" paper. A Boston News Clip stamp indicates it is from the Journal in Providence, R.I., dated December 18, 1949.

The article discusses Rhode Island art treasures reproduced in a new book titled "One Hundred Master Drawings," published by the Harvard University Press. It highlights four notable works from Rhode Island, including "Village Square" (also called "Courtyard of a Monastery") by Corot, owned by Mrs. Murray S. Danforth, as well as works by Renoir and Paul Cezanne.

Three illustrated pencil or charcoal sketches accompany the text:

1. The left sketch depicts a barren tree with buildings around it, labeled as "Village Square."
2. The top right sketch, labeled "The Cardplayer," shows a man, drawn in pencil with touches of water color by Cezanne.
3. The bottom right sketch, labeled "Gabrielle and Jean," shows two portraits drawn in charcoal and black crayon by Renoir, noted to be on loan to the School of Design Museum.

The article elaborates on the significance of these artworks, the exhibition, and the collaboration between various institutions for the book and exhibition. It mentions that the book includes discussions by art experts and various schools of thought and provides detailed notes on the techniques and significance of the drawings.

This is an image of a worn newspaper clipping from the "Boston News Clip" service dated December 3, 1938. It features an article titled "R.I. Art Treasures Included in New Book". The piece discusses four works owned in Rhode Island that were reproduced in a publication titled "One Hundred Master Drawings". The newspaper includes several reproduced drawings including landscapes and figures, with captions beneath them referring to the artwork and the names associated with them such as owners or artists.

The page has discolored with age, indicative of old paper, and there are visible tears and creases. Some parts of the paper are missing, and there is a hole near the left bottom of the clipping. There are pins or staples in the corners indicating it may have been posted or secured in a book or on a board at some time. The text of the article discusses various individuals and the significance of their contributions or their possession of the master drawings. The newspaper clipping was likely retained for its reference to local art history and notable artworks.

Description of the Image

The image depicts a newspaper clipping from The Providence Sunday dated December 8, 1949. The clipping is titled "R.I. Art Treasures Included in New Book" and appears to be a review or announcement of a newly published book titled "One Hundred Master Drawings." The clipping is sourced from the Boston News Clip archive, located at 120 Tremont Street, Boston 8, Mass.

Layout and Content:

1. Header Information:

   • The top of the clipping includes the header "R.I. Art Treasures Included in New Book," indicating that the article focuses on Rhode Island (R.I.) art being featured in a new publication.
   • The source is clearly marked as The Providence Sunday, with the date December 8, 1949.

2. Visual Elements:

   • The article includes four illustrations of drawings, each accompanied by captions and descriptions. These drawings are highlighted as being part of the new book.
   • The illustrations are labeled as follows:
     • "The Cardplayer," done in pencil with touches of watercolor by Paul Cézanne, owned by the R.I. School of Design Museum.
     • "Garielle and Jean," a drawing in charcoal and black crayon by Renoir, also owned by the School of Design Museum.
     • Two additional drawings are shown but not explicitly named in the visible portion of the clipping.

3. Textual Content:

   • The article discusses the inclusion of four master drawings from Rhode Island in the new book "One Hundred Master Drawings," published by Merrymount Press.
   • The drawings are described as being from notable artists such as Paul Cézanne and Pierre-Auguste Renoir, emphasizing their historical and artistic significance.
   • The article mentions that these drawings are on loan to the School of Design Museum from private collections, including those of Mrs. Murray S. Danforth and Mrs. John Nicholas Brown.
   • It also references the Fogg Art Museum at Harvard University, noting that the book includes drawings from their collection as well.

4. Contextual Details:

   • The article provides background on the Fogg Art Museum's collection, noting that it includes over 30,000 drawings and that the book features a selection of these works.
   • It highlights the historical importance of the drawings, mentioning that some are from the 19th century and have never been publicly exhibited before.
   • The article also touches on the exhibition history of the drawings, noting that some were part of an exhibition at the School of Design Museum in 1949.

5. Design and Condition:

   • The clipping appears to be aged, with visible signs of wear such as fading ink, ** creases**, and small tears along the edges.
   • The paper has a yellowed tone, typical of aged newspaper clippings.

Key Themes:

• Art and Culture: The article emphasizes the cultural and artistic value of the drawings, showcasing masterpieces by renowned artists.
• Preservation and Access: It highlights the role of museums and private collectors in preserving and sharing these works with the public.
• Historical Significance: The article underscores the historical context of the drawings, noting their age and previous exhibition history.

Overall, the clipping serves as a historical document that provides insight into the art world of 1949, particularly focusing on the inclusion of Rhode Island's artistic treasures in a significant publication.

The image shows a clipping from a newspaper, dated December 18, 1949, featuring an article titled "R.I. Art Treasures Included in New Book." The article discusses a new book titled "One Hundred Master Drawings," which features reproductions of four Rhode Island art treasures. The article highlights the rarity and quality of these drawings, which are owned by various individuals and institutions in Rhode Island. The drawings are described as "completely unidentified" and "completely detached from the outer world," suggesting their historical and artistic significance. The article also mentions that the book is intended for the layman or amateur who enjoys looking at master drawings and would like to know more about them.