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This image displays a yellowed, aged newspaper clipping from The Providence Sunday Journal, dated December 18, 1949. It is page 4 of the publication and features an article titled:

“R.I. Art Treasures Included in New Book”

The article, written by Frank Pemberton, announces that four significant works of art from Rhode Island collections have been selected for reproduction in a new book called “One Hundred Master Drawings.” The book was edited by Miss Agnes Mongan, curator of drawings at Harvard’s Fogg Art Museum, and published by Harvard University Press.

The article focuses on four specific drawings mentioned as being owned in Rhode Island:

1. “Gabrielle and Jean” by Renoir — Described as a charcoal and black crayon drawing owned by Mrs. Murray S. Danforth. It is noted as being on loan to the School of Design Museum.

2. “Village Square” (also called “Courtyard of a Monastery”) by Corot — Owned by Mrs. Murray S. Danforth.

3. “Study for a Horse and Rider” by Leonardo da Vinci — From the collection of John Nicholas Brown in Newport.

4. “The Cardplayer” by Paul Cezanne — A large pencil drawing with touches of watercolor, owned by the Rhode Island School of Design. It is described as a “masterly drawing” and noted for capturing the “character of Cezanne’s drawing brightened with touches of color.”

The article includes three black-and-white reproductions of these drawings directly on the page:

• Top left: “Village Square” by Corot (a landscape scene)
• Top right: “The Cardplayer” by Cezanne (a seated man in a hat)
• Bottom right: “Gabrielle and Jean” by Renoir (a portrait of two figures, one possibly a child)

Additional context provided includes:

• An upcoming exhibition of 30 drawings from the Fogg Art Museum collection, including the Rhode Island selections, to be displayed at the School of Design until January 2nd.
• Commentary from art critic John Rewald and Prof. John Joseph Sweeney (Smith Professor of French and Spanish Languages at Harvard) praising the book’s selections.
• A note that the book includes drawings from many countries and styles, with explanatory text and glossary by Prof. Sweeney.

The newspaper clipping itself shows signs of age, with discoloration and some minor damage (small holes or tears on the left margin). A white library or archive label is affixed to the top left, reading:

BOSTON NEWS CLIP
120 Tremont Street
Boston 8, Mass.
Journal
Providence, R. I.
DEC 18 1949

Handwritten in red ink near the date is “128 E”. The clipping is likely part of an archival collection.

In summary, this is a vintage newspaper article documenting Rhodian art treasures being featured in a prestigious art book, with accompanying illustrations and commentary on their significance.

The image appears to be a newspaper clipping from "The Providence Sunday Journal" dated December 18, 1949. The article is titled "R.I. Art Treasures Included in New Book." It discusses four art treasures from Rhode Island being featured in a new book titled "One Hundred Master Drawings," published by Harvard University Press.

The article highlights four works that were chosen for reproduction in the book:

1. "Village Square" by Corot - This is also known as "Courtyard of a Monastery" and is owned by Mrs. Murray S. Danforth.
2. "Gabrielle and Jean" by Renoir - This is a drawing of Gabrielle, the artist's favorite model, holding her son Jean, with additional drawings of the boy on the same page.
3. "Study for a Horse and Rider" by Leonardo da Vinci - This is part of the John Nicholas Brown Collection in Newport.
4. "The Cardplayer" by Paul Cezanne - This work is owned by the Museum of Art, Rhode Island School of Design.

The newspaper clipping includes reproductions of the sketches or drawings of these works, along with brief descriptions. The article mentions that the book will display 30 drawings from the Fogg Art Museum collection and includes contributions from artists from various countries. The text also references a book exhibition at the School of Design Museum. The overall tone of the article suggests a focus on the art and the significance of these master drawings.

This image is a scanned copy of a newspaper clipping from "The Providence Sunday Journal," dated December 18, 1949. The article is titled "R.I. Art Treasures Included in New Book" and discusses four art treasures from Rhode Island that are included in a new book called "One Hundred Master Drawings," published by Harvard University Press.

The article, written by Frank Pemberton, describes the four drawings:

1. "Village Square" (also called "Courtyard of a Monastery") by Corot, owned by Mrs. Murray S. Danforth.
2. "The Cardplayer" by Cezanne, owned by the Museum of Art, Rhode Island School of Design.
3. "Gabrielle and Jean" by Renoir, also owned by Mrs. Danforth.
4. "Study for a Horse and Rider" by Leonardo da Vinci, from the collection of John Nicholas Brown.

The article includes descriptions of the drawings and their significance. It mentions that the book is intended for the layman or amateur who enjoys looking at master drawings and would like to know more about them.

The newspaper page is attached to a larger piece of brown paper, which has a label at the top that reads "BOSTON NEWS CLIP" with an address in Boston, Massachusetts. The label also indicates that the clipping is from the Journal in Providence, R.I. There are some handwritten markings on the paper, including the number "4" and "128F."

The image shows a clipping from a newspaper, dated December 18, 1949, featuring an article titled "R.I. Art Treasures Included in New Book." The article discusses a new book titled "One Hundred Master Drawings," which features reproductions of four Rhode Island art treasures. The article highlights the rarity and quality of these drawings, which are owned by various individuals and institutions in Rhode Island. The drawings are described as "completely unidentified" and "completely detached from the outer world," suggesting their historical and artistic significance. The article also mentions that the book is intended for the layman or amateur who enjoys looking at master drawings and would like to know more about them.

The image is a clipping from a newspaper that features an article about art treasures from Rhode Island. The clipping is from "The Providence Sunday" and is dated December 18, 1949. The headline reads "R.I. Art Treasures Included in New Book."

The article discusses the inclusion of four Rhode Island art treasures in a new book titled "One Hundred Master Drawings." The book was published by Harvard University Press, Cambridge, Mass. The four works are part of three collections from Rhode Island and are described as "rare and rare qualities."

The art treasures are owned by Mrs. Murray S. Danforth and are on loan for an exhibition at the School of Design Museum. The article mentions that the exhibition features charcoal and fine line drawings, and the test of "One Hundred Master Drawings" appears in the book. The book contains drawings by various artists, including Rembrandt, Goya, and Picasso.

The article also highlights the rarity and quality of the Rhode Island art treasures, which are described as "rare and rare qualities." The drawings are in pencil with touches of watercolor by Cézanne and are owned by Mrs. Danforth. The article concludes by mentioning that the book is intended primarily for the layman or amateur who enjoys looking at master drawings and would like to know more about them.

Description of the Image

The image depicts a newspaper clipping from The Providence Sunday dated December 8, 1949. The clipping is titled "R.I. Art Treasures Included in New Book" and appears to be a review or announcement of a newly published book titled "One Hundred Master Drawings." The clipping is sourced from the Boston News Clip archive, located at 120 Tremont Street, Boston 8, Mass.

Layout and Content:

1. Header Information:

   • The top of the clipping includes the header "R.I. Art Treasures Included in New Book," indicating that the article focuses on Rhode Island (R.I.) art being featured in a new publication.
   • The source is clearly marked as The Providence Sunday, with the date December 8, 1949.

2. Visual Elements:

   • The article includes four illustrations of drawings, each accompanied by captions and descriptions. These drawings are highlighted as being part of the new book.
   • The illustrations are labeled as follows:
     • "The Cardplayer," done in pencil with touches of watercolor by Paul Cézanne, owned by the R.I. School of Design Museum.
     • "Garielle and Jean," a drawing in charcoal and black crayon by Renoir, also owned by the School of Design Museum.
     • Two additional drawings are shown but not explicitly named in the visible portion of the clipping.

3. Textual Content:

   • The article discusses the inclusion of four master drawings from Rhode Island in the new book "One Hundred Master Drawings," published by Merrymount Press.
   • The drawings are described as being from notable artists such as Paul Cézanne and Pierre-Auguste Renoir, emphasizing their historical and artistic significance.
   • The article mentions that these drawings are on loan to the School of Design Museum from private collections, including those of Mrs. Murray S. Danforth and Mrs. John Nicholas Brown.
   • It also references the Fogg Art Museum at Harvard University, noting that the book includes drawings from their collection as well.

4. Contextual Details:

   • The article provides background on the Fogg Art Museum's collection, noting that it includes over 30,000 drawings and that the book features a selection of these works.
   • It highlights the historical importance of the drawings, mentioning that some are from the 19th century and have never been publicly exhibited before.
   • The article also touches on the exhibition history of the drawings, noting that some were part of an exhibition at the School of Design Museum in 1949.

5. Design and Condition:

   • The clipping appears to be aged, with visible signs of wear such as fading ink, ** creases**, and small tears along the edges.
   • The paper has a yellowed tone, typical of aged newspaper clippings.

Key Themes:

• Art and Culture: The article emphasizes the cultural and artistic value of the drawings, showcasing masterpieces by renowned artists.
• Preservation and Access: It highlights the role of museums and private collectors in preserving and sharing these works with the public.
• Historical Significance: The article underscores the historical context of the drawings, noting their age and previous exhibition history.

Overall, the clipping serves as a historical document that provides insight into the art world of 1949, particularly focusing on the inclusion of Rhode Island's artistic treasures in a significant publication.

This is an image of a worn newspaper clipping from the "Boston News Clip" service dated December 3, 1938. It features an article titled "R.I. Art Treasures Included in New Book". The piece discusses four works owned in Rhode Island that were reproduced in a publication titled "One Hundred Master Drawings". The newspaper includes several reproduced drawings including landscapes and figures, with captions beneath them referring to the artwork and the names associated with them such as owners or artists.

The page has discolored with age, indicative of old paper, and there are visible tears and creases. Some parts of the paper are missing, and there is a hole near the left bottom of the clipping. There are pins or staples in the corners indicating it may have been posted or secured in a book or on a board at some time. The text of the article discusses various individuals and the significance of their contributions or their possession of the master drawings. The newspaper clipping was likely retained for its reference to local art history and notable artworks.

This image shows a newspaper clipping mounted on a piece of paper, containing an article titled "R.I. Art Treasures Included in New Book" from The Providence Sunday Journal, dated December 18, 1949 (as indicated by the Boston News Clip stamp at the top). The article discusses Rhode Island art contributions to a new publication, One Hundred Master Drawings.

There are three sketches reproduced in the clipping:

1. The upper left sketch titled "Village Square" is described as a pencil drawing called "Courtyard of a Monastery" by Corot.
2. The upper right sketch titled "The Cardplayer" by Cézanne, done in pencil with touches of watercolor.
3. The bottom right sketch titled "Gabrielle and Jean" by Renoir, a charcoal and black crayon drawing.

The text beneath the sketches elaborates on the inclusion and significance of the artwork, mentioning Rhode Island locations and owners associated with the pieces.

• A faded newspaper clipping mounted on tan backing paper. The edges are worn and there are a couple of small holes along the left side.
• The main headline reads: “R.I. Art Treasures Included in New Book,” with “The Providence Sunday” noted at the top of the clipping.
• A small inset label at the top left says “BOSTON NEWS CLIP … DEC 18 1949.”
• The article explains that four Rhode Island works were chosen for reproduction in a new book called “One Hundred Master Drawings.”
• There are several small grayscale drawings printed on the clipping:
  • On the left, a scene with leafless trees and houses, like a winter landscape.
  • On the upper right, a drawing titled “THE CARPLAYER” or a depiction of a man with a hat (a sketch of a person).
  • On the bottom right, a double portrait or figure study, labeled “GABRIELLE AND JEAN” (charcoal drawing).
• The overall impression is of an old newspaper feature about Rhode Island art being included in a published collection.

The image shows a clipped and aged newspaper article mounted on a brown backing sheet. The article is titled "R.I. Art Treasures Included in New Book" and is from "The Providence Sunday" paper. A Boston News Clip stamp indicates it is from the Journal in Providence, R.I., dated December 18, 1949.

The article discusses Rhode Island art treasures reproduced in a new book titled "One Hundred Master Drawings," published by the Harvard University Press. It highlights four notable works from Rhode Island, including "Village Square" (also called "Courtyard of a Monastery") by Corot, owned by Mrs. Murray S. Danforth, as well as works by Renoir and Paul Cezanne.

Three illustrated pencil or charcoal sketches accompany the text:

1. The left sketch depicts a barren tree with buildings around it, labeled as "Village Square."
2. The top right sketch, labeled "The Cardplayer," shows a man, drawn in pencil with touches of water color by Cezanne.
3. The bottom right sketch, labeled "Gabrielle and Jean," shows two portraits drawn in charcoal and black crayon by Renoir, noted to be on loan to the School of Design Museum.

The article elaborates on the significance of these artworks, the exhibition, and the collaboration between various institutions for the book and exhibition. It mentions that the book includes discussions by art experts and various schools of thought and provides detailed notes on the techniques and significance of the drawings.