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This image shows a single, aged page from The Boston Daily Globe, dated Thursday, May 13, 1949.

The page is dedicated to a major news story about the Hoyt Collection of Ceramics, which was left to the Boston Museum of Fine Arts by the late Charles B. Hoyt.

The article, titled “Hoyt Collection of Ceramics Left to Fine Arts Museum” and written by Edgar J. Driscoll, Jr., details the significance of this donation. It describes the collection as “a marvelous collection of early Oriental ceramics,” including the “finest example of ancient Korean pottery to be found in the world.” The article notes that Hoyt, who died at 59, was one of the world’s foremost private collectors of Chinese ceramics and had assembled the collection over 40 years.

The page features two black-and-white photographs:

1. On the upper left, a photo of a Sculptured Pottery Camel of the T’ang dynasty (7-900 A.D.) from the Hoyt Collection.
2. On the upper right, a photo of a Demon Head in dry lacquer Chinese piece, also from the Hoyt Collection.

Accompanying text provides biographical details about Charles B. Hoyt, describing him as a “bachelor,” “man of extraordinary taste,” and a descendant of American Revolutionary War-era figures. The article notes his long-standing connection with the Museum of Fine Arts as a member of its visiting committee and that he had considered donating his collection there for many years before his death.

The overall tone of the article is one of reverence for both the collector and the cultural value of the artifacts. The physical condition of the clipping — yellowed paper with hole-punch marks on the left — suggests it is a preserved historical newspaper clipping.

In essence, the image captures a moment in 1949 when a significant private art collection entered the public domain, enriching the Boston Museum of Fine Arts with rare Eastern ceramics.

The image is a page from the Boston Daily Globe, dated Thursday, May 19, 1949. The page contains a news article about the Hoyt Collection of Ceramics, which has been left to the Boston Museum of Fine Arts. The article is written by Edgar J. Driscoll Jr.

The page features three photographs:

1. A sculptured pottery camel from the T'ang dynasty (7-900 A.D.) in the Hoyt Collection.
2. A portrait of Charles B. Hoyt, referred to as "The Late Charles B. Hoyt."
3. A demon head in dry lacquer from the Chinese piece in the Hoyt Collection.

The page also includes a section on the collection itself, detailing the various items included in the Hoyt Collection, such as early Chinese and Korean pottery, early sculptured wooden figures, Chinese, Korean, and Japanese bronze mirrors, and a small number of Chinese paintings and prints.

This image is a scanned page from the Boston Daily Globe, dated Thursday, May 19, 1949. The page features an article titled "Hoyt Collection of Ceramics Left to Fine Arts Museum," written by Edgar J. Driscoll Jr. The article discusses a remarkable collection of early Oriental ceramics, including some of the finest examples of ancient Korean pottery, which has been left to the Boston Museum of Fine Arts by the late Charles Bain Hoyt.

The article mentions that the collection is considered one of the world's foremost private collections of Chinese ceramics and includes many extremely rare Chinese ceramic works. It also notes that the collection contains thousands of pieces of unestimated value, dating from prehistoric times to the present day.

There are three photographs accompanying the article:

1. A sculptured pottery camel from the Tang dynasty (7-900 A.D.) in the Hoyt Collection.
2. A portrait of the late Charles B. Hoyt.
3. A photograph of a demon head in a dry lacquer Chinese piece from the Hoyt Collection.

The article also provides biographical information about Charles Bain Hoyt, including his background and his passion for collecting Oriental art. It mentions that Hoyt was a bachelor who died at the age of 59 in a New York hotel on March 24. He had been a member of the visiting committee of the Fogg Museum for more than 20 years and wished to have his entire collection housed under one roof, which led him to will it to the Boston Museum of Fine Arts.

The article concludes with a note about the monetary value of the collection, stating that although authorities are reluctant to estimate its worth, it is understood that Hoyt bought many of the pieces at small prices when little was known about Chinese art.

A newspaper clipping from the Boston Daily Globe, Thursday, May 13, 1949, has three images and some text. The newspaper clipping is placed on a brown sheet of paper. The top left image is a camel. The top middle image is a man. The top right image is a head of a demon. The text below the images reads "Hoyt Collection of Ceramics Left to Fine Arts Museum." The text is written in black font.

A newspaper clipping from the Boston Daily Globe dated May 18, 1969, features an article titled "Hoyt Collection of Ceramics Left to Fine Arts Museum." The article discusses the Hoyt Collection, which includes a vast array of ceramics, particularly Oriental pottery, left to the Boston Museum of Fine Arts by the late Charles Hoyt. The collection is described as one of the finest examples of ancient Korean pottery. The article includes a photograph of a sculpted pottery camel from the Tang dynasty and a photograph of Charles Hoyt.

The image is a scanned page from The Boston Daily Globe, dated Thursday, May 18, 1949. The page features a news article titled "Hoy Collection of Ceramics Left to Fine Arts Museum", written by Edgar J. Driscoll Jr. The article discusses the donation of a significant collection of ceramics to the Boston Museum of Fine Arts by the late Charles R. Hoyt.

Key Elements in the Image:

Left Column:

• Headline: "Hoy Collection of Ceramics Left to Fine Arts Museum"
• Subheading: "By EDGAR J. DRISCOLL JR."
• Image: A black-and-white photograph of a sculptured pottery camel from the Tang dynasty (circa 7,900 A.D.), part of the Hoyt Collection. The caption below the image reads: "SCULPTURED POTTERY CAMEL of the Tang dynasty (7,900 A.D.) in the Hoyt Collection."
• Article Content: The article describes the Hoyt Collection, noting that it is one of the finest examples of ancient Oriental ceramics. It highlights the collection's significance, mentioning that it includes rare Chinese ceramic works dating from the Tang dynasty to the present day. The article also emphasizes the collection's value and the fact that it was donated to the Boston Museum of Fine Arts.

Right Column:

• Headline: "THE LATE CHARLES R. HOYT"
• Image: A black-and-white photograph of Charles R. Hoyt, the donor of the collection. The caption reads: "THE LATE CHARLES R. HOYT".
• Article Content: This section provides background on Charles R. Hoyt, describing him as a bachelor who died at the age of 60 in New York. It details his life, including his career as a hotel owner and his passion for collecting Oriental art. The article notes that Hoyt amassed an extraordinary private collection of Chinese, Korean, and Japanese ceramics over 40 years, reflecting his deep interest in the field. It also mentions that Hoyt's collection was considered one of the most important private collections of its kind at the time of his death.

Bottom Right Corner:

• Image: A black-and-white photograph of a demon head in dry lacquer, described as a Chinese piece. The caption reads: "DEMON HEAD in dry lacquer Chinese piece, in Hoyt Collection."
• Article Content: This section discusses the demon head, noting its historical and artistic significance. It also touches on Hoyt's legacy and the impact of his collection on the study of Oriental art.

Layout and Design:

• The page is formatted in a classic newspaper style, with columns of text and accompanying photographs.
• The headline and subheading are prominently displayed at the top of the left column.
• The article is divided into two main sections: one focusing on the collection itself and the other on the life and legacy of Charles R. Hoyt.
• The images are placed strategically to illustrate key points in the article, enhancing the reader's understanding of the subject matter.

Overall Context:

The page provides a detailed account of the Hoyt Collection, emphasizing its historical and cultural importance. It highlights the donor's dedication to collecting Oriental ceramics and the lasting impact of his donation on the Boston Museum of Fine Arts. The inclusion of images of specific artifacts (the Tang dynasty camel and the demon head) adds visual interest and reinforces the article's focus on the collection's artistic and historical value.

The image presents a scanned page from the Boston Daily Globe, dated Thursday, May 18, 1949. The page features a prominent headline, "Hoyt Collection of Ceramics Left to Fine Arts Museum," accompanied by a photograph of a man and a sculpture of a camel. Below this, there is a large article discussing the collection, which includes a section titled "Collection" that provides further details about the ceramics.

• Headline and Photographs
  • The headline reads, "Hoyt Collection of Ceramics Left to Fine Arts Museum."
  • A photograph of a man is displayed, with the caption "THE LATE CHARLES B. HOYT."
  • A sculpture of a camel is also shown, with the caption "SCULPTURED POTTERY CAMEL of the Tang dynasty (7-900 A.D.) in the Hoyt Collection."
• Article
  • The article discusses the collection, which includes many extremely rare Chinese ceramic works.
  • It mentions that the Hoyt Collection of Fine Arts by the late Charles B. Hoyt of Cambridge, Cambridge, Mass., and Switzerland, it was learned yesterday.
  • The article highlights the importance of the collection, stating that it is one of the finest examples of ancient Korean pottery to be found in the world.
  • It also notes that the collection includes many extremely rare Chinese ceramic works, which will give added value to the museum's collection of Oriental art.
• Section Titles
  • The article is divided into sections, including "Collection" and "See Collection."
  • The "Collection" section provides further details about the ceramics, including their rarity and historical significance.
  • The "See Collection" section invites readers to visit the museum to see the collection for themselves.

In summary, the image presents a scanned page from the Boston Daily Globe, featuring a headline and photographs of a man and a sculpture of a camel, as well as an article discussing the Hoyt Collection of Ceramics Left to Fine Arts Museum. The article highlights the importance of the collection, which includes many extremely rare Chinese ceramic works, and invites readers to visit the museum to see the collection for themselves.

The image depicts a newspaper clipping from the Boston Daily Globe, dated Thursday, May 19, 1949. The article features a collection of ceramics left to the Fine Arts Museum by Edgar J. Driscoll Jr.

Key Points:

• Newspaper Clipping: The image shows a newspaper clipping from the Boston Daily Globe, dated Thursday, May 19, 1949.
• Article Title: The article is titled "Hoyt Collection of Ceramics Left to Fine Arts Museum" and is written by Edgar J. Driscoll Jr.
• Collection Description: The article describes the collection as a "marvelous collection of early Oriental ceramics, including the finest example of ancient Korean pottery to be found in the world."
• Donor Information: The collection was donated to the Fine Arts Museum by Mr. Hoyt, who acquired it during his travels in China and Korea.
• Collection Significance: The collection is considered one of the most important collections of Chinese ceramics in the world and is expected to be a major addition to the museum's collection.

Overall, the image provides information about a significant collection of ceramics that was donated to the Fine Arts Museum in Boston. The collection is considered one of the most important collections of Chinese ceramics in the world and is expected to be a major addition to the museum's collection.

The image depicts a yellowed newspaper clipping from "The Boston Daily Globe" dated Thursday, May 19, 1949.

Key Features:

• The clipping is torn and has two holes punched on the left side.
• The article is titled "Hoyt Collection of Ceramics Left to Fine Arts Museum" and is written by Edgar J. Driscoll Jr.
• The article features three black-and-white images:
  • A camel sculpture
  • A portrait of Charles B. Hoyt
  • A demon head sculpture
• The article discusses the Hoyt Collection, a collection of ceramics left to the Boston Museum of Fine Arts by Charles B. Hoyt.

Overall Impression:

The image appears to be a historical document or artifact, likely preserved for its cultural or historical significance.

The image presents a vintage newspaper clipping from "THE BOSTON DAILY GLOBE" dated Thursday, May 19, 1949. The article is titled "Hoyt Collection of Ceramics Left to Fine Arts Museum" and features three photographs.

Photographs:

• A sculptured pottery camel of the T'ang dynasty (7-900 A.D.) in the Hoyt Collection
• The late Charles B. Hoyt
• A demon head in dry lacquer Chinese piece, also part of the Hoyt Collection

Article Summary:

The article discusses the donation of Charles B. Hoyt's extensive collection of Chinese ceramics to the Boston Museum of Fine Arts. The collection includes over 2,000 pieces, with a focus on early Oriental art, including Korean, Chinese, and Southeast Asian works. The article highlights the significance of the collection, which is considered one of the largest and best of its kind.

Newspaper Clipping Details:

• The clipping is yellowed with age and has two holes punched on the left side.
• The text is in black ink, with a clear and readable font.
• The overall condition of the clipping suggests that it has been well-preserved and handled with care.

Background:

• The background of the image is a light gray color, providing a neutral contrast to the yellowed newspaper clipping.

Overall, the image provides a fascinating glimpse into the world of art collecting and the significance of the Hoyt Collection. The inclusion of photographs adds visual interest and helps to illustrate the importance of the collection.