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The image is a newspaper clipping from "The Boston Daily Globe" dated Thursday, May 18, 1949. The article is titled "Hoyt Collection of Ceramics Left to Fine Arts Museum." The article discusses the bequest of a significant collection of ceramics by the late Charles H. Hoyt to the Boston Museum of Fine Arts.

Key points from the article include:

1. Collection Overview: The collection is described as "marvelous" and includes many rare Oriental ceramics, particularly Chinese ceramics from the T'ang dynasty (7,000 A.D.), as well as ancient Korean pottery and Persian ceramics.

2. Bequest Details: Charles H. Hoyt, a bachelor who died in New York at the age of 50, left his extensive collection to the museum. The collection includes about 120 pieces of Chinese porcelain and pottery, 30 pieces of Korean pottery, and 30 pieces of Persian pottery.

3. Significance: The collection is noted for its rarity and historical significance, with some pieces dating back to the T'ang dynasty. The article mentions specific items such as a sculptured pottery camel from the T'ang dynasty and a demon head in dry lacquer.

4. Personal Background: Charles H. Hoyt was a graduate of Harvard and had a keen interest in Oriental art. He was known for his discerning taste and his collection was highly regarded by experts.

5. Museum Reaction: The museum's director, Edgar J. Banks, Jr., expresses gratitude for the bequest, highlighting the importance of the collection to the museum's holdings.

The article is accompanied by three images:

• A sculptured pottery camel from the T'ang dynasty.
• A portrait of Charles H. Hoyt.
• A demon head in dry lacquer Chinese piece.

The article provides a detailed account of the bequest, the significance of the collection, and the background of the collector, Charles H. Hoyt.

The image is a newspaper clipping from The Boston Daily Globe, dated Thursday, May 18, 1949. The article discusses the bequest of a collection of ceramics by Charles B. Hoyt to the Fine Arts Museum in Boston. Here is a detailed summary of the contents:

Headline:

• "Hoyt Collection of Ceramics Left to Fine Arts Museum"

Main Article:

• The article begins by mentioning that Charles B. Hoyt, a collector, left his extensive collection of Oriental ceramics to the Boston Fine Arts Museum.
• The collection includes thousands of pieces of ancient Korean pottery, Chinese ceramics, and other related items, dating from prehistoric times to the present day.
• Hoyt, a bachelor, had resided at the Hotel McAlpin in New York City, where he developed his passion for Oriental art and ceramics.
• The article highlights the significance of the collection, which includes works from the Tang dynasty (7-900 A.D.) and other periods, such as the Ming and Sung dynasties.
• The text mentions that the collection will be displayed and studied at the Fogg Museum, part of Harvard University, and that the items will be available for research and exhibition.

Images:

• There are three images accompanying the article:
  1. A sculptured pottery camel from the Tang dynasty.
  2. A portrait of Charles B. Hoyt.
  3. A piece of dry lacquer Chinese pottery with a demon head.

Additional Details:

• The article notes that Hoyt was a meticulous collector who had a deep understanding of the history and value of his pieces.
• The Fogg Museum was chosen for its expertise in Oriental art and its facilities to house and display the collection.
• The article also touches on Hoyt's personal life, mentioning that he was a man of extraordinary taste and a lifelong collector.

The clipping provides a glimpse into the world of Oriental art and the efforts of private collectors to preserve and share their collections with the public.

The image is a newspaper clipping from The Boston Daily Globe, dated May 18, 1949. The article focuses on the Hoyt Collection of Ceramics, which was left to the Fine Arts Museum.

Here are the detailed elements in the image:

1. Headline and Main Article:

   • The headline reads: "Hoyt Collection of Ceramics Left to Fine Arts Museum."
   • The main article by Edgar J. Driscoll Jr. discusses the Hoyt Collection, a remarkable collection of Oriental ceramics. The collection includes pieces from ancient Korean pottery, dating back to the Tang dynasty (7-900 A.D.), as well as Chinese ceramics from various periods.
   • It is noted that the collection is renowned for its artistic quality and historical significance, and it was acquired over the years by Charles B. Hoyt, who passed away.

2. Images:

   • Left Image: Shows a sculptured pottery camel from the Tang dynasty in the Hoyt Collection.
   • Center Image: Features a portrait of Charles B. Hoyt, highlighting his connection to the collection.
   • Right Image: Displays a demon head in a dry lacquer Chinese piece from the Hoyt Collection.

3. Additional Details in the Article:

   • Hoyt, a bachelor, was known for his extensive private collection, which included a wide range of artifacts from different cultures and time periods.
   • The collection is described as a treasure trove, with pieces ranging from the early Chinese and Korean dynasties to the Ming and Qing periods.
   • The article mentions that the collection will be available for viewing at the Boston Museum of Fine Arts, adding to the cultural heritage of the city.

4. Background:

   • The article is split into two columns, with the left column containing the text and the right column providing images and brief captions.

The overall context emphasizes the significance of Hoyt's collection in preserving and showcasing historical and artistic artifacts, ensuring they are accessible for future generations.

The image displays a newspaper page from "The Boston Daily Globe" dated Thursday, May 18, 1939. The main article on the page is titled "Hoyt Collection of Ceramics Left to Fine Arts Museum," authored by Edgar J. Driscoll Jr. The article discusses the bequest of a significant collection of Oriental ceramics, including Chinese, Korean, and other Asian pieces, to the Boston Fine Arts Museum by the late Charles R. Hoyt. The collection spans from the 7th to the 19th centuries and includes various forms of pottery, porcelain, and other ceramic artifacts.

The page features three photographs:

1. A sculptured pottery camel from the T'ang dynasty (7-900 A.D.) in the Hoyt Collection.
2. A portrait of the late Charles R. Hoyt.
3. A demon head in dry lacquer, a Chinese piece from the 11th century A.D., also part of the Hoyt Collection.

The article describes the breadth and historical significance of the collection, highlighting specific pieces such as rare vases, jars, and other ceramic works. It also mentions the life of Charles R. Hoyt, his interest in art, and his efforts to maintain and eventually bequeath the collection to the museum. The text emphasizes the importance of this bequest for the museum and the public's access to these art pieces.

The image is a newspaper clipping from The Boston Daily Globe, dated Thursday, May 15, 1945. The main headline of the article is "Hoyt Collection of Ceramics Left to Fine Arts Museum," written by Edgar J. Driscoll, Jr.

Summary:

1. Main Article:

   • The article announces that the Boston Museum of Fine Arts has been bequeathed the extensive ceramic collection of the late Charles B. Hoyt.
   • The collection is described as marvelous and includes thousands of pieces from various ancient and modern cultures, spanning from prehistoric times to the present day.
   • It includes rare and unique items such as a sculptured pottery camel from the T'ang dynasty (7th-900 A.D.), ancient Korean pottery, and Oriental art pieces.

2. Collection Details:

   • The collection features pieces from the Near East, Greece, Rome, Italy, Spain, France, Germany, Switzerland, and the Netherlands.
   • There are over 40 years of Oriental art collected by Hoyt, including early Chinese and Korean ceramics.
   • The article mentions a notable absence of American pottery in the collection.

3. Charles B. Hoyt:

   • Charles B. Hoyt, a well-known local collector, had previously donated parts of his collection to the museum.
   • Hoyt died at his home in Brookline on March 24. His will also provided for other bequests, including funds to the Massachusetts Institute of Technology (MIT).

4. Other Sections:

   • No Request to Fogg: It notes that no ceramics were left to Harvard's Fogg Art Museum.
   • Demon Head: There is a mention of a "Demon Head in dry lacquer," another piece from the Hoyt collection.
   • Obituary Reference: The article references Hoyt's obituary from the same day for additional context.

5. Images:

   • There are images of:
     • A sculptured pottery camel from the T'ang dynasty.
     • A portrait of the late Charles B. Hoyt.
     • A demon head in dry lacquer, another artifact from the collection.

The article highlights the significance of the Hoyt collection and its potential impact on the Boston Museum of Fine Arts.

The image is a newspaper clipping from "The Boston Daily Globe" dated Thursday, May 19, 1949. The article is titled "Hoyt Collection of Ceramics Left to Fine Arts Museum."

Here's a detailed summary:

Headline and Author

• Headline: Hoyt Collection of Ceramics Left to Fine Arts Museum
• Author: Edgar J. Dreisbach Jr.

Main Content

• Introduction:

  • A collection of ancient Chinese and Korean ceramics, valued at over $50,000, has been left to the Boston Museum of Fine Arts by the late Charles B. Hoyt. The collection includes thousands of pieces, ranging from the Tang Dynasty (618-907 A.D.) to the present day.

• Charles B. Hoyt:

  • Charles B. Hoyt, a bachelor, was a renowned collector with a private collection of Oriental art that included ceramics, paintings, and prints. His collection is considered one of the finest of its kind in the United States.
  • Hoyt's interest in ceramics began in 1918 when he bought his first piece, a Chinese porcelain jar from the Ming Period (1368-1644 A.D.), at a New York auction.

• Collection Details:

  • The collection includes various pieces such as a sculptured pottery camel from the Tang Dynasty, and other notable items like a demon head in a dry lacquer Chinese piece.
  • The collection features a wide array of ceramics from different dynasties and periods, including pieces from the Sung (960-1279 A.D.), Yuan (1280-1368 A.D.), Ming (1368-1644 A.D.), and Ching (1644-1912 A.D.) periods.

• Future of the Collection:

  • The collection will be housed in the Fogg Art Museum, a part of Harvard University.
  • The article mentions that the Fogg Museum is the most suitable place for the collection due to its extensive holdings of Chinese and Korean ceramics.

• Personal Anecdotes:

  • The article shares that Hoyt had a keen eye for quality and authenticity, often traveling to Europe and Asia to acquire pieces.
  • He was known for his meticulous attention to detail, even traveling to China to verify the authenticity of a particular piece.

Images

• The article includes three images:
  1. A sculptured pottery camel from the Tang Dynasty.
  2. A portrait of Charles B. Hoyt.
  3. A demon head in a dry lacquer Chinese piece.

Conclusion

• The legacy of Charles B. Hoyt’s collection will continue to enrich the Boston Museum of Fine Arts, providing valuable insight into the history and artistry of Chinese and Korean ceramics.

This article highlights the significance of Hoyt's collection and its future impact on the field of art and history.

The image shows a newspaper clipping from The Boston Daily Globe dated Thursday, May 19, 1949. The article discusses the Hoyt Collection of Ceramics being left to the Fine Arts Museum. The clipping includes three images with captions:

1. On the left, a sculptured pottery camel from the Tang dynasty (7-900 A.D.) in the Hoyt Collection.
2. In the center, a blurred photo of the late Charles B. Hoyt.
3. On the right, a dry lacquer Chinese piece titled "Demon Head" from the Hoyt Collection.

The text elaborates on the extensive and valuable collection of Oriental ceramics and art objects collected by Charles B. Hoyt, which includes pieces from various Asian cultures and time periods. It also mentions some historical context and details about Hoyt and his influence in the art collecting community.

This is an image of an old newspaper article from "The Boston Daily Globe" dated Thursday, May 19, 1949. The article is mounted on a beige paper background, which shows signs of age and wear, including discoloration and a couple of holes, one of which looks to be from a paper punch.

On the left side of the article, there is a photograph of a sculptured pottery camel from the T'ang dynasty (7-900 A.D.) which is mentioned as being part of the Hoyt Collection. To the right, there is another photograph showing an artifact labeled as a "DEMON HEAD" described as a dry lacquer Chinese piece, also in the Hoyt Collection.

The main title of the newspaper article reads "Hoyt Collection of Ceramics Left to Fine Arts Museum" and is written by Edgar J. Driscoll Jr. The article discusses a significant collection of Oriental ceramics being bequeathed to the Boston Museum of Fine Arts by the late Charles Bain Hoyt. It touches on the importance of the collection, mentioning items from the T'ang, Sung, and Ch'ing dynasties as well as wares from Japan and Siamese pottery. There is a note at the bottom that says "See HOYT COLLECTION Page 7", indicating that the article continues on another page not visible in the image.

The image is a scanned page from The Boston Daily Globe, dated Thursday, May 18, 1949. The page features a news article titled "Hoy Collection of Ceramics Left to Fine Arts Museum", written by Edgar J. Driscoll Jr. The article discusses the donation of a significant collection of ceramics to the Boston Museum of Fine Arts by the late Charles R. Hoyt.

Key Elements in the Image:

Left Column:

• Headline: "Hoy Collection of Ceramics Left to Fine Arts Museum"
• Subheading: "By EDGAR J. DRISCOLL JR."
• Image: A black-and-white photograph of a sculptured pottery camel from the Tang dynasty (circa 7,900 A.D.), part of the Hoyt Collection. The caption below the image reads: "SCULPTURED POTTERY CAMEL of the Tang dynasty (7,900 A.D.) in the Hoyt Collection."
• Article Content: The article describes the Hoyt Collection, noting that it is one of the finest examples of ancient Oriental ceramics. It highlights the collection's significance, mentioning that it includes rare Chinese ceramic works dating from the Tang dynasty to the present day. The article also emphasizes the collection's value and the fact that it was donated to the Boston Museum of Fine Arts.

Right Column:

• Headline: "THE LATE CHARLES R. HOYT"
• Image: A black-and-white photograph of Charles R. Hoyt, the donor of the collection. The caption reads: "THE LATE CHARLES R. HOYT".
• Article Content: This section provides background on Charles R. Hoyt, describing him as a bachelor who died at the age of 60 in New York. It details his life, including his career as a hotel owner and his passion for collecting Oriental art. The article notes that Hoyt amassed an extraordinary private collection of Chinese, Korean, and Japanese ceramics over 40 years, reflecting his deep interest in the field. It also mentions that Hoyt's collection was considered one of the most important private collections of its kind at the time of his death.

Bottom Right Corner:

• Image: A black-and-white photograph of a demon head in dry lacquer, described as a Chinese piece. The caption reads: "DEMON HEAD in dry lacquer Chinese piece, in Hoyt Collection."
• Article Content: This section discusses the demon head, noting its historical and artistic significance. It also touches on Hoyt's legacy and the impact of his collection on the study of Oriental art.

Layout and Design:

• The page is formatted in a classic newspaper style, with columns of text and accompanying photographs.
• The headline and subheading are prominently displayed at the top of the left column.
• The article is divided into two main sections: one focusing on the collection itself and the other on the life and legacy of Charles R. Hoyt.
• The images are placed strategically to illustrate key points in the article, enhancing the reader's understanding of the subject matter.

Overall Context:

The page provides a detailed account of the Hoyt Collection, emphasizing its historical and cultural importance. It highlights the donor's dedication to collecting Oriental ceramics and the lasting impact of his donation on the Boston Museum of Fine Arts. The inclusion of images of specific artifacts (the Tang dynasty camel and the demon head) adds visual interest and reinforces the article's focus on the collection's artistic and historical value.

A newspaper clipping from the Boston Daily Globe, Thursday, May 13, 1949, has three images and some text. The newspaper clipping is placed on a brown sheet of paper. The top left image is a camel. The top middle image is a man. The top right image is a head of a demon. The text below the images reads "Hoyt Collection of Ceramics Left to Fine Arts Museum." The text is written in black font.