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The image is a newspaper clipping from the "Boston News Clip" dated May 19, 1949. The headline reads "Museum Gets Collection Of Oriental Art." The article reports that the Boston Museum of Fine Arts has received a significant donation from the estate of Charles Bain Hoyt of Cambridge, Massachusetts. This donation includes what is described as one of the finest private collections of Chinese and Korean ceramics, sculptures, metal objects, paintings, prints, and other art objects.

Key points from the article include:

• The collection is considered one of the finest of its kind in the United States and possibly the world.
• Charles Bain Hoyt, who passed away in Rockland, Maine, had a keen interest in Oriental art and accumulated his collection over 40 years.
• The collection was previously housed in his homes in Brookline, Massachusetts, and his chalet in Switzerland.
• George H. Edgell, director of the Boston Museum, praised Hoyt's discerning eye and described the collection as representing the highest standards of art.
• The article mentions that the museum authorities believe it would be impossible to duplicate the collection in the present-day market.
• Hoyt's interest in art was sparked by an early purchase of a piece of Song dynasty pottery, and he continued to collect rare and unmatched items, particularly Korean ceramics.

The article highlights the significance of the donation and the exceptional quality of the art collection.

BOSTON NEWS CLIP
120 Tremont Street
Boston 8, Mass.

Monitor
Boston, Mass.

MAY 19 1949

Museum Gets
Collection Of
Oriental Art

The collection of Asiatic art at the Boston Museum of Fine Arts—already conceded to be the best in the United States, if not in the world—has just been augmented by a gift of more than 1,000 items of Charles Bain Hoyt of Cambridge.

In his will filed in Rockland, Maine, yesterday, Mr. Hoyt left his entire collection to the museum. It is said to be the finest private collection of Chinese and Korean ceramics, Chinese sculpture, and bronzes, metal objects, paintings, prints, and other nearly priceless art objects.

Parts of the collection have been on loan to the Fogg Art Museum, Harvard University, and to the Museum of Fine Arts in Boston, but many pieces never have been seen by the general public, being housed in Mr. Hoyt's homes in Camden, Maine, Cambridge, Mass., and at his chalet in Switzerland.

George H. Edgell, director of the Boston museum, described Mr. Hoyt as an extremely detached and objective collector and one who was not swayed by fads.

The gift to the museum represents about 40 years of search for the finest oriental art and, according to Kojiro Tomita, curator of Asiatic art at the museum, it has drawn that attraction from the art world as reflecting the highest standards of artistic connoisseurship.

Museum authorities said today that even if purchase funds were available, it would be impossible to duplicate the Hoyt collection in the present-day market.

Mr. Hoyt, evident as an objective, unemotional, almost professionally detached attitude toward his own and others' art objects, and because of a sure connoisseur's eye was often able to pick up at low prices objects of the greatest rarity, the museum said. His keenest interest was in pottery and porcelain pieces of an early period, notably the T'ang and Sung dynasties. His Korean collection, it was said, was unmatched even in Korea itself.

The image is a newspaper clipping from May 19, 1949, published by the Boston News Clip from Tremont Street, Boston, Massachusetts. The article, titled "Museum Gets Collection Of Oriental Art," details the acquisition of a significant collection of Asian art by the Boston Museum of Fine Arts.

The collection was bequeathed to the museum by Charles Bain Hoyt of Cambridge, Massachusetts. The gift included over 1,000 items, encompassing Chinese and Korean ceramics, bronzes, metal objects, paintings, prints, and other nearly priceless art objects. The collection was considered to be among the finest private collections of Chinese and Korean art in the world.

Director George H. Edgell described Hoyt as an extremely dedicated and objective collector. He noted that the collection represented nearly 40 years of Hoyt's meticulous collecting, and it was noted that the quality of the pieces was unmatched in the current market. Hoyt's keen interest was particularly in pottery and porcelain from the Tang and Sung dynasties, which had been collected in Korea itself.

The article highlights the esteem in which the collection was held, stating that even if the museum had funds, it would be impossible to duplicate the Hoyt collection in today's market. Hoyt's professional approach and keen eye for art made his collection highly valuable and unique.

The image is a newspaper clipping from the Boston News Clip dated May 19, 1949. The article, titled "Museum Gets Collection Of Oriental Art," reports on the addition of a significant collection of Asian art to the Boston Museum of Fine Arts.

Key points from the article include:

1. Collection Description: The collection of Asiatic art at the Boston Museum of Fine Arts is considered one of the best in the United States. It has been enhanced by a gift of over 1,000 items from the estate of Charles Bain Hoyt of Cambridge.

2. Charles Bain Hoyt: Mr. Hoyt, who passed away, left a will in Rockland, Maine, that bequeathed the collection. His collection was noted for its high quality and included Chinese and Korean ceramics, sculptures, bronzes, metal objects, paintings, prints, and other precious art objects.

3. Collection Details: Parts of the collection were previously on loan to the Fogg Art Museum, Harvard University, and the Boston Museum of Fine Arts. The collection is said to be the finest private collection of Chinese and Korean ceramics, metal objects, paintings, prints, and other art forms.

4. Collection Significance: The collection is described as the result of about 40 years of meticulous searching by Mr. Hoyt, who was an expert in his field. It includes pieces that reflect the highest standards of artistic collection.

5. Expert Opinions: George H. Edgell, the director of the Boston Museum, praised Mr. Hoyt's collection and noted that it was extremely valuable. Kojiro Tomita, the museum's curator of Oriental art, also highlighted the collection's significance, emphasizing the difficulty of duplicating such a collection in the current market.

6. Hoyt's Collecting Style: Mr. Hoyt was known for his professional attitude and his keen eye for rare and valuable pieces. His collection was noted for its depth in pottery and porcelain, particularly from the Tang and Sung dynasties, with a strong focus on Korean pieces.

Overall, the article highlights the importance and value of the newly acquired collection to the Boston Museum of Fine Arts, underscoring the dedication and expertise of Charles Bain Hoyt in assembling it.

The image is a black-and-white newspaper clipping from the Boston News Clip, dated May 19, 1949. The headline reads "Museum Gets Collection Of Oriental Art."

The article details the donation of Charles Bain Hoyt's extensive collection of Asian art to the Boston Museum of Fine Arts. Hoyt's collection, which is considered one of the finest private collections of Chinese and Korean ceramics, bronzes, metal objects, paintings, prints, and other art objects, was bequeathed to the museum in his will.

The article mentions that parts of the collection have been loaned to various institutions, including the Fogg Art Museum at Harvard University and the Boston Museum of Fine Arts, but the majority had never been publicly displayed, as they were housed in Hoyt's homes and chalet.

George H. Edgell, the director of the Boston Museum, praised Hoyt's collection, stating that it represents about 40 years of search for the finest oriental art and is considered to be the finest private collection of its kind. The article highlights Hoyt's keen interest in pottery and porcelain, particularly from the Tang and Sung dynasties in China and Korea, and notes that his collection of Korean ceramics is unmatched.

The article also mentions Hoyt's discerning eye and professional attitude towards collecting, allowing him to acquire rare and valuable pieces at low prices. Edgell added that even with funds available, it would be impossible to duplicate the Hoyt collection in the current market.

The image is a newspaper clipping from the "Boston News Clip" dated May 19, 1949. The headline reads "Museum Gets Collection Of Oriental Art."

Here are the key points from the article:

1. Collection Acquisition: The Boston Museum of Fine Arts has acquired a significant collection of Asian art, enhancing its already notable collection which is considered one of the best in the United States.

2. Source of Collection: The collection is the private holding of Charles Bain Hoyt of Cambridge, who has died. Hoyt's will bequeaths his collection to the museum.

3. Contents of the Collection: The collection includes Chinese and Korean ceramics, Chinese sculpture and bronzes, metal objects, paintings, prints, and other nearly priceless art objects. It is described as one of the finest private collections of Chinese and Korean ceramics.

4. Previous Loans: Parts of the collection have been on loan to the Fogg Art Museum at Harvard University and the Wadsworth Atheneum in Hartford, but most items have never been seen by the general public, as they were housed in Hoyt’s homes.

5. Expert Opinion: George H. Edgell, director of the Boston museum, praised Hoyt as an extremely dedicated collector with an exceptional eye for art.

6. Historical Significance: The collection represents around 40 years of searching by Hoyt. Kojiro Tomita, the curator of the Oriental art department, noted that the collection meets the highest standards of artistic excellence and is irreplaceable in today’s market.

7. Hoyt’s Dedication: The article highlights Hoyt's discerning eye, professional attitude, and keen interest in pottery, especially from the early T’ang and Korai periods. His Korean collection is noted to be unmatched even in Korea.

Overall, the article emphasizes the importance and uniqueness of the Hoyt collection and the significant enhancement it brings to the Boston Museum of Fine Arts.

This image shows a newspaper clipping. The header at the top indicates it's a "BOSTON NEWS CLIP" from "120 Tremont Street, Boston 8, Mass." It appears to be addressed to "Monitor, Boston, Mass." The date stamp on the newspaper clipping is "MAY 19 1949," and there is a handwritten note, possibly a filing code, "138F."

The newspaper article headline reads "Museum Gets Collection Of Oriental Art." The article describes the augmentation of the Asiatic art collection at the Boston Museum of Fine Arts, already considered one of the best in the United States. The collection was improved by a gift of over 1,000 items that constituted the private collection of Charles Bain Hoyt of Cambridge.

It mentions that parts of this collection had been on loan to the Fogg Art Museum, Harvard University, and to the Boston Museum of Fine Arts. The collection, not previously seen by the public, includes Chinese and Korean ceramics, Chinese sculpture, bronzes, metal objects, paintings, prints, and other art objects considered nearly priceless.

The article notes comments from George H. Edgell, the director of the Boston museum, and Kojiro Tomita, the curator of Asiatic art at the museum. It underscores the value and uniqueness of the collection, Mr. Hoyt's connoisseurship, and his distinguished manner of collecting, particularly emphasizing his interest in pottery and porcelain from early periods and Korea.

The text at the end becomes harder to read due to the image resolution. The general sentiment expressed by the museum authorities suggests that replicating the Hoyt collection in the present-day market would be impossible, even if the necessary purchase funds were available.

The image is a clipping from the Boston News Clip Monitor, dated May 19, 1949. The clipping features an article titled "Museum Gets Collection of Oriental Art." The article discusses the acquisition of a significant collection of Asiatic art by the Boston Museum of Fine Arts. This collection, left to the museum by Charles Bain Hoyt, is considered one of the finest private collections of Chinese and Korean ceramics, Chinese sculpture, bronzes, metal objects, paintings, prints, and other nearly priceless art objects in the United States, if not in the world.

Charles Bain Hoyt, a private collector, left his collection to the museum on loan from his home in Camden, Maine, and his chalet in Switzerland. The collection was described as detached and objective by George H. Edgell, the director of the Boston Museum of Fine Arts. Hoyt's collection attracted the attention of connoisseurs worldwide, reflecting the highest standards of artistic collecting.

The article also mentions that even with purchase funds available, it would be impossible to duplicate the collection in the present-day market. Hoyt exhibited an objective, impartial, and wholly professional attitude toward his collection, often picking up objects at low prices, which were usually of greatest rarity. His keen interest in pottery and porcelain pieces from the Tang and Song dynasties, particularly his Korean collection, was unmatched even in Korea itself.

The image shows a newspaper clipping from the Boston News Clip, dated May 19, 1949, and originating from Boston, Massachusetts. The headline reads:

"Museum Gets Collection Of Oriental Art"

The article discusses a significant donation of a private collection of Asiatic art to the Boston Museum of Fine Arts. Key points from the article include:

1. The Collection:

   • The collection is described as one of the finest private collections of Chinese and Korean bronzes, Chinese sculpture, ceramics, metal objects, paintings, prints, and other priceless art.
   • It was bequeathed by Charles Bain Hoyt, a collector from Maine, who passed away in 1948.
   • Hoyt's will stipulated that the collection be given to the museum.

2. Value and Significance:

   • The collection is estimated to be worth over 1,000 items, making it one of the best in the United States.
   • George H. Edgell, director of the Boston Museum of Fine Arts, praises Hoyt as an extremely detached and objective collector whose collection represents 40 years of search.
   • The collection is noted for its high standards of artistic collecting, drawing attention worldwide as a reflection of the highest standards of art.

3. Loan and Display:

   • Parts of the collection had previously been loaned to institutions such as the Fogg Art Museum at Harvard University and the Museum of Fine Arts in Boston.
   • Most of the collection had never been publicly displayed, as Hoyt kept it in his homes in Camden, Maine, and Cambridge, Switzerland.

4. Hoyt’s Legacy:

   • Hoyt was known for his objective and impartial attitude toward art, often acquiring pieces at low prices that were later recognized as masterpieces.
   • His collection includes notable items such as an early Sung dynasty porcelain piece and a Tang dynasty collection of unmatched value in Korea itself.

5. Museum’s Response:

   • The museum expresses gratitude for the gift, noting that even if funds were available to purchase such a collection, it would be impossible to duplicate the Hoyt collection in the present-day market.

The article highlights the historical and cultural importance of the donation, emphasizing the museum's acquisition of a world-class collection of Oriental art.

The image shows a piece of paper that appears to be a newspaper clipping. The clipping has a header that reads "BOSTON NEWS CLIP" and "120 Tremont Street, Boston, Mass." It is dated May 19, 1949, and is from the Monitor Boston, Mass. The clipping has a red stamp that reads "128F" and "Ar."

The clipping is about the Boston Museum of Fine Arts receiving a collection of Asian art. The collection, which is estimated to be the finest private collection of Chinese and Korean ceramics, Chinese sculpture, and bronzes, metal objects, paintings, prints, and other nearly priceless art objects, was donated by Charles Bain Hoyt of Cambridge.

The collection has been on loan to the Fogg Art Museum, Harvard University, and the Museum of Fine Arts in Boston, but most of it has never been seen by the general public. George H. Edgell, director of the Boston museum, described Mr. Hoyt as "an only detached and objective collector and one whose artistic eye was infallible." The gift to the museum represents about 40 years of search for the finest examples and is believed to meet the highest standards of artistic collecting.

The museum authorities stated that even if purchase funds were available, it would be impossible to duplicate the Hoyt collection in the present-day market. Mr. Hoyt evidenced an objective, impartial, and wholly professional attitude toward his own and others' art objects, and because of his connoisseur's eye, he was often able to pick up at low prices objects of greatest rarity. The museum's collection is believed to be unmatched ever in its keenness.