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The image is a newspaper clipping from "Boston News Clip," dated May 19, 1949, from the "Monitor" in Boston, Massachusetts. The headline reads, "Museum Gets Collection Of Oriental Art." The article discusses the Boston Museum of Fine Arts acquiring a significant collection of oriental art through a gift from Charles Bain Hoyt of Cambridge. The collection includes items such as Chinese and Korean ceramics, Chinese sculpture, and bronzes, metal objects, paintings, prints, and other art objects. The article highlights the expertise of Charles Bain Hoyt in collecting oriental art and mentions that the collection is considered one of the finest private collections of its kind. The museum authorities also note the exceptional quality of the collection, stating it would be challenging to duplicate in today's market.

This image is a newspaper clipping from the Boston Monitor, dated May 19, 1949. The headline reads "Museum Gets Collection Of Oriental Art." The article discusses the Boston Museum of Fine Arts receiving a significant gift of over 1,000 items from the private collection of Charles Bain Hoyt of Cambridge. The collection is described as one of the finest private collections of Chinese and Korean ceramics, Chinese sculpture, and bronzes, metal objects, paintings, prints, and other nearly priceless art objects.

The article mentions that parts of the collection have been on loan to the Fogg Art Museum at Harvard University and the Museum of Fine Arts in Boston, but most of it has never been seen by the general public. It was housed in Mr. Hoyt's homes in Camden, Maine, Cambridge, Mass., and at his chalet in Switzerland.

George H. Edgell, the director of the Boston museum, describes Mr. Hoyt as an extremely detached and objective collector with an infallible artistic eye. The gift to the museum represents about 40 years of search for the finest oriental art and is considered irreplaceable in the present-day market.

The article also notes that Mr. Hoyt had a keen interest in pottery and porcelain pieces from the early period, notably the T'ang and Sung dynasties, and his Korean collection is believed to be unmatched even in Korea itself.

The image shows a piece of paper that appears to be a newspaper clipping. The clipping has a header that reads "BOSTON NEWS CLIP" and "120 Tremont Street, Boston, Mass." It is dated May 19, 1949, and is from the Monitor Boston, Mass. The clipping has a red stamp that reads "128F" and "Ar."

The clipping is about the Boston Museum of Fine Arts receiving a collection of Asian art. The collection, which is estimated to be the finest private collection of Chinese and Korean ceramics, Chinese sculpture, and bronzes, metal objects, paintings, prints, and other nearly priceless art objects, was donated by Charles Bain Hoyt of Cambridge.

The collection has been on loan to the Fogg Art Museum, Harvard University, and the Museum of Fine Arts in Boston, but most of it has never been seen by the general public. George H. Edgell, director of the Boston museum, described Mr. Hoyt as "an only detached and objective collector and one whose artistic eye was infallible." The gift to the museum represents about 40 years of search for the finest examples and is believed to meet the highest standards of artistic collecting.

The museum authorities stated that even if purchase funds were available, it would be impossible to duplicate the Hoyt collection in the present-day market. Mr. Hoyt evidenced an objective, impartial, and wholly professional attitude toward his own and others' art objects, and because of his connoisseur's eye, he was often able to pick up at low prices objects of greatest rarity. The museum's collection is believed to be unmatched ever in its keenness.

The image is a clipping from the Boston News Clip Monitor, dated May 19, 1949. The clipping features an article titled "Museum Gets Collection of Oriental Art." The article discusses the acquisition of a significant collection of Asiatic art by the Boston Museum of Fine Arts. This collection, left to the museum by Charles Bain Hoyt, is considered one of the finest private collections of Chinese and Korean ceramics, Chinese sculpture, bronzes, metal objects, paintings, prints, and other nearly priceless art objects in the United States, if not in the world.

Charles Bain Hoyt, a private collector, left his collection to the museum on loan from his home in Camden, Maine, and his chalet in Switzerland. The collection was described as detached and objective by George H. Edgell, the director of the Boston Museum of Fine Arts. Hoyt's collection attracted the attention of connoisseurs worldwide, reflecting the highest standards of artistic collecting.

The article also mentions that even with purchase funds available, it would be impossible to duplicate the collection in the present-day market. Hoyt exhibited an objective, impartial, and wholly professional attitude toward his collection, often picking up objects at low prices, which were usually of greatest rarity. His keen interest in pottery and porcelain pieces from the Tang and Song dynasties, particularly his Korean collection, was unmatched even in Korea itself.

The image shows a newspaper clipping from the Boston News Clip, dated May 19, 1949, and originating from Boston, Massachusetts. The headline reads:

"Museum Gets Collection Of Oriental Art"

The article discusses a significant donation of a private collection of Asiatic art to the Boston Museum of Fine Arts. Key points from the article include:

1. The Collection:

   • The collection is described as one of the finest private collections of Chinese and Korean bronzes, Chinese sculpture, ceramics, metal objects, paintings, prints, and other priceless art.
   • It was bequeathed by Charles Bain Hoyt, a collector from Maine, who passed away in 1948.
   • Hoyt's will stipulated that the collection be given to the museum.

2. Value and Significance:

   • The collection is estimated to be worth over 1,000 items, making it one of the best in the United States.
   • George H. Edgell, director of the Boston Museum of Fine Arts, praises Hoyt as an extremely detached and objective collector whose collection represents 40 years of search.
   • The collection is noted for its high standards of artistic collecting, drawing attention worldwide as a reflection of the highest standards of art.

3. Loan and Display:

   • Parts of the collection had previously been loaned to institutions such as the Fogg Art Museum at Harvard University and the Museum of Fine Arts in Boston.
   • Most of the collection had never been publicly displayed, as Hoyt kept it in his homes in Camden, Maine, and Cambridge, Switzerland.

4. Hoyt’s Legacy:

   • Hoyt was known for his objective and impartial attitude toward art, often acquiring pieces at low prices that were later recognized as masterpieces.
   • His collection includes notable items such as an early Sung dynasty porcelain piece and a Tang dynasty collection of unmatched value in Korea itself.

5. Museum’s Response:

   • The museum expresses gratitude for the gift, noting that even if funds were available to purchase such a collection, it would be impossible to duplicate the Hoyt collection in the present-day market.

The article highlights the historical and cultural importance of the donation, emphasizing the museum's acquisition of a world-class collection of Oriental art.

The image displays a newspaper clipping from the Boston News Clip, dated May 19, 1949. The headline reads "Museum Gets Collection Of Oriental Art" and features a subheading that states "The collection of Asiatic art at the Boston Museum of Fine Arts - already conceded to be the best in the United States, if not in the world - has just been augmented by a gift of more than 1,000 items constituting the private collection of Charles Bain Hoyt of Cambridge."

The article provides details about the collection, including its size, scope, and significance. It mentions that the collection is estimated to be the finest private collection of Chinese and Korean ceramics, Chinese sculpture, and bronzes, metal objects, paintings, prints, and other nearly priceless art objects.

The article also quotes George H. Edgell, director of the Boston museum, who described Mr. Hoyt as an extremely detached and objective collector and one whose artistic eye was infallible. The gift to the museum represents about 40 years of search for the finest oriental art and, according to Kojiro Tomita, curator of Asiatic art at the museum, it has drawn the attention of connoisseurs all over the world as reflecting the highest standards of artistic collecting.

The article concludes by stating that Museum authorities said today that even if purchase funds were available, it would be impossible to duplicate the Hoyt collection in the present-day market. Mr. Hoyt evidenced an objective, impartial, and wholly professional attitude toward his own and others' art objects, and because of a sure connoisseur's eye was able to pick up at low prices objects of greatest rarity, the museum said. He traveled widely and his keenest interest was in pottery and porcelain pieces of an early period, notably the T'ang and Sung dynasties. His Korean collection is believed unmatched ever in Korea itself.

Overall, the article highlights the significance of the Hoyt collection and its importance to the Boston Museum of Fine Arts. It also provides insight into the collector's approach and the challenges of acquiring such a valuable collection.

The image depicts a newspaper clipping from the Boston News Clip, dated May 19, 1949. The headline reads "Museum Gets Collection of Oriental Art." The article discusses the donation of a private collection of Chinese and Korean ceramics, Chinese sculpture and bronzes, metal objects, paintings, prints, and other nearly priceless art objects to the Boston Museum of Fine Arts. The collection was donated by Charles Bain Hoyt of Cambridge, Maine, and is considered one of the finest private collections of its kind. The article also mentions that the collection has been on loan to the Fogg Art Museum, Harvard University, and to the Museum of Fine Arts in Boston, but most of the collection has never been seen by the general public. The article concludes by stating that the museum authorities said today that even if purchase funds were available, it would be impossible to duplicate the Hoyt collection in the present-day market.

The image is a scanned newspaper clipping from the Boston News Clip, dated May 19, 1943.

The clipping is titled "Museum Gets Collection Of Oriental Art" and features a lengthy article discussing the acquisition of Charles Bain Hoyt's Asian art collection by the Boston Museum of Fine Arts. The article highlights the significance of the collection, which comprises over 1,000 items, including ceramics, sculpture, bronzes, metal objects, paintings, prints, and other priceless art objects.

The clipping is attached to a larger piece of paper with a stamp indicating that it was clipped from the Monitor newspaper on May 19, 1943. The background of the image is a plain gray color, allowing the clipping to be the main focus.

Overall, the image provides a glimpse into the history of the Boston Museum of Fine Arts and its acquisition of significant art collections.

The image presents a vintage newspaper clipping from the Boston News Clip, dated May 19, 1949. The clipping is titled "Museum Gets Collection of Oriental Art" and features a prominent headline that reads:

Headline: Museum Gets Collection Of Oriental Art

Newspaper Clipping Details:

• Date: May 19, 1949
• Source: Boston News Clip
• Address: 120 Tremont Street, Boston 8, Mass.

Article Summary:

The article discusses the Boston Museum of Fine Arts' acquisition of a significant collection of Asian art, comprising over 1,000 items, including Chinese and Korean ceramics, sculpture, bronzes, metal objects, paintings, prints, and other valuable artifacts. The collection, donated by Charles Bain Hoyt of Cambridge, is considered one of the finest private collections of its kind in the United States.

Key Points:

• The collection includes a wide range of Asian art pieces, showcasing the donor's eclectic and objective approach to collecting.
• The gift represents 40 years of searching for the finest oriental art, with a focus on Chinese and Korean ceramics, sculpture, and other artifacts.
• The collection is believed to be unmatched in Korea itself.

Visual Description:

The newspaper clipping is set against a plain gray background, allowing the yellowed paper to take center stage. The text is presented in a clear and readable font, with the headline standing out in bold letters. The overall design of the clipping suggests a vintage aesthetic, evoking a sense of nostalgia and historical significance.

The image is a newspaper clipping from the "Boston News Clip" dated May 19, 1949. The headline reads "Museum Gets Collection Of Oriental Art." The article reports that the Boston Museum of Fine Arts has received a significant donation from the estate of Charles Bain Hoyt of Cambridge, Massachusetts. This donation includes what is described as one of the finest private collections of Chinese and Korean ceramics, sculptures, metal objects, paintings, prints, and other art objects.

Key points from the article include:

• The collection is considered one of the finest of its kind in the United States and possibly the world.
• Charles Bain Hoyt, who passed away in Rockland, Maine, had a keen interest in Oriental art and accumulated his collection over 40 years.
• The collection was previously housed in his homes in Brookline, Massachusetts, and his chalet in Switzerland.
• George H. Edgell, director of the Boston Museum, praised Hoyt's discerning eye and described the collection as representing the highest standards of art.
• The article mentions that the museum authorities believe it would be impossible to duplicate the collection in the present-day market.
• Hoyt's interest in art was sparked by an early purchase of a piece of Song dynasty pottery, and he continued to collect rare and unmatched items, particularly Korean ceramics.

The article highlights the significance of the donation and the exceptional quality of the art collection.