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This image displays a vintage newspaper clipping, or “clipping,” from the Boston Courier, dated Thursday, May 26, 1949. The article is titled:

“Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection”

Here is a detailed description of the clipping:

Header Information:

• Title: BOSTON NEWS CLIP
• Address: 190 Tremont Street, Boston 8, Mass.
• Publication: Courier, Cambridge, Mass.
• Date: MAY 26 1949 (handwritten in red ink, with a red “P” stamp above it, perhaps indicating “Paid” or “Processed”).

Article Summary:

The article announces that the Boston Museum of Fine Arts has received the distinguished Asiatic art collection gathered over forty years by Charles Bain Hoyt (1859–1949) of 101 Brattle Street, Cambridge, Mass. Hoyt was a Union officer in the Civil War and a descendant of Jonathan Edwards, the theologian.

Key Points of the Collection:

• Size & Scope: Estimated to contain more than 1,000 items of rare Asiatic art.
• Content: Includes Chinese and Korean ceramics, sculptures, bronzes, metal objects, paintings, and prints.
• Provenance: Assembled from 1909 until his death in 1949.
• Public Display: Some pieces have been lent to institutions such as the Fogg Art Museum, Harvard University, and the Museum of Fine Arts, Boston — but the majority of the collection had rarely been seen publicly, as Hoyt kept it for personal enjoyment.
• Curatorial Significance: Dr. Kojiro Tomita, Curator of Asiatic Art at the Museum of Fine Arts, is quoted saying the collection “draws the envy of connoisseurs all over the world” and will significantly strengthen the museum’s position as one of the finest Asian art collections outside the Orient.

About Charles Hoyt:

• Personality: Described by friends as “quiet, aloof, and reserved,” yet deeply passionate about beautiful things.
• Collecting Philosophy: Extremely objective and impartial — he bought art based solely on aesthetics, regardless of cost, and often purchased at low prices, making the collection “doubtful it would be possible to duplicate in the present-day market.”
• Residence: Lived in the historic “Longfellow House” at 101 Brattle Street, Cambridge — previously occupied by Bishop Lawrence and noted as an example of Early Federal architecture, now owned by Harvard University.

Physical Characteristics of the Clipping:

• Material: A single piece of aged, slightly yellowed newsprint paper.
• Condition: Torn along the left edge; slightly curled or folded at the top right corner.
• Markings: A red ink stamp or mark (possibly “P”) near the top left, with “MAY 26 1949” handwritten in red above the printed date.
• Layout: Standard newspaper column text, single-spaced, justified alignment.

This clipping is historically valuable as it documents a major bequest to a major American museum, offering insight into early 20th-century American collecting of Asian art and the legacy of Charles Hoyt, a private collector whose taste was considered exceptional by curators of his time.

The image is a clipping from a newspaper article dated May 26, 1949. It is titled "Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection." The article details the donation of a significant collection of Asian art to the Boston Museum of Fine Arts by Charles Bain Hoyt. The collection, which was amassed over a period of forty years, is noted for its rarity and quality, containing over a thousand items.

The collection includes Chinese and Korean ceramics, sculptures, metal objects, paintings, and prints. It is described as one of the finest in its kind in the world. The article highlights the contributions of Charles Hoyt to the field of Asian art collecting and his dedication to the quality of his acquisitions.

The donor, Charles Hoyt, was born in Kenosha, Wisconsin, and was the son of a Union Army officer during the Civil War. He was educated at Lawrenceville School in New Jersey and had extensive travels in Asia.

The article also mentions that the collection will strengthen the Boston Museum's already outstanding position in Asian art collections, which are considered among the finest in the world. The residence of Charles Hoyt in Cambridge, Massachusetts, is described as a notable example of Early Federal architecture and is now owned by Harvard University.

This image shows a newspaper clipping from the "Boston News Clip" dated Thursday, May 19, 1949. The headline reads "Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection." The article discusses the acquisition by the Boston Museum of Fine Arts of the distinguished collection of Asiatic art gathered by the late Charles Bain Hoyt over a period of forty years. The collection is described as one of the finest in the world and is thought to contain more than one thousand items of notable rarity. The article goes on to describe the various types of art included in the collection, such as Chinese and Korean ceramics, Chinese sculpture and bronzes, paintings and prints, and other items. It also mentions that parts of the collection have been on loan and exhibited at the Fogg Art Museum, Harvard University, and the Museum of Fine Arts, Boston. The article highlights the high standards of artistic collecting reflected in the Hoyt collection and its potential to strengthen the already outstanding position of the Boston Museum's Asiatic collections. The article also provides some biographical information about Charles Bain Hoyt, including his background and his dedication to collecting Chinese pottery and porcelain pieces.

The image shows a clipping from the Boston News Clip, dated May 26, 1949, with a headline that reads "Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection." The clipping includes an article about the Boston Museum of Fine Arts receiving a distinguished collection of Asiatic art gathered by the late Charles Bain Hoyt over a period of forty years. The collection is considered one of the finest of its kind in the world, with more than one thousand items of notable rarity. Some parts of the collection have been on loan and exhibited at the Museum of Fine Arts, but the remainder has been housed in Mr. Hoyt's residence in Cambridge, Massachusetts. The collection features Chinese and Korean ceramics, sculptures, bronzes, metal objects, paintings, and prints, among other items. The article also mentions that the Hoyt collection will go far in strengthening the existing collection of the Boston Museum's Asiatic collections, which are regarded as the finest in the world outside of the Orient.

The image depicts a newspaper clipping from the Boston News Clip, dated May 26, 1949. The clipping is about the Museum of Fine Arts in Boston receiving the Charles Hoyt Asian Art Collection. The article is written in black text on a white background, and it is bordered by red lines on the top and bottom. The clipping is folded in half, with the top half featuring the headline "Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection." The article describes the collection as "one of the finest of its kind in the world" and mentions that it includes Chinese and Korean ceramics, paintings, prints, and other items. The article also highlights the significance of the collection and its impact on the museum's collection of Asian art.

The image shows a scanned newspaper clipping from the Boston News Clip, dated Thursday, May 26, 1949, from the Boston Street, Cambridge, Mass. The article is titled "Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection."

Key Details from the Article:

1. Announcement:

   • The Boston Museum of Fine Arts announced the receipt of the Charles Hoyt Asiatic Art Collection, left by the late Charles Hoyt.

2. Origin and Condition:

   • The collection was bequeathed by Hoyt, who was a prominent figure in the art world. It consists of over 40 years of accumulated items, with many in remarkable condition.

3. Scope of the Collection:

   • The collection includes more than one thousand items, making it one of the largest of its kind.
   • Notable pieces include Chinese and Korean ceramics, paintings, sculptures, calligraphy, metal objects, greatings and prints, and other items.

4. Exhibition and Public Access:

   • The collection was on loan and exhibited at the Fogg Art Museum in Cambridge, Massachusetts, before being transferred to the Boston Museum of Fine Arts.
   • The remainder of the collection was stored in Maine, and the chief features were swivel chairs.

5. Charles Hoyt's Background:

   • James Hoyt was born in Kenosha, Wisconsin, in 1863, and was a Union Army veteran of the Civil War.
   • He was a partner in the firm of Johnston & Hoyt, which was involved in the founding of the Lawrence Scientific School at Harvard University.
   • Hoyt traveled extensively in the world, particularly in the Orient, and collected items from China, Korea, and other regions.

6. Notable Aspects of the Collection:

   • The collection was considered extremely rich and objective in its contents, drawing early worldwide attention.
   • It was regarded as one of the very finest collections of Asiatic art ever assembled.
   • The collection was described as far surpassing the already outstanding Asiatic collections in the world.

7. Charles Hoyt's Personality:

   • Hoyt was known for his quiet and reserved nature, with a love for beautiful things.
   • He was impartial and objective in his collecting, focusing on artistic merit rather than personal preferences.
   • He was also noted for his wide knowledge of the art world and his ability to pick up objects of the first order.

8. Legacy and Impact:

   • The article emphasizes the importance of the collection to the Boston Museum of Fine Arts.
   • It highlights Hoyt's residence in Cambridge, where he lived in a domestic architecture that was once called a notable example of Early Federal architecture.
   • Hoyt's legacy is tied to his passion for art and his contributions to the cultural heritage of the region.

Visual Elements:

• The clipping is typed text with a clean, formal layout typical of newspaper articles from the mid-20th century.
• The header includes the publication details: Boston News Clip, 130 Tremont Street, Boston 8, Mass., and the date Thursday, May 26, 1949.
• There is a handwritten note in red ink at the top left corner, possibly indicating a filing or cataloging reference.

Overall Impression:

The article conveys a sense of significance and admiration for both the collection and the collector, Charles Hoyt. It highlights the cultural and historical value of the Asiatic art pieces and the impact of Hoyt's legacy on the Boston Museum of Fine Arts and the broader art community.

This image depicts a clipped newspaper article from May 26, 1949, credited to the "Boston News Clip" service located at 120 Tremont Street, Boston, Massachusetts. The article is titled "Museum of Fine Arts Receives Charles Hoyt Asiatic Art Collection" and discusses the Boston Museum of Fine Arts acquiring a distinguished collection of Asiatic art previously owned by Charles Bain Hoyt.

The text highlights the remarkable quality and rarity of Hoyt's collection, which includes over 1,000 items such as Chinese and Korean ceramics, sculptures, bronzes, paintings, and prints. Some portions of the collection were previously loaned to institutions like Harvard University's Fogg Art Museum and the Museum of Fine Arts in Boston, but much of it was housed in Hoyt's residences in Cambridge, Camden, Maine, and Switzerland.

The article notes Hoyt's dedication to collecting primarily Chinese pottery from the T'ang and Sung dynasties and rare Korean pieces. It praises his objective and professional approach to art collecting. Additionally, it mentions his historic residence in Cambridge near the Longfellow House, an example of Early Federal architecture, now owned by Harvard University.

• A vertical collage of old newspaper clippings mounted on a light gray background.
• The top piece says “BOSTON NEWS CLIP,” with an address (120 Tremont Street, Boston 8, Mass.) and “Courier Cambridge, Mass.” It has a blue stamp reading May 26, 1949 and a red handwritten note.
• The larger clipping beneath is headlined “Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection.” It describes the Boston Museum of Fine Arts inheriting a collection of Asiatic art from the late Charles Bain Hoyt, including Chinese and Korean ceramics, bronzes, prints, and other items.
• The article includes a short biography of Hoyt, his Cambridge residence on Brattle Street near the Longfellow House, and notes that the estate is now property of Harvard University.
• Overall, the image shows a vintage 1949 newspaper clipping about an art collection donation, with some markings and a date stamp.

The image shows a newspaper clipping titled "Boston News Clip" from "120 Tremont Street Boston 8, Mass." addressed to "Courier Cambridge, Mass." with a date stamp of "MAY 26 1949." The headline of the article is "Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection," and it is dated "Thursday, May, 1949."

The article explains how the Boston Museum of Fine Arts announced the acquisition of the distinguished collection of Asiatic art collected by the late Charles Bain Hoyt of 101 Brattle St. over forty years. It notes the collection is considered by connoisseurs to be one of the finest of its kind in the world and contains more than one thousand items of notable rarity. Some parts have been previously exhibited at the Fogg Art Museum, Harvard University, and the Museum of Fine Arts in Boston. However, most of the collection had rarely been seen publicly, residing instead at Hoyt's residences in Cambridge, Camden, Maine, and his chalet in Switzerland.

The collection is described as featuring Chinese and Korean ceramics, ancient and rare Chinese sculpture and bronzes, metal objects, paintings and prints, which made it highly regarded among connoisseurs. The article notes Mr. Hoyt's ability to procure items of great rarity at low prices, making the collection irreplaceable in the present-day market.

Charles Hoyt is mentioned as being from Kenosha, Wisconsin, and as a Union Army officer's son as well as a descendant of Jonathan Edwards. He was educated at Lawrenceville School, traveled extensively, particularly in the Orient, and was devoted to collecting Chinese pottery and porcelain pieces.

It concludes by referring to Mr. Hoyt's residence in Cambridge, which is noted as an example of domestic architecture in the city and is now the property of Harvard University.

This image shows a newspaper clipping titled "Museum Of Fine Arts Receives Charles Hoyt Asiatic Art Collection." The clipping is from the Boston News Clip, dated May 26, 1949, and is from the Courier, Cambridge, Massachusetts.

The article announces that the Boston Museum of Fine Arts received a distinguished collection of Asiatic art gathered by the late Charles Bain Hoyt of 101 Brattle Street over a period of forty years. The collection is highly regarded and considered one of the finest of its kind in the world, containing more than one thousand items of notable rarity. Parts of the collection had been on loan and exhibited at the Fogg Art Museum at Harvard University and the Museum of Fine Arts in Boston, but most had been rarely seen publicly.

The collection features Chinese and Korean ceramics, Chinese sculpture, bronzes, metal objects, paintings, and prints. Mr. Hoyt was highly detached and objective as a collector, which contributed to the collection's esteemed reputation. Mr. Kojiro Tomita, Curator of Asiatic Art, mentions the collection reflects very high artistic standards and strengthens the Boston Museum's position in Asiatic collections.

The article also provides biographical information about Charles Hoyt: born in Kenosha, Wisconsin, son of Col. James J. Hoyt, educated at Lawrenceville School in New Jersey, and well-traveled, especially in the Orient. His collection of Chinese pottery and porcelain pieces, notably from the Tang and Sung dynasties, is described as nearly unmatched.

Mr. Hoyt is described as aloof, reserved, and objective in his passion for collecting art, and was able to acquire rare objects at low prices. Museum authorities commented it would be impossible to duplicate the collection today.

Finally, it mentions Mr. Hoyt's Cambridge residence, known for its early Federal architecture, located next to the historic Longfellow House on Brattle Street, once occupied by Bishop Lawrence and now owned by Harvard University.