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ARCH.2003.30, Rendition: 802808
The image is a clipping from the Standard-Times newspaper, dated May 26, 1948, from New Bedford, Massachusetts. The article is titled "Harvard Expert Renews Paintings."
The article discusses the restoration work of Richard D. Buck, a bearded expert from Harvard University's Fogg Art Museum. Buck is busy at the National Gallery in London, restoring the woodwork of a $1,000,000 painting by old masters, specifically Piero della Francesca's "Nativity," completed in 1490. The painting had received "first aid" treatment about four years prior, but since then, two significant cracks have appeared.
Buck has discovered an extensive system of worm tunnels beneath a layer of fillings in worm-holes and tunnels. These tunnels reach right down to the painting itself and will need to be treated before he can proceed with attaching a fresh wood backing to the painting. Strips of balsa wood will be used for this purpose. The article highlights the complexity and the meticulous nature of the restoration process.
The image shows a yellowed newspaper clipping from the "Standard-Times" based in New Bedford, Massachusetts, with a circulation of 54,522. The date on the clipping is May 26, 1949. The headline of the article reads "Harvard Expert Renews Paintings." The dateline is London, May 26, and the article is identified as an INS (International News Service) story. The article discusses how Bearded Richard D. Buck of Harvard University's Fogg Art Museum is in London working at the National Gallery to restore the woodwork of the $1,000,000 painting of the "Nativity," which Piero della Francesca finished in 1490. The article mentions that many attempts have been made to restore the painting in the past, with the most recent "first aid" treatment about four years ago, but two great cracks have since appeared. Buck, an authority on the restoration of old masters, notes that beneath a layer of filled-in worm-holes and tunneling, there is another unexplored system of worm tunnels reaching down to the painting itself. These will need treatment before Buck can put a fresh wood backing on the painting, for which strips of balsa wood will be used.
The image shows a clipping from the Standard-Times newspaper, dated May 26, 1949, from New Bedford, Massachusetts. The headline reads "Harvard Expert Renews Paintings."
The article discusses Harvard University’s Richard D. Buck, an expert at the Fogg Art Museum, who is currently working at the National Gallery in London to restore a $1,600,000 painting, specifically the "Nativity" by Piero della Francesca, completed in 1490.
Buck mentions that the painting received some preliminary restoration about four years prior but has since developed significant cracks. The article notes that the restoration involves uncovering worm tunnels and tunneling systems beneath the surface of the painting, which are unexplored. To address these issues, Buck will use a dental probe-like instrument to treat the affected areas and apply fresh wood backing to the painting using strips of balsa wood. The goal is to stabilize and repair the painting before further restoration work can commence.
The image shows a clipping from a newspaper titled "Standard-Times" from New Bedford, Massachusetts, dated May 26, 1949. The article is a news report from London, dated May 26, and is sourced from INS (International News Service).
The headline reads: "Harvard Expert Renews Paintings."
The article describes Richard D. Buck, a bearded expert from Harvard University's Fogg Art Museum, who is working at the National Gallery in London to restore the woodwork of a significant painting, valued at $1,600,000. The painting is identified as Piero della Francesca's "Nativity," completed in 1490.
The article mentions that previous attempts to restore the painting have been made, and it was given "first aid" treatment around four years prior, but new cracks have since appeared. Buck, an authority on the restoration of old masters, has discovered a layer of filled-in worm holes and tunnels beneath the paint, reaching down to the actual painting itself. He plans to use a dentist's probe to explore this system of worm tunnels. The article concludes by mentioning that Buck will treat the affected areas before applying fresh wood backing to the painting, using strips of balsa wood for this purpose.
The image is a clipping from a newspaper titled "Standard-Times," published in New Bedford, Massachusetts, dated May 26, 1949. The article is about a Harvard expert, Richard D. Buck, who is restoring a significant painting.
Here are the key details:
The clipping provides a snapshot of the meticulous and innovative approach taken by experts to preserve and restore historical artwork.
The image is a newspaper clipping from the "Standard-Times" in New Bedford, Massachusetts, dated May 26, 1948. The article is titled "Harvard Expert Renews Paintings" and is credited to the International News Service (INS).
The article discusses the restoration work being done on an important painting, "The Nativity" by Piero della Francesca, which was completed in 1490. Richard D. Buck, a bearded expert from Harvard University's Fogg Art Museum, is currently engaged in restoring this valuable artwork, valued at $1,000,000, at the National Gallery in London.
Key points from the article include:
The image displays a portion of a newspaper clipping. The top part of the clipping features the header which reads "Standard-Times (e) NEW BEDFORD, Mass." and describes the publication as "Independent" with a circulation figure of "Circ. 54,522." It's dated "MAY 26 1949".
The main article is titled "Harvard Expert Renews Paintings." It begins with "LONDON, May 26 (INS)—Bearded Richard D. Buck, of Harvard University's Fogg Art Museum, is busy at the National Gallery in London restoring the woodwork of the $1,000,000 painting of the Nativity, which Piero della Francesca finished in 1490."
The article continues explaining that multiple restoration attempts had been made on the painting, most recently a "first aid" treatment about four years prior. It mentions that two great cracks had appeared, and the article details the necessity to address underlying worm tunnels and damage before the painting can be restored fully, including the prospect of applying a fresh wood backing made of balsa strips.
Throughout the clipping, some parts of the text are missing or obscured, likely due to the condition of the paper or the way it was cut or torn. The edges of the paper are frayed, and the text has the typical font and layout style of mid-20th-century newspaper print. The paper's color indicates some age-related discoloration, common in old documents.
The image shows a piece of old paper with a newspaper clipping attached to it. The clipping is from the Standard-Times newspaper from New Bedford, Massachusetts, dated May 26, 1949. The clipping reads "Harvard Expert Renews Paintings" and discusses the restoration of a painting by Piero della Francesca. The paper appears to be slightly torn, with the text partially obscured by the clipping. The background is a plain gray surface.
The image shows a scanned or photographed page of a newspaper clipping from the Standard-Times, dated May 26, 1949, from New Bedford, Mass. The clipping is titled "Harvard Expert Renews Paintings" and is attributed to the Independent with a circulation of 54,522.
Headline: "Harvard Expert Renews Paintings"
Location and Date:
Subject Matter:
Restoration Details:
The image depicts a historical newspaper article from May 26, 1949, reporting on the restoration efforts of a valuable painting, "The Nativity" by Piero della Francesca, by Harvard expert Richard D. Buck. The article highlights the challenges of restoring the artwork, including cracks and worm damage, and outlines the meticulous restoration techniques being employed.
The image shows a piece of paper with a clipping from a newspaper. The clipping is from the Standard-Times, published in New Bedford, Massachusetts, on May 26, 1949. The clipping is about a Harvard expert named Richard D. Buck, who is busy restoring the woodwork of a $1,000,000 painting at the National Gallery in London. The clipping mentions that the painting is the "Nativity," which Piero della Francesca finished in 1490. The clipping also mentions that the painting has been treated with an instrument like a dentist's probe, which has revealed a layer of filled worm holes and tunnels underneath the painting. The clipping also mentions that the painting will have to be treated before a freshwood backing is put on it, and that strips of balsa will be used.