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This image shows a vintage press clipping on aged, yellowed paper, mounted on a light gray background. It’s a newspaper clipping saved by “Burrelle’s Press Clipping Bureau,” an established news monitoring service.

Top Section (Burrelle’s Header):

• The clipping bears the Burrelle’s logo — the name “Burrelle’s” in elegant script with a pair of scissors incorporated into the lettering.
• Below the logo, it states “ESTABLISHED 1888” and a phone number: “BArclay 7-5371.”
• The bureau’s address is listed: “PRESS CLIPPING BUREAU, 165 Church Street - New York.”
• Beneath that, it indicates the client or source location: “NEW ORLEANS, LA. Times-Picayune-States” and “Circ. S. 232,009.”
• A handwritten date stamp in ink reads: “JUN 5 – 1949.”

Clipping Body (News Article):

Headline: “Harvard Expert Renews Painting”

Byline/Attribution: “(International News Service)”

Text Summary:

• The article reports on bearded Richard D. Buck of Harvard University’s Fogg Art Museum, who is currently working in London’s National Gallery.
• He is restoring a priceless painting — “the million-dollar painting of the Nativity” — completed in 1490 by Piero della Francesca.
• Previous attempts at restoring the painting were made, including a “first aid” treatment four years prior — but since then, two new major cracks have appeared.
• Buck, an authority on restoring old masters, has discovered using a small probing instrument (comparable to a dentist’s tool) that beneath a surface layer of filled wormholes lies an extensive, previously undetected network of worm tunnels reaching all the way down to the painting’s wooden panel.
• These hidden tunnels will need to be treated before Buck can begin applying fresh wood backing to the panel. The article notes that strips of balsa wood will be used for this restoration.

Overall Description:
This is a historical press clipping from June 5, 1949, documenting an important art restoration effort by a Harvard expert. It highlights early 20th-century conservation science, revealing how detailed examination — even with simple tools — could uncover hidden structural damage in priceless artworks. The clipping’s physical condition, including the Burrelle’s header and date stamp, suggests it was preserved as part of a professional media monitoring archive.

The image is a scanned copy of a historical document, specifically a newspaper clipping from the year 1949. The clipping is from Burrelle's Press Clipping Bureau, located at 165 Church Street, New York. It is associated with the newspaper "Times-Picayune-States" from New Orleans, Louisiana, with a circulation of 232,000. The document is dated June 5, 1949.

The clipping is titled "Harvard Expert Renews Painting" and is from the International News Service. It discusses a restoration project being carried out by Richard D. Buck, a Harvard University expert, at the National Gallery in London. The project involves restoring the woodwork of a famous painting titled "The Nativity," which was finished in 1490 by the artist Piero della Francesca. Buck, using a dental probe, discovered an intricate system of worm tunnels beneath the surface of the painting that need to be addressed before the restoration can proceed. The document notes that the painting has been previously restored but has since developed additional cracks that require attention.

This image is a yellowed newspaper clipping from the "Times-Picayune-States" newspaper, dated June 5, 1949, and is presented with a label at the top advertising Burrelle's Press Clipping Bureau. The clipping is titled "Harvard Expert Renews Painting" and discusses the work of Richard D. Buck, a conservator from Harvard University's Fogg Art Museum, who is restoring a valuable painting of the Nativity by Piero della Francesca, completed in 1490.

The article explains that the painting, valued at a million dollars, has faced various restoration challenges. Despite previous "first aid" treatments four years prior, the painting has developed two significant cracks. Buck, an expert in restoring old masterpieces, is employing innovative techniques to address the issues. He uses a tool similar to a dentist’s probe to investigate and treat wormholes and tunnels beneath the surface of the wood panel, which have caused damage to the painting.

The article concludes by mentioning that before applying a fresh wooden backing to the painting, Buck will first need to treat the worm tunnels, using strips of balsa wood as part of the restoration process. The clipping is marked with a small purple stamp, possibly indicating cataloging or archival information.

The image shows a clipping from a newspaper, which appears to be a press release or an article. The clipping is dated June 5, 1949, and is from the "Times-Picayune-States" newspaper in New Orleans, Louisiana. The clipping is about a Harvard expert, Richard D. Buck, who is restoring a painting at the Fogg Art Museum in London. The painting is a million-dollar artwork by Piero della Francesca, titled "The Nativity," which was completed in 1490.

The article mentions that many attempts have been made to restore the painting, but it was given "first aid" treatment about four years ago. However, two great cracks have appeared since then. Buck has found that underneath a layer of paint, there is an unexplored system of worm tunnels reaching right down to the painting. These tunnels will have to be treated before Buck tackles the job of putting a fresh wood backing on the painting. Strips of balsa will be used for this purpose.

The clipping also includes the name of the press clipping bureau, "Burrelle's," which is located in New York City. The bureau's address and contact information are provided at the top of the clipping. The clipping is printed on a piece of paper that appears to be slightly worn and aged, with some creases and folds visible.

The image shows a clipping from a newspaper, specifically from Burfelles Press Clipping Bureau, dated June 5, 1949. The clipping is about a Harvard expert, Richard D. Buck, who is working on restoring the painting "The Nativity" by Piero della Francesca, which was finished in 1490. The painting is currently at the National Gallery in London, and the restoration project is a million-dollar endeavor. The clipping mentions that the painting has already received "first aid" treatment about four years ago, but two major cracks have appeared since then. Buck has found evidence of worm-holes and tunnels beneath the painting using a densitometer, which will need to be treated before he can begin the restoration process. The clipping provides an overview of the restoration efforts and the challenges faced by Buck in restoring this valuable artwork.

The image shows a vintage press clipping from the New Orleans, LA. Times-Picayune-States, dated June 5, 1949, with a circulation of 232,009. The clipping is from the Press Clipping Bureau, established in 1888, located at 165 Church Street, New York, and associated with Burrelles, as indicated by the logo and branding at the top.

The headline reads: "Harvard Expert Renews Painting", and the article is attributed to the International News Service. The content discusses Richard D. Buck, an expert from Harvard University, who is working on restoring a million-dollar painting of the Nativity by Piero della Francesca, originally finished in 1490. The painting is housed at the National Art Gallery in London.

Key points from the article include:

1. Restoration Challenges: The painting has undergone multiple restoration attempts, including a "first aid" treatment about four years prior. However, two great cracks have since appeared, indicating ongoing deterioration.

2. Expert Findings: Buck has discovered wormholes and tunnels within the painting using a dentist’s probe, revealing an unexplored system of worm damage that extends to the painting’s backing.

3. Restoration Plan: Before tackling the main restoration, Buck must address the worm damage. The plan involves putting a fresh wood backing on the painting and using strips of balsa to stabilize the artwork.

The clipping is presented on aged, slightly worn paper, reflecting its historical context and the era of mid-20th-century news reporting. The layout and typography are typical of newspaper clippings from that time, with clear headings and concise reporting style.

This image shows a vintage newspaper clipping with a header that reads "Burrelle's," stating it is a press clipping bureau established in 1888. The address, "165 Church Street - New York," and a branch location in New Orleans, LA, are provided along with a phone number and circulation statistics for the Times-Picayune-States.

The headline of the article reads: "Harvard Expert Renews Painting." The dateline is June 5, 1949. The article mentions a Richard D. Buck of Harvard University's Fogg Art Museum, who is reportedly busy at the National Gallery in London restoring woodwork on a million-dollar painting of the Nativity by Piero della Francesca, completed in 1490. The article notes previous attempts to restore the painting, mentions the appearance of great cracks, and discusses the issues discovered, such as wormholes and tunnelings in the wood. It concludes by stating that a fresh wood backing and strips of balsa will be used in the restoration process.

This image shows an old newspaper clipping with two main sections:

1. Header:

   • The title shows "Burrelle's", below which it mentions "Press Clipping Bureau".
   • The address is given as "165 Church Street - New York".
   • The publication source and circulation are mentioned: "New Orleans, LA. - Times-Picayune-States, Circ. S. 232,009".
   • Stamped date: "Jun 5 - 1949".

2. News Content:

   • Headline: "Harvard Expert Renews Painting".
   • It discusses Richard D. Buck of the Harvard University Fogg Art Museum working in London on restoring the Nativity painting by Piero della Francesca, completed in 1490.
   • It mentions past restoration attempts, Buck's expertise, and his use of a specialized instrument to address issues like wormholes and tunnels in the woodwork.
   • It notes future plans to back the painting with fresh wood using balsa strips.

The overall tone is informative, detailing efforts in art restoration.

• A small vertical composite of two vintage newspaper clippings mounted on a gray background.
• Top clipping: from Burrelles’ Press Clipping Bureau (logo features a pair of scissors and cursive “Burrelle’s”; “Established 1888”). It lists addresses in New York and a connection to New Orleans/Times-Picayune-States, with a circular “Cir. S. 232,009” line. A stamped date reads Jun 5, 1949.
• Bottom clipping: titled “Harvard Expert Renews Painting” (International News Service). It reports that Richard D. Buck of Harvard University’s Fogg Art Museum is working at the National Gallery in London to restore the woodwork of a million-dollar painting by Piero della Francesca, finished in 1490. The article mentions restoration methods and tools, such as a dentist’s probe, and notes that strips of balsa will be used.
• Overall, the image shows aged, yellowed newspaper clippings about art restoration, clipped together with light purple/blue ink marks and a neat vertical arrangement.

The image shows a vintage newspaper clipping from Burrelle's Press Clipping Bureau, located at 165 Church Street, New York. The clipping is dated June 5, 1949, and is related to the Times-Picayune-States newspaper from New Orleans, Louisiana.

The headline of the article reads: "Harvard Expert Renews Painting." It reports on Richard D. Buck, a bearded expert from Harvard University's Fogg Art Museum, who is engaged in restoring the woodwork of the million-dollar painting "Nativity" by Piero della Francesca, completed in 1490. The restoration is taking place at the National Gallery in London.

The article details previous restoration attempts and notes that cracks have appeared since a "first aid" treatment around four years prior. Buck has discovered, using an instrument like a dentist's probe, an unexplored system of worm tunnels beneath a layer of filled-in wormholes and tunnels that reach right down to the painting. These tunnels need treatment before Buck can replace the wood backing of the painting using strips of balsa wood.