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ARCH.2003.30, Rendition: 802800
The image shows a clipping from a press clipping bureau named Burrelle's, established in 1888, with an address at 165 Church Street, New York. The clipping is from the "Youngstown, O. Vindicator" newspaper, dated May 29, 1949.
The article is titled "Harvard Expert Renews Paintings" and discusses the restoration efforts of a painting by Piero della Francesca, completed in 1490. The restoration is being carried out by Richard D. Buck, a bearded expert from Harvard University's Fogg Art Museum, at the National Gallery in London. The painting has suffered damage over time, including two significant cracks that appeared after a previous restoration attempt about four years ago.
Buck, an authority on restoring old masters, discovered an extensive network of worm tunnels and holes beneath the painting's surface using a probe-like instrument. These tunnels have compromised the structural integrity of the woodwork supporting the painting. To address this issue, Buck plans to apply strips of balsa wood as a backing to reinforce the painting. The article highlights the complexity and delicate nature of the restoration process.
The image shows a press clipping from the "Youngstown, O. Vindicator," dated May 29, 1949. The headline reads "Harvard Expert Renews Paintings." The article reports that Richard D. Buck, a bearded expert from Harvard University's Fogg Art Museum, is working at the National Gallery in London to restore a million-dollar painting of the Nativity by Piero della Francesca, completed in 1490. Previous restoration attempts have left the painting with cracks, and Buck has discovered extensive worm tunnels beneath the surface that need treatment before he can apply a freshwood backing. The restoration process involves using a dentist-like instrument to probe and treat the underlying damage. The clipping is attached to a card from the Press Clipping Bureau, located at 165 Church Street, New York, with the contact number Barclay 7-5371, and it indicates that the bureau was established in 1888.
The image shows a press clipping from the Youngstown Vindicator dated May 29, 1949. The clipping is from the Burrell's Press Clipping Bureau, located at 165 Church Street, New York.
The article in the clipping is titled "Harvard Expert Renews Paintings" and focuses on the restoration efforts of a famous painting. It details the work of Richard D. Buck, an expert from Harvard University's Fogg Art Museum, who is currently restoring a painting in London. The painting is a work by Piero della Francesca, titled "The Nativity," valued at over a million dollars. The article notes that previous attempts at restoration had not been successful and that significant cracks appeared after an initial treatment.
Buck is using a unique method to restore the painting. He found an instrument resembling a dentist's probe that revealed an intricate system of wormholes and tunnels beneath the layer of old paint. These tunnels need to be addressed before he can proceed with the restoration, which involves placing fresh wood backing and using strips of balsa wood.
The image shows a press clipping from the Youngstown, Ohio, Vindicator, dated May 29, 1949. The clipping is from Burrelles' Press Clipping Bureau, established in 1888, located at 165 Church Street, New York.
The article is titled "Harvard Expert Renews Paintings." It reports on Richard D. Buck, a Harvard expert from the Fogg Art Museum, who is restoring a valuable painting at the National Gallery in London. The painting is "The Nativity," completed by Piero della Francesca in 1490. Buck is using a dentist's probe to uncover an intricate system of worm tunnels beneath the painting's surface, which were not apparent during previous restoration attempts. The article mentions that these worm tunnels will need to be treated before Buck can proceed with adding a freshwood backing to the painting and using strips of balsa wood.
The image shows a vintage press clipping from the Youngstown, Ohio, Vindicator, dated May 29, 1949. The clipping is attached to a press clipping bureau label from "Burkelle's," a service established in 1888, located at 165 Church Street in New York, with a phone number listed as BArcady 7-5371.
The headline of the clipping reads, "Harvard Expert Renews Paintings." The article, dated May 28 from London, describes Richard D. Buck, a bearded expert from Harvard University's Fogg Art Museum, who is working on restoring a million-dollar painting of the Nativity by Piero della Francesca, finished in 1490.
The article details that the painting had undergone previous restoration attempts, including a "first aid" treatment about four years prior, but cracks had since appeared. Buck has discovered that beneath a layer of filled worm-holes and tunnels, there is an unexplored system of worm tunnels reaching down to the painting itself. He plans to treat these before addressing the backing of the painting, which will involve using strips of balsa.
The image is a press clipping from a service called "Burelles," established in 1888, which appears to be a press clipping bureau located at 165 Church Street, New York. The specific clipping is from the Youngstown, Ohio newspaper, the "Vindicator," dated May 29, 1949.
The headline reads: "Harvard Expert Renews Paintings."
The article details the work of Richard D. Buck, a bearded expert from Harvard University’s Fogg Art Museum. Buck is currently working at the National Gallery in London, where he is restoring a valuable painting by Piero della Francesca, completed in 1490.
The article explains that many attempts have been made to restore the painting in the past. About four years prior, the painting received its "first aid" treatment, but since then, new cracks have appeared.
Buck, an authority on the restoration of old masters, discovered using a dentist's probe that beneath the surface of the painting, there is a layer filled with wormholes and an extensive, unexplored system of tunnels reaching down to the painting itself.
Before tackling the full restoration, Buck plans to place a fresh wood backing on the painting, using strips of balsa for this purpose.
This is an image of a vintage press clipping mounted on a decorative card. The upper portion of the card features the text "Burrelle's" in stylized calligraphy, along with an illustration of a pair of scissors, indicating that this is related to Burrelle's press clipping service. It also has the details "ESTABLISHED 1888" and the phone number "BArclay 7-5371". Below that is the text "PRESS CLIPPING BUREAU 165 Church Street - New York". Furthermore, there's an address line for "YOUNGSTOWN, O. VINDICATOR" with circulation numbers followed by the handwritten date "MAY 29 1949".
The actual newspaper clipping is titled "Harvard Expert Renews Paintings" and is dated "London, May 28". It discusses how Richard D. Buck from Harvard University's Fogg Art Museum is in London at the National Gallery restoring a woodwork painting by Piero della Francesca finished in 1490. The article goes on to describe difficulties in the restoration process, including the appearance of cracks and wormhole damage to the piece, and the methods being used for restoration, such as treatment before applying a fresh wood backing of balsa strips.
The image depicts a vintage press clipping from the Youngstown Vindicator, dated May 29, 1949. The clipping is mounted on a card from Buttelle's Press Clipping Bureau, established in 1888, located at 165 Church Street, New York. The card includes the bureau's contact information: Barclay 7-5371.
The headline of the clipping reads "Harvard Expert Renews Paintings", and the article discusses the efforts of Richard D. Buck, an expert from Harvard University's Fogg Art Museum, who is restoring a valuable artwork in London. The painting in question is a million-dollar work by Piero della Francesca, completed in 1490 and housed at the National Gallery in London.
Key points from the article include:
Restoration Challenges: The painting has suffered from significant damage, including four major cracks that have appeared since a previous restoration attempt about four years earlier.
New Discovery: Buck has identified an underlying issue using a dentist's probe, revealing worm-holes and tunnelings filled with an unexplored system of worm tunnels that extend into the painting itself.
Restoration Plan: Before addressing the surface cracks, Buck intends to treat the worm damage. He plans to apply a freshwood backing to the painting, using strips of balsa as part of the restoration process.
The clipping is presented in a clean, organized manner, with the headline and article text clearly visible, suggesting it was preserved for historical or archival purposes. The overall design and typography reflect the mid-20th century style, emphasizing the importance of the restoration effort and the expertise involved.
The image shows a clipping from the "Youngstown Vindicator" newspaper, dated May 29, 1949. The clipping is about an expert from Harvard University, Richard M. Buck, who is restoring a painting by Piero della Francesca in the National Art Gallery in London. The restoration, which cost $1 million, aims to repair the woodwork of the painting, which was completed in 1490. The article mentions that despite previous attempts to restore the painting, two significant cracks have reappeared, and Buck has discovered an unexplored system of worm tunnels beneath the painting's surface. The restoration process involves removing a layer of woodworm and applying fresh wood backing to the painting.
The image shows a piece of paper with text on it, which appears to be a clipping from a newspaper or magazine. The clipping is titled "Harvard Expert Renews Paintings" and features a photograph of Richard May Buck, who is described as a "bearded authority on the restoration of old masters." Buck is said to be working on restoring a painting by Piero della Francesca that was completed in 1490.
The clipping notes that many attempts have been made to restore the painting in the past, but Buck's approach is unique. He has discovered that underneath a layer of paint, there are worm-holes and tunnels created by woodworm that have reached down to the painting itself. Buck plans to treat the painting with a fresh coat of wood backing and use strips of balsa to fill in the holes.
The clipping also includes information about the publication it was taken from, which is identified as "Youngstown, O. Vindicator" with a circulation of 81,362 and a street address of 165 Church Street, New York. The clipping is dated May 29, 1949, and includes a stamp from the Bureau of Engraving and Printing.
Overall, the image provides insight into the process of restoring old paintings and the expertise required to do so. It also highlights the importance of preserving cultural heritage and the role that experts like Richard May Buck play in that effort.