Archives Scrapbooks

The image shows a piece of paper with a vintage feel, featuring two distinct sections. The top portion is a teal-colored business card for "Buffrelle's Press Clipping Bureau," established in 1888. The contact information includes a phone number "Barclay 7-5371" and an address on 165 Church Street, New York. Below the business card, there is a clipping from a newspaper article dated May 24, 1949. The headline reads, "Harvard Expert Renews Paintings," and the article discusses the restoration work of a prominent painting by Piero della Francesca, which was being worked on at the National Gallery in London by Richard D. Buck, an expert from Harvard University's Fogg Art museum. The article details Buck's innovative method using a probe-like instrument to examine the painting's condition and the challenges he faces in restoring the artwork.

This image shows a clipped article from a newspaper. The clipping is attached to a green card from "Burrelle's Press Clipping Bureau," which is located at 165 Church Street in New York and has a phone number listed as "Barclay 7-5371." The card also mentions "SOMERSET, PA. AMERICAN" and a circulation number "Cir. D. 4,042." The date on the card is "MAY 24 1949."

The article is titled "Harvard Expert Renews Paintings" and discusses the work of Richard D. Buck, a restoration expert from Harvard University's Fogg Art Museum, who is restoring a painting at the National Gallery in London. The painting, "The Nativity" by Piero della Francesca, completed in 1490, is described as being a million-dollar piece with significant damage, including cracks and wormholes. Buck is using specialized tools, such as a dentist's probe, to investigate and repair the damage. The article mentions that he plans to use balsa strips to reinforce the wood backing of the painting.

The image shows a clipping from a newspaper, featuring an article about the restoration of a painting. The clipping is from the "Press Clipping Bureau" of Somerset, Pennsylvania, and the date is May 24, 1949. The article is about the Fogg Art Museum at Harvard University, which is busy restoring a painting by Piero della Francesca titled "The Nativity." The museum has been working on this restoration for four years, and the painting was given its "first aid" treatment about two years ago, but cracks have since appeared. The article mentions that an authority on the restoration of old masters, Richard D. Buck, is using an instrument similar to a dentist's probe to explore the system of worm-holes and tunnelings beneath a layer of filler. These will be treated before he tackles the job of putting a freshwood backing on the painting itself, and strips of balsa will be used.

The image features a clipping from a newspaper or magazine, dated May 21, 1949, and published by the American Press Clipping Bureau, located at 165 Church Street, New York. The clipping is about the restoration of the painting "Della Francesca" by Piero della Francesca, which is housed in the National Gallery in London. The clipping includes a brief description of the painting and its historical context, as well as information about the restoration efforts.

The clipping is placed on a white background, and the text is written in black font. The clipping is folded in half, and the top part of the clipping features the name "Buffel's" in a cursive font, with the date "1888" below it. The clipping also includes a small image of a person, possibly the artist or a curator, but it is not clearly visible due to the low resolution of the image.

Overall, the image shows a historical clipping about the restoration of a famous painting, providing insights into the art world and the efforts to preserve cultural heritage.

The image depicts a vintage press clipping from the Somerset American, dated May 24, 1949. The clipping is about a significant art restoration project involving a valuable painting. Here’s a detailed description:

Header and Source Information:

• Top Section:
  • The clipping is from Buffelles Press Clipping Bureau, established in 1888, located at 165 Church Street, New York.
  • The document includes a Barclay number: 7-5371.
  • The newspaper is identified as the Somerset American, with a circulation of 4,042.

Main Article Content:

• Headline:

  • "Harvard Expert Renews Paintings"

• Location and Context:

  • The article is from London and is dated May 24, 1949.
  • It discusses Bearded Richard D. Buck, an expert from Harvard University's Fogg Art Museum, who is working in London at the National Gallery.

• Painting in Focus:

  • The painting being restored is the million-dollar painting of the Nativity, created by Piero della Francesca and completed in 1490.

• Restoration Details:

  • The painting had previously undergone "first aid" treatment about four years earlier (around 1945).
  • Since then, great cracks have appeared, indicating significant deterioration.
  • Buck, an authority on the restoration of old masters, has discovered an undetected layer of wormholes and tunnels beneath the painting using an instrument similar to a dentist’s probe.
  • The wormholes extend right down to the painting itself, requiring extensive treatment.
  • The restoration process involves:
    • Putting a freshwood backing on the painting.
    • Using strips of balsa to address the damage.

Visual Elements:

• The clipping appears to be a physical newspaper clipping with a slightly worn and aged appearance, suggesting it is a historical document.
• The text is typed or printed in a clear, formal style typical of mid-20th-century newspapers.
• The layout includes a headline, byline, and body text that provides context and details about the restoration effort.

Overall Impression:

The image captures a moment in art conservation history, highlighting the challenges and techniques involved in restoring a masterpiece by a renowned Renaissance artist. It underscores the importance of expert intervention in preserving cultural heritage.

The image depicts a newspaper clipping about the restoration of a painting, accompanied by a business card from a press clipping bureau.

Newspaper Clipping:

• The clipping is titled "Harvard Expert Renews Paintings" and features an article about Richard D. Buck, a Harvard University expert who has been restoring paintings at the National Gallery in London.
• The article mentions that Buck has worked on several paintings, including Piero della Francesca's "The Nativity," which was finished in 1490.
• The clipping also includes a brief description of Buck's restoration techniques, including the use of a dentist's probe to fill in wormholes and tunnels in the painting.

Business Card:

• The business card is from Burrelle's Press Clipping Bureau, which was established in 1888.
• The card lists the bureau's address as 165 Church Street, New York, and provides a phone number and a reference number (BArcIay 7-5371).
• The card also includes a note that the clipping was sent to Somerset, PA, American, with a circulation of 4,042.

Background:

• The background of the image is a light gray color, which provides a neutral backdrop for the newspaper clipping and business card.

Overall, the image suggests that the newspaper clipping was sent to the press clipping bureau as part of a larger collection of articles about art restoration. The inclusion of the business card provides context for how the clipping was obtained and distributed.

The image displays a newspaper clipping with a green paper attached to the top, featuring the name "Buffelle's" in cursive. The clipping is from the "Harvard Expert Renews Paintings" article, published in the "London" section of an unspecified newspaper on May 24, 1949.

The clipping reports on the restoration of paintings at the National Gallery in London, including a woodwork of the million-dollar painting of the Nativity, which Piero della Francesca finished in 1490. The article mentions that the restoration was made possible by the use of a dentist's probe and a layer of filled-in worm-holes and tunnellings.

The green paper attached to the top of the clipping bears the name "Buffelle's" in cursive, along with the text "ESTABLISHED 1888," "BArclay 7-5371," "PRESS CLIPPING BUREAU," "165 Church Street - New York," "SOMERSET, PA. AMERICAN," and "Cir. D. 4,042." The paper appears to be a press clipping from the Buffelle's Press Clipping Bureau.

Overall, the image suggests that the clipping was sent to Buffelle's Press Clipping Bureau, which likely provided the service of clipping and sending news articles to clients. The clipping itself provides interesting information about the restoration of paintings at the National Gallery in London, highlighting the use of innovative techniques and tools in the process.

The image depicts a newspaper clipping and its corresponding envelope from Buffalo's Press Clipping Bureau.

The envelope is light green and features the company's name, "Buffalo's," in black cursive at the top, accompanied by a pair of scissors. The text "ESTABLISHED 1888" and "BArclay 7-5371" are printed below, followed by the company's address: "165 Church Street - New York." The envelope also includes the location "SOMERSET, PA." and the name of the newspaper, "AMERICAN," along with its circulation number, "Cir. D. 4,042." A stamp on the envelope reads "MAY 24 1949."

The newspaper clipping is yellowed and bears the headline "Harvard Expert Renews Paintings." The article discusses the restoration of a painting by Pier della Francesca, which was damaged and required treatment to preserve it. The clipping is placed on top of the envelope, suggesting that it was sent by the Press Clipping Bureau to a client.

The background of the image is a plain gray color, providing a neutral backdrop for the envelope and clipping. Overall, the image appears to be a historical artifact, showcasing the work of the Press Clipping Bureau and the restoration of a valuable artwork.

The image presents a vintage newspaper clipping and a press clipping bureau card, set against a light gray background.

Newspaper Clipping:

• The clipping is yellowed with age and features a headline that reads "Harvard Expert Renews Paintings" in bold black text.
• The article discusses the restoration of a painting by Piero della Francesca, titled "The Nativity," which was created in 1490.
• The article explains that the painting had undergone previous restoration attempts but had developed two significant cracks.
• An expert from Harvard University, Bearded Richard D. Buck, is working on restoring the painting using specialized tools and techniques.

Press Clipping Bureau Card:

• The card is mint green and features the name "Bufrelle's" in elegant cursive script at the top.
• Below the name, the text reads "ESTABLISHED 1888" and "BArclay 7-5371."
• The card also includes the address "PRESS CLIPPING BUREAU / 165 Church Street - New York" and the location "SOMERSET, PA. AMERICAN Cir. D. 4,042."

Overall:

• The image appears to be a historical document or artifact, showcasing a newspaper clipping and a press clipping bureau card from the past.
• The clipping provides insight into the restoration of a valuable artwork, while the card serves as a record of the clipping's origin and distribution.

The image shows two pieces of paper, one on top of the other. The top piece is a light green envelope with a handwritten address and a postmark. The address is written as follows:

Burrelle's
Established 1888
Barclay 7-5371
Press Clipping Bureau
165 Church Street - New York

SOMERSET, PA.
AMERICAN
Cir. D. 4,042

The postmark indicates that the envelope was processed on May 24, 1949.

The bottom piece is a clipping from a newspaper article. The headline reads "Harvard Expert Renews Paintings." The article discusses Richard D. Buck, an expert from Harvard University's Fogg Art Museum, who is restoring a painting by Piero della Francesca at the National Gallery in London. The painting, which is worth a million dollars, was finished in 1490 and had been restored about four years prior. Buck discovered that worm-holes and tunnels had damaged the painting, and he is working to repair it using strips of balsa wood to back the painting. The article highlights Buck's expertise in restoring old masterpieces.