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This image displays a vintage, aged newspaper or magazine clipping, likely from the magazine TIME, dated February 14, 1949. The clipping is mounted or pasted onto a piece of yellowed, hole-punched paper — possibly from a scrapbook or file folder — which shows signs of wear, including creases and a small tear at the bottom left.

The page itself is titled “ART” in large, bold letters at the top. The main article is titled “Vincent by Candlelight” and details the discovery and sale of Vincent van Gogh’s self-portrait, The Fugitive of a Pre-dawn, which was found and sold by Reeven Lewenthal, a dealer. The text recounts how the painting was discovered on a garage wall, its subsequent authentication, and its eventual sale to Cincinatti’s William Goetz for $8,000.

Accompanying the article is a black-and-white reproduction of the painting — Van Gogh’s Self-Portrait — with the caption: The fury of a pre-dawn.

To the right of the main article is a smaller section titled “EGYPTIAN SCULPTURES ON LOAN”, with the subtitle The remains of a sacred cat. This section features a photo of a bronze Egyptian cat sculpture (with two smaller figures, probably kittens or other felines, at its base) and discusses its loan from the Gulbenkian collection to the National Gallery of Art. It mentions the cat's impressive size (over 20 inches high) and its historical significance.

A handwritten note on the mounted paper above the clippings reads:

Feragut Wall Painting
Feb 1949

This might be a personal annotation by the person who collected the clipping, possibly confusing or associating the article with another event or artist (the name “Feragut” does not appear in the article).

The page number “56” is visible at the bottom left, and the magazine’s name and date, TIME, FEBRUARY 14, 1949, are printed at the bottom right.

Overall, the image captures a historical artifact — a preserved moment from mid-20th century art journalism — documenting the rediscovery of a Van Gogh masterpiece and the loan of ancient Egyptian sculptures, preserved with personal marginalia and archival wear.

The image appears to be a scanned page from an old magazine or publication. It includes a headline titled "ART" and discusses a story about Vincent van Gogh's self-portrait titled "Vincent by Candlelight." The article narrates the story of how Reeves Lewenthal, a young U.S. art dealer, discovered this portrait in a Paris bistro and subsequently sold it to William Goetz, a collector.

The page also features two photographs of ancient Egyptian sculptures, credited to C.S. Gulbenkian of the National Gallery of Art, and a self-portrait of Vincent van Gogh, labeled "William Goetz Collection." The text is accompanied by captions and annotations, including a note that mentions an "Egyptian Sculptures on Loan" exhibit. The page is dated February 14, 1949, indicating its publication date. The background of the page is a light beige color, and the edges are slightly torn, giving it a vintage appearance.

This image shows a vintage page from a magazine or newspaper, likely from the 1940s, clipped and attached to a brown paper envelope. The envelope has handwritten text at the top that reads "Horyuji Wall Painting Feb-1949."

The magazine page is from TIME magazine, dated February 14, 1949, and contains an article titled "ART" with the headline "Vincent by Candlelight." The article discusses the history and discovery of a self-portrait by Vincent Van Gogh, titled "Study by Candlelight," which was found and brought to public attention by Reeves Lewenthal, a U.S. art dealer.

The page includes several images:

1. A portrait of Vincent Van Gogh, described as "The fury of a fire-demon," at the bottom left.
2. Three Egyptian sculptures in the center-right, labeled "Egyptian Sculptures on Loan" and "The remains of a sacred cat."

The text discusses the painting's journey from its creation in 1888 to its discovery and exhibition in 1949. It also mentions a private collection of Egyptian art on loan from Calouste Sarkis Gulbenkian. The page is slightly torn and worn, indicating its age and handling.

The image shows a newspaper clipping with a title "ART" and a date of February 14, 1949. The clipping includes an article about Vincent Van Gogh's painting "The Halo of Heat" and its sale at the Lefevre Gallery in Beverly Hills. The article also mentions the sale of an Egyptian sculpture, a portrait of Van Gogh by himself, and a collection of ancient Egyptian artifacts. The clipping is attached to a brown envelope with a handwritten message in the upper left corner.

The image depicts a page from a magazine, specifically from the "ART" section, dated February 14, 1949. The page is a collage of text, photographs, and illustrations. At the top of the page, there is a letter with a signature, possibly from an editor or a contributor, dated February 1949. The letter is placed on a beige background, which is slightly torn at the edges, giving it an aged look.

Below the letter, there is a series of articles and images. The first article is titled "Vincent by Candlelight" and features a portrait of Vincent van Gogh. The article discusses van Gogh's life and work, focusing on his self-portraits and the impact of his art. Accompanying the article is a photograph of van Gogh's self-portrait, which is a black-and-white image of the artist with a serious expression.

To the right of the article, there is a photograph of three Egyptian sculptures. The sculptures depict a seated figure, a standing figure, and a statue of a cat. The caption below the photograph provides information about the sculptures, including their origins and the context in which they were created.

Below the Egyptian sculptures, there is another article titled "A Good Bit More." This article discusses the work of an artist named Peter Hill, who is described as a "proprietor of the Monterey Art Gallery." The article highlights Hill's recent acquisition of a collection of Egyptian art, which includes statues, coins, and other artifacts. The article also mentions that Hill plans to exhibit the collection in his gallery.

The page also includes a photograph of a small sculpture of a cat, which is described as a "sacred cat" from the National Gallery of Art. The caption provides information about the sculpture's origins and significance.

Overall, the page provides a glimpse into the world of art and culture in the late 1940s, with a focus on the work of Vincent van Gogh and the acquisition of Egyptian art by a private collector. The combination of text, photographs, and illustrations creates a rich and informative page that would have been of interest to readers of the time.

The image depicts a page from a publication titled TIME, dated February 14, 1949. The page is part of an article discussing art, specifically focusing on the work of Vincent van Gogh and the collection of art dealer Leo Lewenthal. The layout includes a mix of text and illustrations, providing a detailed account of van Gogh's artistic life and the discovery of his works.

Key Elements in the Image:

1. Header and Title:

• The top of the page features the word "ART" prominently displayed, indicating the article's focus on art.
• Below the header, the title "Vincent by Candlelight" is written, suggesting the article explores van Gogh's work through a lens of intimate, candlelit settings.

2. Text Content:

• The main body of the text is written in a dense, newspaper-style format. It discusses van Gogh's life, his artistic practices, and the discovery of his works by Leo Lewenthal.
• Key points covered include:
  • Van Gogh's habit of painting by candlelight, often in small, intimate spaces.
  • The discovery of his works by Lewenthal, who found them in an attic.
  • Descriptions of van Gogh's techniques, such as using a candle flame to illuminate his subjects.
  • The emotional and physical toll of van Gogh's artistic process.
  • The impact of his work on the art world and its rediscovery.

3. Illustrations:

• Left Side:

  • A black-and-white photograph of Vincent van Gogh is shown at the bottom left. The caption below identifies it as a self-portrait and credits the Van Gogh Museum in Amsterdam.

• Right Side:

  • Egyptian Sculptures: Three Egyptian sculptures are depicted:
    1. A standing male figure, likely a pharaoh or deity.
    2. A seated male figure, possibly a deity or pharaoh in meditation.
    3. A female figure, possibly an Egyptian goddess or queen.
  • The caption beneath these images identifies them as "Egyptian Sculptures" and notes that they are "The remains of a sacred cat." This suggests a connection between van Gogh's work and ancient art, possibly referencing his interest in mythology or symbolism.

4. Layout and Design:

• The page is structured with a clear separation between text and images.
• The text is organized into paragraphs, with some sections highlighted or emphasized through typography.
• The illustrations are placed strategically to complement the narrative, with the van Gogh self-portrait anchoring the left side and the Egyptian sculptures providing visual context on the right.

5. Additional Details:

• At the top of the page, there is handwritten text that reads "Horseyje's Real Paintings Feb-1949", likely a note or annotation by someone reviewing or cataloging the page.
• The bottom of the page includes the publication details: "TIME, FEBRUARY 14, 1949" and the page number "56".

Overall Impression:

The page combines journalistic storytelling with visual elements to provide a rich, multifaceted exploration of van Gogh's life and art. It emphasizes the intimate, candlelit nature of his creative process and the serendipitous discovery of his works, while also drawing connections to ancient art forms through the Egyptian sculptures. The layout is typical of mid-20th-century magazines, blending text and imagery to engage readers in a deeper understanding of the subject.

A vintage scrapbook page. The page is made of brown kraft paper with rough, torn edges and a small envelope tucked near the top. The envelope is pale and has handwriting on it, including a date (Feb 1949). Below the envelope is a clipped magazine page labeled “ART” that contains several black-and-white photos of sculptures (a standing figure, a seated form, and another figure) with columns of text around them. In the lower left corner of the clipping there is a small portrait image of a person. The page is bound with holes on the left edge and a string at the top, giving it an antique, archival look.

This image shows a page from a scrapbook or archival document. It includes a clipping of an old magazine or newspaper article titled "ART" with additional sub-headlines and illustrated content. The article features three sections along with images: one describes art pieces attributed to Van Gogh (including his self-portrait), another references Egyptian sculptures, and the last discusses collectors or art exhibits.

The page also has an envelope attached at the top, handwritten with a note mentioning "Henry's Red Paintings" and the date "Feb. 1949." The paper appears aged, with discolored edges and a tear on the left side. Some of the artwork or images of sculptures are partially blurred or obscured.

The image shows what appears to be a vintage paper clipping or page from a publication, which is attached to a cardboard backing. At the top of the image, there's an envelope with handwritten text indicating a name and a date. Below the envelope, is the main body of the clipping, featuring two columns headlined "ART."

The left column begins with the title "Vincent by Candlelight" and discusses various topics seemingly related to art and culture. At the bottom left, there is a smaller image of an artwork with a caption underneath.

The right column contains several photographs of Egyptian sculptures with a caption "EGYPTIAN SCULPTURE at the Louvre—From the Cairo Museum of Art." The text beneath these images continues a discussion on sculpture, mentioning specific pieces and providing some context or narrative about them.

On the right edge of the main paper, there are binder holes suggesting it was once filed or bound in a collection, and the torn edges on the opposite side indicate it may have been removed from a binding. There is some visible wear and discoloring on the paper, hinting at the age of the document.

The image shows a weathered, yellowed page mounted on a slightly larger piece of cardboard or paper. Attached to the page near the top is a small cream-colored envelope, which has handwriting on it in pencil that reads: "Horyuji Korea Paintings, Feb - 1949."

Below the envelope, there is a clipped newspaper or magazine article titled "ART." The article is about "Vincent by Candlelight" and discusses a self-portrait by Vincent Van Gogh painted by candlelight. The article contains several black and white images:

1. At the top center, there are three images of Egyptian sculptures: a standing figure, a seated figure, and a slim figure.
2. Near the bottom left of the article, there is a photograph of a man (face blurred) identified as being from the William Goetz Collection, captioned as a "Van Gogh Self-Portrait" with the phrase "The fury of a fire-demon" underneath.

The article is from the TIME magazine, dated February 14, 1949. The page itself shows signs of aging and has some torn edges and holes on the left side, indicating it might have been part of a binder or scrapbook.