Archives Scrapbooks

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Fogg Art Museum Scrapbooks, May 1947-February 1950

ARCH.2003.30, Rendition: 802778

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The image appears to be a scanned page from an old magazine or publication. It includes a headline titled "ART" and discusses a story about Vincent van Gogh's self-portrait titled "Vincent by Candlelight." The article narrates the story of how Reeves Lewenthal, a young U.S. art dealer, discovered this portrait in a Paris bistro and subsequently sold it to William Goetz, a collector.

The page also features two photographs of ancient Egyptian sculptures, credited to C.S. Gulbenkian of the National Gallery of Art, and a self-portrait of Vincent van Gogh, labeled "William Goetz Collection." The text is accompanied by captions and annotations, including a note that mentions an "Egyptian Sculptures on Loan" exhibit. The page is dated February 14, 1949, indicating its publication date. The background of the page is a light beige color, and the edges are slightly torn, giving it a vintage appearance.

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This image shows a vintage page from a magazine or newspaper, likely from the 1940s, clipped and attached to a brown paper envelope. The envelope has handwritten text at the top that reads "Horyuji Wall Painting Feb-1949."

The magazine page is from TIME magazine, dated February 14, 1949, and contains an article titled "ART" with the headline "Vincent by Candlelight." The article discusses the history and discovery of a self-portrait by Vincent Van Gogh, titled "Study by Candlelight," which was found and brought to public attention by Reeves Lewenthal, a U.S. art dealer.

The page includes several images:

  1. A portrait of Vincent Van Gogh, described as "The fury of a fire-demon," at the bottom left.
  2. Three Egyptian sculptures in the center-right, labeled "Egyptian Sculptures on Loan" and "The remains of a sacred cat."

The text discusses the painting's journey from its creation in 1888 to its discovery and exhibition in 1949. It also mentions a private collection of Egyptian art on loan from Calouste Sarkis Gulbenkian. The page is slightly torn and worn, indicating its age and handling.

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The image shows a newspaper clipping with a title "ART" and a date of February 14, 1949. The clipping includes an article about Vincent Van Gogh's painting "The Halo of Heat" and its sale at the Lefevre Gallery in Beverly Hills. The article also mentions the sale of an Egyptian sculpture, a portrait of Van Gogh by himself, and a collection of ancient Egyptian artifacts. The clipping is attached to a brown envelope with a handwritten message in the upper left corner.

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The image depicts a page from a magazine, specifically from the "ART" section, dated February 14, 1949. The page is a collage of text, photographs, and illustrations. At the top of the page, there is a letter with a signature, possibly from an editor or a contributor, dated February 1949. The letter is placed on a beige background, which is slightly torn at the edges, giving it an aged look.

Below the letter, there is a series of articles and images. The first article is titled "Vincent by Candlelight" and features a portrait of Vincent van Gogh. The article discusses van Gogh's life and work, focusing on his self-portraits and the impact of his art. Accompanying the article is a photograph of van Gogh's self-portrait, which is a black-and-white image of the artist with a serious expression.

To the right of the article, there is a photograph of three Egyptian sculptures. The sculptures depict a seated figure, a standing figure, and a statue of a cat. The caption below the photograph provides information about the sculptures, including their origins and the context in which they were created.

Below the Egyptian sculptures, there is another article titled "A Good Bit More." This article discusses the work of an artist named Peter Hill, who is described as a "proprietor of the Monterey Art Gallery." The article highlights Hill's recent acquisition of a collection of Egyptian art, which includes statues, coins, and other artifacts. The article also mentions that Hill plans to exhibit the collection in his gallery.

The page also includes a photograph of a small sculpture of a cat, which is described as a "sacred cat" from the National Gallery of Art. The caption provides information about the sculpture's origins and significance.

Overall, the page provides a glimpse into the world of art and culture in the late 1940s, with a focus on the work of Vincent van Gogh and the acquisition of Egyptian art by a private collector. The combination of text, photographs, and illustrations creates a rich and informative page that would have been of interest to readers of the time.

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The image depicts a page from a publication titled TIME, dated February 14, 1949. The page is part of an article discussing art, specifically focusing on the work of Vincent van Gogh and the collection of art dealer Leo Lewenthal. The layout includes a mix of text and illustrations, providing a detailed account of van Gogh's artistic life and the discovery of his works.

Key Elements in the Image:

1. Header and Title:

  • The top of the page features the word "ART" prominently displayed, indicating the article's focus on art.
  • Below the header, the title "Vincent by Candlelight" is written, suggesting the article explores van Gogh's work through a lens of intimate, candlelit settings.

2. Text Content:

  • The main body of the text is written in a dense, newspaper-style format. It discusses van Gogh's life, his artistic practices, and the discovery of his works by Leo Lewenthal.
  • Key points covered include:
    • Van Gogh's habit of painting by candlelight, often in small, intimate spaces.
    • The discovery of his works by Lewenthal, who found them in an attic.
    • Descriptions of van Gogh's techniques, such as using a candle flame to illuminate his subjects.
    • The emotional and physical toll of van Gogh's artistic process.
    • The impact of his work on the art world and its rediscovery.

3. Illustrations:

  • Left Side:

    • A black-and-white photograph of Vincent van Gogh is shown at the bottom left. The caption below identifies it as a self-portrait and credits the Van Gogh Museum in Amsterdam.
  • Right Side:

    • Egyptian Sculptures: Three Egyptian sculptures are depicted:
      1. A standing male figure, likely a pharaoh or deity.
      2. A seated male figure, possibly a deity or pharaoh in meditation.
      3. A female figure, possibly an Egyptian goddess or queen.
    • The caption beneath these images identifies them as "Egyptian Sculptures" and notes that they are "The remains of a sacred cat." This suggests a connection between van Gogh's work and ancient art, possibly referencing his interest in mythology or symbolism.

4. Layout and Design:

  • The page is structured with a clear separation between text and images.
  • The text is organized into paragraphs, with some sections highlighted or emphasized through typography.
  • The illustrations are placed strategically to complement the narrative, with the van Gogh self-portrait anchoring the left side and the Egyptian sculptures providing visual context on the right.

5. Additional Details:

  • At the top of the page, there is handwritten text that reads "Horseyje's Real Paintings Feb-1949", likely a note or annotation by someone reviewing or cataloging the page.
  • The bottom of the page includes the publication details: "TIME, FEBRUARY 14, 1949" and the page number "56".

Overall Impression:

The page combines journalistic storytelling with visual elements to provide a rich, multifaceted exploration of van Gogh's life and art. It emphasizes the intimate, candlelit nature of his creative process and the serendipitous discovery of his works, while also drawing connections to ancient art forms through the Egyptian sculptures. The layout is typical of mid-20th-century magazines, blending text and imagery to engage readers in a deeper understanding of the subject.

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The image depicts an aged, yellowed page from a magazine or newspaper, featuring a prominent article about art. The article is titled "Vincent by Candlelight" and includes a photograph of Vincent Van Gogh alongside other images of sculptures.

The article is written in black ink on a white background, with the title and headings in bold font. The text is divided into paragraphs, each discussing a different aspect of Van Gogh's life and work. The article also includes several photographs, including one of Van Gogh himself, as well as images of his paintings and sculptures.

At the top of the page, there is a piece of paper with handwritten notes, likely from the editor or publisher. The paper is attached to the page using a small pin or clip.

Overall, the image suggests that the article is a tribute to Vincent Van Gogh's life and work, highlighting his contributions to the world of art. The inclusion of photographs and other visual elements adds depth and context to the article, making it a more engaging and informative read.

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The image shows a piece of paper with a letter and a newspaper clipping attached to it. The letter is written in pencil on a yellowed envelope, while the newspaper clipping features an article about art, accompanied by images of sculptures and paintings.

Key Features:

  • Letter: The letter is written in pencil on a yellowed envelope.
  • Newspaper Clipping: The newspaper clipping features an article about art, accompanied by images of sculptures and paintings.
  • Images: The images include sculptures and paintings, showcasing various artistic styles and techniques.
  • Article: The article discusses the significance of art and its impact on society, highlighting the importance of preserving cultural heritage.

Overall Impression:

The image presents a unique blend of written communication and visual art, offering a glimpse into the world of art appreciation and preservation. The letter and newspaper clipping provide a personal touch, while the images of sculptures and paintings showcase the beauty and diversity of artistic expression.

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The image depicts a yellowed envelope containing a newspaper clipping, which is attached to a larger piece of brown paper.

The envelope is positioned at the top center of the image and features handwritten text on its front. The text reads "Horyuji and Paintings" on one line, followed by "Yale -1948?" on the next line.

Below the envelope, the newspaper clipping is visible, showcasing an article titled "ART" in bold black font. The article is accompanied by three images: a black-and-white photograph of a man holding a candle, a black-and-white image of a statue, and another black-and-white image of a woman. The article discusses various art pieces, including a painting by Vincent van Gogh and Egyptian sculptures.

The background of the image is a plain gray color, providing a neutral backdrop for the envelope and newspaper clipping. Overall, the image appears to be a scanned or photographed document, possibly from an archive or collection related to art history.

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The image presents a vintage newspaper clipping, accompanied by a handwritten note on an envelope, set against a light brown background.

Newspaper Clipping:

  • The clipping is from Time Magazine, dated February 14, 1949.
  • It features a prominent headline that reads "ART" in bold letters.
  • The article discusses Vincent van Gogh's artwork and includes a black-and-white photograph of one of his self-portraits.
  • The text is divided into two columns, with the left column focusing on Van Gogh's life and artistic style, while the right column explores his influence on modern art.
  • The article also includes three black-and-white photographs of ancient Egyptian sculptures.

Handwritten Note:

  • The note is written on a yellowed envelope in blue ink.
  • It appears to be a title or label, reading "Horyuji Temple Paintings Feb-1949".

Background:

  • The background of the image is a light brown color, resembling aged paper.
  • A small hole is visible on the left side of the clipping, suggesting that it may have been attached to a bulletin board or other display surface at some point.

Overall, the image provides a glimpse into the world of art and history, highlighting the significance of Vincent van Gogh's work and the beauty of ancient Egyptian sculptures.

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The image features a newspaper clipping from the "TIME" magazine dated February 14, 1949. The article is titled "A.R.T." and discusses two main topics: a painting by Vincent van Gogh and the discovery of an ancient Egyptian cat statue.

  1. Vincent by Candlelight:

    • The article describes how a young U.S. art dealer in Paris discovered a painting by Vincent van Gogh. The painting, titled "The Halo of Heart," depicts a young man holding a candle. The dealer found the painting in a dark, abandoned attic in the outskirts of Paris.
    • The painting was authenticated by a Van Gogh expert and was eventually sold to a U.S. collector. The article highlights the excitement and surprise of discovering such a valuable piece of art.
  2. Egyptian Cat Statue:

    • The article also discusses the discovery of an ancient Egyptian cat statue made of wood and bronze. The statue, dating back to the 22nd Dynasty (around 945-715 B.C.), was found in a tomb in Egypt.
    • The statue is described as a masterpiece of ancient Egyptian art, showcasing the craftsmanship and artistic skills of the period. It was acquired by the Metropolitan Museum of Art in New York.

The clipping is pinned to a piece of cardboard, and there is a handwritten note at the top, which appears to be a signature and a date, "Feb. 1949." The note is signed by "Horace Wood Brockway." The overall condition of the clipping shows signs of aging, with some tears and discoloration.