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The image shows a clipping from a newspaper article titled "Reproductions of Burned Art Shown." The article is from the New England Newsclip Agency and was published in the Tribune (e) in Lawrence, Massachusetts, with a circulation of 32,876. The date on the clipping is February 1, 1949.

The article discusses Harvard University's exhibition of full-scale reproductions of eleven ancient paintings that were destroyed by fire in the Golden Hall of Horyuji, a famous temple in Japan. The exhibition was held at the Fogg Museum of Harvard University. Langdon Warner, the curator of the Oriental department at the museum, expressed hope that the exhibition would convey a sense of the loss suffered by the Japanese nation and the world due to the destruction of these significant historical and religious monuments.

Dr. Warner mentioned that Harvard is fortunate to possess a set of full-scale photographs of the 12 great mural paintings, 11 of which were destroyed. These photographs were taken during the restoration of the Golden Hall in 1933-34. The article also notes that the Golden Hall, one of the world's oldest wooden buildings, has been constantly repaired since its construction in 607 A.D. and has survived numerous fires.

The exhibition aimed to express dismay at the destruction and to arrange a display of the photographs of the Golden Hall paintings as soon as possible.

The document is a news clipping from the New England Newspaper Agency, headquartered in Boston, Massachusetts, with a dateline of February 1, 1949. The article, titled 'Reproductions of Burned Art Shown', reports that Harvard University officials have placed full-scale reproductions of the 12 great mural paintings from Japan's famous Horyuji Monastery on display at the Fogg Museum. The display, which also includes photographs and a model of the Golden Hall, aims to convey the loss of these significant cultural artifacts to the Japanese nation. Dr. Langdon Warner, curator of the Oriental department, emphasizes the importance of these artworks, noting that the originals were destroyed. The exhibit serves as a tribute to the historical, religious, and artistic significance of the monastery, which was the oldest wooden building in the world.

The image is a page from a newspaper clipping from the New England Newsclip Agency dated January 31, 1968, published in the Lawrence Democrat. The headline of the article is "Reproductions of Burned Art Shown."

Here are the key details from the article:

• The event occurred at Harvard University, where Harvard officials displayed full-scale reproductions of 11 out of the 12 great mural paintings from the Golden Hall of Japan’s famous Horyuji Monastery, which was destroyed by fire.
• The curator of the Oriental Department at Harvard, Langdon Warner, noted the significance of the loss of these paintings. He mentioned that the Golden Hall was the oldest wooden building in the world and was the site of the oldest Buddhist temple in Japan.

The reproductions are part of an effort to convey to the Japanese people the loss of these priceless artifacts. Warner also explained that the original paintings were in the Sistine Chapel of Harvard’s Museum of Fine Arts and that the reproductions were made to give viewers a sense of the artwork that was lost.

The article highlights the historical, religious, and artistic importance of the Horyuji Monastery and its Golden Hall, emphasizing the significance of the destroyed artworks.

The image is a newspaper clipping from the New England Newspaper Agency, specifically from the Democrat Tribune in Lawrence, Massachusetts, dated February 1, 1945. The article is titled "Reproductions of Burned Art Shown" and reports on an event in Cambridge, Massachusetts, on January 31, 1945.

The article discusses how Harvard University officials and the Japanese government have collaborated to display reproductions of 12 ancient paintings that were destroyed by fire in the Golden Hall of Japan's famous Horyuji Monastery. The original paintings were located in the oldest wooden building in the world, the Golden Hall of Horyuji, which was established in the seventh century.

Dr. Langdon Warner, curator of the Oriental Department at Harvard, expressed his hope that the display of these reproductions would help convey the Japanese nation's sense of loss over the destruction of such historically and culturally significant artworks.

The Golden Hall, or Kondo, was the center of worship for the Horyuji monastery, which was built under the patronage of the Japanese emperors. The article also notes that the display of the photographs and reproductions at the Fogg Museum is an expression of mourning for the loss of these irreplaceable historical and religious treasures.

The image is a newspaper clipping from the New England Newsclip Agency, dated February 1, 1949. The article is titled "Reproductions of Burned Art Shown" and was published in the Lawrence, Massachusetts, Democrat.

The article discusses an exhibition at Harvard University where reproductions of ancient Japanese paintings destroyed in a fire at the Horyuji Monastery's Golden Hall are being displayed. The fire occurred in Cambridge, Massachusetts, and the reproductions are part of Harvard's effort to honor the loss of these historical and artistic treasures.

Key points from the article:

• The fire destroyed many of the 12 great mural paintings in the Golden Hall of the Horyuji Monastery.
• Dr. Langdon Warner, curator of the Oriental department at the Fogg Museum, is quoted as lamenting the loss of these artworks, which were among the world's most important historical, religious, aesthetic, and sentimental monuments.
• Harvard is displaying full-scale reproductions of the 12 mural paintings to convey the sense of loss to the Japanese nation.
• The reproductions are considered fortunate because they are the only set of full-scale photographs of the 12 great mural paintings that survive.
• The Golden Hall, or Kondo, was the center of worship in the monastery and was constructed around 680 AD, making it the world's oldest wooden building.
• The article notes that the display of these reproductions at the Fogg Museum is an expression of Harvard's solidarity with the tragedy of the destroyed artworks.

The article highlights the significance of the Horyuji Monastery and the cultural impact of the loss of these ancient artworks.

The image is a newspaper clipping from the New England Newspaper Agency, specifically from the Tribune, published in Lawrence, Massachusetts. The article is dated February 1, 1946, and is titled "Reproductions of Burned Art Shown."

The main points of the article are as follows:

• Harvard University officials are presenting reproductions of ancient Japanese artworks that were lost due to a fire at the Golden Hall of Japan's famous Horyuji Monastery.
• The reproductions are on display at the Fogg Museum of Art.
• Langdon Warner, curator of the Oriental department at the museum, expressed that the loss of these artworks is comparable to the hypothetical destruction of the Sistine Chapel or Hagia Sophia.
• Warner hopes that the reproductions will help foster sympathy and understanding for the historical, religious, aesthetic, and sentimental significance of the loss.
• Harvard possesses the only known set of full-scale photographs of the 12 great mural paintings in the Golden Hall, taken by Japanese photographers before the fire.
• The article notes that these photographs, combined with colored reproductions, constitute the Harvard display.
• The original murals depicted scenes from the life of Buddha and were created during the seventh and eighth centuries in Nara, the ancient capital of Japan.
• The Golden Hall, or Kondo, was the center of worship at Horyuji and had been in continuous use since its construction.
• Warner also expressed gratitude to the Fogg Museum for providing a display of the photographs of the Golden Hall and the 12 mural paintings.

The article emphasizes the cultural and historical importance of the lost artworks and the value of the reproductions in preserving their legacy.

This image shows a newspaper clipping from the New England Newsclip Agency with a Tribune (e) Lawrence, Mass. Democrat header, dated February 1, 1949. The article's headline reads "Reproductions of Burned Art Shown."

The article reports that Harvard University officials are expressing dismay over the loss by fire of eleven ancient paintings in the Golden Hall of Japan’s famous Horyuji Monastery. Harvard has placed full-scale reproductions on display in the Central Court of its Fogg Museum of Art as a tribute and to convey sympathy to the Japanese people.

Langdon Warner, curator of the Oriental department at the museum, compares the loss of the Horyuji artwork to what western art would suffer if the Hagia Sophia or Sistine Chapel were destroyed. He emphasizes the importance of the historical, religious, esthetic, and sentimental value of these monuments.

Harvard possesses the only set of full-scale photographs of the 12 great mural paintings in the Golden Hall, the oldest wooden building still standing in the world. The photos and colored reproductions form Harvard's display of the 12 murals, of which 11 were destroyed.

The article also gives some background on Horyuji, an ancient Buddhist monastery in Nara, Japan, built in the seventh and eighth centuries, highlighting its significance and continuous use in Buddhist worship. Dr. Warner mentions that the Fogg Museum arranged the display as an expression of dismay at the tragedy and to honor the lost artwork.

The image is a photograph of an aged newspaper clipping from the "New England Newsclip Agency," dated February 1. The section of the newspaper shown is from the "Tribune (e) LAWRENCE, Mass. Democrat" with a circulation of "Circ. 32,876."

The visible news article is headlined "Reproductions of Burned Art Shown." The article discusses the reaction of Harvard University officials to a fire that destroyed eleven ancient paintings in the Golden Hall of Japan's famous Horyuji Monastery. They expressed dismay and decided to display full-scale reproductions of the burned artworks at the Fogg Museum of Art. It's mentioned that the photographs of the murals and colored reproductions make up the Harvard display, with 11 of the 12 original works having been destroyed.

Dr. Langdon Warner, a curator at the museum's Oriental department, is quoted as recognizing the historical and cultural significance of the loss and making comparisons to Western art. He notes that Harvard is fortunate to have photographs of the paintings and that the display intends to convey sympathy and understanding to the Japanese nation.

The article also describes the historical importance of the Golden Hall, also known as Kondo, as the oldest wooden building in the world and a central location for worship within the Horyuji Monastery, while acknowledging the impact of this tragedy on the cultural heritage and the Buddhist church service. Dr. Warner's quotes suggest that the display of the reproductions is an expression of solidarity with Japan in the face of this cultural loss.

The image depicts a printed news article from the New England Newsclip Agency, dated February 1, 1949. The article is titled "Reproductions of Burned Art Shown" and is sourced from the Tribune (e) of Lawrence, Mass., identifying the author as a Democrat representing Circ. 32,876.

Key Details from the Article:

1. Location and Event:

   • The article reports on an event at Harvard University in Cambridge, Massachusetts.
   • Harvard officials, including Dr. Langdon Warner, curator of the Oriental department at the Fogg Art Museum, have placed full-scale reproductions of 12 great mural paintings from the Golden Hall of Japan's Horyu-ji Monastery on display in the Fogg Art Museum's Central Court.

2. Context of the Display:

   • The original Golden Hall at Horyu-ji Monastery was destroyed by fire in Eleven Hall, which housed the famous Horyu-ji Monastery.
   • The loss of the original murals was considered a significant cultural and historical tragedy. Dr. Warner compared the destruction to the loss of the Hagia Sophia or the Sistine Chapel.
   • The reproductions serve as a way to preserve and showcase the lost artwork, allowing the public to appreciate the historical and artistic value of the murals.

3. Significance of the Golden Hall:

   • The Golden Hall is described as Japan's oldest wooden building, dating back to the seventh and eighth centuries.
   • It was the center of worship for the Buddhist church and has been continuously used since its construction.
   • The hall was built under the direct patronage of the emperors, making it a monument of immense historical, aesthetic, and sentimental importance.

4. Reactions and Statements:

   • Dr. Warner emphasized the fortunate aspect of possessing photographs of the 12 great mural paintings, which allowed for the creation of full-scale reproductions.
   • He noted that these reproductions help to convey a sense of sympathy to the Japanese nation for the loss of such a significant cultural treasure.
   • The article highlights the global significance of the loss, noting that even those unfamiliar with ancient Buddhist monuments would recognize the importance of the Horyu-ji Monastery.

5. Visual and Emotional Impact:

   • The reproductions are described as colored photographs, which are displayed to recreate the appearance of the original murals.
   • The article underscores the emotional and cultural weight of the event, emphasizing the tragedy of the fire and the efforts to preserve the legacy of the lost art through reproductions.

Layout and Design:

• The article is formatted in a typical newspaper style, with a clear headline, byline, and structured paragraphs.
• The text is printed in black ink on a white background, with the date and source information clearly displayed at the top.
• The article is dated February 1, 1949, indicating it is a historical document reflecting the cultural and artistic concerns of the time.

Overall, the image captures a moment of cultural preservation, highlighting the efforts to commemorate and display lost art through reproductions, while also expressing the profound loss felt globally due to the destruction of the Horyu-ji Monastery's Golden Hall.

The image appears to be a clipping from a newspaper article, likely from the 1940s based on the date mentioned in the text. The clipping contains information about an exhibit at Harvard University displaying reproductions of ancient Japanese Buddhist paintings that were destroyed in a fire at the Golden Hall of the Horyuji Monastery.

Here are the key details from the clipping:

• The exhibit was arranged by the Fogg Museum of Art at Harvard University to commemorate the loss of the original paintings.
• The curator of the museum's Oriental department, Langdon Warner, declared the loss to be comparable to the destruction of the Sistine Chapel or Hagia Sophia.
• Harvard University was fortunate to possess full-scale photographs of the 12 great mural paintings in the Golden Hall, which were displayed alongside colored reproductions of the 12 mural paintings that survived the fire.
• The Golden Hall was the oldest wooden building in the world, having been in constant Buddhist church service since its construction in the 7th century.
• The exhibit aimed to convey a sense of sympathy and understanding of the loss to the Japanese nation.

The clipping provides historical context about the significance of the Golden Hall and the Buddhist paintings, as well as the efforts made by Harvard University to honor the lost art through the exhibit.