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ARCH.2003.30, Rendition: 802737
This image displays a yellowed, aged newspaper clipping from The Christian Science Monitor, dated October 25, 1948. It is mounted on a larger, slightly larger piece of orange-brown paper, likely for archival purposes, with visible staples in the upper left corner.
The clipping consists of two distinct newspaper articles stacked vertically, both reporting on the same event: a major exhibition of Rembrandt's work at the Fogg Museum at Harvard University.
Top Article (from The Boston Sunday Globe, Oct. 24, 1948)
Bottom Article (from The Christian Science Monitor, Oct. 25, 1948)
Headline: "Rembrandt Exhibition in Cambridge—Paintings and Prints Shown In Fogg Museum at Harvard"
Byline: By Dorothy Aiken
Content: This is a more detailed art review. It describes the exhibition as a "major exhibition" with 11 oil paintings and 48 etchings. It highlights specific works, including "The Young Rembrandt in his Studio" (1628), "Study of the Head of a Young Girl" (1644), "Portrait of the Painter Gertrud de Lairesse" (1665), and "Christ Among the Doctors." It also mentions etchings like "Three Trees," "View of Amsterdam," and "Hundred Guilder Print." The article praises Rembrandt’s ability to convey deep emotion and character, calling his portraits "timeless and universal."
Inclusion: A black-and-white reproduction of Rembrandt’s 1631 painting "Portrait of the Artist's Mother with a Black Veil" is prominently displayed on the right side of the article. A caption below the image identifies it as "shading to Rembrandt, at the Fogg Museum in Cambridge."
Additional Details:
BOSTON NEWS CLIP
120 Tremont Street
Boston 8, Mass.
Christian Science Monitor
Boston, Mass.
OCT 25 1948
The entire artifact serves as a historical document, capturing contemporary critical response to a landmark art exhibition from 1948.
The image shows a newspaper clipping from "The Boston Sunday Globe" dated October 24, 1948, and "The Christian Science Monitor," dated October 25, 1948. Both clippings are about a Rembrandt exhibition at the Fogg Museum in Harvard University, Cambridge.
The Boston Sunday Globe:
The Christian Science Monitor:
Both articles emphasize the importance of the Rembrandt exhibition and the significance of his work in art history. The clippings also provide insight into the cultural and artistic context of the time, highlighting the appreciation for Rembrandt's art during the mid-20th century.
This image is a collection of newspaper clippings related to a Rembrandt exhibition at the Fogg Museum at Harvard University. The clippings are from "The Boston Sunday Globe," dated October 24, 1948, and "The Christian Science Monitor," dated October 25, 1948.
The top clipping from "The Boston Sunday Globe" is titled "This Weart World—Rembrandt’s Masterpieces on View at Fogg Museum." It discusses the significance of the exhibition, highlighting Rembrandt's contributions to Western Civilization and the quality of the works on display. The article mentions that the exhibition includes 11 important Rembrandt oils and 60 etchings, which are described as masterpieces of expression and quality.
The bottom clipping from "The Christian Science Monitor" is titled "Rembrandt Exhibition in Cambridge—Paintings and Prints Shown In Fogg Museum at Harvard." This article provides more details about the exhibition, including specific works on display such as "The Young Rembrandt in His Studio," "Portrait of an Old Man with a Gold Chain," and "Portrait of the Painter Gerard de Lairesse." It also mentions that the exhibition includes 11 oil paintings and 58 etchings, all of which are loans from American collections.
There is a photograph of "Portrait of the Artist's Mother with a Black Veil," an etching by Rembrandt, included in the Christian Science Monitor clipping. The article praises Rembrandt's ability to capture the character and humanity of his subjects, making them appear alive, warm, and sympathetic.
Additionally, there are labels indicating the source of the clippings and the date they were collected. The labels mention "Boston News Clip," "120 Tremont Street, Boston 8, Mass.," and "Christian Science Monitor, Boston, Mass."
A newspaper clipping from October 21, 1948, features an article about an exhibition of Rembrandt's masterpieces at the Fogg Museum. The article discusses the significance of Rembrandt as one of the greatest portrait painters of the Amsterdam Golden Age and highlights the exhibition's display of his works. It mentions that the exhibition includes 11 oil paintings, 16 etchings, and 16 drawings, many of which are on loan from American museums. The article also provides a brief biography of Rembrandt and discusses his artistic style and techniques.
The image is a photograph of a newspaper clipping that appears to be from an older publication, possibly from the mid-20th century. The clipping is mounted on a piece of cardboard, and it is attached with a paper clip on the top left corner. The clipping is from "The Christian Science Monitor," dated October 25, 1948.
The headline of the article reads "Rembrandt Exhibition in Cambridge— Paintings and Prints Shown In Fogg Museum at Harvard." Below the headline, there is a smaller subheading that says "Art—Music—Theater."
The article itself is divided into two columns. The left column contains the main text of the article, which discusses an exhibition of Rembrandt's works at the Fogg Museum in Cambridge, Massachusetts. The text is written in a serif typeface, which is common for newspapers of that era.
In the right column, there is a black-and-white photograph of Rembrandt's mother, taken from the exhibition. The photograph shows an elderly woman with a serene expression, wearing a white bonnet and a black dress. The photograph is captioned "Portrait of the Artist's Mother with a Black Veil, etching by Rembrandt, at the Fogg Museum in Cambridge."
The clipping also includes a small rectangular label in the bottom right corner that reads "Boston News Clip" and "130 Tremont Street, Boston, Mass." This label likely indicates the source of the clipping and the location of the newspaper's offices.
Overall, the image captures a historical newspaper clipping that highlights an exhibition of Rembrandt's works at a prestigious museum, showcasing the artist's talent and the importance of preserving and exhibiting his masterpieces for future generations.
The image shows a historical newspaper clipping from October 24, 1915, featuring an article titled "Rembrandt Exhibition in Cambridge". The clipping is from The Christian Science Monitor, dated October 24, 1915, and is labeled as part of the Boston News Clip collection. The article discusses an exhibition of Rembrandt's paintings and prints held at the Fogg Museum at Harvard University.
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The image is a historical newspaper clipping documenting an exhibition of Rembrandt's works at the Fogg Museum in Cambridge, Massachusetts, in 1915. It includes textual details about the exhibition and a visual representation of one of Rembrandt's portraits, along with stamps and labels indicating its archival history. The clipping serves as a primary source for understanding the cultural and artistic significance of Rembrandt's works during that era.
This image shows a scrapbook page with newspaper clippings mounted on a brown background. The articles are promotional material discussing a Rembrandt exhibition held at the Fogg Museum at Harvard in Cambridge, Massachusetts. The headline mentions Rembrandt's masterpieces and prints on display. One article is from The Boston Sunday Globe dated October 24, 1948, and another from The Christian Science Monitor dated October 25, 1948.
There is also an image within one of the clippings, labeled as "Portrait of the Artist's Mother with a Black Veil," an etching attributed to Rembrandt. A corner of the scrapbook page features text identifying the source of the newspaper articles and their dates.
The page is neat and clearly organized, with visible holes punched on the left side presumably for placement in a binder or folder. Text is highly legible, though the image has been censored or blurred in the face area.
The image shows a vintage newspaper clipping mounted on a tan backing. The paper is yellowed with age and has rough edges and a couple of holes along the left margin.
The heading at the top reads something like “This Week World—Rembrandt’s Masterpieces on View at Fogg Museum,” with subheads mentioning a Rembrandt exhibition in Cambridge and paintings/prints shown at the Fogg Museum (Harvard).
There is a black-and-white photo in the middle of the page illustrating a painting. The caption beneath it mentions a Rembrandt work titled “Portrait of the Artist’s Mother with a Black Veil.”
The clipping includes smaller text blocks and columnar copy, typical of a newspaper article. There are date stamps visible, including “OCT 25 1948” and a label from “BOSTON NEWS CLIP.”
Overall, it’s an archival-looking page about a Rembrandt exhibition at Harvard’s Fogg Museum, with a single illustration of a Rembrandt painting and multiple article snippets.
This image shows a scrapbook page with two newspaper clippings and some labels attached to it. The page is aged and has two punched holes on the left side, suggesting it was once part of a binder.
The top clipping is from "The Boston Sunday Globe" dated October 24, 1948, with the headline "This Wond[r]ful World—Rembrandt’s Masterpieces on View at Fogg Museum." The article is by Edgar S. and discusses Rembrandt's works displayed at the Fogg Museum, highlighting their quality and significance.
The second, larger clipping is from "The Christian Science Monitor" under the section "Art—Music—Theater," dated October 25, 1948. The headline reads "Rembrandt Exhibition in Cambridge—Paintings and Prints Shown In Fogg Museum at Harvard," authored by Dorothy Adlow. The article details an exhibition of Rembrandt's works at Harvard's Fogg Museum, describing the paintings and prints on view and the artist's mastery in various media.
Additionally, there is a black and white photo embedded in the Christian Science Monitor article captioned "Portrait of the Artist's Mother with a Black Veil," an etching by Rembrandt displayed at the Fogg Museum in Cambridge.
There are two labels on the page:
A small typed note at the bottom right mentions the location and date of the Fogg Museum exhibition. The overall content focuses on Rembrandt's art exhibition in Cambridge and reviews of his masterpieces displayed at the time.
The image shows a collection of newspaper clippings pinned or taped onto an orange background. The largest piece of the clipping appears to be from "The Boston Sunday Globe - October 21, 1917", featuring an article about Rembrandt's masterpieces being on display at the Fogg Museum. There are references to various paintings and their qualities, likely discussing the significance of the exhibition and Rembrandt's work.
Below the primary article, there's a smaller clipping from "The Christian Science Monitor" dated October 25, 1945, captioned "Art—Music—Theater", with the title "Rembrandt Exhibition in Cambridge—Paintings and Prints Shown In Fogg Museum at Harvard". The article provides details about an exhibition of paintings and prints by the artist Rembrandt, specifying the location as the Fogg Museum at Harvard.
A third, much smaller label from the "Boston News Clip" provides a confirmation of the source and date of the Christian Science Monitor clipping.
The articles are about cultural events, specifically art exhibitions, and serve as historical references to how such events were publicized and reviewed at the time.