Archives Scrapbooks

This image shows a single, aged, yellowed page from a scrapbook or clipping file, likely created in the late 1940s. The page has a slightly worn, torn edge on the right and two punched holes along the left margin, suggesting it was stored in a binder.

The page is covered with multiple newspaper clippings and labels, all related to art and academia, primarily focused on Rembrandt and the Harvard Art Museums.

Here is a detailed breakdown of the content:

Top Right:

• A small, typed label reads: "Art News Oct. 1948 / Rembrandt's Style & Technique / by Jakob Rosenberg". This identifies the source and subject of the main article on the page.

Top Left:

• A "BOSTON NEWS CLIP" pasted on top of another "BOSTON NEWS CLIP" from the Christian Science Monitor.
• The top clipping (from OCT 7 ~ 1948) reports on a new exhibition at the Fogg Museum in Cambridge, featuring works by Thomas Boylston, John Singleton Copley, Maurice Utrillo, and others. It mentions a "carefully painted architectural study" by Utrillo and sculptures including a "bronze, 'Dancers,' by Edgar Degas."

Bottom Left:

• Another "BOSTON NEWS CLIP" from the Christian Science Monitor (OCT 6 ~ 1946) with a small, partially obscured label underneath. The visible text refers to the "Fogg Museum of Art, Harvard University."

Center:

• The largest and most prominent clipping is from the Herald News (Fall River, Mass.), dated OCT 7 ~ 1948.
• The headline reads: "Declares Rembrandt 'Urged' To Paint Religious Scenes".
• This article summarizes an essay by Jakob Rosenberg, curator of prints at Harvard University's Fogg Art Museum. Rosenberg's work, titled "Rembrandt," argues that the Dutch master was driven by a "inner urge" to depict religious subjects, which he saw as the core of his Christian faith. The article notes Rosenberg's analysis of over 500 Biblical representations by Rembrandt.

Right Side:

• Two blue ink stamps for "Burrell's Press Clipping Bureau," located in New Haven, Conn. and Washington, D.C. These indicate the clippings were acquired from a professional clipping service.
• Below the stamps is another clipping, dated OCT 3 1948, about Dr. John Coolidge being appointed director of Harvard's Fogg Art Museum. It notes his background teaching at Harvard and New York University.

In summary, this scrapbook page documents art news and scholarly commentary from 1946 and 1948, with a strong emphasis on the Fogg Museum, Rembrandt scholarship by Jakob Rosenberg, and administrative changes at Harvard, specifically the appointment of John Coolidge. The materials appear to be curated by or for someone interested in the academic and institutional context of art history at Harvard University during that period.

This image appears to be a collection of newspaper clippings and advertisements, pasted onto a larger piece of paper. The content of the clippings discusses various aspects of art, particularly focusing on the Fogg Museum of Art at Harvard University and the artist Rembrandt.

Here are the key points from the clippings:

• Boston News Clip (Oct. 1, 1948): This article discusses changes in the installation of exhibits at the Fogg Museum, highlighting paintings by Murillo and figures like Thomas Boylston and his wife by John Singleton Copley. It also mentions the acquisition of a large oil painting by Maurice Utrillo titled "Cathedral at Dijon."
• Boston News Clip (Oct. 4, 1948): This article also pertains to the Fogg Museum, discussing the same exhibits and highlighting the painting "Cathedral at Dijon" by Maurice Utrillo.
• Boston News Clip (Oct. 7, 1948): This article discusses the influence of Rembrandt on religious art during the 17th century and his urge to paint religious scenes. It also mentions the work of Dr. Jakob Rosenberg and the publication of a two-volume study on Rembrandt.
• Art News (Oct. 1948): This article by Jakob Rosenberg delves into Rembrandt's style and technique, discussing his use of light and shade to create realistic and dramatic effects.
• Burrelle's Press Clipping Bureau: Advertisements from this bureau are present, providing contact information for their services in New York and Washington, D.C., including circulation numbers for the respective publications.

The clippings seem to be part of a collection or scrapbook, pieced together for a specific purpose, likely related to the study or interest in art and museum history. The paper they are pasted on is aged, indicating it may be a historical document.

This image appears to be a scrapbook page or a collection of news clippings related to art, specifically focusing on the Fogg Museum and Rembrandt's art. The clippings are from October 1948 and are sourced from various newspapers and publications. Here's a detailed description of the clippings:

1. Top Left Clipping:

   • Source: Christian Science Monitor, Boston, Mass.
   • Date: October 1, 1948
   • Content: Discusses changes in the installation at the Fogg Museum of Art, Cambridge. It mentions exhibits on loan and from the museum's collection, including works by Murillo, Domenico Feti, John Singleton Copley, and Winslow Homer. It also notes the museum's acquisition of a large oil painting by Maurice Utrillo and sculptures by Edgar Degas and Aristide Maillol.

2. Top Right Clipping:

   • Source: Herald News, Fall River, Mass.
   • Date: October 7, 1948
   • Content: This clipping is titled "Declares Rembrandt 'Urged' To Paint Religious Scenes." It discusses a two-volume study by Professor Jakob Rosenberg on Rembrandt's religious paintings. The study reveals that Rembrandt created no less than 850 representations of Biblical scenes, driven by an "inner urge." It highlights Rembrandt's unique approach to religious subjects, emphasizing humility and suffering.

3. Bottom Right Clipping:

   • Source: Press Clipping Bureau, New York
   • Date: October 3, 1948
   • Content: Announces that Dr. John Coolidge, a professor at Harvard, has been appointed director of the university's Fogg Art Museum. It provides a brief background on Dr. Coolidge's education and teaching experience.

4. Bottom Left Clipping:

   • Source: Christian Science Monitor, Boston, Mass.
   • Date: October 4, 1948
   • Content: Mentions the Fogg Museum of Art, Harvard University, and its exhibitions. It notes that the museum is showing American paintings, modern graphics, and English silver.

The page also includes some additional notes and stamps, such as "Art News Oct. 1948 Rembrandt's Style & Technique by Jakob Rosenberg" and logos from "Burrelle's PRESS CLIPPING BUREAU" with addresses in New Haven, Conn., and Washington, D.C.

The image is a photograph of a collage of various newspaper clippings and documents, all of which are arranged on a piece of brown paper. The clippings are from different newspapers and cover a range of topics, including art, news, and historical events. Some of the clippings have handwritten notes and annotations, indicating that they were collected and curated by someone for a specific purpose. The collage appears to be a collection of information and ideas, possibly for research or reference purposes.

A collection of newspaper clippings is pasted on a brown paper. The clippings are from the Boston News Clip, Christian Science Monitor, and Herald News. The clippings are about Rembrandt's Style & Technique by Jakob Rosenberg, and the Fogg Museum's exhibition of Rembrandt's paintings. The clippings also mention the Harvard Art Gallery's exhibition of Dutch Colonial Portraits and the Fogg Museum's exhibition of religious scenes. The clippings are dated from October 1 to October 7, 1948.

The image depicts a collection of newspaper clippings mounted on a brown cardstock or archival material. These clippings appear to be historical documents, likely preserved for research or archival purposes. Here is a detailed description:

General Layout:

• The image shows four distinct newspaper clippings, each with its own header and content.
• Each clipping is labeled with a "BOSTON NEWS CLIP" stamp, along with the address "120 Tremont Street, Boston, Mass." and the name of the newspaper or publication (e.g., Christian Science Monitor, Herald News, New York Post).
• The clippings are dated, with the most prominent one dated October 7, 1948, and others dated October 1, 1948, and October 4, 1948.
• The clippings are arranged in a grid-like format, with two clippings on the left and two on the right.

Detailed Description of Each Clipping:

Top Left Clipping:

• Header: "BOSTON NEWS CLIP" and "Christian Science Monitor, Boston, Mass."
• Date: October 1, 1948.
• Content: The article discusses an exhibition at the Fogg Museum at Harvard University. It mentions changes in the gallery installations, including works by Maurice Utrillo, Roger de la Fresnaye, and John Singer Sargent. The article highlights the museum's acquisition of new pieces and the reinstallation of existing collections.

Top Right Clipping:

• Header: "BOSTON NEWS CLIP" and "Herald News, Fall River, Mass."
• Date: October 7, 1948.
• Content: The headline reads, "Declares Rembrandt Urged To Paint Religious Scenes." The article discusses a statement made by Professor Jacob Rosenberg, who claims that Rembrandt was urged to paint religious scenes. It includes quotes from Rosenberg and references to Rembrandt's works, such as The Return of the Prodigal Son and The Raising of Lazarus. The article also mentions a debate about Rembrandt's artistic choices and his relationship with religious themes.

Bottom Left Clipping:

• Header: "BOSTON NEWS CLIP" and "Christian Science Monitor, Boston, Mass."
• Date: October 4, 1948.
• Content: This article also references the Fogg Museum at Harvard University. It discusses Dr. John Coolidge, professor of art at Harvard, who has been appointed director of the Fogg Art Museum. The article notes Coolidge's background, including his teaching at the University of Pennsylvania and his role in organizing an exhibition of American art at the museum.

Bottom Right Clipping:

• Header: "BOSTON NEWS CLIP" and "New York Post, Washington, D.C."
• Date: October 7, 1948.
• Content: This article is titled "Rembrandt's Style & Technique" and is attributed to Jacob Rosenberg. It appears to be a continuation or related piece to the article in the Herald News. The content likely delves deeper into Rembrandt's artistic style and techniques, possibly referencing his religious works or other aspects of his career.

Additional Observations:

• Stamps and Labels: Each clipping has stamps indicating the source (e.g., "BOSTON NEWS CLIP") and the location (e.g., "120 Tremont Street, Boston, Mass."). These stamps suggest the clippings were collected and preserved by an archive or library.
• Archival Material: The brown background appears to be a mounting board, likely used for preserving and organizing historical documents. The edges of the clippings are slightly worn, indicating age and handling.
• Handwritten Notes: There are some handwritten notes or markings on the brown background, possibly for cataloging or referencing purposes.

Overall Impression:

The image portrays a curated collection of historical newspaper clippings from October 1948, focusing on art and cultural topics. The clippings highlight events and discussions related to the Fogg Museum, Rembrandt's artistic legacy, and appointments in the art world. The preservation method suggests these documents are part of an archival collection, likely intended for research or historical study.

The image depicts a piece of aged paper with a light brown hue, featuring several newspaper clippings and other printed materials. The paper appears to be a page from a scrapbook or an archival document, with visible signs of wear and tear, including torn edges and holes punched along the left side.

Newspaper Clippings:

• A clipping from the Boston News Clip, dated October 1, 1948, discusses an exhibition at the Christian Science Monitor in Boston, Massachusetts.
• Another clipping from the Boston News Clip, dated October 7, 1948, reports on a declaration by Rembrandt to paint religious scenes.
• A third clipping from the Boston News Clip, dated October 4, 1948, mentions an exhibition at the Christian Science Monitor in Boston, Massachusetts.

Other Printed Materials:

• A small white card with black text reads "Art News Oct. 1948 Rembrandt's Style & Technique by Jacob Rosenberg."
• A blue and white label from the Burrelle's Press Clipping Bureau in New York City is attached to the paper.
• A light blue label from the Heads Fogg Museum in Washington, D.C. is also attached to the paper.

Background:

• The background of the image is a plain gray color, which helps to highlight the details of the paper and its contents.

Overall, the image provides a glimpse into the past, showcasing a collection of newspaper clippings and other printed materials that were likely preserved for their historical significance.

The image shows a page from an old scrapbook or newspaper clipping book, featuring various news clippings and advertisements.

The page is made of yellowed paper, with a hole in the left margin and torn edges on the right side. The clippings are arranged in two columns, with the left column containing three clippings and the right column containing four. The clippings are mostly rectangular in shape, with some being slightly taller or wider than others.

The clippings appear to be from different sources, including newspapers and magazines. They feature headlines and articles about various topics, such as art, religion, and science. Some of the clippings also include advertisements for local businesses, including a clothing store and a museum.

Overall, the image suggests that the scrapbook or clipping book was used to collect and preserve interesting articles and advertisements from various sources. The yellowed paper and torn edges give the page a sense of age and wear, indicating that it may have been created many years ago.

The image is a scanned or photographed page from a scrapbook or folder containing newspaper clippings and other paper items, all related to the topic of art or the Fogg Museum.

The page is made of brown paper and has a rough, worn appearance, with tears and creases visible along the edges. The items on the page are arranged in a somewhat haphazard manner, with some overlapping or placed at an angle.

There are six newspaper clippings, each with a "BOSTON NEWS CLIP" header, dated between October 1 and October 7, 1946. The clippings appear to be reviews or articles about an exhibition at the Fogg Museum, discussing various artworks and artists.

Additionally, there are two clippings from "Bukrelles Press Clipping Bureau" with dates October 3 and an unspecified date, which seem to be related to the same topic. A small white card in the upper-right corner bears the title "Art News Oct. 1948" and the author's name, "Jakob Rosenberg," along with the article title "Rembrandt's Style & Technique."

The overall impression is that the page is part of a collection or archive of materials related to art history or criticism, possibly compiled by an individual or institution for research or reference purposes.

The image presents a collection of newspaper clippings and notes, arranged on a piece of brown paper. The paper is slightly torn at the bottom right corner and features three holes punched along its left side.

Newspaper Clippings:

• Boston News Clip: Three clippings from the Boston News Clip, dated October 1, 7, and 4, 1946, respectively.
• Herald News: One clipping from the Herald News, dated October 7, 1946.

Notes:

• Art News: A note with the title "Art News Oct. 1946" and the subtitle "Rembrandt's Style & Technique by Jakob Rosenberg."
• Burrell's Press Clipping Bureau: Two notes from Burrell's Press Clipping Bureau, one with an address in New York and the other in Washington, D.C.

Content:

The clippings appear to be related to art, with one article discussing Rembrandt's style and technique. The notes provide additional context, including the title of an article and the name of a bureau that likely provided the clippings.

Overall:

The image suggests that someone has collected and organized these clippings and notes for reference or research purposes, possibly related to art history or a specific project.