Archives Scrapbooks

The image appears to be a page from a press clipping service, dated September 13, 1946. The page contains several newspaper clippings and photographs related to an exhibition at the Fogg Museum of Art at Harvard University.

1. Header Information:

   • The top of the page includes the name "Burrelles" and the address of the press clipping bureau in New York City.
   • There are two stamps indicating the source of the clippings: "Boston News Clip" from the "Christian Science Monitor," dated September 13, 1946.

2. Article Clippings:

   • The main article is titled "American Pictures Seen at Harvard" with a subtitle "Colonial and Modern Works On View at Fogg Museum."
   • The article is written by Dorothy Adlow and discusses an exhibition at the Fogg Museum featuring American art, including works by artists such as John Singleton Copley and Charles Sheeler.
   • The article mentions that the exhibition includes a variety of American art from different periods and styles, highlighting the museum's comprehensive collection.

3. Photographs:

   • There is a photograph of a woman, identified as Mrs. John Nicholas Brown, who loaned a portrait of Mrs. John Stevens (Sarah) by John Singleton Copley to the exhibition.
   • Another photograph shows a painting titled "Sunny Deck" by Charles Sheeler, which is part of the exhibition.

4. Additional Clippings:

   • A smaller clipping mentions that John Coolidge has been appointed Professor of Fine Arts at Harvard University and Director of the Fogg Museum.
   • Another small clipping lists the trustees of the Fogg Museum.

The overall content of the page focuses on the exhibition of American art at the Fogg Museum, highlighting specific works and the contributions of individuals associated with the museum.

The image shows a collection of newspaper clippings related to an art exhibition at Harvard University's Fogg Museum, published in the Christian Science Monitor on September 13, 1948.

Main Article:

• Title: "American Pictures Seen at Harvard: Colonial and Modern Works On View at Fogg Museum"
• Author: By Bertha Hensman
• Summary:
  • The article discusses an exhibition titled "Real and Ideal in American Art" at the Fogg Museum, featuring both colonial and modern American artworks.
  • It highlights the nature of the works displayed, noting a duality between realism and idealism in American art.
  • The colonial section of the exhibition includes portraits by artists such as John Singleton Copley, Charles Willson Peale, and Gilbert Stuart. These works are described as having a straightforward, honest quality, reflecting the era's democratic and individualistic values.
  • The modern section includes works by artists like Edward Hopper, Grant Wood, and Charles Sheeler. These paintings are noted for their realistic yet sometimes satirical or critical view of contemporary American life.
  • The exhibition aims to show the continuity and changes in American art, capturing the essence of both personal and societal themes.

Images:

• Portrait: A picture of an unidentified woman, possibly a historical portrait featured in the exhibition.
• Sculpture: An image labeled "Upper Deck," by Charles Sheeler, depicting a modern, abstracted view of a ship's upper deck.

Other Clippings:

• There are additional smaller clippings and notes related to the same exhibition, including a mention of the Fogg Museum's address and contact information.
• One of the clippings mentions that Edgar P. Richardson, an assistant professor of fine arts at the University of Pennsylvania, organized the exhibition.
• The press clipping bureau information is from "Buffaloes Press Clipping Bureau" in New York.

The overall theme of the clippings is to inform readers about the scope and significance of the American art exhibition at the Fogg Museum, highlighting both historical and modern contributions to American art.

The image shows a newspaper clipping dated September 13, 1948, from the Christian Science Monitor. The clipping is titled "American Pictures Seen at Harvard," and it discusses an exhibition at the Fogg Museum of Art at Harvard University.

The article, written by Dorothy Adams, highlights an exhibition titled "Real and Ideal in American Art," featuring works by American artists from colonial to modern times. The article focuses on how the exhibition illustrates the evolution of American art, showcasing both colonial and modern works.

Key points in the article include:

• The exhibition displays the transition of American art from its colonial roots to modern times.
• The article mentions notable artists like Gilbert Stuart and John Singleton Copley, who were pioneers in portraiture.
• The exhibition includes works by modern artists who are influenced by Japanese prints and other international styles.
• The article highlights the diversity of artistic expression, from realistic portraits to more abstract and modern styles.

The clipping also includes a portrait of Dolly Madison by Gilbert Stuart, and a smaller photograph of Charles Sheeler’s "Upper Deck" at the Fogg Museum of Art at Harvard.

Additionally, there are smaller newspaper clippings and labels attached to the main clipping, including one from the New York Times and another from Art Digest, indicating that the article was clipped from multiple sources and is part of a press clipping collection. The labels indicate that the clippings are from the Boston News Clip service, with addresses and dates provided.

The image shows a collection of newspaper clippings and press releases from 1948. Here's a detailed summary:

1. Main Article:

   • The primary piece is a newspaper article titled "American Pictures Seen at Harvard."
   • The article discusses an exhibition at the Fogg Museum at Harvard, titled "Real and Ideal in American Art," which showcases colonial and modern American works.
   • The article is written by Dorothy Adams and provides insights into the nature of American art, emphasizing its unique qualities that differ from European art.
   • It highlights various artists and their contributions, mentioning the influence of European art and the distinct American approach to art, including the use of light, landscape, and the depiction of American life.
   • Notable artists mentioned include John Singleton Copley, Gilbert Stuart, and Winslow Homer, among others.

2. Smaller Clippings and Press Releases:

   • Top Left: A small press release from the "Buffalo Express" dated September 13, 1948, mentions the appointment of a new director for the Fogg Museum of Art at Harvard.
   • Top Center: Another small clipping from the "ART DIGEST" mentions the appointment of a professor of fine arts at Harvard University as the director of the Fogg Museum of Art at Cambridge.
   • Top Right: A Boston News Clip from the Christian Science Monitor, dated September 13, 1948, highlights the appointment of a professor to the position of director at the Fogg Museum.
   • Middle Right: A small clipping mentions a "Fogg Museum of Art" at Harvard University, likely providing additional context or details about the museum and its exhibitions.
   • Right Side: An image of an art piece titled "Upper Deck" by Charles Sheeler, which is part of the exhibition at the Fogg Museum of Art.

3. Photograph:

   • A central photograph shows a crayon portrait of Dolly Madison by Eastman Johnson, which is also part of the exhibition at the Fogg Museum of Art at Harvard.

The collection of clippings appears to focus on the announcement and details of an exhibition at the Fogg Museum of Art at Harvard University, highlighting the appointment of a new director and showcasing various artworks.

The image shows a collection of clippings from newspapers and magazines, primarily from September 1948, related to the exhibition "American Pictures Seen at Harvard" at the Fogg Museum of Art at Harvard University.

Here are the detailed observations:

1. Main Article:

   • The main article, titled "American Pictures Seen at Harvard," discusses an exhibition of colonial and modern American pictures at the Fogg Museum.
   • The article is written by Dorothy Adams and focuses on the exhibition's content and significance.
   • It highlights that the exhibition includes works that span from colonial times to modern art, emphasizing the evolution of American art and the depiction of American life through various artistic mediums.

2. Headlines and Clippings:

   • There are several smaller clippings around the main article, each with its own headline:
     • One clipping from the "Boston News Clip" dated September 13, 1948, mentions a mention of Coelege (likely College) appointing a new director of the Fogg Museum of Art at Harvard.
     • Another clipping from "Art Digest" highlights the appointment of the director of the Fogg Museum of Art, focusing on the person's qualifications and the importance of the role.
     • The "Buellles" clipping, likely from the New York Press Clipping Bureau, includes a reference to the same appointment.

3. Visual Elements:

   • The main article includes a photograph of an individual, which is identified as Dolly Madison, portrayed in a crayon drawing by Eastman Johnson.
   • Another photo on the right side of the clipping shows a picture titled "Upper Deck" by Charles Sheeler, from the exhibition at the Fogg Museum of Art.

4. Contextual Notes:

   • The clippings are neatly arranged and appear to be part of a clipping service, indicating their collection and preservation for reference.

The overall theme revolves around the historical and artistic significance of American art as showcased in the Harvard Fogg Museum exhibition of the mid-20th century.

The image shows a collection of press clippings and ephemera related to art exhibitions and events, mounted on a piece of cardboard. The main article, from the Christian Science Monitor dated September 13, 1948, is titled "American Pictures Seen at Harvard." This article discusses an exhibition at the Fogg Museum, featuring colonial and modern American art works. The text mentions notable pieces and artists, as well as the museum's role in providing art education.

Also present is a smaller clipping from Art Digest, dated October 1948, titled "College to Direct Fogg," which announces that a new director has been appointed for the Fogg Museum of Art at Harvard University.

Additionally, there is a photograph of a portrait by Charles Sheeler, titled "Upper Deck," which was part of the exhibition at the Fogg Museum.

The clippings are labeled with "Boston News Clip" and "Art Digest" tags, indicating their sources. The cardboard also includes a few other small pieces, such as an announcement for the Fogg Museum of Art at Harvard University.

The image shows an old, yellowed newspaper clipping page with multiple sections pasted onto it. The main headline reads, "American Pictures Seen at Harvard," followed by a subheadline "Colonial and Modern Works On View at Fogg Museum," written by Dorothy Adlow.

There are several smaller pasted sections above the article, including one from "Byteselles," a "BOSTON NEWS CLIP" from the Christian Science Monitor dated September 13, 1948, and another small snippet mentioning John Coolidge, an assistant professor of fine arts at Harvard, appointed director of the Fogg Museum of Art at Cambridge.

Next to the article, on the right side of the page, there is a black-and-white photograph showing an art installation titled "Upper Deck," by Charles Sheeler, exhibited at the Fogg Museum of Art at Harvard. The image depicts an abstract or industrial-looking sculpture with geometric shapes arranged on shelves in a gallery space.

The edges of the page are worn and slightly torn, indicating its age. The text and photo suggest this newspaper clipping is focused on an art exhibition at Harvard University in 1948.

The image appears to be a photograph of a collection of newspaper clippings with a focus on the arts. The largest piece seems to be an article from the "Boston News Clip" titled "American Pictures Seen at Harvard," referring to an exhibition of Colonial and Modern Works on view at the Fogg Museum. There is a header from a press clipping service called "Byztelles" at the top, indicating that the clippings may have been compiled professionally for archival or research purposes. To the right is a smaller clipping with a visual art section that seems to showcase specific art pieces, possibly as part of a review or feature. The overall state of the paper suggests age and fragility, with some tears and a yellowed tone indicative of paper oxidation over time.

The image shows a vintage newspaper clipping from the Boston News Clip dated September 13, 1948. The clipping is titled "American Pictures Seen at Harvard" and is subtitled "Colonial and Modern Works On View at the Fogg Museum." The article is attributed to Dorothy Adlow and discusses an exhibition of American art held at the Fogg Art Museum in Cambridge, Massachusetts.

Key Elements of the Image:

1. Header Information:

   • The clipping is from the Boston News Clip located at 120 Tremont Street, Boston, Mass.
   • It references the Christian Science Monitor and is dated September 13, 1948.
   • The article is also associated with Art Digest (New York City).

2. Article Title and Subhead:

   • The main headline is "American Pictures Seen at Harvard," indicating the focus on an art exhibition at Harvard.
   • The subhead, "Colonial and Modern Works On View at the Fogg Museum," specifies the nature of the exhibition, highlighting both colonial and modern American art.

3. Photograph:

   • A black-and-white photograph accompanies the article, featuring a woman wearing a headscarf and a dark outfit. The caption beneath the photograph reads:
     "Crayon portrait of Dolly Madison, by Eastman Johnson, on exhibition at the Fogg Museum of Art at Harvard."
     This suggests that the exhibition includes historical and contemporary works, with a specific mention of a portrait of Dolly Madison.

4. Additional Image:

   • To the right of the main photograph, there is a smaller image labeled "Upper Deck" by Charles Sheeler, at the Fogg Museum of Art at Harvard. This indicates that the exhibition also features modern works, such as Sheeler’s painting.

5. Article Content:

   • The article discusses the exhibition, emphasizing its significance in showcasing American art. It mentions that the Fogg Museum has assembled a collection of paintings and drawings by American artists, spanning colonial and modern periods.
   • The text highlights the diversity of the works, including pieces by notable artists and references to influences from other cultures, such as Japan.
   • The article also touches on the educational value of the exhibition, noting its appeal to students and art enthusiasts.

6. Design and Layout:

   • The clipping has a slightly worn, aged appearance, consistent with its 1948 date.
   • The layout includes a mix of text and images, typical of newspaper clippings from that era.

Summary:

The image depicts a historical newspaper clipping from September 13, 1948, reporting on an art exhibition at the Fogg Art Museum at Harvard. The exhibition features both colonial and modern American art, with notable pieces such as a crayon portrait of Dolly Madison by Eastman Johnson and "Upper Deck" by Charles Sheeler. The article emphasizes the educational and cultural significance of the exhibition, showcasing a diverse range of American artists and their works.

The image is a collage of newspaper clippings and photographs that are pasted on a piece of paper. The top left corner has a clipping that reads "American Pictures Seen at Harvard Colonial and Modern Works." Below it, there is a black-and-white photograph of a woman wearing a hat and a dress. On the right side, there is another clipping that reads "Upper Deck," by Charles Sheeler, at the Fogg Museum of Art at Harvard. The bottom part of the collage has a photograph of a machine.