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ARCH.2003.30, Rendition: 802703
The image is a page from a publication, specifically page 97, featuring the work of artist Attilio Salemme. The page includes two black-and-white photographs of his sculptures and a brief biographical and artistic description.
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The overall layout of the page is clean and focused, with the photographs and text arranged to highlight the artist's work and achievements.
The image shows a page from a publication, likely an art magazine or catalog, featuring the work of artist Attilio Salemme. The layout is divided into two sections, both showcasing his artwork, with accompanying text providing context about the artist and his works.
The overall design of the page emphasizes the abstract nature of Salemme’s work, with the text providing a clear context for his contributions to the art world during that period.
The image is a page from a 1948 art magazine featuring an article and artwork by the artist Attilio Salemme.
Artwork Description:
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Biographical Information:
Attilio Salemme:
The article mentions that Salemme will have a one-man show at the Passedot Gallery in the upcoming spring.
The image is a page from a magazine or newspaper featuring an article about the artist Attilio Salemme. The page contains two abstract artworks by Salemme, along with a biography and some contextual information about his work.
Artworks:
Biography:
Additional Information:
The text and images together highlight Salemme’s contributions to abstract art and his involvement in significant art exhibitions and projects during the late 1940s.
The image is a page from a publication, likely an art magazine or catalog, featuring the work of artist Attilio Salemme.
The page includes:
Text about Attilio Salemme:
Two Artworks by Attilio Salemme:
The artworks exhibit abstract and geometric styles with sharp lines and minimalistic forms, characteristic of modernist and abstract art movements. The text and images are framed within a structured layout typical of mid-20th-century publications.
The image is a page from a publication, likely an art book or magazine, featuring the artist Attilio Salemme.
The page provides a biography and some details about Attilio Salemme's career and artwork:
The page includes images of Salemme’s artworks:
Top Image:
Bottom Image:
This is an image of a printed page, possibly from a magazine or catalogue, featuring an article or a section about an artist named Attilio Salemme. The page is showing two black-and-white images of abstract artworks, each with the title and size of the work listed below. The top artwork is titled "AFTERNOON IN INFINITY, 1947, 29 3/8"x36"." It depicts vertical and angular forms that give the impression of abstracted figures and structures. The bottom artwork is titled "ENIGMA OF JOY, 1947, oil, 52 3/8"x30"," and it is exhibited in the tourist lounge of the S.S. Argentina. This piece shares a similar style, with geometric shapes and vertical forms.
The text provides information about the artist, stating that Attilio Salemme was born in New York City in 1911 and had been involved in several one-man shows and exhibits in various cities. It also mentions that he won a $500 prize at the Chicago Art Institute's exhibition and was part of a group of artists employed by Moore-McCormack Lines in the decoration of the S.S. Argentina.
The page seems to be slightly crumpled, especially at the top-right corner, indicating it may be old or not well-preserved. It is labeled "PAGE 9" at the bottom right, which helps to confirm that it is from a multi-page publication. The year "1948" is printed at the bottom left corner, likely indicating the year of publication.
This image shows a printed page featuring the artist Attilio Salemme. The page includes two abstract artworks by Salemme.
Between the artworks is a biographical and descriptive text about Attilio Salemme, stating he was born in New York City in 1911, had several one-man shows, and won a $500 prize at the Chicago Art Institute's exhibition of abstract and surrealist art. It also mentions his work on the decoration of the S.S. Argentina and his artistic interest in isolated forms and abstract human drama. The bottom of the page has the date 1948 and page number 97. The page is somewhat creased and has a small corner of another page visible at the top right.
The image is a page from a book or magazine that features an article about an artist named Attilio Salemme. The page has a black-and-white photograph of a room with abstract lines and shapes, possibly a drawing or a photograph of a room. The text on the page provides information about Salemme's background, his achievements, and his upcoming exhibition at the Passedoit Gallery. The page also includes a small image of a painting titled "Enigma of Joy" by Salemme, which was created in 1947 and is now in the tourist lounge of the S.S. Argentina. The text on the page is written in a serif font and is organized in a structured format, with headings and subheadings.
A black-and-white photograph of a page from a magazine is placed on a transparent glass surface. The page has two photographs and text. The photograph on the top left is titled "Afternoon in Infinity, 1947, 29" x 36"." The photograph on the bottom left is titled "Enigma of Joy, 1947, oil, 52" x 80", now in the tourist lounge of the S.S. Argentina." The text in the middle reads "Attilio Salemme."