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ARCH.2003.30, Rendition: 802703
This image shows a single page from a publication dated 1948, likely an art magazine or exhibition catalog, featuring a profile on the artist Attilio Salemme. The page, numbered 97, is laid flat and shows some signs of age, including slight creases and folding.
The page is structured with two black-and-white photographs of Salemme’s abstract paintings, accompanied by descriptive text.
This page serves as a historical document introducing Attilio Salemme’s abstract, symbolic style to a 1948 art audience. It emphasizes his artistic achievements, thematic concerns (isolated forms in confined space, human drama), and professional engagements (including high-profile public commissions like the S.S. Argentina). The images and text together offer a snapshot of post-war American modernist painting and its institutional reception.
This is an image of a page from a publication, likely an art magazine or catalog, featuring the works and biography of the artist Attilio Salemme. The page is laid out in a two-column format.
At the top, there is a black-and-white illustration titled "Afternoon in Infinity, 1947, 29 x 36" by Attilio Salemme. The artwork is abstract, consisting of geometric shapes and forms, predominantly in shades of gray, with some areas shaded to create depth and contrast.
Below this illustration, there is a text section that provides information about Attilio Salemme. It mentions his birth in New York City in 1911 and his achievements, including multiple one-man shows and exhibitions in various locations such as Washington, Richmond, New York, and Chicago. It also notes that he won a $500 prize at the Chicago Art Institute's exhibition of abstract and surrealist art.
The text continues with a description of Salemme's artistic interests and style, emphasizing his exploration of isolated forms and the tension between them and the boundaries of rigidly defined spaces. The titles of his works, such as "Afternoon in Infinity," are described as symbolic of human drama.
At the bottom of the page, there is another black-and-white illustration titled "Enigma of Joy, 1947, oil, 52 x 80", which is noted to be installed in the tourist lounge of the S.S. Argentina.
The page also includes a date, "1948," at the bottom left corner, possibly indicating the year this publication was created or the year the works were featured. The page number, "97," is located at the bottom right corner.
The overall layout and content suggest that this page is part of a series of articles or reviews about contemporary artists, focusing on their work, achievements, and artistic visions.
This image is a page from a publication, likely an art magazine or a catalog, featuring the work of the artist Attilio Salemme. The page is labeled "Page 97" and is dated "1948."
The top half of the page contains a black-and-white photograph of an abstract painting titled "Afternoon in Infinity," which was created in 1947 and measures 29 x 36 inches. The painting features a series of geometric shapes, primarily vertical and horizontal lines, with a sense of depth and perspective.
Below the photograph, there is a brief biography of Attilio Salemme. It states that he was born in New York City in 1911 and has had several one-man shows and exhibited in various national annuals in different cities. It also mentions that he won a $500 prize at the Chicago Art Institute's exhibition of abstract and surrealist art in the previous year and was part of a group of artists who decorated the S.S. Argentina.
The bottom half of the page shows another black-and-white photograph of an abstract painting titled "Enigma of Joy," also created in 1947. This painting is described as being an oil painting measuring 52 x 80 inches and is currently located in the tourist lounge of the S.S. Argentina. The painting features a similar style of geometric shapes and lines, creating a sense of depth and perspective within a confined space.
A black-and-white photograph of a page from a magazine is placed on a transparent glass surface. The page has two photographs and text. The photograph on the top left is titled "Afternoon in Infinity, 1947, 29" x 36"." The photograph on the bottom left is titled "Enigma of Joy, 1947, oil, 52" x 80", now in the tourist lounge of the S.S. Argentina." The text in the middle reads "Attilio Salemme."
The image is a page from a book or magazine that features an article about an artist named Attilio Salemme. The page has a black-and-white photograph of a room with abstract lines and shapes, possibly a drawing or a photograph of a room. The text on the page provides information about Salemme's background, his achievements, and his upcoming exhibition at the Passedoit Gallery. The page also includes a small image of a painting titled "Enigma of Joy" by Salemme, which was created in 1947 and is now in the tourist lounge of the S.S. Argentina. The text on the page is written in a serif font and is organized in a structured format, with headings and subheadings.
The image depicts a page from an art catalog or publication featuring the artist Attilio Salemme. The page is titled "ATTILIO SALEMME" and includes two black-and-white illustrations of his artwork, accompanied by descriptive text.
The page serves as a curated presentation of Attilio Salemme's work, showcasing his abstract and surrealist style through two representative pieces. The accompanying text contextualizes his artistic approach and achievements, emphasizing his exploration of spatial tension and symbolic meaning in his art. The layout is professional and art-focused, typical of an art catalog or exhibition brochure.
The image is a page from a book or magazine, featuring a black-and-white photograph of an art exhibit by Attilio Salemme. The page is white with black text and images.
In summary, the image is a page from a book or magazine that features a black-and-white photograph of an art exhibit by Attilio Salemme. The page includes a title and text that describe the artist and his work, as well as two images of his pieces. The page also includes the page number and date.
This image depicts a page from a book or magazine featuring the work of Attilio Salemme, an artist born in New York City in 1911. The page includes two black-and-white images of his artwork, accompanied by a brief biography and descriptions of the pieces.
The top image is titled "Afternoon in Infinity" and was created in 1947, measuring 29 x 36 inches. The bottom image is titled "Enigma of Joy" and was also created in 1947, measuring 52 x 80 inches. The page provides insight into Salemme's artistic style and career, highlighting his unique approach to abstract and surrealist art.
The image presents a page from a book or magazine, featuring the work of artist Attilio Salemme. The page is white and has a worn appearance, with visible creases and tears.
In summary, the image provides a glimpse into the artistic work of Attilio Salemme, showcasing his abstract geometric style and highlighting his achievements as an artist.
The image presents a black-and-white page from an art catalog or magazine, featuring two abstract artworks by Attilio Salemme. The page is titled "ATTILIO SALEMME" and includes a brief biography of the artist.
In summary, the image showcases two abstract artworks by Attilio Salemme, accompanied by a brief biography and page information. The artworks feature geometric shapes and rectangles in various sizes and orientations, and the biography provides context about the artist's background and achievements.