Archives Scrapbooks

The image shows a newspaper clipping from the Tallahassee Democrat, dated April 18, 1948. The headline reads "Harvard Official Sees Steady Progress in Ringling Museum."

The article discusses a visit by Edward W. Forbes, director of the Fogg Museum of Art at Harvard University, to the Ringling Museum in Sarasota, Florida. Forbes, who had been involved in the development of the Ringling Museum, expressed his satisfaction with the museum's progress. He noted that the museum had been meticulously developed for the public and praised the restoration efforts of the artworks, particularly the circus murals by John Augustus Roffe.

Forbes highlighted the challenges and expertise required in restoring the murals, which had suffered damage from the Florida climate. He emphasized the need for proper dignity and arrangement in displaying the artworks.

The article also mentions Forbes's interactions with Everett Austin, the director of the Ringling Museum, and his keen interest in the museum's collection. Forbes had a personal connection with some of the artworks, having known the artists and seen the pieces in their original settings.

Overall, the article conveys a positive assessment of the Ringling Museum's development and the efforts to preserve and display its artworks with care and expertise.

The image shows a press clipping from the "Tallahassee, Fla. News-Democrat" dated April 18, 1943. The headline reads "Harvard Official Sees Steady Progress in Ringling Museum." The article discusses Edward W. Forbes, curator of the Fogg Museum of Art at Harvard University, who expresses his admiration for the development of the Ringling Museum in Sarasota, Florida. Forbes praises the work done by Director Everett Austin and highlights the importance of the museum's collection, which includes paintings that have been well-preserved and displayed. He notes that the restoration process is meticulous and requires skilled professionals. Forbes also commends John Ringling's discernment in acquiring artworks, emphasizing that Ringling had a keen eye for quality, often purchasing undervalued pieces that later appreciated. The article underscores the significant progress and careful curation efforts at the Ringling Museum.

The image shows a newspaper clipping from the Tallahassee News-Democrat dated April 18, 1943. The clipping is from the Press Clipping Bureau of Buffalo's Offices, located at 165 Church Street in New York.

The headline of the article is "Harvard Official Sees Steady Progress in Ringling Museum." The article discusses the restoration efforts at the Ringling Museum at Sarasota, Florida, which is being developed by the circus magnate John Ringling.

Edward W. Forbes, the curator of the Fogg Museum of Art at Harvard University, is quoted in the article. Forbes highlights that the restoration is significant and that the museum is making steady progress. He points out that the restoration work is a long-term project requiring meticulous attention to detail by highly trained men and skilled professionals.

Forbes describes the work as involving the cleaning and removal of varnish, which is a delicate process. He also notes that John Ringling's original collection was not pristine, as many paintings were darkened by varnish.

Forbes explains that the restoration of these pictures will allow them to be seen in their original glory, which is a considerable undertaking given the museum's extensive collection.

The article also mentions John Ringling's interest in art, noting his keen eye for quality and his extensive knowledge of famous artists. It highlights how Ringling's collection was built over time, with many pieces purchased from renowned collectors.

The clipping touches on the historical context of Ringling's art acquisitions, emphasizing that his tastes and interests were well aligned with the artistic trends of the 19th century, particularly in the works of European masters. The overall sentiment is that the museum is making significant progress in restoring the Ringling collection, which holds historical and artistic value.

The image is a newspaper clipping from the Tallahassee Democrat, dated April 18, 1943. The article is titled "Harvard Official Sees Steady Progress in Ringling Museum" and discusses the development of the Ringling Museum at Sarasota, Florida, which was being created by the circus magnate John Ringling.

Edward W. Forbes, curator of the Fogg Museum of Art at Harvard University, is quoted in the article. Forbes praises the progress made in developing the museum, highlighting the efforts of John Ringling III and Director Emeritus Austin for their work in restoring and arranging the artworks. Forbes notes that the museum houses a significant collection of paintings, including works by Rembrandt and other renowned artists, that were once considered lost or damaged.

Forbes mentions that the restoration work has been meticulously done by highly trained men and is expected to be completed soon. He describes the museum's collection as a treasure trove of art, including many paintings that were left unfinished or damaged by previous owners and collectors.

The article also includes a brief mention of John Ringling's interest in art, stating that he had a keen interest in the works of the 17th and 18th centuries, particularly European paintings. The clipping is from the Press Clipping Bureau in New York.

The image is a newspaper clipping from the Tallahassee, Florida News-Democrat dated April 18, 1943. The article is titled "Harvard Official Sees Steady Progress in Ringling Museum."

The article discusses the progress of the Ringling Museum of Art at Sarasota, Florida, under the direction of Edward W. Forbes, curator of the Fogg Museum of Art at Harvard University. Forbes is quoted as saying that the museum's development is "conspicuous" and that the restoration work being done by Director Ernest Austin is significant.

Key points include:

1. Forbes commends Austin's ability to restore and clean paintings, which were previously darkened by varnish and smoke.
2. He mentions that the restoration work is meticulous and requires highly trained men and competent surgeons.
3. The article highlights that John Ringling, the founder, spent a great deal of money on art and had a keen interest in collecting works from various periods, especially the 18th and 19th centuries.
4. Forbes notes that Ringling had a preference for "artistic output of that period" and collected artworks from the late 18th and early 19th centuries.
5. The article mentions that Austin’s work is restoring the paintings to their original beauty, with Forbes noting that many of the works were in less than ideal condition when they were acquired.
6. Forbes praises Austin's ability to discern and restore the true beauty of the paintings, even those that were not initially popular or fashionable.

The clipping also includes a reference to the press clipping bureau of Buellle's, established in 1888, which appears to have provided the clipping to the newspaper.

The image is a newspaper clipping from the Tallahassee Democrat, dated April 18, 1943. The article is titled "Harvard Official Sees Steady Progress in Ringling Museum."

Here are the key points of the article:

1. Edward W Forbes' Role:

   • Edward W Forbes, the curator of the Fogg Museum of Art at Harvard University, is overseeing the development of the Ringling Museum in Sarasota, which is intended to serve the people of Florida.

2. Museum Background:

   • The museum, part of John Ringling’s estate, was vacated for refurbishment and redecoration after being managed by Director Everett Austin.

3. Forbes' Observations:

   • Forbes notes that the museum has a significant collection of art from the 18th and 19th centuries, which had been poorly arranged and needed restoration.
   • Restoration work is labor-intensive and requires highly skilled experts.

4. Everett Austin's Contribution:

   • Forbes praises Austin, describing him as a master of arrangement who has made the gallery's pictures more appealing.
   • Austin had been purchasing notable artworks before his departure, including pieces by significant artists.

5. John Ringling’s Collection:

   • John Ringling had accumulated an impressive collection of artworks by famous artists from the 15th to 19th centuries.

6. Museum’s Current Status:

   • Forbes mentions that the Ringling Museum has a substantial collection, including works by Peter Paul Rubens.
   • Austin’s work has made the collection more accessible and enjoyable to the public by improving the display and providing reasonable prices for reproductions.

7. Future Plans:

   • Forbes is optimistic about the museum's future, noting that it is being developed with the expertise and knowledge of art periods and restoration.

Overall, the article highlights the ongoing efforts and positive progress in developing the Ringling Museum into a prominent cultural institution for Florida.

This image shows a newspaper clipping. At the top is a green header with white text reading "Burrelle's Press Clipping Bureau 165 Church Street - New York" followed by a phone number and further details. There is a stamp reading "TALLAHASSEE, FLA. NEWS-DEMOCRAT" with the date "APR 18 1948."

The clipping's title reads "Harvard Official Sees Steady Progress in Ringling Museum" and the article discusses Edward W. Forbes, the curator of the Fogg Museum at Harvard University, who comments on the development and restoration work at the Ringling Museum in Sarasota, Florida. The article mentions aspects like the importance of professionally conducted restoration work and the dedication to preserving the integrity of the artworks. Forbes praises the work of Everett Austin, and the text also touches on the acumen of John Ringling, the art collector and circus magnate who founded the museum, in acquiring the artworks at reasonable prices. It also describes John Ringling's passion for art, his interest in the great artists, and his attention to the paintings he collected from different eras, primarily the 17th and 18th centuries. The text presents a positive view of Ringling's investments and contributions to the arts.

The image is a newspaper clipping from Burrelle's Press Clipping Bureau located at 165 Church Street, New York, dated April 18, 1948. The clipping is from the Tallahassee, Fla. News-Democrat.

The headline of the article reads: "Harvard Official Sees Steady Progress in Ringling Museum."

The article discusses Edward W. Forbes, curator of the Fogg Museum of Art at Harvard University. Forbes comments on the steady progress in developing the Ringling Museum at Sarasota, which was established by the circus magnate John Ringling for the people of Florida. Forbes frequently visits the Sarasota museum and has witnessed reorganization and restoration work undertaken by Director Everett Austin.

Forbes praises the restoration work, describing it as stimulating and noting that many paintings have been repainted and properly arranged to give them their proper dignity. The article explains that restoration is a meticulous process requiring highly trained experts and that it will take several years to complete the cleaning of about 500 paintings at the museum.

Forbes defends John Ringling, saying he did not waste money on acquiring pictures. Contrary to popular belief, Ringling took a keen interest in art, studied artists extensively, and made intelligent purchases, focusing particularly on 17th and 18th-century European art. Many of the paintings were bought at reasonable prices after the period of decline in popularity of such art in the early 20th century.

The article portrays Ringling as knowledgeable and appreciative of fine art, and Forbes concludes that Ringling managed to buy many fine-quality pictures at reasonable prices.

The image shows a clipping from the Tallahassee Democrat newspaper from April 18, 1943, with the headline "Harvard Official Sees Steady Progress in Ringling Museum." The clipping discusses the progress of the restoration work being done on the paintings in the Ringling Museum of Art at Harvard University, which was donated by John Ringling. The article mentions that Edward W. Forbes, the curator of the Fogg Museum of Art, frequently visits the Sarasota museum and has overseen the restoration work.

The article notes that the restoration work is being done by highly trained art restorers and will take several years to complete. Forbes describes the restoration work as "proper dignity" and mentions that many of the paintings have been repainted and cleaned with aid and space around them. The article also discusses the interest that John Ringling took in Rembrandt's work and how he collected Rembrandt's paintings at low prices.

The image shows a newspaper clipping from the Tallahassee News Democrat, dated April 18, 1943. The clipping is titled "Harvard Official Sees Steady Progress in Ringling Museum" and is sourced from the Press Clipping Bureau located at 165 Church Street, New York. The article discusses the development of the Ringling Museum of Art in Sarasota, Florida, under the curation of Edward W. Forbes, the curator of the Fogg Art Museum at Harvard University.

Key Details from the Article:

1. Progress in Development:

   • Edward W. Forbes describes the progress in developing the Ringling Museum as "steady" and "conscientious."
   • The museum is aimed at introducing the public to the "artistic output" of the circus magnate, Charles Ringling, and his collection.

2. Restoration Efforts:

   • The article highlights the extensive restoration work being undertaken at the museum.
   • Forbes emphasizes that the restoration is a major operation involving highly trained men, akin to the work of human surgeons.
   • The process is described as slow and painstaking, requiring years of effort and significant financial investment.

3. Historical and Artistic Significance:

   • The museum houses a collection of paintings from the 18th and early 19th centuries, many of which were once considered out of fashion but are now recognized for their beauty and quality.
   • Forbes notes that the collection includes works by notable artists of the time, such as Rembrandt, and mentions that some pieces were acquired during the height of their popularity.

4. Role of John Ringling:

   • John Ringling, the founder of the museum, is praised for his discerning eye in acquiring artworks.
   • The article notes that Ringling was able to purchase many pieces at reasonable prices during a period when they were less valued.

5. Personal Anecdote:

   • The article includes a personal account from Tok Keen Inter, who recalls visiting the Ringling Museum and spending hours studying the artworks.
   • Inter specifically mentions being shown a collection of Rembrandt etchings by Forbes, highlighting the museum's commitment to showcasing high-quality art.

Visual Elements:

• The clipping is presented on aged, yellowed paper, indicating its historical nature.
• The header includes the logo and establishment date ("ESTABLISHED 1888") of Bureau's Press Clipping Bureau.
• The article is neatly typed, with clear headings and subheadings, and includes a byline attributing the source to the Tallahassee News Democrat, Circulation S. 7,130.

Overall, the image captures a historical perspective on the development and significance of the Ringling Museum of Art during World War II, emphasizing its role in preserving and showcasing important artworks.