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This image displays a vintage newspaper clipping or press release, mounted on a light gray background. The clipping is from Burrelle’s Press Clipping Bureau, a long-established media monitoring service founded in 1888 and located at 165 Church Street, New York.

The clipping is dated March 18, 1948, and is marked with a circulation location: Hanover, N.H. Gazette, Circ. W. 1,373.

The headline reads:
“Nash Monograph In Boston Exhibit”

The article announces that a monograph titled “Durer’s 1511 Drawing of a Press and Printer,” written and designed by Prof. Ray Nash of the Dartmouth Art Department, has received critical acclaim. It was a centerpiece in the New England Book Designers’ exhibition at the Boston Public Library, which had just closed.

Key points from the article:

• The monograph is noted for its high quality and artistic merit — described by Natalie Norris, art editor of Publishers’ Weekly, as a “delectable piece of bookmaking.”
• It is being compared favorably to the work of Carl Purington Rollins, a respected printer to Yale.
• The monograph is also linked to a 50-year retrospective held at Dartmouth’s Baker Library.
• It is one of five specimens featured in an accompanying article and illustration in Publishers’ Weekly.
• Prof. Nash teaches Graphic Arts at Dartmouth and also serves as a printing advisor. He is noted as an editorial and design consultant to several book publishers.
• The monograph was published in the winter by the Department of Graphic Arts at Harvard and is a companion to Nash’s 1940 work, “Calligraphy and Printing in the Sixteenth Century,” which included the earliest description of the printing process.

The clipping itself is aged, with yellowed paper and slightly frayed edges, indicating its historical nature. The typography is typical of mid-20th century newsprint and press releases.

In summary, this clipping is a preservation of a critical review of Professor Ray Nash’s scholarly and artistic contribution to book design and printing history, highlighting his recognition within the book and design communities in 1948.

The image appears to be a newspaper clipping from the "Hanover, N.H. Gazette," dated March 18, 1948. The clipping is titled "Nash Monograph In Boston Exhibit" and discusses a monograph written and designed by Dartmouth Art Professor Ray Nash. The monograph, titled "Durer's 1511 Drawing of a Press and Printer," is highlighted as a piece of bookmaking that received critical praise and is part of the New England Book Designers' exhibition at the Boston Public Library. The reviewer, Miss Natalie Norris, ranks Nash's work alongside that of Carl Purington Rollins and praises it as a "delectable piece of bookmaking." The article also notes that Professor Nash teaches Graphic Arts courses at Dartmouth and is a printing advisor to the College, among other professional roles. The clipping includes a contact number for "Burrelle's Press Clipping Bureau" located in New York, and a bibliographic note about other works by Professor Nash.

This image is of a press clipping from the "Hanover, N.H. Gazette," dated March 18, 1948. The clipping is labeled with the Burrelle's Press Clipping Bureau information at the top, indicating that it was collected and processed by this service. The clipping is about an article titled "Nash Monograph In Boston Exhibit," which discusses a monograph written and designed by Prof. Ray Nash of the Dartmouth Art Department. The monograph, titled "Dürer’s 1511 Drawing of a Press and Printer," is featured prominently in the New England Book Designers' exhibition at the Boston Public Library. The article mentions that the monograph has received critical praise, comparing it favorably to the work of Carl Purington Rollins. The monograph is described as a "delectable piece of bookmaking" and is part of a collection of five specimens selected for illustration in the article. Prof. Nash is also described as a teacher of Graphic Arts courses, a printing advisor to the College, and an editorial and design consultant for several book publishers. The monograph is a companion to another work by the same author, "Calligraphy and Printing in the Sixteenth Century," published in 1940. The clipping has a circulation number of 1,373 and a phone number for Burrelle's, BARclay 7-5371.

The image shows a vintage clipping from a newspaper, specifically from "Burrelle's Press Clipping Bureau" located in Hanover, New Hampshire. The clipping is dated March 18, 1948. The clipping features a headline that reads "Nash Monograph In Boston Exhibit." The article discusses a monograph titled "Durer's 1511 Drawing of a Press and Printer," written and designed by Professor Ray Nash from the Dartmouth Art Department. The monograph is described as a central attraction in the New England Book Designers' exhibition at the Boston Public Library. The article also mentions that the exhibition is expected to tour the Pacific Coast after closing in Boston.

The clipping includes a review from "Publishers' Weekly" by Natalie Norris, the art editor of D.C. Heath. She praises Professor Nash's work, particularly highlighting the 50-year retrospective of Dartmouth's Baker Library, which includes the monograph. The article also notes that Nash teaches Graphic Arts courses at Dartmouth and is a printing advisor to the college, in addition to being an editorial and design consultant to several book publishers. The monograph is a companion piece to "Calligraphy and Printing in the Sixteenth Century," published earlier by the Department of Graphic Arts at Harvard.

The image shows a clipping from a newspaper or magazine, featuring an article about a monograph written and designed by Professor Ray Nash of the Dartmouth Art Department. The monograph, titled "Duver's 1511 Drawing of a Press and Printer," is a central attraction in the New England Book Designers exhibition at the Boston Public Library. The article highlights Professor Nash's work and his contributions to the field of book design and printing. The clipping also mentions that the monograph is a companion to "Calligraphy and Printing in the Sixteenth Century, 1940," which presented the earliest description of the printing process. The clipping includes the name of the newspaper, "Hanover, N. H. Gazette," and the date of publication, "Circ. W. 1.373."

The image shows a vintage newspaper clipping from the Hanover, N.H. Gazette, dated March 16, 1948. The clipping is titled "Nash Monograph In Boston Exhibit" and is part of a collection from the Burrelles Press Clipping Bureau, established in 1888, located at 165 Church Street, New York.

Key Details from the Clipping:

1. Subject: The article discusses a monograph written and designed by Prof. Ray Nash of Dartmouth Art, titled "The Printer's 1511 Drawing of a Press in Action."
2. Context:
   • The monograph is highlighted as a central attraction at the New England Book Designers' Exhibition, which recently closed at the Boston Public Library.
   • The exhibition is noted to be on tour along the Pacific coast, returning to the West.
3. Critical Review:
   • The article references a detailed and critical review published in the Publishers' Weekly, authored by Miss Natalie Norris, an art editor for D.C. Heath.
   • The review compares Nash's work favorably to that of Prof. Carl Purington Rollins of Yale, noting that Nash's monograph ranks among the best in its subject area.
4. Significance:
   • The monograph is described as a 50-year retrospective in Dartmouth's Baker Library, making it a significant piece of bookmaking.
   • It is particularly praised for its design and format, which are noted to be superior to those of trade book designers and miss Norris particularly as a "delectable piece of bookmaking."
5. Additional Information:
   • Professor Nash is identified as the Graphic Arts advisor to the College and serves as an editorial and design consultant to several book publishers.
   • The monograph is mentioned as being featured among five specimens selected for illustration courses and is also part of the Winter Arts at Dartmouth program.
   • It is noted as a companion to the "Sixteenth-Century in Graphic Arts," published earlier by the same author in 1940, which presented the earliest description of the printing process.

Visual Elements:

• The clipping is presented on aged, slightly discolored paper, typical of historical newspaper clippings.
• The top of the clipping includes the Burrelles Press Clipping Bureau logo and establishment details.
• The text is typed in a formal, newspaper-style font, with clear headings and subheadings.

This clipping serves as a historical document highlighting the recognition and acclaim received by Professor Ray Nash's work in the field of graphic arts and book design.

• The image is a vertical, old-fashioned newspaper clipping mounted on a light gray background.
• The top portion looks like a business card or header from a press clipping service: “Burrelles” (stylized script) with “Established 1888,” a New York address, and “Press Clipping Bureau 165 Church Street – New York.” It also mentions Hanover, N.H. Gazette and has a faint date stamp (appears to read MAR 18, 1940).
• Below that is the main news headline: “Nash Monograph In Boston Exhibit” with a subheading: “Dartmouth Art Professor Wins Critical Praise For New Work.”
• The article describes a monograph by Prof. Ray Nash of the Dartmouth Art Department, titled “Durer’s 1511 Drawing of a Press and Printer,” and notes its reception and exhibition context (New England Book Designers’ exhibition, etc.).
• The clipping has a vintage, yellowed look, typical of mid-20th century newspaper clippings.

This image shows a vintage newspaper clipping, and it appears to be from a press clipping service given the header at the top of the clipping. The top section contains the following information:

• Buttrell's
• Established 1888
• BArclay 7-5371
• PRESS CLIPPING BUREAU
• 165 Church Street - New York

Below that header, there's an identifier mentioning "HANOVER, N. H. GAZETTE Circ. W. 1,373."

The main body of the clipping contains an article with the headline "Nash Monograph In Boston Exhibit" which talks about a monograph written and designed by Professor Ray Nash of the Dartmouth Art Department, titled "Dürer’s 1511 Drawing of a Press and Printer." The article continues to describe the monograph as a central attraction in a New England Book Designers' exhibition and states that it has received critical praise and is featured among illustrative specimens.

The article also mentions Professor Nash's teaching role in Graphic Arts courses, his position as a printing advisor to the college, and his work as an editorial and design consultant to several book publishers. Moreover, the monograph, which is a companion to "Calligraphy and Printing in the Sixteenth Century," is published by the Department of Graphic Arts at Harvard, and introduces the earliest description of the printing process.

This clipping offers a historical glimpse into the topics of printing, book design, and academic contributions to these fields and would be of interest to those studying the history of print, graphic arts, or the contributions of individual scholars like Professor Nash to these disciplines.

This image is a vintage newspaper clipping. It is branded at the top with "Burrelle's Press Clipping Bureau," alongside text indicating its headquarters at "165 Church Street - New York." Below it specifies the clipping is from the "Hanover, N.H. Gazette" with a circulation of "1,373" and dates it as "Mar 18, 1948."

The headline reads: "Nash Monograph In Boston Exhibit" with a subheading: "Dartmouth Art Professor Wins Critical Praise For New Work."

The article discusses a monograph titled "Dürer's 1511 Drawing of a Press and Printer," written by Professor Ray Nash of the Dartmouth Art Department. The work is a highlight of an exhibition by the New England Book Designers at the Boston Public Library. It notes the exhibition will travel to the Pacific coast in exchange for the Western Books exhibit.

The article mentions critical praise from Natalie Norris, an art editor for D. C. Heath, in Publishers' Weekly. Norris compares Nash's work to notable figures such as Carl Purington Rollins, a printer to Yale, and praises Nash's monograph as "a delectable piece of bookmaking."

It is noted that Professor Nash teaches graphic arts, serves as a printing advisor, and provides editorial and design consultation for publishers. The monograph was published earlier in the winter by Harvard's Department of Graphic Arts and is described as a companion to Nash's work "Calligraphy and Printing in the Sixteenth Century" (1940).

The image is of a newspaper clipping from Burrell's Press Clipping Bureau located at 165 Church Street, New York. The clipping is from the Hanover, N.H. Gazette, dated March 18, 1948, and has the headline: "Nash Monograph In Boston Exhibit."

The article discusses a monograph written and designed by Professor Ray Nash from the Dartmouth Art Department, titled "Durer's 1511 Drawing of a Press and Printer." This work was a central attraction at the New England Book Designers' exhibition held recently at the Boston Public Library. The exhibition was on its way west and expected to tour the Pacific coast, having received favorable recognition at the Western Books exhibit.

The article includes a detailed review from "Publishers Weekly" by Miss Natalie Norris, art editor of D.C. Heath, who praises Nash's work, comparing it favorably to Carl Purington Rollins, a Yale printer notable for a 50-year retrospective at Dartmouth's Baker Library. Norris commends the Nash monograph as "a delectable piece of bookmaking" and highlights it among five specimens featured in the article's illustrations.

Additionally, Professor Nash teaches Graphic Arts courses and serves as a printing advisor at Dartmouth College. He also acts as an editorial and design consultant for several book publishers. The monograph was published earlier in the winter by the Department of Graphic Arts at Harvard. It is considered a companion to Nash's 1940 work "Calligraphy and Printing in the Sixteenth Century," which provided an early description of the printing process.