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The image shows a clipping from a newspaper, specifically from the New York Times, dated February 15, 1948. The clipping discusses an exhibition at the Fogg Museum at Harvard, focusing on the collection of drawings by John S. Newberry Jr., who is noted for his Fogg-trained background and his current role as the Curator of Graphic Arts at the Detroit Institute. The exhibition showcases a collection of drawings from the 19th and 20th centuries, including works by artists such as Ingres, Beckmann, Delacroix, Degas, Seurat, and Picasso. The article highlights the distinguished personal taste of John S. Newberry Jr. in assembling the collection, which ranges from an Ingres pencil drawing of 1819 to a Beckmann watercolor of 1947. The article is printed on a piece of paper with a small header at the top that reads "Burrelle's PRESS CLIPPING BUREAU," along with an address in New York, and a phone number. There are also some handwritten notes on the bottom right corner of the clipping.

The image is a newspaper clipping from the New York Times dated February 15, 1948. The clipping is about the Fogg Museum at Harvard University and its role in the world of museum professionals. It mentions the museum's director, Paul J. Sachs, and the creative scholarship of Agnes Mongan. The clipping highlights a loan show of 19th and 20th-century drawings from the collection of John S. Newberry Jr., who is a Harvard graduate and the Curator of Graphic Arts at the Detroit Institute. The collection includes works from artists such as Ingres, Delacroix, Degas, Seurat, and Picasso, and is described as being of extraordinary quality. The clipping is attached to a card from Burrelle's Press Clipping Bureau, which was established in 1888 and located at 165 Church Street in New York. The card includes the phone number BArclay 7-5371 and circulation numbers for the New York Times.

The image shows a historical document, a press clipping, that appears to be from a newspaper. The clipping features an article about the Fogg Museum at Harvard University, dated February 15, 1948. The article discusses the museum's collection of drawings, highlighting its significance and the breadth of its holdings, which range from the early 19th century to the mid-20th century. The museum is described as having nurtured a number of influential directors and curators, and the article emphasizes the exceptional quality of the collection, particularly a group of drawings from the 1940s. The clipping includes details about the museum's location, contact information, and the name of the museum's director, Paul J. Sachs. The document also mentions Agnes Mongan, the curator of drawings, and John S. Newberry Jr., a Fogg-trained Harvard graduate who is the current curator of Graphic Arts at the Detroit Institute of Arts. The article provides a glimpse into the rich history and significance of the Fogg Museum's collection of drawings.

The image is a clipping from a newspaper, specifically from the "New York Times" dated February 15, 1948. The clipping is from a press clipping bureau called "Burrelle's," which was established in 1888. The clipping bureau's contact information is provided at the top of the clipping, including the address at 165 Church Street, New York, and phone numbers.

The content of the clipping is a news article about the Fogg Museum at Harvard University. The article highlights the museum's reputation as a training ground for museum professionals, noting that many of its directors and curators have gone on to successful careers in the field. It mentions the institution's influence on the style and approach of its directors and curators, who are described as moving "in chessman-like fashion from institution to institution."

The article also highlights the work of Paul J. Sachs, the director of the museum, and Agnes Mongan, the creative scholarship of drawings, who received the first wide public attention in America. The article notes that the museum's current loan show of nineteenth and twentieth-century drawings is particularly noteworthy, as it features the collection of John S. Newberry Jr., a Fogg-trained Harvard graduate and the present Curator of Graphic Arts at the Detroit Institute.

The article includes a range of drawings from the collection, from an Ingres pencil drawing of 1819 to a Beckman watercolor of 1947, showcasing the distinguished personal taste of Newberry, who began collecting in his undergraduate days. The collection is described as extraordinary, ranging from Seurat to Picasso.

The image shows a vintage press clipping from The New York Times, dated February 15, 1948. The clipping is from the Cambridge, Massachusetts section and discusses the Fogg Museum at Harvard. The article highlights the museum's reputation as a cradle for museum professionals, noting that many of its directors and curators have moved on to other institutions.

Key points from the clipping include:

1. Directorship and Curatorship: The article mentions the directorship of Paul J. Sachs and the creative scholarship of Agnes Mongan, who specialize in the field of drawings.
2. Exhibition: The museum is hosting its first wide-attentioned exhibition of nineteenth and twentieth-century drawings, which is considered timely and appropriate.
3. Collection: The exhibition features the collection of John S. Newberry Jr., a 1933 Harvard graduate and the present Curator of Graphic Arts at the De Pree Institute. The collection spans from an Ingres pencil drawing of 1819 to a Beckmann watercolor of 1947.
4. Quality and Scope: The collection is described as extraordinary, representing the personal taste of a dedicated collector who began collecting during his undergraduate days. It includes works from artists such as Dela croix, Degas, Seurat, and Picasso.

The clipping is presented on a card or label from Burtelles Press Clipping Bureau, established in 1888, located at 165 Church Street, New York. The card includes the bureau's contact details, such as the address, telephone number (Barclay 7-5371), and circulation figures (Circ. D. 531,458 - S. 851,982). The overall design and typography suggest a mid-20th-century aesthetic, typical of press clippings or archival materials from that era.

The image depicts a newspaper clipping from the New York Times, dated February 15, 1948, featuring an article about the Fogg Museum at Harvard. The clipping is presented in a vertical format, with the top section displaying the newspaper's name and address, followed by the article itself.

Newspaper Clipping Details:

• Date: February 15, 1948
• Newspaper: New York Times
• Article Title: CAMBRIDGE, MASS.: The Fogg Museum at Harvard is known as the cradle for museum men, having nurtured a goodly number of the directors and curators who move in chessman-like fashion from institution to institution. Here, too, under the directorship of the connoisseur-collector Paul J. Sachs and the creative scholarship of Agnes Morgan, the special field of drawings received its first wide public attention in America. Thus its current loan show of nineteenth and twentieth century drawings is doubly appropriate, for it is the collection of John S. Newberry Jr., who is a Fogg-trained Harvard graduate of 1933 and the present Curator of Graphic Arts at the Detroit Institute. Ranging from an Ingres pencil drawing of 1819 to a Beckmann water-color of 1947, the group represents the empiric and distinguished personal taste of a man who began collecting in his undergraduate days. From Delacroix to Degas, from Seurat to Picasso, the collection is of extraordinary quality.

Visual Description:

• The clipping is a light tan color with black text.
• The top section features the newspaper's name, "New York Times," in large letters, accompanied by the address "165 Church Street - New York" and the date "FEB 15 1948."
• The article is written in a formal tone, discussing the Fogg Museum at Harvard and its notable collection of drawings.
• The article highlights the museum's reputation for nurturing talented individuals in the field of museum curation and its unique collection of drawings.
• The clipping is set against a plain gray background, which helps to focus attention on the article itself.

The image presents a newspaper clipping from the New York Times, dated February 15, 1948. The clipping is titled "CAMBRIDGE, MASS.: The Fogg Museum at Harvard is known as the cradle for museum men, having nurtured a goodly number of the directors and curators who move in chessman-like fashion from institution to institution." The article discusses the Fogg Museum's reputation for producing talented museum professionals and highlights its impressive collection of art.

The clipping also mentions the museum's directorship, which has been held by notable figures such as Paul J. Sachs and Agnes Mongan. Additionally, it notes that the museum received its first wide public attention in America through its current loan show of nineteenth and twentieth-century drawings, which is doubly appropriate given the collection of John S. Newberry Jr., who is a Fogg-trained Harvard graduate of 1933 and the present Curator of Graphic Arts at the Detroit Institute.

Overall, the clipping provides insight into the Fogg Museum's history, reputation, and contributions to the art world.

The image is a scanned newspaper clipping from the New York Times, dated February 15, 1948.

• The clipping is from Burrelle's Press Clipping Bureau, established in 1888, located at 165 Church Street, New York.
• The article discusses the Fogg Museum at Harvard University, highlighting its reputation as a hub for museum professionals and its notable collection of 19th and 20th-century drawings.
• The article mentions the museum's curator, Paul J. Sachs, and the connoisseur-collector Agnes Mongan, who played a significant role in acquiring the collection.
• The collection is attributed to John S. Newberry Jr., a Harvard graduate and curator of graphic arts at the Detroit Institute.
• The article describes the collection as "extraordinary" and spanning from an Ingres pencil drawing of 1819 to a Beckmann water-color of 1947.
• The clipping is yellowed with age and has a stamp indicating the date it was clipped: "FEB 15 1948".

The image presents a vintage newspaper clipping from the New York Times, dated February 15, 1948. The clipping is yellowed and features a prominent logo at the top, which reads "Burrelles" in elegant cursive script, accompanied by a pair of scissors positioned between the two "r"s. Below this, the text indicates that Burrelles was established in 1888 and provides contact information, including an address and phone number.

Newspaper Clipping Details:

• Date: February 15, 1948
• Source: New York Times
• Content: The article discusses the Fogg Museum at Harvard University, highlighting its reputation as a nurturing ground for museum professionals. It also mentions the museum's current loan show featuring nineteenth- and twentieth-century drawings from the collection of John S. Newberry Jr., a Harvard graduate and curator at the Detroit Institute.

Visual Description:

• The clipping is set against a plain gray background.
• The overall appearance suggests that the clipping has been preserved for archival purposes, likely due to its historical significance or cultural importance.

The image is of a press clipping from Burelle's Press Clipping Bureau, dated February 15, 1948. The clipping discusses an exhibition at the Fogg Museum at Harvard University in Cambridge, Massachusetts. The museum is described as a "cradle for museum men," having trained many directors and curators who have moved on to other institutions.

The article highlights a loan show of nineteenth and twentieth-century drawings from the collection of John S. Newberry Jr., a Harvard graduate of 1933 and the present Curator of Graphic Arts at the Detroit Institute. Newberry began collecting art during his undergraduate days, and his collection includes works by notable artists such as Delacroix, Degas, Seurat, and Picasso. The exhibition showcases his empiric and distinguished personal taste, featuring works ranging from an 1819 pencil drawing by Beckmann to a 1947 watercolor by the same artist. The collection is noted for its extraordinary quality.