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ARCH.2003.30, Rendition: 802676
This image displays a vintage press clipping from May 1, 1948, about an art exhibition at the Fogg Museum of Art, Harvard University. The clipping is mounted on a tan card from Burrell’s Press Clipping Bureau, established in 1888 and located at 165 Church Street, New York, with the phone number Barclay 7-5371. The clipping is categorized under “Art Digest (New York City)”.
The article, headlined “Fogg Features Venice,” announces that the museum’s annual “Museum Class” exhibition, opening on May 5, 1948, will focus on 18th-century Venetian art. The exhibition highlights:
The exhibition features drawings in all media and is enhanced by loans from other collections. It runs through June 10, 1948.
The clipping paper is slightly yellowed, with a few light pencil underlines and a faint horizontal line drawn across the top of the article. The overall presentation suggests a preserved archival item from an art or cultural documentation service.
The image appears to be a clipping from a newspaper or magazine, specifically from the "Art Digest" section that is associated with New York City. The header at the top indicates it is from Burrelle's Press Clipping Bureau, which was established in 1888, with a phone number listed (BARclay 7-5371). The address provided is 165 Church Street, New York.
The article, dated May 1, 1948, discusses an exhibition at the Fogg Museum of Art, Harvard University. The exhibition is titled "Fogg Features Venice" and focuses on the 18th-century Venetian theme. It mentions that the annual "Museum Class" exhibition opened on May 5. The show includes topographical painters such as Guardi, Canaletto, and Bellotto, known for their views of Venice as souvenirs for the European nobility. The article also references Longhi and Piazetta, representing more intimate and sober aspects of Venetian scenes, and Tiepolo, providing a spectacular background for the pageant city.
The article further highlights the breadth and fluency of the 18th-century Venice, mentioning less well-known painters like Carlevaris and Marieschi. It notes the exhibition is rich in drawings in various media and that the Fogg Collection has been amplified by loans, which were on display through June 10.
This image is a vintage clipping from an art publication, specifically from "Art Digest (New York City)," dated May 1, 1948. It features a write-up about the Fogg Museum of Art at Harvard University, which was planning an exhibition titled "Museum Class" focused on 18th-century Venetian art. The article highlights the inclusion of works by prominent painters such as Guardi, Canaletto, Bellotto, Longhi, Piazetta, and Tiepolo, who depicted various aspects of Venice for touring nobility and the city's pageantry. The piece also mentions less well-known artists like Carlevaris and Marieschi and notes that the exhibition would be enriched with loans of artworks and drawings. The clipping is attached to a card from "Burrelle’s Press Clipping Bureau," which was established in 1888 and based at 165 Church Street, New York. The card has a decorative logo with a pair of scissors.
The image shows a vintage clipping from the Art Digest magazine, dated May 1, 1948. The clipping features an announcement about an exhibition at the Fogg Museum of Art, Harvard University. The exhibition, titled "Museum Class," focuses on the theme of Venice and is set to open on May 5. It highlights the work of prominent Venetian artists such as Canaletto, Bellotto, Longhi, and Piazzetta, who captured various aspects of the city, from its grandeur to its more intimate scenes. The exhibition also includes works by lesser-known painters like Carlevaris and Marieschi, showcasing the breadth and fluency of 18th-century Venetian art. The Fogg Collection has been enriched by loans, and the exhibition runs through June 10.
The image depicts a press clipping from the "ART DIGEST" magazine, dated May 1, 1948. The clipping is attached to a beige background and is from the "PRESS CLIPPING BUREAU" located at 165 Church Street, New York. The clipping features an article about an exhibition at the Fogg Museum of Art, Harvard University, titled "Venice."
The article highlights that the Fogg Museum has selected the 18th-century Venetian theme for its annual "Museum Class" exhibition, which opens on May 5. The exhibition showcases the work of topographic painters Guardi, Canaletto, and Bellotto, who captured views of Venice for tourists. Additionally, Longhi and Piazzetta represent the more intimate and sober aspects of the Venetian scene, while Tiepolo provides the spectacular background for the city's pageantry.
The article also mentions that lesser-known painters, such as Carlevaris and Mariesch, reveal the breadth and fluent mastery of 18th-century Venice. The exhibition is rich in drawings, and the Fogg Collection has been augmented by loans. The exhibition runs through June 10.
The clipping is printed on a piece of paper with a watermark that reads "Buzzlelle's" and "ESTABLISHED 1888," suggesting that it may have been sourced from a collection or archive associated with Buzzelle's, a company or individual possibly involved in the arts or publishing. The clipping is framed by a beige border, and the text is printed in black ink on a light-colored paper, making it easily readable against the background.
The image shows a vintage press clipping from Burrelles' Press Clipping Bureau, established in 1888, located at 165 Church Street, New York. The clipping is dated May 1, 1948, and is from Art Digest (New York City). The article is titled "Fogg Features Venice" and discusses an exhibition at the Fogg Museum of Art, Harvard University, which is focused on the 18th Century Venetian theme for its annual "Museum Class" exhibition. The exhibition opens on May 5 and runs through June 10.
The article highlights the inclusion of notable Venetian artists such as Guardi, Canaletto, and Bellotto, who produced topographical paintings as souvenirs for the touring nobility of Europe. It also mentions Longhi and Piazzetta, who depicted more intimate and sober aspects of the Venetian scene, and Tiepolo, who provided a spectacular backdrop for the city. Additionally, the exhibition features lesser-known artists like Carlevariis and Marieschi, showcasing the breadth and fluency of 18th-century Venetian art. The article emphasizes that the exhibition is rich in drawings across various media and has been expanded through loans to the Fogg Collection.
The clipping is presented on aged, cream-colored paper, giving it a historical and archival feel. The design includes elegant cursive typography for the header and a clean, readable layout for the article text.
This image is a clipping from "Art Digest" dated May 1, 1948, provided by "Burrelle's Press Clipping Bureau." The clipping discusses an exhibition at the Fogg Museum of Art at Harvard University, featuring Venetian-themed works from the 18th century. The show highlights topographical painters like Guardi, Canaletto, and Bellotto, whose works reflect views of Venice as souvenirs for the nobility. Artists such as Longhi, Piazetta, and Tiepolo are noted for their contributions to Venetian depictions, both intimate and spectacular. Less well-known painters like Carlevaris and Marieschi are also featured, emphasizing their mastery of 18th-century Venetian artistry. The exhibition includes works in various media and runs until June 10, amplified by loans.
The image shows two vintage clipping items arranged on a gray background.
The image shows a press clipping on a grey background. At the top is a brown label from "Burrelle's Press Clipping Bureau" in New York, established in 1888, with an address at 165 Church Street and the phone number BA rclay 7-5371. The label has a graphic of a pair of scissors and includes the text "ART DIGEST (New York City)" with a stamped date below that reads "MAY 1 - 1948."
Below the label is a newspaper clipping titled "Fogg Features Venice."
The article reports that the Fogg Museum of Art at Harvard University has selected the 18th Century Venetian theme for its annual "Museum Class" exhibition that opens on May 5. The show features topographical painters Guardi, Canaletto, and Bellotto, who created views of the city as souvenirs for tourists of Europe. Other artists like Longhi and Piazetta are included for their more intimate and sober views of Venice, while Tiepolo provides a spectacular backdrop of the pageant city.
The exhibition also includes lesser-known painters such as Carlevaris and Marieschi to reveal the breadth and fluent mastery of 18th Century Venice. The exhibition is rich in drawings in various media, with the Fogg Collection being amplified by loans. The show is open through June 10.
This image shows a vintage press clipping or excerpt on a piece of paper with a rough texture, possibly from an archival or scrapbook source. At the top of the clipping, there is bold text that reads "Buffelle's", with the graphic of a pair of scissors, indicating that it is related to a press clipping service. Below reads "ESTABLISHED 1888" followed by a telephone number "BArclay 7-5371". It also includes the address "165 Church Street - New York" and identifies it as "PRESS CLIPPING BUREAU".
This is followed by a headline "ART DIGEST (New York City)" and the date "MAY 1 - 1948". The article below the header is titled "Fogg Features Venice" and discusses a Fogg Museum of Art exhibition at Harvard University that focuses on the 18th Century Venetian theme. Renowned painters such as Guardi, Canaletto, and Bellotto are mentioned for their views of the city. Other artists cited include Longhi, Piazetta, and Tiepolo. Less known painters like Carlevaris and Marieschi are also mentioned. The text speaks to the subject matter of the exhibition, its content—including drawings in all media—and notes that the museum's collection has been amplified by loans. The exhibition appears to be scheduled through June 10, the year not indicated but likely the same year as the date at the top of the article, 1948.