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This image displays a historical newspaper clipping mounted on a large, aged, beige paper backing. The clipping is from the Boston News Clip, and the header indicates it was sourced from the Christian Science Monitor in Boston, Mass., with a date stamp of “DEC 18 1947.”

The clipping features:

1. A Reproduction of a Drawing: The central focus is a black-and-white image of a detailed pencil or charcoal drawing titled “Madame Vesey and Daughter.” The artwork is a portrait of two women — one seated, wearing a large hat and holding a book or folder; the other standing beside her, dressed in flowing attire with her hand resting on the seated woman’s shoulder. The style is classical and elegant, typical of 19th-century portraiture. The drawing is signed and dated “Ingres 1818” in the lower right corner.

2. Descriptive Caption and Article: Beneath the drawing is an article by Dorothy Anclow. It identifies the artwork as a drawing by Jean-Auguste-Dominique Ingres (1780–1867), executed in Rome in 1818. The text notes that this piece is part of a group of English drawings by Ingres and highlights his reputation for clear, detailed, and elegant portraits.

   The article discusses Ingres’s artistic philosophy — his admiration for Raphael and Leonardo da Vinci, his belief in precise drawing as “the probity of art,” and his disdain for “tentativeness.” It also reveals that the portrait was highly prized by Edgar Degas, who wished to own it, and that it remained in the Coitburn family (Madame Vesey’s daughter) until 1907.

3. Provenance Note: A credit line just below the image reads: “By Courtesy of the Fogg Art Museum, Harvard University, in The Christian Science Monitor.”

4. Physical Mounting Details: The clipping is affixed to the backing sheet with two white, circular adhesive mounts (one near the top left and one near the bottom left). A handwritten number “126F” appears in red ink in the top left corner of the clipping itself. A small red rectangular label or box is visible at the bottom left of the article’s text.

Overall, this is a well-preserved archival item — a newspaper clipping highlighting a famous neoclassical drawing by Ingres, contextualized with biographical and art-historical commentary from 1947.

The image appears to be a news clipping from "The Christian Science Monitor" dated December 13, 1947, sourced from the Fogg Art Museum at Harvard University. The clipping is titled "Madame Vesey and Daughter: A Drawing by J. A.-D. Ingres." The drawing itself shows two women dressed in period clothing, seated and interacting with each other. The text accompanying the image provides information about the artwork, describing it as one of a group of English drawings executed in Rome in 1816 by Jean-Auguste-Dominique Ingres (1780-1867). The text discusses Ingres's work, his influence on the art of painting and drawing, and his views on precision and exactitude in art. The clipping is mounted on a piece of orange paper with a label at the top that reads "Boston News Clip" with an address for the Christian Science Monitor in Boston.

This image is a newspaper clipping from the Christian Science Monitor, dated December 13, 1947. The clipping is mounted on a beige-colored sheet of paper with two punched holes on the left side, suggesting it was part of a binder or folder.

The newspaper clipping features a black-and-white illustration titled "Madame Vesey and Daughter," a drawing by J.A.D. Ingres. The illustration depicts two women dressed in elaborate, period-specific attire, likely from the early 19th century. The woman on the left is wearing a bonnet and a dress with a high waistline, while the woman on the right is seated and wearing a shawl over her shoulders. The drawing is detailed and elegant, capturing the fine lines and textures of their clothing and accessories.

Below the illustration, there is a caption that credits the Fogg Art Museum, Harvard University, for providing the drawing to the Christian Science Monitor. The article accompanying the illustration discusses the drawing, its artist, and its historical context. It mentions that the portrait was one of a group of English drawings executed in Rome in 1816 by Jean-Auguste-Dominique Ingres (1780-1867). The article also notes Ingres' skill in creating clear, detailed, and elegant portrayals and his influence on the art of painting and drawing throughout the century.

The text further elaborates on Ingres' style and the opinions of his contemporaries, such as Edgar Degas, who revered Ingres and studied his meticulous drawings. The article concludes with a quote from Ingres, emphasizing the importance of precision and exactitude in drawing.

A newspaper clipping from the Boston News Clip is placed on a white background. The clipping features an image of a woman and a child sitting on a chair. The woman is wearing a hat and a dress, while the child is wearing a bonnet. The image is accompanied by a caption that reads, "The Portrait of Madame Vessey and her daughter." The clipping also includes a brief description of the drawing by J. A. D. Ingres.

The image is a photograph of a newspaper clipping mounted on a piece of paper. The clipping is from the "Boston News Clip" and is dated December 18, 1947. The clipping features an article about a drawing by J. A. D. Ingres titled "Madame Vesey and her Daughter." The drawing depicts a mother and daughter sitting together, with the mother holding the daughter's hand. The article discusses the significance of the drawing and its place in art history. The clipping is mounted on a piece of paper with a white label that reads "Christian Science Monitor."

The image depicts a historical document or exhibit label from the Boston News Clip archive, located at 180 Fremont Street, Boston, Mass. The label is titled "The Portrait of Madame Visay and Her Daughter" and is attributed to J.-A.-D. Ingres, a prominent French Neoclassical painter. The document includes a detailed description of the artwork and provides context about its creation and significance.

Key Elements of the Image:

1. Title and Artist Information:

   • The artwork is titled "The Portrait of Madame Visay and Her Daughter".
   • It is a drawing by Jean-Auguste-Dominique Ingres (1780–1867), a celebrated French artist known for his precise and elegant style.

2. Description of the Artwork:

   • The portrait depicts Madame Visay and her daughter, executed in Rome in 1818.
   • Ingres was pleased with his client, Madame Visay, who commissioned the piece, and he considered it one of his favorites.
   • The drawing is noted for its clarity, detail, and elegance, reflecting Ingres's meticulous approach to portraiture.

3. Historical Context:

   • The document mentions that Ingres produced these drawings in Rome, where he was part of the French Academy.
   • It highlights Ingres's reverence for the art of painting and his belief in the importance of drawing as a foundational skill.
   • The text also discusses Ingres's views on the role of drawing in art, emphasizing that it is the "propensity of art" and that one must "keep right on drawing with the eyes when you cannot draw with a pencil."

4. Visual Elements:

   • Below the text, there is a black-and-white illustration of the artwork. It shows two figures: an older woman (Madame Visay) seated and a younger girl (her daughter) standing beside her, both dressed in period clothing.
   • The illustration is framed within the document, providing a visual representation of the described artwork.

5. Additional Notes:

   • The document includes a quote from Dorothy Acklow, which discusses Ingres's approach to drawing and his belief in its importance as a "strengthening factor in design."
   • The label is dated December 13, 1947, indicating when the document was created or archived.

Overall Impression:

The image serves as an educational and historical artifact, combining textual and visual elements to provide insight into Ingres's artistic process, the significance of the portrait, and the broader context of 19th-century art. The document reflects the reverence for Ingres's work and his contributions to the Neoclassical movement.

• The image shows a beige scrapbook page with a single newspaper clipping mounted on it. There are three circular binder holes on the left edge, indicating it was part of a bound album.

• At the top left is a small label that reads “BOSTON NEWS CLIP” with an address and “Christian Science Monitor” and a date stamp (DEC 13 1947). The clipping also has a red pencil notation.

• The main clipping is a halftone illustration of two women in historical dress, seated and facing each other, their hands joined. The faces in the illustration are obscured in this copy.

• Beneath the image is a caption and a block of text describing the artwork: “MADAME VESEY AND DAUGHTER; A Drawing by J. A. Ingres,” indicating that the clipping discusses a drawing by the artist Jean-Auguste-Dominique Ingres and the subject Madame Vesey and her daughter.

• Overall, it appears to be an archival page from a newspaper clipping collection about art, mounted onto a vintage scrapbook page.

This image shows a vintage or historical document mounted on a tan-colored paper or folder. At the top left corner of the folder is a label with text indicating "BOSTON NEWS CLIP 262 Washington St. Christian Science Monitor Boston, Mass. Dec. 13, 1947." Below this label is a black and white reproduction of a drawing, featuring two figures seated and interacting with one another over a shared activity or object, which isn't visibly detailed in this image.

Accompanying the drawing, a segment of printed text appears to the right side. This text provides context or commentary about the drawing, which seems to be titled "Madame Vestris and Daughter." There's a visible reference to a "Drawing by J. D. Ingres," which suggests that the drawing is related to art or art history. The text block provides information on the historical and artistic significance of the artwork, including mentions of J. D. Ingres and other individuals whose identities are not mentioned in this description.

On top of this folder or mount, there are a few visible signs of wear and age, such as the hole punched at the top left corner, possibly for filing purposes, and the frayed or curled corner at the top right.

This image depicts a page from a scrapbook or collection, with a clipping from the Christian Science Monitor newspaper dated December 13, 1947. The clipping features a printed drawing, titled "Madame Vessy and Daughter," by J.-A.-D. Ingres. The sketch depicts two women, one seated and one kneeling, engaged in what appears to be a tender moment. The article below discusses the artwork, offering insights into the drawing's composition, style, and the artist's methodology. The page includes a caption describing the image and an analysis of Ingres' commitment to precision and his artistic philosophy. The design and paper show signs of aging, giving the work an archival character.

The image displays a newspaper clipping mounted on a beige piece of paper with two holes punched on the left side. The clipping is from the "Christian Science Monitor" in Boston, Mass., dated December 13, 1947.

The article features an artwork titled "Madame Vesey and Daughter: A Drawing by J. A.-D. Ingres." The drawing itself is a detailed, finely executed black-and-white sketch showing a seated woman and a young girl holding hands, both wearing period clothing from the early 19th century. The article discusses the portrait of Madame Vesey and her daughter, noting the skill and precision of the artist, Jean-Auguste-Dominique Ingres (1780-1867). It highlights Ingres' dedication to meticulous drawing and the influence of Raphael and Leonardo da Vinci on his work, emphasizing the emotional expression and precision in his art.

The text explains Ingres’ artistic philosophy and mentions that the drawing remained in the Colthurst family until 1907. It also details Ingres' approach to drawing as a combination of scientific accuracy and emotional expression.

Overall, the clipping offers an informative commentary on this specific drawing by Ingres and its artistic significance.