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ARCH.2003.30, Rendition: 802590
The image appears to be a scanned page from a newspaper that discusses the relocation and return of Harvard University's art treasures during and after the war. The text is from the "Worcester Evening Gazette" dated May 19, 1947.
The content of the page highlights the following key points:
Relocation of Art Treasures: During the war, Harvard's famous art treasures, including works by Whistler, Gainsborough, and Copley, were hidden in the 2,287-acre Harvard Forest at Petersham due to the threat of enemy bombing. The article notes that these treasures were moved back to their original home in Cambridge after the war.
Details of the Relocation: The art works were carefully transported and stored in the Petersham forest, which was identified as an inactive school of silviculture. The article describes the meticulous procedures and precautions taken to ensure the safety of the artworks during the war, including bi-weekly inspections and air-conditioning systems in the storage facilities.
Returning the Artworks: The article mentions that by May 1947, the artworks had been returned to the Fogg Art Museum, Harvard's main art collection. It highlights the significant cultural and historical value of the art works, including rare works by artists such as Simone Martini and Giotto, among others.
Additional Information: The page also includes two Boston News Clip inserts, dated May 20 and May 21, 1947, which provide additional details about the return of Harvard's prize art and other art-related news.
The overall context suggests that this newspaper article is part of a broader discussion on the protection and preservation of cultural heritage during times of conflict.
This image shows a collection of newspaper clippings from May 1947, discussing the return of Harvard's art treasures from their wartime hiding place in the Petersham Forest. The main headline reads, "Harvard's Art Treasure Took to Woods At Petersham During War, Now Returned," written by W. M. Homer, Jr. The article details how Harvard's famous art treasures, including Whistlers, Gainsboroughs, and Copleys, were moved to Petersham for safekeeping during World War II and are now back at the Fogg Art Museum in Cambridge.
The article describes the meticulous care taken to protect the artworks, including bi-weekly inspections, air-conditioning systems, and security measures. It also mentions the involvement of museum officials and conservators in ensuring the safekeeping of the art pieces.
Additionally, there are two smaller clippings from the Boston News Clip, one from the Register in New Haven, Conn., and the other from the Argus in Montpelier, Vt., both dated May 20 and May 21, 1947, respectively. These clippings provide further details about the return of the art treasures to Harvard.
The clippings are pasted on a brown paper background, and the text is printed in black ink on white paper. The overall condition of the clippings shows signs of age, with some edges appearing worn and slightly torn.
This is an aged, yellowed newspaper clipping from the Worcester Evening Gazette, dated May 19, 1947. Its primary subject is the dramatic story of Harvard University's art treasures — including works by Whistler, Gainsborough, and Copley — being hidden in Petersham, Massachusetts during World War II to protect them from potential bombing raids.
The headline reads:
“Petersham Forest Disgorges Millions In Art Treasures”
The article explains that the art, which had been discreetly stored for years in a remote, heavily guarded "art forest" at the 2267-acre University Forest, was now being returned to Harvard. The treasures were moved to Petersham in 1944 after concerns that their original Cambridge location was vulnerable to enemy bombing.
Key details from the article:
Additional elements on the page:
The paper’s aged, browned appearance and the dense, typewritten text suggest its historical nature. It captures a fascinating moment in cultural preservation history — how one of America’s most prestigious universities safeguarded its priceless art collection during wartime by relocating it to the relative safety of rural New England forests.
Overall, the clipping is a well-preserved snapshot from 1947, illustrating the lengths institutions went to protect cultural heritage during World War II, and the excitement surrounding the safe return of these treasures.
The image shows a newspaper clipping from the Worcester Evening Gazette, dated May 19, 1947. The headline reads "Petersham Forest Disgorges Millions in Art Treasures" and "Harvard's Art Treasure Took to Woods At Petersham During War, Now Returned." The article discusses the return of Harvard University's art collection to Cambridge after being hidden in the Petersham Forest during World War II for protection from enemy bombs. It mentions the meticulous efforts taken to preserve the artworks, including the use of a calcium chloride system to prevent humidity and temperature issues. The article also highlights the challenges faced during the relocation process and the eventual safe return of the treasures.
The image shows a piece of paper with various articles, newspaper clippings, and text printed on it. The paper appears to be old and worn, with some parts torn or damaged. The articles are about art treasures, including paintings, drawings, and prints, that were hidden during World War II to protect them from enemy bombs. The articles mention specific pieces of art, such as the Cross by Simone Martini and the Crucifixion of Giotto, and discuss the efforts to safeguard these treasures. The paper also includes a section titled "Boston News Clip" with additional information about the art treasures and their return to Harvard.
The image is a scanned newspaper clipping from the Worcester Evening Gazette, dated May 19, 1947, featuring two main articles. The layout and design are typical of mid-20th-century newspapers, with a mix of headlines, subheadings, and columns of text. Here’s a detailed description:
The image captures a historical moment during and after World War II, highlighting the efforts made by institutions like Harvard University to protect cultural treasures during times of conflict. The articles emphasize the value, preservation, and successful return of these artworks.
The image shows a collection of newspaper clippings that seem to be old and have been carefully arranged on a larger piece of paper or board. The main clipping in the center has a heading "Worcester Evening Gazette" with a sub-headline "Petersham Forest Disgorges Millions In Art Treasures" dated April 1947. The subject matter relates to the safeguarding of Harvard's famous art treasures during World War II, where they were hidden in a forest at Petersham, Massachusetts.
Other smaller clippings around this main article continue the subject with headings like "Harvard's Art Treasure Took to Woods At Petersham During War, Now Returned" and "Harvard's Prize Art Brought From Hiding". These clippings contain information about the specific works of art and the efforts to protect and eventually return them to their original location.
The physical state of the clippings suggests that they are brittle, with some pieces missing along the edges, indicative of their age. The collection gives an insight into post-war activities related to the recovery and protection of art and cultural heritage.
This image features a scrapbook page containing newspaper clippings from various publications. These articles revolve around Harvard University's art collection during World War II and its safe storage in the Petersham Forest to protect it from potential war damage. The primary headline on the left, from the Worcester Evening Gazette dated May 19, 1947, reads "Petersham Forest Disgorges Millions in Art Treasures." It describes the measures taken to preserve valuable art pieces.
The larger article on the right, "Harvard's Art Treasure Took to Woods at Petersham During War, Now Returned," details efforts to safeguard the university's art collection, citing precautions like climate-controlled storage and regular inspections. Below it are smaller clippings, each dated May 1947, from various Boston-area news sources, summarizing the same events.
The scrapbook edges have some wear, and the page has cut-out sections where the clippings were affixed. Overall, the page captures a historical narrative about the preservation of art treasures during wartime.
An old scrapbook page showing several newspaper clippings about Harvard’s wartime art treasures. The clippings are mounted on light brown backing and show torn edges and binder holes along the left side.
Key elements:
The image depicts a collection of several newspaper clippings, all dated around May 1947, from various newspapers including the Worcester Evening Gazette and Boston news outlets. The headlines and articles focus on the story of art treasures related to Harvard's Whistler and Gainsborough collections that were taken to the woods at Petersham for safekeeping during World War II and were now being returned.
The largest clipping on the right is titled "Harvard's Art Treasure Took to Woods At Petersham During War, Now Returned" by W.M. Homer, Jr. It narrates how paintings by famous artists such as Whistler and Gainsborough were moved out of Boston to a safe location in Petersham to protect them from war-related threats, including bombings. The article details the measures taken to preserve these valuable artworks, including the precautions against humidity, temperature changes, and fire hazards, and the eventual return of the paintings.
Another clipping from the Worcester Evening Gazette titled "Petersham Forest Disgorges Millions In Art Treasures" elaborates on how massive art treasures were relocated and stored safely at Petersham and the challenges faced during this process.
Additional smaller clippings from Boston news outlets report on the same event, describing the safe return of the paintings, the historical significance of this wartime protection effort, and some specifics about the storage and handling of the artworks.
The overall tone of the collection of clippings is historical and informative, documenting the wartime protection and subsequent return of important cultural artifacts. The clippings are yellowed, with some wear and torn edges, indicating their age.