Archives Scrapbooks

This image displays an open scrapbook or archival folder containing several original newspaper clippings from the Boston News Clip and the Boston Post, all dated in May 1947. The clippings are mounted on aged, yellowed paper and appear to be related to cultural events at Harvard University and the Fogg Museum in Boston.

The main clipping, dated MAY 2 1947, is titled “Limitations of Music Criticism Cited at Harvard Symposium” by Cyrus Durgin. It reports on a symposium held at Sanders Theatre, featuring speakers E. M. Forster, Roger Sessions, and Dr. Archibald T. Davison (chairman of the Harvard Music Department). The article highlights the debate on whether music criticism can be objective or if it is inherently subjective, based on the critic’s personal taste and knowledge.

Another prominent article from MAY 5 1947, also from the Boston News Clip, announces “25 Modern Sculptures In Galleries of Fogg”, covering an exhibit of graduate student work in sculpture at the Fogg Museum. It mentions specific pieces, including "a mobile by Calder" and "a portrait of George Bernard Shaw by Jacob Epstein."

A third clipping, from the BOSTON POST, MAY 11 1947, advertises the “PLAN EXHIBITION OF MODERN SCULPTURE” at the Fogg Museum, noting that the show will feature works by students and be open through June 8.

Several items have handwritten annotations in blue ink — including “128F” circled near the top of the main article and checkmarks — suggesting these materials were cataloged or reviewed for archival purposes. The clippings are arranged carefully, some overlapping slightly, and show signs of age with creases and discoloration, consistent with mid-20th-century paper artifacts.

Overall, the scrapbook page documents a moment in Boston’s cultural life in 1947, capturing critical discussions in music and the presentation of modern sculpture from Harvard’s graduate programs.

The image shows a page from a scrapbook or a collection of newspaper clippings related to art and music events in Boston, Massachusetts, dated from May 1947. The page contains several articles and announcements clipped from newspapers, prominently featuring the "Boston News Clip" masthead.

• On the left side of the page, there is an article titled "Limitations of Music Criticism Cited at Harvard Symposium" by Cyrus Durgin. The article discusses the limitations of music criticism, presenting the views of E.M. Forster and Roger Sessions during a symposium on music criticism at Harvard University. It mentions various speakers and comments on the work and judgment of music critics.

• On the right side, there are several other clippings:

  • A notice about an exhibit of 25 modern sculptures in the galleries of Fogg (Fogg Museum of Art, Harvard University). This was part of a graduate seminar that showcased 25 modern sculptures from the 20th century.
  • Another notice from the "Boston News Clip" about a plan exhibition of modern sculpture, mentioning the participation of various artists like Maillol, Desplan, Lehnbruck, Calder, and others.
  • A smaller notice from the "Boston Post" about the "Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg" and the involvement of graduate students from the Harvard University Museum Problems Seminar.
  • A notice about the authorities of the Secretary of War under terms of the policy, possibly related to the restrictions or permissions for the exhibition.

The clippings are pasted on the page with visible tape, and there is a handwritten label "128F" in the center of the left article, which might indicate an archive or filing system used to organize these clippings.

The image shows a page from a scrapbook containing several newspaper clippings from Boston newspapers dated in May 1947. The clippings are from the Globe, Christian Science Monitor, and Boston Post, and they are pasted onto a beige background with labels indicating their source and date.

1. Top Left Clipping (Globe, May 2, 1947): This clipping is titled "Limitations of Music Criticism Cited at Harvard Symposium" and discusses a symposium held at Harvard University. It mentions speakers like E.M. Forster and Roger Sessions, who talked about the role and limitations of music criticism. The article also mentions a concert featuring works by Walton Piston, Arnold Schoenberg, and Bohuslav Martinu.

2. Top Right Clipping (Christian Science Monitor, May 5, 1947): This clipping is titled "Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg." It reports on an exhibition of 25 modern sculptures at the Fogg Museum, presented by graduate students of the Seminar in Museum Problems. The article mentions sculptures from various schools of art and highlights works by artists like Calder, Jacob Epstein, and Hans Arp.

3. Bottom Right Clipping (Boston Post, May 11, 1947): This clipping is titled "PLAN EXHIBITION OF MODERN SCULPTURE" and discusses an exhibition of modern sculpture at the Fogg Art Museum. It mentions the authority of the Secretary of War and the involvement of important sculptors in the exhibition.

The clippings are neatly arranged and pasted with clear labels, suggesting that this is part of a well-organized collection of news articles related to art and music events in Boston in 1947.

The image shows a page from a newspaper clipping. The clipping is from the "Boston News Clip" section of the "Christian Science Monitor," dated May 5, 1947. The clipping is titled "Limitations of Music Criticism Cited at Harvard Symposium." The article discusses a symposium on music criticism held at Harvard University, where speakers, including Mr. Sessions, Mr. Davison, and Mr. Forster, discussed the limitations and challenges of music criticism. The article highlights the debate on whether music criticism should focus on the technical aspects of music or the emotional and artistic experience it evokes. The clipping also includes a note about a graduate seminar showcasing 25 modern sculptures in the Fogg Art Museum, featuring works by Calder, Epstein, Arp, and Shaw.

The image shows a page from a book or magazine with two articles printed on it. The left article is titled "Limitations of Music Criticism Cited at Harvard Symposium" and discusses a symposium on music criticism held at Harvard University. The right article is titled "Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg" and discusses an exhibition of modern sculptures at the Fogg Art Museum. Both articles are dated May 1947.

The image depicts an open book or scrapbook containing newspaper clippings from the Boston News Clip dated May 2, 1947, and May 11, 1947. The clippings are neatly arranged and appear to be preserved in a bound format, likely as part of an archive or collection.

Left Page (May 2, 1947):

• Headline: "Limitations of Music Criticism Cited at Harvard Symposium"
• Byline: By Cyrus Durgin
• Content: The article discusses a symposium on music criticism held at Harvard University. Key points include:
  • Critiques of music criticism, with speakers such as E. M. Forster, David M. Smith, Archibald Davison, and others.
  • The symposium explored the limitations and challenges of music criticism, emphasizing that critics often lack direct contact with the creative process.
  • The article highlights the role of critics in shaping public perception of music and the challenges they face in evaluating artistic works.
  • It also references specific musical works and composers, such as Paul Hindemith, Arnold Schoenberg, and others, indicating the symposium's focus on contemporary and modern music.

Right Page (May 11, 1947):

• Headline: "Harvard Crimson, May 2, 1947 Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg"
• Content: This clipping discusses an exhibition of modern sculptures at the Fogg Art Museum, part of a graduate seminar. Key points include:
  • The exhibition features 25 modern sculptures, including works by prominent artists such as George Calder, Jacob Epstein, and Bernard Shaw.
  • The article mentions that the exhibition is part of a seminar on modern sculpture, highlighting the influence of these artists on contemporary art.
  • It notes that some of the works will remain on display until June 5, and many of the artists represented have significantly influenced modern sculpture.

General Observations:

• Layout: The clippings are presented in a clean, organized manner, with the dates and sources clearly visible at the top of each page.
• Content Focus: The left page focuses on music criticism and its limitations, while the right page highlights a modern sculpture exhibition, showcasing the diversity of topics covered in the scrapbook.
• Archival Context: The book appears to be part of a historical archive, possibly from Harvard University, given the references to Harvard events and the Fogg Art Museum.

This image captures a snapshot of mid-20th-century cultural and academic discourse, reflecting the interest in both music criticism and modern art during that era.

The image shows a page from a scrapbook or a compilation of newspaper clippings. The clippings are from the "Boston News Clip" service, with the address 120 Tremont Street, Boston 8, Massachusetts. There are date stamps indicating "May 2 1947", "May 5 1947", and "May 11 1947", showing that these articles were clipped and saved at that time.

There are a few articles visible:

1. "Limitations of Music Criticism Cited at Harvard Symposium" - This article, with the subheading "By CYRUS DURGIN" and located under the date "May 2 1947", talks about points made during a symposium involving music critics and the limitations of their profession.

2. "Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg" - This article under "Harvard Crimson, May 1, 1947" describes the presentation of modern sculptures at a graduate seminar, mentioning the Fogg Museum and the inclusion of artists from the early 20th century.

3. There is also an article headlined "Case Asks Christian Cited", but the full text is not visible.

4. In the bottom-right corner, there is a clipping with the headline "PLAN EXHIBITION OF MODERN SCULPTURE", accompanied by the date "POST, MAY 11, 1947". It mentions an event involving modern sculpture to be held in September by veterans who are sculptors.

The clippings are mounted on a beige background and have been affixed with some sort of adhesive, likely to preserve them as historical documents or for research purposes. There are bright orange lines and markings, possibly made with a highlighter, indicating particular sections of interest on some articles.

This is a page from a scrapbook or album. It contains several small vintage newspaper clippings pasted onto a tan backing. The articles are Boston-related from May 1947, with headings such as “Limitations of Music Criticism Cited at Harvard Symposium,” “Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg,” and “Plan Exhibition of Modern Sculpture.” The clippings are labeled “BOSTON NEWS CLIP” from 120 Tremont Street, with dates like May 2, May 5, and May 11, 1947. The page shows aging paper, taped or glued sections, and a green cover edge visible on the left.

The image shows a scrapbook page containing several newspaper clippings related to art and music events, mainly from Boston newspapers dated in 1947. The clippings include:

1. A larger article titled "Limitations of Music Criticism Cited at Harvard Symposium" by Cyrus Durgin discussing critiques of music at a Harvard symposium.
2. An article titled "Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg," discussing an exhibit of 25 20th-century sculptures at the Fogg Museum.
3. A smaller clipping titled "PLAN EXHIBITION OF MODERN SCULPTURE," about an exhibition of 25 modern sculptures by 25 important sculptors, showing work from students at Harvard.
4. Multiple headers from "BOSTON NEWS CLIP" with addresses at 120 Tremont Street, Boston, Mass., and from different newspapers such as Globe, Christian Science Monitor, Post, and Boston Post, dated May 2, May 5, and May 11, 1947.

The page appears to be an archival or research scrapbook collecting news related to cultural events in Boston around May 1947, focusing on music criticism, symposia, and modern sculpture exhibitions.

The image shows a scrapbook page containing a collection of newspaper clippings from various sources, all dated in May 1947. These clippings appear to discuss topics related to music criticism, modern sculpture, and exhibitions at Harvard.

1. Top Left Section:

   • A clipping titled “Limitations of Music Criticism Cited at Harvard Symposium.” It discusses the scope and challenges of music criticism presented in a Harvard symposium.

2. Top Right Section:

   • Clippings address the topic of modern sculpture exhibitions. "Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg" appears to emphasize student contributions.

3. Bottom Section:

   • Another clipping discusses an upcoming exhibition titled "Plan Exhibition of Modern Sculpture." It mentions an official decision, possibly related to an artistic event.

The clippings are sourced from Boston-based newspapers such as the "Boston Globe," "Boston Post," and the "Christian Science Monitor." Most pieces are taped or pasted onto the page, and a few are marked with underlining or pen highlights.