Archives Scrapbooks

The image shows a page from a scrapbook or an archival collection containing several newspaper clippings. The clippings are from various publications, including the "Boston News Clip," "Christian Science Monitor," "Boston Post," and "Harvard Crimson." The dates on the clippings range from May 2, 1947, to May 11, 1947.

Here is a summary of the content of the clippings:

1. Limitations of Music Criticism Cited at Harvard Symposium (May 2, 1947):

   • This article from the "Boston News Clip" discusses a symposium at Harvard where the limitations of music criticism were addressed. The article mentions various speakers and their views on music criticism, including Dr. Archibald T. Davison and Paul H. Boer.

2. Grad Seminar Shows 25 Modern Sculptures in Galleries of Fogg (May 6, 1947):

   • This article from the "Christian Science Monitor" reports on an exhibition of 25 modern sculptures at the Fogg Art Museum. The exhibition features works by students in a graduate seminar, including pieces by Jacob Kainen and a humorous abstraction by Robert H. Huffman.

3. Plan Exhibition of Modern Sculpture (May 11, 1947):

   • This article from the "Boston Post" announces an upcoming exhibition of modern sculpture by students of the Museum of Fine Arts School. The exhibition is set to open on May 12 and will feature works by 18 students.

The clippings are neatly arranged on the page, with some overlapping, and are affixed with tape or glue. The page itself appears to be part of a larger collection, possibly a scrapbook or archive, documenting cultural and academic events in Boston during May 1947.

The image shows a scrapbook page with three newspaper clippings from 1947, each concerning events or articles related to Harvard University.

1. Clip on the Left (Globe, May 2, 1947)

   • Headline: "Limitations of Music Criticism Cited at Harvard Symposium"
   • Author: Cyrus Durgin
   • Summary: The article discusses a symposium at Harvard on music criticism. It highlights different viewpoints, including those of Archibald T. Davison, who argued that criticism is limited by the critic's personal equation, and Paul H. Buck, who suggested that critics should be more educated in sociology. Other speakers included Roger Sessions, Walter Piston, and Randall Thompson, who provided varied perspectives on the role and challenges of music criticism.

2. Clip in the Middle (Christian Science Monitor, May 5, 1947)

   • Headline: "Grad Seminar Shows 25 Modern Sculptures in Galleries of Fogg"
   • Summary: This article reports on an exhibition at the Fogg Museum, where graduate students displayed 25 examples of modern sculpture. The works, mostly abstract, were influenced by various styles and materials, including stone, wood, and metal. The exhibition was noted for its representation of contemporary trends in sculpture.

3. Clip on the Right (Boston Post, May 11, 1947)

   • Headline: "Plan Exhibition of Modern Sculpture"
   • Summary: The clipping, though partially obscured, mentions an upcoming exhibition of modern sculpture. It refers to the works of several sculptors, including Jacques Lipchitz, and the involvement of the Fogg Museum. The exhibition aims to showcase significant trends in modern sculpture to the public.

The clippings are pasted on the page with handwritten notes indicating dates and possible page numbers. The page itself looks like part of a larger scrapbook or collection of news articles, focused on academic and cultural events at Harvard University in 1947.

The image shows a collection of newspaper clippings from various Boston newspapers, dated between May 2 and May 11, 1947, placed together in what appears to be an archival folder or scrapbook.

Here is a detailed summary of the contents of each section visible in the image:

1. Top Left: Globe (Boston)

   • Title: "Limitations of Music Criticism Cited at Harvard Symposium"
   • By Cyrus Berberian: This article discusses a symposium on music criticism at Harvard University. It highlights the challenges and limitations critics face in their profession, mentioning that critics are often expected to be both knowledgeable and impartial. It points out the difficulty of providing comprehensive and unbiased critiques due to the subjective nature of music. The article also includes quotes from various speakers, including Dr. Archibald T. Davison and Dr. Paul H. Buck.

2. Top Right: Christian Science Monitor

   • Title: "Grad Seminar Shoots 25 Modern Sculptures In Galleries of Foggo"
   • This article describes a Harvard graduate seminar that visited galleries to observe modern sculptures. The event was part of the Museum Problem, where students were tasked with evaluating and discussing the works. The article notes the variety of styles and techniques exhibited by the modern sculptures.

3. Bottom Left: Boston Post

   • Title: "Plan Exhibition of Modern Sculpture"
   • Date: May 11, 1947
   • This article discusses the planning for an exhibition of modern sculptures, presumably in conjunction with the Harvard Museum Problem. It mentions that the exhibition will feature sculptures by various artists and highlights the significance of the event for the students involved.

The clippings collectively address the intersection of academic critique, artistic evaluation, and the presentation of modern art within the context of an educational setting at Harvard University.

The image shows a collection of newspaper clippings from various Boston newspapers, dated around May 1947. Here is a detailed summary of each section:

1. Top Left Clipping (Boston Globe, May 2, 1947):

   • Title: "Limitations of Music Criticism Cited at Harvard Symposium"
   • Author: Cyrus Durbin
   • Content: The article discusses a symposium at Harvard University where the limitations of music criticism were explored. Key speakers included E. M. Forster, Roger Sessions, and others. The symposium addressed the tension between critics and composers, with critics being accused of not having enough direct contact with the creative process and composers suggesting that critics' judgments are often subjective and not based on deep understanding.

2. Top Right Clipping (Christian Science Monitor, May 5, 1947):

   • Title: "Grad Seminar Shows 25 Modern Sculptures in Galleries of Fogg"
   • Content: The article describes a graduate seminar that opened an exhibition of 25 modern sculptures in the Fogg Museum. The works were created by students of Hans Arp, George Segal, and other notable artists. The exhibition aims to showcase modern sculpture trends and includes pieces by students such as Jacob Epstein and others.

3. Bottom Left Clipping (Boston Post, May 11, 1947):

   • Title: "Plan Exhibition of Modern Sculpture"
   • Content: This clipping mentions a planned exhibition of modern sculpture at Harvard University. It is a part of a seminar in Museum Problems, and the event is intended to showcase various modern sculptures by renowned sculptors and artists.

4. Bottom Right Clipping (Boston Post, May 11, 1947):

   • Title: "Post, May 11, 1947"
   • Content: This clipping is a brief notice about the exhibition of modern sculpture, indicating the involvement of the Harvard University authorities and the Secretary of War. It also mentions the opening of the exhibition and the ongoing seminar.

The clippings collectively highlight academic discussions and exhibitions related to music criticism and modern art, specifically sculpture, at Harvard University during May 1947.

The image is a collage of newspaper clippings from May 1947, focusing on events and articles related to Harvard University and Boston.

1. Top Left (Globe, May 2, 1947):

   • Headline: "Limitations of Music Criticism Cited at Harvard Symposium"
   • Author: Cyrus Durgin
   • Content: The article discusses a symposium at Harvard University on the limitations of music criticism. Notable speakers included Archibald T. Davison, Paul H. Buck, Serge Koussevitzky, and others. The article highlights the debate on whether critics can accurately assess and communicate the merits of a composer's work.

2. Top Right (Christian Science Monitor, May 5, 1947):

   • Headline: "Grad Seminar Shows 25 Modern Sculptures in Galleries of Fogg"
   • Content: This article describes a seminar at Harvard University that displayed 25 modern sculptures in the Fogg Museum. The sculptures were selected by prominent art critics and represented a variety of styles. The event included works by artists like Jacob Epstein, Henry Moore, and others, aiming to give students a comprehensive view of contemporary sculpture.

3. Bottom Left (Boston Post, May 11, 1947):

   • Headline: "Plan Exhibition of Modern Sculpture"
   • Content: The article mentions the upcoming exhibition of modern sculpture at Harvard University's Fogg Museum. It details the planning and preparation for the event, which includes works by notable sculptors and aims to showcase the evolution of modern sculpture.

4. Bottom Right (Boston News Clip):

   • Headline: (Not fully visible, but mentions a seminar in Museum Problems)
   • Content: This smaller clipping refers to an event at Harvard University where a seminar on museum problems is discussed, likely in relation to the exhibition planning mentioned in the larger clipping.

The clippings collectively reflect the academic and cultural activities at Harvard University during May 1947, particularly focusing on art and music criticism symposia and exhibitions.

The image displays several newspaper clippings from 1947, discussing various cultural and academic events and critiques.

1. Boston News Clip - May 2, 1947 (Christian Science Monitor)

   • Article Title: "Limitations of Music Criticism Cited at Harvard Symposium"
   • Content: The article by Cyrus Durgin discusses a symposium on music criticism at Harvard University. Key points include the limitations and challenges faced by music critics. Several prominent figures, such as Paul Hindemith, Dr. Archibald T. Davison, Hugo Leichtentritt, and others, spoke about the difficulties in critiquing music. The symposium highlighted that critics often lack direct contact with composers, leading to misunderstandings and misinterpretations. Dr. Serge Koussevitzky noted that critics sometimes make definitive judgments based on a single hearing.

2. Boston News Clip - May 5, 1947 (Boston Globe)

   • Article Title: "Grad Seminar Shoots 25 Modern Sculptures in Galleries of Fogg"
   • Content: This article describes an initiative by graduate students from Harvard's Fine Arts Department. They photographed 25 modern sculptures displayed in the Fogg Museum galleries. The students, led by Professor John Shapley, aimed to create a comprehensive visual record of the sculptures. The project included works from notable artists and was an effort to document modern art.

3. Boston Post - May 1, 1947

   • Article Title: "Marina Weds Heirloom"
   • Content: This piece humorously discusses the marriage of a modern sculpture to an antique piece. The article notes the contrast between old and new art, with the modern sculpture being described as abstract and dynamic, while the antique piece is more traditional.

4. Boston Post - May 11, 1947

   • Article Title: "Plan Exhibition of Modern Sculpture"
   • Content: The article announces an upcoming exhibition of modern sculpture at the Fogg Museum. The exhibition, curated by George Harold Edgell, aims to showcase significant modern works. It mentions the variety and innovation present in modern sculpture, with contributions from notable sculptors.

Overall, these clippings reflect discussions and activities centered around music criticism and modern sculpture in the academic and cultural scene of 1947.

The image shows a page from a scrapbook or a compilation of newspaper clippings. The clippings are from the "Boston News Clip" service, with the address 120 Tremont Street, Boston 8, Massachusetts. There are date stamps indicating "May 2 1947", "May 5 1947", and "May 11 1947", showing that these articles were clipped and saved at that time.

There are a few articles visible:

1. "Limitations of Music Criticism Cited at Harvard Symposium" - This article, with the subheading "By CYRUS DURGIN" and located under the date "May 2 1947", talks about points made during a symposium involving music critics and the limitations of their profession.

2. "Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg" - This article under "Harvard Crimson, May 1, 1947" describes the presentation of modern sculptures at a graduate seminar, mentioning the Fogg Museum and the inclusion of artists from the early 20th century.

3. There is also an article headlined "Case Asks Christian Cited", but the full text is not visible.

4. In the bottom-right corner, there is a clipping with the headline "PLAN EXHIBITION OF MODERN SCULPTURE", accompanied by the date "POST, MAY 11, 1947". It mentions an event involving modern sculpture to be held in September by veterans who are sculptors.

The clippings are mounted on a beige background and have been affixed with some sort of adhesive, likely to preserve them as historical documents or for research purposes. There are bright orange lines and markings, possibly made with a highlighter, indicating particular sections of interest on some articles.

The image depicts an open book or scrapbook containing newspaper clippings from the Boston News Clip dated May 2, 1947, and May 11, 1947. The clippings are neatly arranged and appear to be preserved in a bound format, likely as part of an archive or collection.

Left Page (May 2, 1947):

• Headline: "Limitations of Music Criticism Cited at Harvard Symposium"
• Byline: By Cyrus Durgin
• Content: The article discusses a symposium on music criticism held at Harvard University. Key points include:
  • Critiques of music criticism, with speakers such as E. M. Forster, David M. Smith, Archibald Davison, and others.
  • The symposium explored the limitations and challenges of music criticism, emphasizing that critics often lack direct contact with the creative process.
  • The article highlights the role of critics in shaping public perception of music and the challenges they face in evaluating artistic works.
  • It also references specific musical works and composers, such as Paul Hindemith, Arnold Schoenberg, and others, indicating the symposium's focus on contemporary and modern music.

Right Page (May 11, 1947):

• Headline: "Harvard Crimson, May 2, 1947 Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg"
• Content: This clipping discusses an exhibition of modern sculptures at the Fogg Art Museum, part of a graduate seminar. Key points include:
  • The exhibition features 25 modern sculptures, including works by prominent artists such as George Calder, Jacob Epstein, and Bernard Shaw.
  • The article mentions that the exhibition is part of a seminar on modern sculpture, highlighting the influence of these artists on contemporary art.
  • It notes that some of the works will remain on display until June 5, and many of the artists represented have significantly influenced modern sculpture.

General Observations:

• Layout: The clippings are presented in a clean, organized manner, with the dates and sources clearly visible at the top of each page.
• Content Focus: The left page focuses on music criticism and its limitations, while the right page highlights a modern sculpture exhibition, showcasing the diversity of topics covered in the scrapbook.
• Archival Context: The book appears to be part of a historical archive, possibly from Harvard University, given the references to Harvard events and the Fogg Art Museum.

This image captures a snapshot of mid-20th-century cultural and academic discourse, reflecting the interest in both music criticism and modern art during that era.

The image shows a page from a book or magazine with two articles printed on it. The left article is titled "Limitations of Music Criticism Cited at Harvard Symposium" and discusses a symposium on music criticism held at Harvard University. The right article is titled "Grad Seminar Shows 25 Modern Sculptures In Galleries of Fogg" and discusses an exhibition of modern sculptures at the Fogg Art Museum. Both articles are dated May 1947.

The image shows a page from a newspaper clipping. The clipping is from the "Boston News Clip" section of the "Christian Science Monitor," dated May 5, 1947. The clipping is titled "Limitations of Music Criticism Cited at Harvard Symposium." The article discusses a symposium on music criticism held at Harvard University, where speakers, including Mr. Sessions, Mr. Davison, and Mr. Forster, discussed the limitations and challenges of music criticism. The article highlights the debate on whether music criticism should focus on the technical aspects of music or the emotional and artistic experience it evokes. The clipping also includes a note about a graduate seminar showcasing 25 modern sculptures in the Fogg Art Museum, featuring works by Calder, Epstein, Arp, and Shaw.