Archives Scrapbooks

The image shows a page from a scrapbook or album with several newspaper clippings attached. The clippings appear to be from different publications and dates, and they are organized on the page with handwritten annotations. Here's a detailed summary of the clippings:

1. Top Left Clipping:

   • Title: "Sat Review of Literature"
   • Date: March 1947
   • Content: This clipping discusses a return from Dooley and includes a review of a book or literary work. The text mentions the author's style and the book's content, which seems to be a collection of essays or articles.

2. Top Right Clipping:

   • Content: This clipping appears to be a continuation of an article or review. It discusses the qualities of good writing and the importance of clear, straightforward language. The text mentions the author's experience with museum writing and the challenges of making technical information accessible to the general public.

3. Bottom Left Clipping:

   • Title: "Drawings in the Fogg"
   • Publication: "NY Times"
   • Date: March 2, 1947
   • Content: This clipping is a review of an exhibition of drawings at the Fogg Museum of Art at Harvard. The review discusses the arrangement of the exhibition, which is divided into two volumes. It mentions various artists and styles represented in the collection, including Italian, Dutch, Flemish, and French drawings. The review also highlights the educational value of the exhibition and the quality of the drawings.

The clippings are carefully arranged on the page, with some overlapping and others placed side by side. The handwritten annotations include dates and possibly the names of the publications or authors, adding a personal touch to the collection. The overall theme of the page seems to be focused on literature, art, and museum exhibitions.

The image displays an open book or scrapbook with two newspaper clippings pasted onto one of its pages. The clippings are from different publications and appear to be reviews or articles related to art and literature.

1. The first clipping, from the "Sat Review of Literature" dated March 1947, is titled "Rebuttal from Dooley." The article discusses a response to a previous critique, with the author defending their stance on art and literature. The text mentions several individuals and institutions, including Mr. Sobel, Mr. Ivins, and the Boston Museum. The author seems to be arguing against the idea that the public is being misled about modern art and architecture, and they express their admiration for the courage of artists and writers who experiment and innovate.

2. The second clipping, from the "NY Times" dated March 2, 1947, is titled "Drawings in the Fogg." The article reviews an exhibition at the Fogg Museum, which features drawings from the Italian Renaissance and other European schools. The review is written by a critic named William M. Ivins, Jr., who praises the exhibition for its focus on the creative process and the use of line in drawings. The article also mentions that the exhibition includes works by artists such as Leonardo da Vinci, Raphael, and Michelangelo.

The text in the clippings is clearly legible, and the layout of the page suggests that someone has carefully preserved these articles, possibly for reference or personal interest. The overall impression is that the clippings are part of a collection related to art criticism and the cultural discourse of the 1940s.

The image shows a section of a newspaper or magazine spread with two articles from the early 1940s. The articles are titled "Rebuilt on Dooley" from the Saturday Review of Literature (SRL) and "Drawings in the Fog" from the New York Times (NYT).

1. Saturday Review of Literature (SRL), March 1947:

   • The article discusses a critique of a book or exhibition by Mr. Soby, who is known for his writing on art.
   • The critic, possibly an anonymous reviewer, states that Mr. Soby's work is distinguished by the Boston Museum of Fine Arts. He mentions that the critic's personal views sometimes conflict with those of the art world, but the critic still finds value in Mr. Soby's approach.
   • The article highlights a point about the curatorial practice of museums, noting that they often exhibit artworks that are not particularly outstanding but are included due to their historical or collective significance.
   • The critic points out that Mr. Soby's writings are somewhat overblown and sometimes inaccurate, yet he acknowledges that there is some merit to the ideas he presents.

2. New York Times (NYT), March 1947:

   • This article is a review of "Drawings in the Fog," a catalogue of drawings by artists from the Italian school.
   • The review notes that the original edition of the catalogue was published in 1940, and this new edition includes updated information and new plates.
   • The editor emphasizes that the reproductions are of high quality and that the collection is part of the great Fogg Museum collection at Harvard University.
   • The text also highlights the inclusion of a range of European and Italian artists, showcasing a variety of artistic styles and periods.

The spread of the articles is in a section of the newspaper, with the SRL article on the left page and the NYT article on the right page, both dated March 1947. The overall focus is on the analysis and appreciation of art and its representation in museums and publications.

The image shows an open book with several pages of newspaper clippings and articles related to art criticism and museum exhibitions. Here's a detailed summary of the contents:

1. Top Left Corner (Sat Review of Literatures):

   • Title: "Rebuital from Dooley"
   • Date: March 1947
   • Content: The article criticizes a recent review by Mr. Sobey in the Saturday Review of Literatures. The author argues that Sobey's review of the Boston Museum of Fine Arts was overly harsh and unfair. The author believes that Sobey's criticism is a personal attack rather than a professional critique, noting that Sobey's previous reviews were more balanced and less dismissive.

2. Middle Left (NY Times):

   • Title: "Drawings in the Fog"
   • Date: March 2, 1947
   • Content: This article reviews a catalog titled "Drawings in the Fog Museum" by Agnes Mongan, published by Harvard University Press. It describes the catalog as a significant work that includes drawings from the Italian school, among other European schools. The catalog was first published in 1940 and has been reprinted with updates and corrections. The text discusses the changes and additions made in the new edition, noting the inclusion of more plates and a revised preface.

3. Middle Right (Newspaper Article):

   • The article discusses a critique of the Museum of Fine Arts by a writer named William M. Ivins Jr. and other museum writers. The writer argues that the museum's curators and directors, including Mr. Sobey, are too critical and that their reviews are often biased or overly harsh. The author mentions that Mr. Sobey’s review of the Metropolitan Museum of Art was particularly contentious and that it sparked a debate about the role of critics in the art world.

4. Bottom Left (NY Times):

   • Title: "Drawings in the Fog" (Continuation)
   • Content: This section further elaborates on the catalog's content and its significance. It mentions the inclusion of works by various European artists and the importance of the catalog in understanding the development of drawing as an art form.

5. Annotations:

   • There are handwritten notes and markings on the articles, likely highlighting or annotating key points. For example, the word "Sobey" is circled in red in the top-left article, and there are underlines and marginal notes throughout the pages.

The overall theme of the clippings revolves around critiques of art exhibitions and the role of art critics, specifically focusing on the reviews by Mr. Sobey and other critics in the context of museum exhibitions and publications.

The image displays an open book with two newspaper clippings from the 1940s, highlighting articles about art criticism and art museums.

1. Top Left Article: "Sat Review of Literature"

   • Title: "Rebuktal from Dooley"
   • Date: March 1947
   • Author: William M. Ivins Jr.
   • Content: This article is a response to a critique by James J. Soby. Ivins defends the curatorial practices of the Museum of Fine Arts, Boston, and argues that Soby's critique is overly simplistic and dismissive. Ivins points out that Soby's statements lack a nuanced understanding of museum curation and the complexities involved in displaying art. Ivins also mentions that Soby's critique is not a new phenomenon and that it is a common issue among art critics who lack a comprehensive understanding of the art world.

2. Bottom Left Article: "N.Y. Times"

   • Title: "Drawings in the Fog"
   • Date: March 2, 1947
   • Author: Unnamed (likely a review of the Fog Museum catalog)
   • Content: This review discusses the catalog of drawings from the Fog Museum, edited by Agnes Mongan and Paul J. Sachs. The review mentions that the catalog was originally published in 1940 and reprinted in 1947. It highlights the catalog's comprehensive coverage of the Italian school of drawings, including the works of Raphael, Michelangelo, and other European schools. The review notes the catalog's thoroughness and the high quality of the reproductions, making it a valuable resource for art enthusiasts and scholars.

3. Right Side of the Page:

   • This side contains additional text, likely more of William M. Ivins Jr.'s response to Soby's critique. It discusses the nature of museum criticism, defending the integrity and professionalism of museum curators, and further elaborates on the complexity of managing art collections and exhibitions.

The clippings reflect a discussion on the standards and practices within the art museum world, showcasing a debate between a curator and a critic about the proper way to evaluate and present art.

The image depicts a newspaper page from the "Saturday Review of Literature" dated May 3, 1947, and a section of the New York Times dated March 2, 1947.

Saturday Review of Literature (May 3, 1947)

Article: Rebuttal from Dooley

This article is a response from a person named Dooley to a previous article by SRL (Saturday Review of Literature) dated January 4. Here’s a detailed summary:

• Initial Criticism: The original SRL article questioned the value and intent of modern art museums, suggesting they might be places for "cranks" or "mountebanks."
• Dooley’s Defense: Dooley, likely associated with a museum, defends museums and their role in promoting good art. He argues that museums are educational and not just for the elite.
• Personal Experience: Dooley shares his personal experience of inviting Mr. Soby (the author of the original article) to the museum, showing him around, and discussing various works.
• Misunderstanding: Dooley points out that Mr. Soby misunderstood the museum's mission, particularly regarding the display of contemporary works.
• Outcome: Dooley concludes that he and Mr. Soby agree on the fundamental issue of promoting good art but differ on methods and presentation.

New York Times (March 2, 1947)

Article: Drawings in the Fogg

This article reviews an exhibition at the Fogg Museum:

• Exhibition Overview: The exhibition is a display of drawings from the Fogg Museum's collection, curated by Agnes Mongan and Paul J. Sachs.
• Historical Significance: The article mentions that Harvard's collection of drawings, initially assembled in 1840, is one of the oldest in the country.
• Content of the Exhibition: The exhibition features a variety of works, including pieces by Italian, Dutch, Flemish, Spanish, and miscellaneous artists. The display is organized with detailed catalog entries.
• Educational Aspect: The review notes that the exhibition is an opportunity for both scholars and the general public to study significant works of art.

Other Sections

• Advertisement: On the right side, there's an advertisement for the Head of the Division of Education position at the Museum of Fine Arts, Boston, signed by William Germain Dooley.

The page is a mix of critical discourse on the role of museums and art education, along with an informative review of a significant art exhibition.

The image shows a scrapbook page with two newspaper clippings attached. Both clippings are related to art reviews and exhibitions.

1. The top left clipping is titled "Sat Review of Literature" and dated "Mar 1 1947." It is a letter or review by William Germain Dooley, Head of the Division of Education at the Museum of Fine Arts in Boston, Massachusetts. The text discusses a book or exhibition related to art and mentions figures such as Mr. Soby and the Boston Museum of Fine Arts. It talks about the quality of the work, its accessibility, and the contributions of different art critics and writers. The tone is analytical and evaluative, emphasizing the importance of clarity, accuracy, and scholarly approach in art literature.

2. The bottom left clipping is titled "N Y Times" and dated "Mar 2 1947." It reviews "Drawings in the Fogg," a critical catalogue by Agnes Morgan and Paul J. Sachs, related to the Fogg Museum of Art at Harvard. The review explains that the catalogue includes drawings from the Italian school and other European schools such as German, Flemish, Dutch, French, Spanish, and miscellaneous schools. It notes improvements in the quality of reproductions compared to the 1940 edition and comments on the thorough notation of drawings. The review highlights the scholarly value of the catalogue and mentions that it is offered by Harvard University Press for $25 the set.

The overall scrapbook page presents a historical record of important art reviews and publications from early 1947.

This image shows a page from what appears to be a scrapbook or binder with old newspaper clippings pasted onto it. The clippings are from various dates mainly in March 1947, as indicated by the handwritten annotations in vibrant pink ink. The articles seem to be related to literature and the arts, with headings such as "Sat Review of Literature" and "N Y Times." There's a particular article titled "Rebuttal from Dooley," and another one at the bottom titled "Drawings in the Fogg."

Each clipping is carefully placed, with straight cut edges, and positioned to fit within the bounds of the page. The page itself has aged, with a cream to beige color tone that indicates mild paper decay over time, which is typical of archival materials. There are no images, only text, in the clippings, which suggests that they were selected for their content rather than for accompanying illustrations.

The handwriting denoting the dates seems consistent, suggesting that one individual added these annotations. The clippings and annotations offer a glimpse into historical interests or research related to the topics covered in the articles. Interestingly, this might be part of a historic collection, research material, or a personal project from the era indicated.

The image shows an open book displaying two newspaper clippings or excerpts, each with a visible date and source. Here is a detailed description:

Top Section: "Sat Review of Literature"

• Date: MAP 1947 (likely March 1947).
• Source: The Saturday Review of Literature.
• Content: The excerpt discusses a critique or review of a book or collection of writings. The text appears to be a review or commentary by William Gurman Dooley, who is identified as the Head of the Division of Education at the Boston Museum of Fine Arts. The review critiques the work of Mr. Soby, a museum director, discussing his writing style, intellectual approach, and the museum's collection. The reviewer expresses opinions on Soby's writing, noting its poor quality and lack of clarity, while also addressing Soby's views on art and museums.

Bottom Section: "N Y Times"

• Date: MAR 2 1947 (likely March 2, 1947).
• Source: The New York Times.
• Content: This excerpt is a review or announcement regarding the Fogg Museum of Art at Harvard University. It discusses the publication of a catalog titled Drawings in the Fogg Museum of Art, edited by Agnes Mongan, Paul J. Sachs, and Professor Agnes Mongan. The review highlights the significance of the catalog, noting that it is the second edition of a catalog originally published in 1940. The text emphasizes the catalog's focus on drawings, particularly from the Italian school, and mentions that it includes reproductions of works from various European schools, including Spanish and miscellaneous collections. The review also notes that the catalog is available for purchase at the Harvard University Press for $25.

Visual Details:

• The pages are aged, with visible creases and slight discoloration, suggesting the book is old.
• Handwritten notes or markings are visible in the margins, including a red underline and some annotations.
• The layout is typical of newspaper clippings or excerpts, with clear column formatting and typefaces consistent with mid-20th-century printing.
• The book spine is visible on the left, indicating it is part of a larger collection or scrapbook.

Overall Context:

The image depicts a page from a scrapbook or collection of newspaper clippings, likely compiled for historical or archival purposes. The excerpts focus on art criticism, museum collections, and academic publications, reflecting the cultural and intellectual interests of the time (1947). The inclusion of both a literary review and an art catalog review suggests a broad interest in cultural and academic topics.

An open book is placed on a gray surface. The book has several pages with text written in black ink. The pages are arranged in a way that resembles a magazine or newspaper. The top left corner of the book has a red sticker with the words "Sat Review of Literature" written on it. The pages contain articles with different topics, such as art, literature, and history. The text is written in a cursive font, and some of the words are highlighted in red.