Archives Scrapbooks

This image displays an open scrapbook or archival album, its aged, yellowed pages showing several newspaper clippings meticulously mounted with glue or tape. The clippings are all from Boston-based publications, dated February and March 1947, and relate to art exhibitions at Harvard University, specifically at the Fogg Museum of Art.

Top Row: Two Boston News Clips (Christian Science Monitor)

• Left: Dated Feb. 24, 1947, this clip from the Christian Science Monitor announces an exhibition at the Fogg Museum of Art, which includes a collection of “Woodward ware: Ancient Art, Aegean Archaeology,” and features a “tenth-century drawing” and “Chinese Jacobean” pottery. The exhibition ran “Through March 8.”
• Right: Dated Mar. 3, 1947, this nearly identical clip again from the Christian Science Monitor announces an exhibition featuring “Kathie Kuhner (1887-1946), memorial exhibition,” “English Art with a selection of Woodward ware,” and “Ancient Art, fourteenth to nineteenth century drawings,” running “Through March 8.” This clipping also notes the museum’s address: “Fogg Museum of Art, Harvard University.”

Middle Row: Herald Clipping and Headline Article

• Left: A smaller clipping from the Herald (Boston, Mass.) dated Feb. 23, 1947. The text is mostly illegible, but it appears to reference the same exhibition, mentioning “Fogg Museum of Art, Harvard University,” “Kathie Kuhner,” and “Woodward ware,” with the exhibit running “Through March 8.”
• Right (Main Article): A prominent clipping with the headline “Marked Technical Skill Shown In Harvard Surrealist Art” by Laurence Copeland. It discusses an exhibition of student art, highlighting the work of 18-year-old Helmut A. Wohl of Newark, Del., whose surreal painting “Kin- derspiel” (“Children’s Town”) uses “naive conceptions of childhood,” “bright wrappers of candy bars,” and “diamond shaped terraces.” The article quotes Arthur Pope, director of the Fogg Museum, who praises the students’ technical skill and imagination.

Bottom Row: “Drawings in the Fogg”

• A clipping titled “Drawings in the Fogg” reviews a critical catalogue by Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art. It details the reissue of the 1940 edition of this monumental two-volume catalogue, now in a single volume, reproducing drawings from the Italian school and other European schools. The article notes improvements in reproduction quality and mentions that Professor Sachs’ 1940 preface is retained. It concludes by noting the catalogue is offered by the Harvard University Press at $25 the set.

Overall Context:
The page documents the vibrant art scene at Harvard in early 1947, featuring exhibitions of ancient artifacts, memorial shows for local artists, and a contemporary student art exhibition that included surrealist works. The clippings serve as a historical record of exhibitions sponsored or hosted by the Fogg Museum of Art during that period.

Visual Features:

• The clippings have a newsprint texture and are slightly faded.
• The main article has a large printed headline and a blue “12% F” stamp mark and a “Union-Welles” stamp, possibly indicating a clipping service or institutional record-keeping.
• The scrapbook is bound with a visible spine and dark green or olive-green fabric cover on the left.
• The paper is aged, with visible toning and slight creases.

In summary, this is a curated page from a historical scrapbook preserving media coverage of art exhibitions at Harvard’s Fogg Museum in early 1947, highlighting institutional activities, student creativity, and scholarly publications.

This image appears to be a page from a book or a scrapbook containing clippings of news articles related to the Fogg Museum of Art at Harvard University. The articles are dated between February and March 1947 and discuss exhibitions, news, and events at the museum. Specifically, the articles reference exhibitions of German art, works by Käthe Kollwitz, and a student art competition at Harvard. There are also brief notes and annotations on the page, including a handwritten label "128F" and some underlined text, which seem to be part of a cataloging or filing system. The clippings are pasted onto the page in various positions, and the overall appearance suggests this is a collection of historical news items related to art and museum activities.

This image shows a page from a scrapbook containing several newspaper clippings. The clippings are from the "Boston News Clip" and are dated February 24, 1947, March 3, 1947, and February 23, 1947. The clippings are from the Christian Science Monitor and the Herald, both from Boston, Mass.

The main article in the middle, titled "Marked Technical Skill Shown In Harvard Surrealist Art," discusses an art competition at Harvard University. It mentions an 18-year-old student whose family fled from Germany in 1939, and his prize-winning painting that symbolizes childhood beliefs and contains a musical motif. The article also mentions Hellmut A. Wohl of Newark, Del., one of the winners of the current art competition at Harvard.

The top two clippings mention the Fogg Museum of Art at Harvard University, detailing a memorial exhibition of Käthe Kollwitz's work and a selection of English Art with reproductions of Greek vases, Chinese Archaic bronzes, jades, and porcelain.

The bottom clipping discusses a critical catalogue of drawings in the Fogg Museum of Art, reissued in two volumes instead of three, covering various European schools of art.

The image is a photograph of an open scrapbook page. The scrapbook is a collection of newspaper clippings and other documents. The page is filled with several articles and clippings, predominantly from the Boston News Clip and the Christian Science Monitor, dated from February to March 1947.

The clippings are arranged in a somewhat haphazard manner, with some overlapping each other. The articles cover a variety of topics, including art exhibitions, technical skill competitions, and news related to Harvard University and the Fogg Museum.

One of the prominent articles is titled "Marked Technical Skill Shown In Harvard Surrealist Art," which discusses a student's prize-winning painting. Another article talks about a collection of drawings in the Fogg Museum, highlighting the work of various artists and the historical significance of the collection.

The scrapbook page is bordered by a green strip, which adds a decorative touch to the otherwise plain white paper. The clippings are glued onto the page, indicating that this scrapbook was carefully curated by someone interested in preserving these articles.

The overall condition of the page suggests that it has been well-preserved, with the clippings remaining legible and intact. The variety of topics covered in the clippings indicates a broad interest in art, education, and cultural events of the time.

The image is of an open book with newspaper clippings pasted inside. The clippings are from the Boston News Clip and the Christian Science Monitor. The clippings are dated from February 1947 to March 1947. The first clipping is titled "Marked Technical Skill Shown In Harvard Surrealist Art" and discusses a painting by a 12-year-old student that was displayed at the Fogg Museum of Art at Harvard University. The painting was described as having a "technical skill" that was difficult to explain. The second clipping is titled "Drawings in the Fogg Museum of Art" and discusses a catalog of drawings by students of the Italian Renaissance that was published by the Fogg Museum. The catalog was described as having a "critical catalogue" of the drawings and was available for purchase.

The image depicts an open book containing newspaper clippings from the Boston News Clip section, dated February 23, 1947, and March 3, 1947. The clippings are from the Christian Science Monitor, published in Boston, Massachusetts. The visible page features an article titled "Marked Technical Skill Shown In Harvard Surrealist Art", written by Garrett Copeland.

Key Details from the Article:

1. Subject: The article discusses a 19-year-old student named Helmut A. Wohl, who is highlighted for his surrealist art. Wohl is described as a student at the Harvard University Art School.
2. Artwork: Wohl's artwork includes a painting titled "Children’s Town," which is noted for its technical skill and surrealist style. The painting features a bright red sun and a circular shape, with a foreground that includes a violin and a small room in Harvard's Fogg Museum.
3. Exhibition: The article mentions that Wohl's work was part of an art competition at Harvard, where he won a prize. His paintings were displayed in a small room in Harvard's Fogg Museum.
4. Artistic Style: The article emphasizes Wohl’s technical skill and the surrealist nature of his work, noting that his pieces are "bright, colorful, and full of fantasy."

Additional Context:

• The clippings are part of a collection labeled "Boston News Clip" and are organized chronologically.
• The article is accompanied by a photograph of Wohl’s artwork, which is described in detail, including its vivid colors and surreal elements.
• The page also includes a brief excerpt from another article titled "Drawings in the Fogg", which discusses a catalog of drawings at the Fogg Art Museum, edited by Agnes Mongan, Keeper of Drawings, and Paul J. Sachs, Professor of Fine Arts at Harvard.

Overall Impression:

The image showcases a historical document from 1947, highlighting early 20th-century art criticism and the recognition of a young artist’s work within an academic and artistic context. The clippings provide insight into the art scene at Harvard University during that period, particularly focusing on surrealism and the technical prowess of emerging artists.

This image displays an open book or scrapbook with several newspaper clippings from the "Boston News Clip" service pasted on the right-hand page. The book appears to be aged with some discoloration of the paper, indicating it is quite old. The newspaper clippings all carry dates from February and March of 1947.

The top left clipping is dated "FEB 24 1947," and the header "Christian Science Monitor" suggests it is from the aforementioned newspaper. The title of the article seems to be partially cut off but mentions Peggy Bacon, an art exhibit, and Harvard University.

Directly below, there's another clipping dated "FEB 23 1947" with words "Harvard—Mills" handwritten at the top in pencil. It carries the headline "Marked Technical Skill Shown In Harvard Surrealist Art," written by Lawrence Copeland. The article discusses an art exhibit featuring surrealism at Harvard University.

The top right clipping is dated "MAR 3 1947" and also includes the header "Christian Science Monitor." It seems to continue the topic of Harvard University and art exhibits, although the image doesn't show the entire article for further context.

Below the clippings, to the bottom right corner of the page, you can notice a handwritten word or number in pencil, possibly an index or reference mark.

The proper preservation in a scrapbook and attention to detail with the addition of dates and publication show that these articles were of significance to the individual who collected them.

This image depicts a scrapbook page containing clipped newspaper articles and reviews. These clippings are about Harvard Surrealist Art exhibitions and related topics. At the top of the page are publisher labels marked "Boston News Clip," including sources such as "Christian Science Monitor" and "Herald" from February and March of 1947. Below, there are cut-out articles with headings such as "Marked Technical Skill Shown in Harvard Surrealist Art" and "Drawings in the Fogg Museum."

The articles appear to discuss surrealist artwork exhibited at Harvard, highlighting its creativity, technical skill, art catalogues, and the broader impact of the exhibitions. The page provides insights into the reception of surrealist art during that time. It has a vintage aesthetic, with yellowed paper and neatly arranged clippings.

This image shows a scrapbook page with several newspaper clippings and labels pasted on it. The labels at the top read "BOSTON NEWS CLIP, 120 Tremont Street, Boston 8, Mass., Christian Science Monitor" with dates "FEB 24 1947," "MAR 3 1947," and "FEB 23 1947."

There are three visible newspaper clippings on the page:

1. The largest clipping is titled "Marked Technical Skill Shown In Harvard Surrealist Art" by Laurence Copeland. The article discusses the technical skill and surrealist qualities of artwork exhibited at Harvard, mentioning an 18-year-old student, symbols and musical compositions represented in the paintings, and the use of shapes and colors.

2. Another clipping at the bottom is titled "Drawings in the Fogg Museum of Art," describing a critical catalogue by Agnes Mongan on drawings, including various European schools and the high quality of the catalogue.

3. A small portion of another clipping is partially visible at the top left, mentioning the Museum of Art at Harvard University and exhibitions involving oriental arts and ancient and medieval artifacts.

The scrapbook page is part of a collection documenting art exhibitions and critiques, mainly from 1947.

• The image shows an open scrapbook/page in a green-covered binder with a gold edge.
• The page is beige/off-white and holds several old newspaper clippings pasted to it.
• At the top there are small labels that read “BOSTON NEWS CLIP” and “Christian Science Monitor” with dates like Feb 24, 1947 and Mar 3, 1947.
• Below these are a couple more small clippings from Boston papers (Herald, Boston, Mass.) with dates around Feb 23, 1947.
• The central, larger clipping is titled “Marked Technical Skill Shown In Harvard Surrealist Art” by Laurence Copeland, discussing Harvard surrealist art.
• At the bottom left there is another vertical clipping headed “Drawings in the Fog…” with a longer column of text, likely describing exhibitions or a catalog.
• Overall, it appears to be a mid-20th-century archival page compiling press coverage about Harvard surrealist art from 1947.