Archives Scrapbooks

This image displays an open scrapbook page from the Harvard Crimson newspaper archives, dated February 1947. The page is filled with several clippings documenting cultural and academic events at Harvard University.

Here is a breakdown of its contents:

Main Article: “War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening” (Harvard Crimson, Feb. 11, 1947)

This is the largest article on the page, detailing an exhibition of student artwork at the Fogg Museum.

• Theme: War subjects and landscapes were the most common themes among the 70+ works selected from over 400 submissions.
• Featured Works: Includes Robert L. Matters’ painting “Sunset,” Stewart D. Kranz’s “Hills of Home,” and photos by Barthlett M. Hinshaw and Raymond A. Fitzgerald.
• Curator’s Comment: Arthur Pope, professor of Fine Arts and Director of the Fogg Museum, called the works “the most interesting” and “not necessarily the best” of the entries, chosen to reflect the spirit of the times — specifically the “effects of 40 students’ war experiences.”

Photo and Caption: “Crowdbound Poet” (Harvard Crimson, Feb. 12, 1947)

• Headline: “Crowdbound Poet”
• Subject: Wallace Stevens, the noted poet, gave a reading of his own verse in the Fogg Large Room under the auspices of the Morris Gray Fund.
• Details: Originally scheduled for Sever 11, the reading was moved to the larger hall due to overwhelming attendance — nearly 600 people came to hear the 67-year-old author of “Harmonium.”
• Photo: A black-and-white photograph shows Wallace Stevens seated, reading to a group of attentive listeners.

Clipping 1: “Accessions at Fogg” (Boston News Clip, Christian Science Monitor, Feb. 15, 1947)

This newspaper clipping reviews the Fogg Museum’s recent acquisitions in the Print Department.

• Content: Highlights acquisitions by artists like James Ensor, Paul Kollwitz, and others.
• Critique: Notes a “great deal of experimentation” in recent years, particularly in graphic art using “high-pitched color intensities.” Prints by Kollwitz are especially noted for their “dramatic extravagances” and “maximum of tragic drama in every-day scenes.”
• Signed: “B. A.” (likely the reviewer’s initials).

Clipping 2: “Outside-Boston — Massachusetts” (Boston News Clip, Christian Science Monitor, Feb. 17, 1947)

This brief item announces an exhibit of “Fogg Museum of Art, Harvard University” prints and drawings.

• Dates: The exhibit runs through March 8.
• Location: “Outside-Boston,” Massachusetts — indicating it is traveling or held off-campus.
• Content: Lists types of works on view — etchings, engravings, lithographs — and artists including Whistler, Zorn, Munch, and Rouault.

Visual Layout & Condition

• The page is a printed newspaper clipping mounted on a scrapbook page with a green cover visible on the left edge.
• There are handwritten annotations and underlines in blue ink across the clippings, likely made by the scrapbook’s compiler for emphasis or categorization.
• The paper has aged to a cream/yellow color, consistent with its 1947 origin.
• The overall impression is that of a carefully curated archive of Harvard arts coverage from that month.

Summary

This scrapbook page serves as a historical snapshot of Harvard’s cultural life in early 1947. It captures major student art exhibitions at the Fogg Museum, a celebrated public reading by poet Wallace Stevens, and reviews of the museum’s print collection — documenting how wartime experience shaped student art and how classical and modernist European prints were being collected and exhibited in the U.S.

The image shows a page from a book or a collection of clippings, likely from newspapers or magazines. The page contains several articles and images, each discussing different topics.

1. Top Article:

   • Title: "War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening"
   • Content: This article discusses an art exhibit at the Fogg Museum, which featured works by students. The exhibit included a variety of art, with a significant portion being war-related scenes and landscapes. The text mentions the works were selected from a larger pool of submissions and highlights the international aspect with works from Alaska and a village in France.

2. Second Article:

   • Title: "Boston News Clip" (dated February 15, 1947)
   • Content: This is a news clipping from the Christian Science Monitor discussing an event at the Fogg Museum. It mentions new acquisitions in the museum's print department and discusses the graphic arts, noting the diversity and experimentation in modern art.

3. Third Article:

   • Title: "Accessions at Fogg" (dated February 15, 1947)
   • Content: This article, also from the Christian Science Monitor, discusses the new acquisitions at the Fogg Museum, focusing on prints by artists like Whistler, Zorn, Ensor, Toulouse-Lautrec, and others. It highlights the importance of these acquisitions in filling gaps in the museum's collection and emphasizing the enthusiasm of modern artists for the art of black-and-white prints.

4. Fourth Image:

   • Title: "Crowdbound Poet"
   • Content: This is an image of a person, presumably Wallace Stevens, standing at a podium reading to an audience. The accompanying text discusses a poetry reading by Wallace Stevens at the Fogg Museum. The event was originally scheduled for Sever 11 but had to be moved to the larger hall due to a large crowd of almost 600 people.

5. Fifth Article:

   • Title: "Boston News Clip" (dated February 17, 1947)
   • Content: This is another news clipping from the Christian Science Monitor, this time discussing an exhibition at the Fogg Museum featuring the work of German and Scandinavian artists, including prints by Käthe Kollwitz.

The page appears to be part of a collection of clippings or a scrapbook, with various articles and images related to art and cultural events at the Fogg Museum in 1947.

This is a scrapbook page featuring newspaper clippings from February 1947. The page contains several articles and a photograph, all related to art exhibits and a poetry reading event at the Fogg Museum of Harvard University.

1. Top Left Article:

   • Title: "War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening"
   • Source: Harvard Crimson, February 11, 1947
   • Content: Discusses an art exhibit at the Fogg Museum featuring war scenes and landscapes by student artists. The exhibit includes works by students like Robert L. Matters '50 and Stewart D. Kranz '49.

2. Bottom Left Article:

   • Title: "Crowdbound Poet"
   • Source: Harvard Crimson, February 12, 1947
   • Content: Reports on a poetry reading by Wallace Stevens, a noted poet, who was scheduled to read at Sever 11 but moved to the Fogg Large Room due to the large crowd. The article mentions Stevens' well-known volume "Harmonium."

3. Photograph:

   • Caption: "WALLACE STEVENS, noted poet, who gave a reading of his own verse yesterday in the Fogg Large Room, under the auspices of the Morris Gray Fund."
   • The photograph shows Wallace Stevens at a podium, reading to a large audience.

4. Top Right Article:

   • Title: "Accessions at Fogg"
   • Source: Christian Science Monitor, February 15, 1947
   • Content: Describes recent acquisitions in the Print Department of the Fogg Museum, including works by Whistler, Zorn, Ensor, and others. The article discusses the representation of modern artists and the evolution of graphic art.

5. Bottom Right Article:

   • Source: Christian Science Monitor, February 17, 1947
   • Content: Briefly mentions an exhibition at the Fogg Museum of Art, Harvard University, featuring Käthe Kollwitz's works.

The scrapbook page is neatly arranged with the clippings taped to the page, providing a snapshot of cultural events and art exhibits from early 1947.

The image shows a page from a book with a few newspaper clippings pasted on it. The newspaper clippings are from the Boston News Clip and Christian Science Monitor, dated February 1947. The clippings are about the Fogg Museum of Art at Harvard University, featuring articles about the student art exhibit, acquisitions at the museum, and a reading of poetry by Wallace Stevens. The clippings are pasted on the page in a haphazard manner, with some overlapping each other.

The image shows an open book with a clipping of a newspaper article pasted on the page. The clipping is from the Harvard Crimson, dated February 12, 1947, and it discusses an exhibit of student art at the Fogg Museum. The article highlights that war scenes and landscapes dominate the exhibit, which features works by over 70 students. The exhibit includes paintings, drawings, and photographs submitted to the Fine Arts department. Notable works mentioned include "Sunrise" by Robert L. Matterson, "Hills of Home" by Stewart D. Kraig, and "Animals" by M. Heathwood. The article also mentions that the exhibit is "not necessarily the best" of the student work, but it is "most interesting."

The image depicts a page from a newspaper or news clipping archive, featuring two distinct articles from different publications. The page is open to display both articles side by side, with visible page numbers and dates indicating the publication dates.

Left Article: "War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening"

• Headline: "War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening"
• Publication: Harvard Crimson, dated February 11, 1947.
• Content Summary:
  • The article discusses an art exhibit at the Fogg Art Museum, highlighting that war scenes and landscapes are the dominant themes among the student art displayed.
  • It mentions that the exhibit features works submitted by hundreds of students from the Fine Arts Department, with a committee selecting the pieces for display.
  • The article notes the variety of mediums used, including paintings, drawings, and photographs, and highlights specific works such as:
    • A painting of a remote Alaskan church by an international air pilot.
    • A series titled "Hills of Home" by Stewart D. Kranz.
    • Photographs by Bartlett M. Hathaway.
    • A surrealist offering by Arthur Pope.
  • The article also mentions that the Fogg Museum is interested in the winners' entries, and it quotes a statement from the museum director, James S. Plimpton, who describes the work as "the most interesting of the year's entries" but "not necessarily the best" of the Harvard Crimson.
• Visual Element: There is a small black-and-white photograph at the bottom left of the article, depicting a man standing at a podium. The caption beneath the photo reads:
  "WALLACE STEVENS, noted poet, who gave a reading of 'The Idea of Order at Key West' in the Fogg Lecture Room, under the auspices of the Morris Gray Fund."

Right Article: "Accessions at Fogg"

• Headline: "Accessions at Fogg"
• Publication: Boston News Clip, dated February 1, 1947.
• Content Summary:
  • This article discusses recent acquisitions at the Fogg Art Museum, focusing on new additions to the museum's collection.
  • It mentions several notable works, including:
    • A painting titled "Nocturne" by Whistler.
    • A sculpture titled "Omni-" by Arthur Lee.
    • Prints by Denucé, there are prints by Denucé and Manet. These are from the collection of Paul Joseph L. L. L. Denucé, and Manet. These are from the collection of Paul Joseph L. Denucé.
    • Drawings by Paul Joseph L. Denucé.
    • A watercolor by Emil Nolde.
    • Prints by John Marin, Diego Rivera, and Paul Klee.
    • A solo exhibition of works by Käthe Kollwitz.
  • The article also includes a quote from John Marin, who speaks about his work and the museum's enthusiasm for his art.
  • The article concludes with a mention of other recent acquisitions, including works by Louise Nevelson and Käthe Kollwitz.

Additional Details:

• Layout: The page is formatted with clear column separation, typical of newspaper design. The left article is from Harvard Crimson, and the right article is from Boston News Clip.
• Dates: Both articles are dated in February 1947, indicating they are contemporary news pieces.
• Visual Style: The text is typed in a classic serif font, consistent with mid-20th-century newspaper design. The photograph in the left article is small and placed below the caption.

Overall Impression:

The image showcases a historical snapshot of art and cultural news from February 1947, highlighting student art exhibitions at the Fogg Art Museum and recent acquisitions by the museum. The articles provide insight into the artistic trends of the time and the museum's role in collecting and showcasing contemporary works. The inclusion of a photograph of Wallace Stevens adds a personal touch, connecting the art world with literary figures of the era.

This is an image of a scrapbook page with newspaper clippings from 1947. The articles focus on art exhibitions and events, specifically involving the Fogg Art Museum.

The main article, prominently placed toward the center-left, has the headline "War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening." It reports on a war subjects and landscapes exhibit at the Fogg Art Museum, describing various aspects of the exhibition and some of the art pieces it featured.

To the right of the main article is a smaller newspaper clipping with the headline "Accessions at Fogg," discussing new additions to the Fogg Museum's collection, mentioning works by artists like Rembrandt and El Greco.

Below the main article, to the left, there's a smaller snippet with the heading "Crowd-bound Poet," which features a picture of Wallace Stevens, a noted American poet. The text explains that he gave a reading of his poems under the auspices of the Morris Gray Fund.

The date February 13, 1947 is visible on the right column, corresponding to the Christian Science Monitor publication. There are various other pieces of text and articles present on the page, with mentions of different locations such as Boston and Harvard.

The scrapbook shows some wear and age, indicative of the time that has passed since the articles were collected. The yellowing of the paper and the method of organization give the image a historical and archival quality.

The image shows a scrapbook page with several newspaper clippings and a small black-and-white photograph pasted onto it. The clippings primarily discuss art exhibits and readings at the Fogg Museum and related events, dating from February 1947.

1. The top-left clipping is titled "War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening," discussing a student art exhibit at the Fogg Museum featuring war subjects and landscapes. It mentions selections made by a committee from the Fine Arts department and highlights various artists and their works.

2. Below it, another clipping titled "Stevens to Read Own Poetry" announces Wallace Stevens, noted poet, will give a reading, scheduled for 4:30 o'clock in Sever 11.

3. Below this, on the left side, is a small black-and-white photograph of a man (presumably Wallace Stevens) addressing a crowd, with the caption "Crowdbound Poet." It states that Stevens gave a reading of his verse in the Fogg Large Room under the auspices of the Morris Gray Fund, and mentions an unexpectedly large audience.

4. On the right-hand side of the page, there is a longer article titled "Accessions at Fogg" from the "Christian Science Monitor" newspaper (dated Feb 15, 1947). It discusses new acquisitions at the Fogg Museum focusing on recent graphic art acquisitions, highlighting their quality and stylistic diversity. Specific mentions include artists such as Whistler, Toulouse-Lautrec, Ensor, and others, emphasizing the expression and human sympathy conveyed by the works.

5. There are two smaller "Boston News Clip" headers from the Christian Science Monitor, both dated February 1947 (Feb 15 and Feb 17), referencing the articles.

6. Finally, at the bottom right is a very small clipping about the Fogg Museum of Art and its archeological collections, mentioning their efforts toward documentation and research.

Overall, the page captures a historical record of cultural and artistic events and acquisitions at the Fogg Museum in early 1947, along with poetry readings by Wallace Stevens.

• A vintage scrapbook page with multiple newspaper clippings pasted in a collage.
• The main headline at the top reads: “War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening,” about an opening at the Fogg Museum.
• Clippings discuss the exhibit and acquisitions (e.g., “Accessions at Fogg”) and include small articles from Boston newspapers and the Christian Science Monitor, all dated around 1947.
• There is a black-and-white photo labeled “Crowdbound Poet” featuring a man speaking to an audience; the caption mentions Wallace Stevens.
• The page shows a mix of text blocks and tiny images, all pasted onto a light-tan archival page with a green edge visible on the left, giving it a mid-20th-century archival look.

This image shows a scrapbook or journal page containing carefully preserved newspaper clippings. These clippings are related to art and literary events and their coverage. Here are the elements included:

1. At the Top Left:
   A headline reads: "War Scenes, Landscapes Dominate Student Art at Fogg Exhibit Opening."
   This article discusses an art exhibition at the Fogg Museum, mentioning the types of art on display, including war-themed works and landscapes. It notes contributions from students and provides context about the exhibited pieces.

2. At the Bottom Left:
   A smaller clipping titled "Crowdbound Poet" features a photograph of Wallace Stevens giving a poetry reading to an audience. The text highlights a change in venue to accommodate the larger crowd and mentions some of his notable works. The clipping is from the Harvard Crimson and dated February 12, 1947.

3. At the Center-Right and Top Right:
   Another article appears titled "Accessions at Fogg" and discusses exhibitions and acquisitions at the Fogg Museum. It includes specific details, such as artworks, artists, and themes.

4. Stamps/Marks of Dates:
   The articles are accompanied by date notations and publication references. For instance, one clipping from the Christian Science Monitor is stamped February 15, 1947.

5. General Presentation:
   The articles are yellowed, indicating age, and neatly affixed to the page. This careful arrangement showcases historical literary and artistic culture.

The page overall provides insights into cultural events, focusing on art exhibitions and poetry highlights from the 1940s.