Archives Scrapbooks

This image displays an open, vintage scrapbook or binder page filled with preserved newspaper clippings, primarily from December 1946.

The page features two main columns of clippings:

Left Column:

Contains three smaller clippings from the “BOSTON NEWS CLIP” service, located at 180 Tremont Street, Boston 8, Mass., and addressed to the Christian Science Monitor, Boston, Mass. Each clipping is dated and marked “Outside of Boston” or “Boston”.

1. Top clipping (DEC 2 1946): Announces a joint exhibition at the Fogg Museum of Art, Harvard University, featuring a selection of French and WPA graphic art. It mentions works by Edouard Manet, Paul Cézanne, and Toulouse-Lautrec, to be shown through Dec. 18.
2. Middle clipping (DEC 9 1946): Similar to the first, likely a follow-up or duplicate, with slightly different text noting “DEC 9-1946”.
3. Bottom clipping (DEC 10 1946): Headlined “French Graphic Art at Harvard”, this clipping provides a detailed review of the exhibition. It discusses the focus on French graphic art by modern masters from Manet to Toulouse-Lautrec, emphasizing the expressive, intimate, and spontaneous qualities of lithography. It mentions specific artists and works, including Manet’s portraits and the etchings of Toulouse-Lautrec and the “Toulouse-Lautrec”-school artists.

Right Column:

Dominates the page with a large clipping from “The Home Forum” section of the Christian Science Monitor.

• Date and header: The date stamped is DEC 13 1946. The header reads “The Home Forum” with the note “Registered in U.S. Patent Office”. The page number “1287” is handwritten on the header.
• Main image: A large, detailed black-and-white etching captioned “‘EX ANGLIA PERDITA’. An Etching by Frederick Landseer Griggs”.
• Image content: The etching depicts a grand, weathered Gothic cathedral, viewed from a low angle. The cathedral is built of rough stone, with pointed arches, spires, and buttresses. The foreground shows a crumbling wall or fence, with bare trees and a small building nestled at the base of the cathedral, evoking a sense of melancholy and age.
• Caption and article: Below the etching, the article is written by Dorothy Anslow. It describes Griggs’s etching as a “poetic recording of the builder’s art in the Middle Ages,” praising the cathedral’s sense of communal harmony and spiritual strength. The text notes how age has softened the stonework and how the etching conveys “an enhancing conformity beyond the expectation of the designers and builders.” It also highlights the “epitaph of a happier life” and the “outward attributes” that reflect an “inner meaning” of peace and comfort. The article concludes by placing Griggs among a group of poets and artists who “look back nostalgically to the Middle Ages,” admiring high-born craftsmanship and the solved “complex problems” of medieval architecture.

Overall Presentation:

The clippings are carefully mounted on aged, yellowing paper, with some pieces layered or taped down. Handwritten numbers (“1287” and “1286?”) are visible, likely indicating page or file numbers. The entire page is contained within what appears to be a green folder or binder, resting on a light blue surface. The scrapbook serves as a curated collection of contemporary art criticism and cultural news from the mid-1940s, focusing particularly on French graphic art and the historical, romanticized vision of medieval architecture embodied in Griggs’s work.

The image appears to be a scanned page from a book or scrapbook containing newspaper clippings and a printed article. The clippings are from "The Home Forum," a publication from the Christian Science Monitor, Boston, Mass., dated December 1946. The clippings mention exhibitions at the Fogg Museum of Art at Harvard University, highlighting French graphic art and other art collections.

The main printed article on the page is titled "French Graphic Art at Harvard" and discusses an exhibition of French graphic art at the Fogg Museum of Art. The article elaborates on the significance of the exhibition, noting the revolutionary changes in French art and the move away from fantasy and mythology to more everyday scenes and subjects. It also mentions specific artists like Manet, Toulouse-Lautrec, and Cézanne, and highlights their contributions to lithography.

The page also features a black-and-white illustration or photograph of a historic building, likely a significant structure related to the Fogg Museum or another historic site. The illustration appears to be titled "Ex Anglia Perdita" and is attributed to Frederick Landseer Griggs. The text accompanying the illustration provides a poetic description of the building and its architectural features, emphasizing the beauty and historical significance of the structure.

The overall layout and content suggest that the page is part of a collection of articles and clippings related to art and cultural events in 1946, with a focus on French graphic art and its exhibition at Harvard.

This image shows a page from a scrapbook or collection of newspaper clippings related to art and exhibitions. The clippings are from the "Christian Science Monitor," dated December 1946, and are from the "Boston News Clip" section.

The main clipping on the right side is titled "The Home Forum" and features an etching titled "Ex Anglia Perdita" by Frederick Landseer Griggs. The etching depicts a detailed view of a Gothic cathedral, with a focus on the architecture and surrounding buildings. The text below the image discusses the work of Frederick Landseer Griggs and his etchings, which are described as poetic recordings of the builder's art in the Middle Ages.

On the left side, there are three smaller clippings from the same newspaper, all related to the Fogg Museum of Art at Harvard University. These clippings announce various art exhibitions, including English Art with a selection of Wedgwood Ware, French 15th Century art, and French Graphic Art from Manet to Toulouse-Lautrec. The clippings provide details about the exhibitions, such as the dates and the artists featured.

The overall layout of the page suggests it is part of a curated collection, possibly for archival or research purposes.

The image shows a book that is open to a page with a collage of different pieces of paper pasted on it. The papers have various types of text and images printed on them. The largest piece of paper has a large image of a cathedral on it. The text on the papers includes dates, names of newspapers, and descriptions of artworks. The book appears to be a scrapbook with clippings and notes related to art and architecture.

The image shows an open book with a collection of newspaper clippings and articles. The book appears to be a scrapbook or a compilation of printed materials. The clippings are arranged in a specific order, with each one placed on a separate page or section. The clippings are from the Boston News Clip and Christian Science Monitor, with dates ranging from December 2, 1946, to December 13, 1946. The articles cover various topics, including French graphic art, architecture, and cultural events. The book has a green cover and a ribbon bookmark, indicating that it is a cherished and well-loved collection.

The image shows a collection of newspaper clippings and articles from the Boston News Clip service, dated December 1946. The clippings are neatly arranged and appear to be part of a scrapbook or archive. Here is a detailed description:

Layout and Content:

1. Top Left Section:

   • Header: "Boston News Clip" with the address "150 Tremont Street, Boston 8, Mass."
   • Publication: Christian Science Monitor, Boston, Mass.
   • Date: December 2, 1946.
   • Article Title: "The Home Forum."
   • Content: This section includes a handwritten note or annotation ("188F") on the clipping, indicating it may have been marked for reference or importance. The article itself appears to discuss a topic related to home or family life, though the specific details are not fully visible.

2. Middle Left Section:

   • Header: Same as above ("Boston News Clip").
   • Publication: Christian Science Monitor.
   • Date: December 9, 1946.
   • Article Title: "French Graphic Art at Harvard."
   • Content: This article discusses an exhibition of French graphic art at Harvard University, highlighting works by artists such as Paul Cézanne and others. It mentions the Fogg Museum and provides insights into the artistic techniques and themes of the displayed works.

3. Bottom Left Section:

   • Header: Same as above.
   • Publication: Christian Science Monitor.
   • Date: December 10, 1946.
   • Article Title: Not fully visible, but appears to be related to a performance or event at Symphony Hall, possibly involving Handel and Haydn Society.
   • Content: The article seems to cover a musical performance or event, though the specific details are not entirely clear from the visible portion.

4. Right Section:

   • Header: Same as above ("Boston News Clip").
   • Publication: Christian Science Monitor.
   • Date: December 13, 1946.
   • Article Title: "Ex Anglia Perdita" by Frederick Lawseer Griggs.
   • Content: This article features an illustration of a Gothic-style building, likely a cathedral or church, with detailed architectural elements such as pointed arches, buttresses, and intricate stonework. The text discusses the artist's work, describing it as a representation of "Ex Anglia Perdita" (Lost England), which evokes a sense of historical and spiritual grandeur. The article highlights the artist's ability to capture the harmony and spiritual strength of Gothic architecture, emphasizing the symbolic and aesthetic qualities of the structures.

Visual Elements:

• Handwritten Annotations: There are handwritten markings on the clippings, such as "188F" on the top right clipping, suggesting these were part of a curated collection or research project.
• Illustrations: The right clipping includes a detailed line drawing of a Gothic cathedral, showcasing architectural features like pointed arches, buttresses, and intricate stonework.
• Typography: The articles are typeset in a classic newspaper font, with clear headings and subheadings. The layout is typical of mid-20th-century newspaper clippings.

Context:

The clippings appear to be part of a historical archive or personal collection, possibly compiled for research, study, or personal interest. The topics covered—art, architecture, music, and cultural events—suggest a focus on cultural and intellectual life in Boston during the mid-1940s. The inclusion of detailed illustrations and annotations indicates a level of care and attention to the materials.

Overall Impression:

The image portrays a well-organized collection of newspaper clippings from December 1946, showcasing a variety of topics ranging from art exhibitions and musical performances to architectural commentary. The handwritten notes and detailed illustrations suggest these clippings were curated with purpose, likely for historical, academic, or personal reference.

The image depicts an archival scrapbook page featuring newspaper clippings and an illustration. The clippings are marked as coming from the Christian Science Monitor, Boston, Massachusetts. The dates indicated are December 2, 9, 10, and 13, 1946.

• Left Side: There are three cut-out pieces with "Boston News Clip" at the top, followed by typed text discussing topics such as French graphic art exhibitions at Harvard and concerts in Boston.

• Right Side: The prominent illustration titled "The Home Forum" portrays an etched architectural scene, likely depicting Gothic-style buildings, including a cathedral or large church in a historic setting. Beneath the drawing, there is a written description about etching art by Frederick Landseer Griggs, discussing elements of his style and artistic expression.

The scrapbook page is visibly aged, with discoloration in some areas typical of older documents assembled for archival purposes. The setup suggests it was meant to preserve content related to art, exhibitions, and cultural events.

A scrapbook page filled with old newspaper clippings. On the left is a vertical strip of small clips labeled “BOSTON NEWS CLIP” with dates from 1946. In the center-right is a larger clipping headed “The Home Forum” showing a sepia-toned image of a Gothic cathedral-like building. There are also smaller articles around it, including a piece about French graphic art at Harvard. The page is aged, with yellowed paper and a green cover edge.

This image depicts an open archival scrapbook or ledger with newspaper clippings. On the left page, there are three clippings adhered to the page, each bearing the header "BOSTON NEWS CLIP" with the address 180 Tremont Street, Boston 8, Mass. Below this is the name Christian Science Monitor, Boston, Mass. These clippings are dated December 2, 9, and 10 of 1946. Above these clips is another partial cutting bearing the same "BOSTON NEWS CLIP" header.

On the right side, we see a larger newspaper page or segment with a printed image of a cathedral at the top. The text just below the image titles the section as "The Home Forum" and there is a date stamp indicating "DEC 13 1946". The print on the page is somewhat aged and discolored. There is a main article with the title "French Graphic Art at Harvard" and part of another article that mentions an exhibition by Frederick Leonard King and some other information regarding activities related to art. There are additional texts and articles, but the view does not display them fully.

The pages are attached to a green-bordered page or binder, suggesting careful preservation and indication of historical documentation or research. The overall condition and content suggest that these materials are from an archival collection or a personal scrapbook dedicated to documenting certain historical events or interests.

The image shows a scrapbook page featuring multiple newspaper clippings mainly from the Boston News Clip service at 120 Tremont Street, Boston 8, Mass., with dates all from December 1946. The clippings mention the Christian Science Monitor and include various small news pieces and an article titled "French Graphic Art at Harvard." This article discusses an exhibition at the Fogg Museum of Art at Harvard University that features French graphic art, highlighting themes from impressionism to modernism. The text mentions notable artists like Manet, Toulouse-Lautrec, and Picasso.

The largest clipping on the right side is from "The Home Forum" and prominently features a detailed etching titled "Ex Anglia Perdita" by Frederick Landseer Griggs. The etching shows a Gothic and Romanesque style cathedral with intricate architectural details, including pinnacles, lancets, corbels, and tracery above smaller building rooftops. Below the etching is a descriptive text that praises Griggs' poetic recordings of Middle Ages architecture, the gothic and romanesque elements, and the smooth, aged stones. The text appreciates the thoughtful composition and inner meaning conveyed by the etching.

Overall, the scrapbook page seems to collect a series of art-related news clippings with a focus on graphic arts, museums, and architectural etchings from the 1940s.