Archives Scrapbooks

This image displays an open, aged book or scrapbook, revealing two yellowed newspaper clippings taped onto a page. The book’s green hardcover binding is visible on the right, with frayed edges indicating age.

The main clipping, pasted centrally, is from “THE CHRISTIAN SCIENCE MONITOR, BOSTON”. Its headline reads: “Contemporary Cleared Decks for Br…” (the full headline is cut off). Below that, the article title is “Artists Back From War Seen In Show at Stuart Gallery”, written by Dorothy Adlow.

The article reviews an art exhibition at the Stuart Art Gallery, featuring contemporary New England artists, many of whom had been in military service or involved in war-related work (such as the WPA Art Project). It discusses the diversity of styles, including traditional, naturalistic, surreal, and abstract works.

Notable artists mentioned include:

• Alexei Arapoff, whose still-life of flowers is described as using bright hues and exuberant brushwork.
• Waldo Kaufer, whose “The Twilight Kingdom” is noted as a good example of New England “niceties of technique.”
• Polly Thayer, praised for her precision in “Can Rock.”
• Erica Karwina, who lived in China and returned to Boston; her drawings are noted for direct observation and Asian perspective.
• Seymour Swetzoff, described as “one of the most sensitive artists in our midst.”
• Kahili Gilman, whose “Study of a Head” shows “the tense enterprises of another young Boston mystic.”
• Benjamin Rowland, praised for “curiosity, probity, and good taste.”

A smaller, secondary clipping is partially visible behind the main article, and another strip of newspaper is taped vertically along the right-hand edge of the page.

The overall impression is that of a carefully preserved archival record — a newspaper review documenting an important regional art show in the post-war era, likely from the 1940s or early 1950s. The clipping appears to have been saved by someone interested in art criticism or the featured artists.

The image shows a page from a book or a scrapbook, featuring a printed article from "The Christian Science Monitor" titled "Art-Museum Clearing Decks for Boston." The article discusses an art exhibition at the Stuart Gallery in Boston, highlighting the works of contemporary New England artists. The text elaborates on various artworks, describing the styles and themes of the paintings, such as floral still-lifes, abstract works, and architectural themes. The article mentions artists like Alexei Arapoff, Waldo Kaufer, and others, appreciating their contributions to the exhibition. The paper appears aged, with some discoloration and wear, suggesting it is from an older publication. The page is part of an open book, with the opposite page blank.

This image shows a page from a scrapbook or collection of clippings. The main feature is a newspaper clipping from "The Christian Science Monitor," Boston edition. The article is titled "Contemporary Artists Back From War Seen In Show at Stuart Gallery" by Dorothy Adlow.

The article discusses an art exhibition at the Stuart Art Gallery, featuring contemporary New England artists, including those who have returned from wartime service. It mentions various artists and their styles, ranging from traditional and naturalistic to abstract and surrealistic. Specific artists mentioned include Alexei Arapoff, Waldo Kauffer, Polly Thayer, Dorothy Holt, Matene Rachotes, Vernon Smith, Daphne Dunbar, and Albert Gold.

There is also another smaller clipping partially visible at the top right corner, with the text "Clears Decks for Br." The scrapbook page appears to be old, as indicated by the yellowed paper and the vintage style of the newspaper.

An open book with a green border is displayed on a gray surface. The book is filled with white pages and has a newspaper clipping pasted on it. The clipping is titled "Contemporary Clears Decks for Br," and it is written in bold black text. The clipping is surrounded by a black border, and the text is written in black font. The book's pages are folded in half, and the edges are slightly curled.

The open book is placed on a gray surface. The pages are slightly curled. The book is titled "Contemporary Art" and features an article titled "Artists Back From War Seen In Show at Stuart Gallery." The article is written by Dorothy Adlow. The article discusses a group of contemporary New England artists who have returned from the war and are exhibiting their work at the Stuart Gallery. The article also mentions the contributions of Miss Karawina and Dr. Benjamin to the exhibition.

The image shows an open book with a single page displayed prominently. The page appears to be from a historical newspaper or magazine, as indicated by the header "THE CHRISTIAN SCIENCE MONITOR, BOSTON." The headline at the top of the page reads: "Artists Back From War Seen In View at Stuart Gallery", attributed to Dorothy Adair.

The article discusses an art exhibition at the Stuart Gallery, featuring works by artists who have returned from wartime experiences. The text provides an overview of the exhibition, highlighting various artists and their contributions. Key points from the article include:

1. Exhibition Overview: The exhibition showcases contemporary art, including works that may be controversial or unconventional. It emphasizes the diversity of artistic expression and the influence of wartime experiences on the artists.

2. Featured Artists: The article mentions several artists, such as:

   • Dr. Benjamin Rowland, whose work is described as engaging with Oriental art and Harvard College.
   • Kubil Gilman, noted for his "poetic vision" and "study of the three faces of another time."
   • Paul Thyler, who employs a "probable but can also come in" approach in his work.
   • Dorothy Adair, the author of the article, who is also mentioned as an artist with experience in China.

3. Artistic Themes: The article touches on themes such as abstraction, surrealism, and the use of symbols. It also references specific works, such as "The Twilight Kingdom" by Wanda Kleutner and "The Spiral Staircase" by C. G. Dodge.

4. Context: The article situates the exhibition within the broader context of post-war art, noting the influence of war experiences on the artists' work and the evolution of artistic styles.

The page is aged, with a slightly yellowed tone and visible creases, suggesting it is a historical document. The layout includes columns of text, typical of newspaper or magazine formatting, with a headline, subheadings, and descriptive paragraphs. There are no illustrations or photographs visible on this page; the content is purely textual. The book itself has a green spine and appears to be part of a larger collection or archive.

The image shows an open book or a scrapbook with a newspaper clipping glued onto one of its pages. The article is from "The Christian Science Monitor, Boston," and the headline reads "Contemporary Clears Decks for Br." with the next word cut off. Below the headline, there's a subtitle "Artists Back From War Seen In Show at Stuart Gallery." The article appears to be about an art exhibition of contemporary paintings with a focus on those who have served in the war and returned to their artistic careers.

The page itself has yellowed with age, hinting at the vintage nature of the material. The edges of the paper have darkened more significantly, suggesting exposure to light or the elements over time. The text in the article is too small to read in detail from this image, but it clearly contains commentary on the artwork and mentions several names. The rest of the page the clipping is attached to is blank, and we can see adjacent pages to the right which are also blank but contain additional clipped articles or perhaps pages of text that are out of view. The book or scrapbook is resting on a grayish-blue surface, and the bottom portion reveals a bit of the green cover or binding of the book.

This image shows a page from a scrapbook or book, with a newspaper clipping adhered to it. The headline of the clipping is partially visible and reads, "Contemporary Clears Decks for" and "Artists Back From War Seen In Show at Stuart Gallery." The article, by Dorothy Adler, discusses a contemporary art exhibition at the Stuart Art Gallery, focusing on works by artists who have returned from the war. The piece includes analysis and mentions specific artists, their works, and the themes of the exhibition. The newspaper's masthead at the top notes "The Christian Science Monitor, Boston". The clipping is taped or glued onto the page, and the paper shows signs of age, such as discoloration and a sepia tone. In the background, the surrounding page appears to be a thicker book page, possibly part of a collection or archive. The overall condition looks preserved, though aged.

An open scrapbook page featuring vintage newspaper clippings arranged as a collage. The central piece is a long, narrow article from The Christian Science Monitor with the headline “Artists Back From War Seen In Show at Stuart Gallery” by Dorothy Adlow. Above it, another clipping shows part of a header that reads something like “Contemporary Clears Decks for …” with the newspaper name visible. The clippings are yellowed and taped to the page with beige adhesive strips, some edges overlapping. The book has a green cover and the page around the clippings is largely blank, giving a nostalgic, mid-20th-century look.

The image shows an old scrapbook page with two newspaper clippings taped onto it. The larger clipping on the left is a lengthy article titled "Artists Back From War Seen In Show at Stuart Gallery" by Dorothy Adlow. The text discusses an art show featuring contemporary New England artists, highlighting various painters and their styles, including mentions of surrealism, abstraction, and specific artists like Alexei Arapoff and Waldo Kaufer. The smaller clipping on the upper right, partially obscured and overlapping the first, appears to be titled "Clears Decks for B" from "The Christian Science Monitor, Boston," though the full headline is not visible. The scrapbook page has visible discoloration and tape marks, indicating age and preservation efforts. The background is a plain off-white color, and the scrapbook has a light olive green cover partially visible on the right edge.