Archives Scrapbooks

This image displays a page from a vintage newspaper clipping scrapbook. The page features a prominent, large newspaper clipping from "The Home Forum" section of the Christian Science Monitor, dated July 12, 1946.

The central focus of the clipping is a black-and-white photograph of a bronze bust titled:

"Madame Henri de Waroquier: A Portrait by Charles Despiau"

The text beneath the image provides context, explaining that Madame de Waroquier was the wife of a modern French painter, and that Despiau created this portrait in 1927. It describes the bust not as a literal likeness, but as a living, expressive portrayal capturing the subject’s grace, idealism, physical liveliness, and inner thought.

The article is credited to Dorothy Ainsow.

At the top right of the clipping, someone has handwritten "128F" in blue ink.

Surrounding the main clipping are three smaller, identical tan-colored labels, each marked:

BOSTON NEWS CLIP
120 Tremont Street
Boston 8, Mass.
Christian Science Monitor
Boston, Mass.
JUL 12 1946

These labels likely served as organizational tags from the clipping service.

In the bottom-left corner of the page, partially obscured by the main clipping, are several smaller, dense columns of classified ads from the same newspaper, typical of the era. One ad is for "THE WILLIAM WILSON CO."

The page is from a bound scrapbook with a green cover visible on the left, indicating it's part of a collection of clipped articles. The overall appearance is historical, with yellowed paper and the feel of mid-20th-century documentation.

The image depicts a page from a book or scrapbook that contains newspaper clippings and a photograph. The photograph is a silhouette of a person's head and shoulders, facing right, and appears to be a bronze portrait. The text below the photograph is an article about the portrait, attributed to Charles Despiau. The article mentions that the subject is Madame Henri de Waroquier, the wife of a modern French painter, and describes the portrait as a living portrait, not a likeness, and translates the subject's grace and idealism into a plastic image.

The page also includes several newspaper clippings from "Boston News Clip" dated July 12, 1946, and July 16, 1946, which are attached to the page with tape. The clippings appear to be related to exhibitions at the Fogg Museum of Art, Harvard University, Cambridge, Massachusetts. The clippings are from the Christian Science Monitor and are titled "Exhibition of French Graphic Art from Impressionism to the Present" and "Pre-Raphaelites and Their Circle." The clippings mention French paintings since 1870, lent by Mr. and Mrs. Maurice Wertheim, and are scheduled to be on display until September 14, 1946. The clippings also indicate the location of the exhibition as 120 Tremont Street, Boston, 8, Mass.

This image shows a page from a scrapbook or collection of newspaper clippings. The page contains several "Boston News Clip" labels from the "Christian Science Monitor," dated July 12 and July 16, 1946. The clippings are from the "The Home Forum" section of the newspaper.

The main feature on the page is a newspaper clipping with a photograph of a bronze bust of a woman in profile. The caption identifies the bust as "Madame Henri de Waroquier: A Portrait by Charles Despiau." The text below the photograph provides a description of the bust, noting that Madame de Waroquier is the wife of a modern French painter and a disciple of Paul Cézanne. The artist, Charles Despiau, is said to have translated the image into a plastic form with attention to the organic relation of features, capturing the grace and idealism of the subject.

The newspaper clipping includes a note at the bottom indicating that the image is courtesy of the Fogg Art Museum, Harvard University. The clipping also has some handwritten markings and a blue line drawn across it. The rest of the page contains three other "Boston News Clip" labels, but the text of these clippings is not visible in the image.

The image shows a newspaper clipping placed on top of a page in a book. The clipping is titled "The Home Forum" and features an article about Madame Helene of Waroquier, a modern French painter. The article includes a portrait of Madame Helene, which is a bust of her head. The portrait is described as a "living portrait" that captures the grace and idealism of the subject. The book page has a green border and appears to be part of a larger collection of newspaper clippings.

The image shows an open book with a clipping pasted on the left side of the page. The clipping is a page from the Christian Science Monitor with the headline "The Home Forum" and a photograph of a bust of a woman. The clipping is dated July 12, 1946. The book appears to be a collection of clippings or articles, as there are other clippings pasted on the pages before and after the one shown in the image.

The image shows an open book or scrapbook page featuring several clippings and a central photograph. Here is a detailed description:

Layout and Content:

1. Left Side:

   • Three Clippings:
     • Top Clipping: Labeled "BOSTON NEWS CLIP" from the Christian Science Monitor dated July 12, 1946. The clipping is from 130 Tremont Street, Boston, MA.
     • Middle Clipping: Also from the Christian Science Monitor, dated July 10, 1946, with similar location details.
     • Bottom Clipping: Another Christian Science Monitor clipping, dated July 1, 1946, with the same address.
   • These clippings appear to be news articles or announcements, though the specific content is not fully visible.

2. Right Side:

   • Central Photograph:
     • A black-and-white portrait of a woman, viewed from the side. The photograph is labeled as "MADAME DE WARQUER" and is described as "A Portrait by Charles Despiou."
     • The caption beneath the photograph provides context: "Madame de Warquer is the wife of a modern French painter, but very well known in the United States as one of the best disciples of Paul Cézanne. She despair of the bronze portrait in 1927, when Despiou translated it into a living portrait but that defied the grace and idealism of the entire person, the physical element of the subject, the grace and idealism, and the entire thought and feeling."
     • The text is attributed to Dorothy Arrow.
   • Headline: The top of the right page features the title "The Home Forum," indicating that this is part of a newspaper or magazine section dedicated to commentary or discussion.

3. Additional Details:

   • Page Numbers: The left margin shows page numbers such as "128F," indicating this is part of a larger collection or scrapbook.
   • Stamps/Marks: There are small stamps or markings on the left edge of the page, likely for organizational or archival purposes.
   • Textual Elements: The clippings and caption are printed in a clean, typed or printed font, typical of newspaper or magazine layouts from the mid-20th century.

Overall Impression:

The image depicts a curated collection of historical clippings and a notable portrait, likely assembled for archival or personal reference purposes. The inclusion of both news articles and an artistic portrait suggests a thematic focus on cultural, artistic, or historical events from July 1946. The layout and presentation indicate careful organization, possibly for research, memory-keeping, or artistic appreciation.

The image shows a scrapbook page featuring clippings from the Christian Science Monitor. The clippings carry the label "Boston News Clip" and are dated July 12, 1946. The main article, under the section titled The Home Forum, includes both text and an image. The image is a side-profile portrait of a person's head, appearing to be either a photograph or a reproduction of an artwork. Text beneath the image identifies the portrait as a work by Charles Despiau, depicting "Madame Henri W. Vanquickenborne" (as described in the text). The article discusses the artistic qualities of the portrait. Additional clippings are adhered to the page, providing more context or related material. The presentation suggests archival documentation or a historical collection.

This is a page from an old scrapbook or album. It features a collage of newspaper clippings glued to a cream-colored page. The central piece is a large clipping titled “The Home Forum” that shows a black-and-white photograph of a sculpted bust (a head and shoulders profile) with the face area partially obscured by a dark rectangular patch. A blue curved line runs across the top of the main image. Surrounding it are several smaller clippings labeled “BOSTON NEWS CLIP” with the address 120 Tremont Street, Boston, Mass., and dates such as JUL 12 1946. There are a few other tiny clipping fragments in the margins, and the page shows the aged, yellowed look of a vintage album bound on the left. The overall colors are beige and brown with a hint of blue from the line on the main clipping.

The image shows a page from a scrapbook or a collection of newspaper clippings. There are several headers and pieces of text indicating that the clippings are from the "Christian Science Monitor," featuring a section titled "The Home Forum" from an issue dated July 12, 1946. Just below the heading, there's a large cut-out section. The text beneath this section refers to a portrait by Charles Despiau, mentioning that it is considered some of the best work of a modern French sculptor. Words from a review are visible, describing the artist's attention to organic relation of features to head and hands, and referring to the portrait as a "thing of rounded beauty."

There are also address labels visible in the top left of the image with the text "Boston News Clip 120 Tremont Street Boston, Mass." indicating the location where the news clippings might have been collected or archived. The right edge of the page presents the binding of the scrapbook, suggesting that this is one among many pages. The overall condition of the paper suggests age and careful preservation.

The image shows a scrapbook page containing several newspaper clippings. The largest clipping in the center is from "The Home Forum" dated July 12, 1946, and features a black and white artistic profile portrait of a woman’s head and neck in a classical style with a bun tied at the back. Below the portrait, there is a paragraph of text describing "Madame Henri de Waroquier," a modern French painter and a follower of Paul Cézanne. The text praises her work for its organic relation of features and feelings expressed in the portrait.

On the left side of the scrapbook page, there are three smaller clippings from the "Boston News Clip" and the "Christian Science Monitor, Boston, Mass." The dates on these clippings range from July 8 to July 16, 1946. These smaller clippings appear to be related to the main article or exhibition notices, possibly describing an art exhibition or event tied to Harvard University and mentioning artists and paintings.

The scrapbooking arrangement suggests a thematic focus on art, portraiture, and cultural commentary from the mid-20th century.