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This image displays a printed program or catalogue for the “Cambridge Centennial Exhibition of the work of Cambridge Artists.”

The document is formatted on aged, off-white paper with dark blue or black typewritten text. It is organized into three main vertical columns listing the names of participating artists in bold, followed by a numbered list of their exhibited artworks. Each artwork entry includes the title and, in parentheses, the medium used (e.g., WC for Watercolor, Oil for Oil painting, Pencil, Lithograph, etc.). Many entries also indicate the location or subject of the piece, such as “At Leverett General Hospital (WC)” or “Harvard Yard (Oil).”

The layout is simple and functional, resembling a traditional exhibition checklist. Some entries have small handwritten marks (possibly checkmarks or notes) next to them, suggesting it might be a working copy or used for inventory.

Featured artists include Alice S. Bacon, Edgar Reed, Catherine Bryan, W. Bureal, Helen M. Huttman, Kenneth J. Conant, Allan R. Critt, Ethel H. Cunningham, Charles Demetropolous, Marion E. Doquerty, Key Draper, Virginia Temple Dury, Frances H. Elsht, Therese G. Elsht, Pat Erickson, Charles Farrell, Edward W. Fobes, Mark Fortune, Katherine M. Gebcke, Ruth Cleveland Gifford, Elinor Goodridge, Kenet Halberstadt, Margaret B. Hill, Charles Hopkinson, William Holsat, Florence Armes Hosome, S.R.J.E. Rev. H. P. Humpherys, Lucille Husk, William Jewell, Edwin G. Johnson, Claudia M. Keltz, Diana Keltz, Catherine H. King, Jean Turnbull Knowles, William Lighton, John T. Leaman, William A. Lewis, H. F. Lindbergreen, Jane Loud, Elizabeth May, David McCorb, John McLoughlin, D. A. Mercuro, Hiram C. Merrill, Anthony Milak, Prescilla Montgomery, Helen P. Morton, Waldo Murray, Kathryn Nason, Arthur Nichols, Louis Notak, H. A. Oebettruffer, K. Oebettruffer, Thomas Ohara, William H. Palmer, Albert Pintto, Dora Pintner, Arthur Pope, Cornelia Randall, C. H. Richter, Otis Philbrick, Arthur Reintzelman, and Prescott Jones.

At the bottom of the page, under a decorative dividing line, is a section titled “THE JURY”, listing the three individuals responsible for selecting works for the exhibition:

• MR. OTIS PHILBRICK
• MR. ARTHUR REINTZELMAN
• MR. PRESCOTT JONES

The overall impression is that of a historical, archival document from a local fine arts exhibition held in Cambridge, likely around the time of the city’s centennial.

Note: The photograph shows the paper slightly askew on a grey surface, with a small tear visible on the right-hand edge of the paper.

This image appears to be a catalog or list of artists and their works displayed at the "Cambridge Centennial Exhibition of the work of Cambridge Artists." The document is organized into columns, listing the names of artists followed by the titles of their works, and the medium used (WC for watercolor, Oil for oil paintings, Pencil for pencil drawings, etc.). At the bottom of the list, it identifies the members of the jury for the exhibition, including Mr. Otis Philbrick, Mr. Arthur Reintzelman, and Mr. Prescott Jones. The style and format suggest it is a historical document from the mid-20th century.

This image is a printed catalog or program page for a Cambridge Centennial Exhibition showcasing the work of Cambridge artists. The page is divided into three columns, listing the artists' names, their artworks, and the mediums used. The top of the page prominently features the title "Cambridge Centennial Exhibition of the work of Cambridge Artists."

The artworks are numbered from 1 to 140, with each entry including the artist's name, the title of the artwork, and the medium used. For example:

• "Bacon, Alice S. 1. Fresh Pond Willows (WC)"
• "Barth, E. P. 4. Serenity (Oil)"

At the bottom of the page, there is a section titled "THE JURY" with the names of the jury members: Mr. Otis Philbrick, Mr. Arthur Reintzelman, and Mr. Prescott Jones.

The page appears to be aged, with some discoloration and stains, suggesting it is a historical document. The background is a light gray color, and the text is printed in black.

The image depicts a document titled "Cambridge Centennial Exhibition of the Work of Cambridge Artists." The document appears to be a list of artists and their respective works that were part of the exhibition.

The document is divided into several columns, with each column listing the names of artists and the titles of their works. The artists are listed in alphabetical order, and the titles of their works are provided alongside their names.

The document also includes the names of the jurors who evaluated the works for the exhibition. The jurors are listed at the bottom of the document, with their names and titles.

The document is printed on white paper and appears to be a historical record of the exhibition. The text is printed in black ink and is legible, although some of the text is faded or smudged, indicating that the document may be old or have been handled frequently.

Overall, the document provides a glimpse into the artistic community of Cambridge and the works that were showcased in the centennial exhibition.

This is a page from a catalogue for the Cambridge Centennial Exhibition of the work of Cambridge Artists. The catalogue lists the names of the artists who are exhibiting their work, along with the titles and descriptions of their pieces. The artists' names are listed in alphabetical order, and each entry includes the artist's name, the title of the work, and a brief description of the piece. The catalogue also includes a section for the jury, which includes the names of the judges for the exhibition.

Description of the Image

The image shows a document titled "Cambridge Centennial Exhibition of the work of Cambridge Artists". It is a catalog or list of artists and their works that were exhibited during the Cambridge Centennial Exhibition. The document is formatted as a structured list, organized alphabetically by the artists' last names. Each artist's entry includes:

1. Artist's Name: Listed in bold or prominent text.
2. Work Titles: Listed below the artist's name, each prefixed by a number for identification.
3. Medium or Type of Work: Indicated in parentheses after the work title, such as "(WC)" for watercolor, "(Oil)" for oil painting, "(Pen & Ink)" for pen and ink, etc.
4. Locations or Additional Notes: Some entries include location details or descriptions, such as "Old Front Porch" or "Portrait."

Structure and Layout:

• The document is divided into sections, each listing artists alphabetically.
• Each artist's name is followed by a numbered list of their works.
• The works are described concisely, often including the medium used (e.g., watercolor, oil, pastel, etc.).
• At the bottom of the document, there is a section titled "THE JURY", listing the names of the jury members who evaluated the submissions:
  • Mr. Otis Philbrick
  • Mr. Arthur Reintzelman
  • Mr. Prescott Jones

Example Entries:

• Bacon, Alice S.

  • 1. Old Front Porch (WC)
  • 2. Frank Kitchen Table (WC)
  • 3. Serenade (WC)

• Goodridge, Elinor M.

  • 1. By the Sea (WC)

• Hill, Margaret B.

  • 1. Portrait in Harvard Yard (WC)

• Hopkinson, Charles

  • 1. Winter Sea (WC)
  • 2. Lane (WC)
  • 3. Dr. George M. Shatt (Oil)
  • 4. “Red Roof” at Harvard (Oil)

Key Observations:

• The exhibition features a diverse range of artists, each contributing multiple works.
• The works are primarily in mediums such as watercolor (WC), oil painting (Oil), pastel (Pastel), and pen and ink (Pen & Ink).
• The document serves as an official record of the exhibition, listing both the artists and their submissions, as well as the jury responsible for evaluating the works.

This document provides a historical snapshot of the artistic community in Cambridge during the time of the Centennial Exhibition, showcasing the variety of styles and mediums represented.

The image shows a document titled "Cambridge Centennial Exhibition of the work of Cambridge Artists." This appears to be a listing of artworks and their creators that were featured in an exhibition commemorating the centennial of an event or institution associated with Cambridge. The list includes the artist names, followed by the titles of their works and abbreviations, likely indicating the medium of the artwork (e.g., "WC" could stand for watercolor, "Oil" for oil painting, etc.).

At the bottom of the document, under a line that says "THE JURY," there are three names listed: Mr. Otis Philbrick, Mr. Arthur Rientzelman, and Mr. Prescott Jones. These individuals were presumably responsible for selecting or judging the works for the exhibition.

The document is very text-heavy, laid out in a multiple-column format, and it does not contain any images or decorative graphics beyond the font choices and layout design.

The image shows a printed list titled "Cambridge Centennial Exhibition of the work of Cambridge Artists." The list includes the names of artists along with the titles of their works and the medium used, such as watercolor (WC), oil, pencil, etching, lithograph, gouache, ink, and wood engraving. The names and works are organized alphabetically by the artists' last names. The bottom of the page features a section titled "THE JURY" with the names Mr. Otis Philbrick, Mr. Arthur Reintzelman, and Mr. Prescott Jones printed in bold blue text. The document has some light brown spots and a small crease near the top right corner.

A vintage printed poster on a pale sheet of paper, mounted against a gray wall. The top headline reads “Cambridge Centennial Exhibition of the work of Cambridge Artists.” The page is divided into several narrow columns filled with many artist names (e.g., Bacon, Alice S.; Goodridge, Elinor; Hill, Margaret B.; etc.) followed by small notes, likely about their works or studios. The lower part of the page has a section labeled “THE JURY” with three names: Mr. Otis Philbrick, Mr. Arthur ReinzeLman (or Reinzelman), and Mr. Prescott Jones. The overall appearance is a formal roster or program from a historical exhibition.

This image is a program or exhibition listing for the "Cambridge Centennial Exhibition of the work of Cambridge Artists." It features a list of artists, their respective artwork titles, and the media used for each piece, such as watercolor (WC), oil, pencil, ink, etching, and gouache. The list is organized alphabetically by artist, with multiple works and their descriptions under each name where applicable.

The bottom portion of the document identifies members of the jury for the exhibition: Mr. Otis Philbrick, Mr. Arthur Reintzelman, and Mr. Prescott Jones. The layout is structured in neat columns against a light background, with serif text for clarity. There are slight stains and folded creases visible on the paper.