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ARCH.2003.29, Rendition: 803704
This image displays a printed program or exhibition guide for the Cambridge Centennial Exhibition of the Work of Cambridge Artists, held to commemorate the 100th anniversary of the city’s incorporation (1846–1946).
The document is laid out on a single sheet of off-white or cream paper, divided into sections with black text in a classic serif font. The overall style is formal and informational, typical of mid-20th century exhibition materials.
1. Title & Header (Right Side):
2. Main Content (Left Side):
This section is headed “Cambridge Centennial Exhibition of the work of Cambridge Artists — Continued” and lists artists and their exhibited works, categorized primarily by medium.
Lists winners in several categories:
OILS
FIRST: Oral Table by Karl Obertoaffer
SECOND: Spring Jig by Calvin Burnett
THIRD: Paris 1943 by Henryk Twardzik
HONORABLE MENTION: North End Sketch and Self Portrait by Katherine Nason and Edwin Johnson
SCULPTURE
FIRST: Two Figures by Arnold Geisbuhler
SECOND: “Martha” (duck) by Mary B. Fowler
WATER COLOR
FIRST: Harvard Square by Carl Schmalz, Jr.
SECOND: A Sunday Morning by Cornelia Randall
THIRD: Rolling Surf by Joseph Santoro
BLACK AND WHITE
FIRST: Lou Garland by Diane Kolby
SECOND: Boley’s Barn by Hiram C. Merrill
THIRD: Summer Artist by Thomas O’Hara
3. Additional Notes:
Below the awards list, there’s a section titled “INVITED”, which lists artists whose works were invited for display but not eligible for jury awards: Baska Paepf, Edward W. Forbes, Arthur Pope, Charles Hopkinson.
At the bottom left, a note explains: “NOTE: The following artists’ works were invited. They are therefore omitted from competition for jury awards.”
The document is an official, detailed program that provides both historical context and practical information. It reflects the local art community’s pride in Cambridge’s heritage and showcases a diverse group of local artists in multiple media. The careful listing of awards and invited artists suggests a serious, juried exhibition with institutional backing from Harvard University.
This is a snapshot of cultural life in Cambridge, Massachusetts, in 1946 — celebratory, community-oriented, and academically rooted.
The image is a brochure for the "Cambridge Centennial Exhibition" of the work of Cambridge Artists, which took place between June 17 and July 7, 1946, at the Germanic Museum in Harvard University, Cambridge, Massachusetts. The brochure lists the participants, their works, and the jury awards for various categories such as oils, sculpture, watercolor, and black and white. The exhibition was focused on the work of artists from the Centennial period, circa 1846. The brochure also mentions that a section of the exhibition featured art objects of the actual Centennial period and acknowledges the contributions of various organizations and individuals who lent their art treasures. The brochure is designed with a simple layout, using a combination of blue and white colors, and includes a seal in the center.
This image is a printed program or brochure for the "Cambridge Centennial Exhibition of the Work of Cambridge Artists," which took place from June 17 to July 7, 1946, at the Germanic Museum, Harvard University, Cambridge, Massachusetts. The design is simple and text-heavy, typical of mid-20th-century informational printing. Here's a detailed breakdown:
This document provides a historical snapshot of the local art scene in Cambridge during the mid-20th century, showcasing the work of both up-and-coming and established artists. It also highlights the importance of the centennial celebration in bringing together the community's artistic heritage.
The image is a printed document titled "Cambridge Centennial Exhibition of the work of Cambridge Artists - Continued." The document appears to be an exhibition catalog or program. The top of the document features the title in bold, with the years "1846" and "1946" separated by an asterisk, indicating the centennial celebration. Below the title, there are several sections listing artworks, artists, and other exhibition details.
The document is divided into several columns. The left column lists artists' names along with their artworks, while the right column provides additional information about the exhibition, including dates, times, and locations.
In the left column, the artists' names are followed by their artworks, which are described in brief phrases. For example, "ROSS, KIMBALL, JR." is listed with "131. An Allegory of Honor (Oil)," indicating the artist's name, the artwork's title, and the medium used.
The right column includes sections titled "SCULPTURE," "HISTORIC ART," "JURY AWARDS," "OILS," "HONORABLE MENTION," and "GERMANIC MUSEUM HARVARD UNIVERSITY CAMBRIDGE MASSACHUSETTS." Under "SCULPTURE," specific sculptures are listed, such as "1. Elephanta (Plaster)" by "BACHELOR, MARY A." and "2. Young Madonna (Plaster Relief)" by "EMERY, MARGARET."
Under "HISTORIC ART," there is a note about the section being devoted to pictures and other art objects of the actual Centennial period, 1846.
The "JURY AWARDS" section lists awards given in different categories, such as "FIRST-Oral Table Suffer" by "Karl Oberhuber" and "SECOND-Spring Jilt" by "Catherine Burnsett."
The "OILS" section lists paintings, such as "FIRST-Two Figures (duck)" by "Arnold Geisbuhler" and "SECOND-"Martha"" by "Mary B. Fowler."
The "HONORABLE MENTION" section lists artworks that received honorable mentions, such as "North End Storm" by "Henry T. Nash" and "Self Portrait" by "Edwin Johnson."
The bottom of the document lists invited artists and their artworks, such as "BASKA PAEFF" and "EDWARD W. FORBES."
The document also includes a logo or emblem in the right column, which appears to be related to the exhibition or the institution hosting it.
The exhibition is scheduled from June 17 to July 7, with specific opening hours mentioned. The location is given as the "GERMANIC MUSEUM HARVARD UNIVERSITY CAMBRIDGE MASSACHUSETTS."
In summary, the document is a comprehensive catalog for the Cambridge Centennial Exhibition, detailing the participating artists, their artworks, and the exhibition's schedule and location.
The image is a page from a pamphlet or brochure for the Cambridge Centennial Exhibition of the work of Cambridge Artists. The page contains a list of artists and their artworks, along with information about the exhibition. The text is organized into sections, including "Sculpture," "Oils," "Water Color," and "Black and White." Each section lists the names of the artists and their artworks, along with any awards or honors they received. The page also includes information about the exhibition's location, dates, and hours of operation. The image has a formal and informative tone, with a focus on showcasing the work of local artists and promoting the exhibition.
The image is a printed program or catalog page for the Cambridge Centennial Exhibition of the work of Cambridge Artists, held from June 17 to July 7, 1946, at the Germania Museum, Harvard University, Cambridge, Massachusetts. The page is titled "Cambridge Centennial Exhibition of the work of Cambridge Artists – Continued" and lists artists, their works, and awards.
The page is divided into several sections:
The left side of the page lists artists alphabetically, along with their works. Each entry includes:
The right side of the page lists jury awards for various categories, including Oils, Sculpture, Water Color, Black and White, and Honorable Mentions.
The image is a formal and detailed program for an art exhibition celebrating the centennial of Cambridge artists. It highlights the works of numerous artists, awards for outstanding pieces, and provides context for the invited artists. The design is professional, with clear categorization and easy-to-read typography.
The image is a vintage flyer or program for the "Cambridge Centennial Exhibition of the work of Cambridge Artists" held from June 17 to July 7 at the Germanic Museum, Harvard University, in Cambridge, Massachusetts, as indicated in the text on the right-hand side. The event appears to celebrate the centennial year from 1846 to 1946.
The left-hand side of the document lists the names of artists and their artworks. This section is titled "Cambridge Centennial Exhibition of the work of Cambridge Artists -- Continued." The list is divided into categories such as sculpture, historic art, jury awards, invited artists, and notes about the exhibiting artists' work. The various art categories include oils, sculpture, watercolor, and black and white artwork. Specific awards are also listed under "Jury Awards" with the titles of the artworks and the artists' names, including those who received honorable mentions.
The layout of the document is simple, using mainly typewritten text and a straightforward classification system. The text is organized with lines and asterisks for aesthetic division and emphasis, creating an easy-to-read format. The design reflects the mid-20th-century style of event programs, focusing on textual information rather than images or elaborate graphics.
The image is a printed program or flyer for the "Cambridge Centennial Exhibition of the work of Cambridge Artists -- Continued," commemorating the years 1846-1946. The exhibition took place at the Germanic Museum at Harvard University in Cambridge, Massachusetts, from June 17 to July 7, with daily hours from 12 to 6 o’clock and on Sundays from 2 to 6 o’clock.
The left side of the page lists participating artists and their works, categorized under "SCULPTURE" and "HISTORIC ART." There are names of artists along with the titles and mediums of their works, with some marked as watercolor (WC), oil, plaster, or other techniques.
The program includes a section titled "JURY AWARDS," where winners in different categories are named:
There is a note indicating some invited artists whose works were not eligible for jury awards. The invited artists listed are Baska Paeff, Edward W. Forbes, Arthur Pope, and Charles Hopkinson.
On the right side, the flyer prominently displays the event title "Cambridge Centennial EXHIBITION of the work of Cambridge ARTISTS" along with the dates and location information.
The overall design is formal with blue text on a cream-colored paper, using various typefaces and font sizes to organize the information clearly. There is also a small circular emblem or seal near the event title.
This is a flyer or program for the Cambridge Centennial Exhibition of the Work of Cambridge Artists, commemorating the centenary from 1846 to 1946. It describes details of the event, showcasing art by Cambridge-based artists, and lists awards for different categories of medium, including oils, watercolors, black and white, and sculpture.
The layout uses a clean, structured typographic design and includes a seal for authenticity. A central divider separates the artist and award lists from the event details.