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The image is a brochure for the "Cambridge Centennial Exhibition" of the work of Cambridge Artists, which took place between June 17 and July 7, 1946, at the Germanic Museum in Harvard University, Cambridge, Massachusetts. The brochure lists the participants, their works, and the jury awards for various categories such as oils, sculpture, watercolor, and black and white. The exhibition was focused on the work of artists from the Centennial period, circa 1846. The brochure also mentions that a section of the exhibition featured art objects of the actual Centennial period and acknowledges the contributions of various organizations and individuals who lent their art treasures. The brochure is designed with a simple layout, using a combination of blue and white colors, and includes a seal in the center.

This image is a printed program or brochure for the "Cambridge Centennial Exhibition of the Work of Cambridge Artists," which took place from June 17 to July 7, 1946, at the Germanic Museum, Harvard University, Cambridge, Massachusetts. The design is simple and text-heavy, typical of mid-20th-century informational printing. Here's a detailed breakdown:

Design and Layout:

• Split Design: The document is divided into two main sections, with a dashed vertical line separating them. The left section lists artists and their works, while the right contains event details and advertisements.
• Typography: The font is a classic serif typeface, consistent throughout the document, giving it a formal tone.
• Emphasis: Important information, such as the exhibition title and key dates, is marked with larger, bold text.
• Seal: A small circular seal is present in the bottom right, likely representing the Germanic Museum or Harvard University.

Left Section:

• Artist Listings: This section is dominated by a long list of artists' names and their works, organized alphabetically. Each entry includes the artist's name, the title of the work, and the medium (e.g., "Oil," "Watercolor," "Sculpture").
• Sculpture and Historic Art: Separate headings highlight works in these categories, with descriptions under "Historic Art" explaining the inclusion of pieces from 1846.
• Awards: The "Jury Awards" are listed at the bottom, with winners in categories like "Oils," "Sculpture," "Water Color," and "Black and White."
• Invited Artists: A note at the bottom mentions invited artists whose works were not eligible for jury awards.

Right Section:

• Event Details: The top half features the exhibition title, years (1846-1946), dates, and times. It also includes a logo or emblem.
• Venue Information: The bottom half clearly states the location as the Germanic Museum at Harvard University.

Significance:

This document provides a historical snapshot of the local art scene in Cambridge during the mid-20th century, showcasing the work of both up-and-coming and established artists. It also highlights the importance of the centennial celebration in bringing together the community's artistic heritage.

The image is a printed document titled "Cambridge Centennial Exhibition of the work of Cambridge Artists - Continued." The document appears to be an exhibition catalog or program. The top of the document features the title in bold, with the years "1846" and "1946" separated by an asterisk, indicating the centennial celebration. Below the title, there are several sections listing artworks, artists, and other exhibition details.

The document is divided into several columns. The left column lists artists' names along with their artworks, while the right column provides additional information about the exhibition, including dates, times, and locations.

In the left column, the artists' names are followed by their artworks, which are described in brief phrases. For example, "ROSS, KIMBALL, JR." is listed with "131. An Allegory of Honor (Oil)," indicating the artist's name, the artwork's title, and the medium used.

The right column includes sections titled "SCULPTURE," "HISTORIC ART," "JURY AWARDS," "OILS," "HONORABLE MENTION," and "GERMANIC MUSEUM HARVARD UNIVERSITY CAMBRIDGE MASSACHUSETTS." Under "SCULPTURE," specific sculptures are listed, such as "1. Elephanta (Plaster)" by "BACHELOR, MARY A." and "2. Young Madonna (Plaster Relief)" by "EMERY, MARGARET."

Under "HISTORIC ART," there is a note about the section being devoted to pictures and other art objects of the actual Centennial period, 1846.

The "JURY AWARDS" section lists awards given in different categories, such as "FIRST-Oral Table Suffer" by "Karl Oberhuber" and "SECOND-Spring Jilt" by "Catherine Burnsett."

The "OILS" section lists paintings, such as "FIRST-Two Figures (duck)" by "Arnold Geisbuhler" and "SECOND-"Martha"" by "Mary B. Fowler."

The "HONORABLE MENTION" section lists artworks that received honorable mentions, such as "North End Storm" by "Henry T. Nash" and "Self Portrait" by "Edwin Johnson."

The bottom of the document lists invited artists and their artworks, such as "BASKA PAEFF" and "EDWARD W. FORBES."

The document also includes a logo or emblem in the right column, which appears to be related to the exhibition or the institution hosting it.

The exhibition is scheduled from June 17 to July 7, with specific opening hours mentioned. The location is given as the "GERMANIC MUSEUM HARVARD UNIVERSITY CAMBRIDGE MASSACHUSETTS."

In summary, the document is a comprehensive catalog for the Cambridge Centennial Exhibition, detailing the participating artists, their artworks, and the exhibition's schedule and location.

The image is a page from a pamphlet or brochure for the Cambridge Centennial Exhibition of the work of Cambridge Artists. The page contains a list of artists and their artworks, along with information about the exhibition. The text is organized into sections, including "Sculpture," "Oils," "Water Color," and "Black and White." Each section lists the names of the artists and their artworks, along with any awards or honors they received. The page also includes information about the exhibition's location, dates, and hours of operation. The image has a formal and informative tone, with a focus on showcasing the work of local artists and promoting the exhibition.

The image is a printed program or catalog page for the Cambridge Centennial Exhibition of the work of Cambridge Artists, held from June 17 to July 7, 1946, at the Germania Museum, Harvard University, Cambridge, Massachusetts. The page is titled "Cambridge Centennial Exhibition of the work of Cambridge Artists – Continued" and lists artists, their works, and awards.

Key Details:

Header:

• Title: "Cambridge Centennial Exhibition of the work of Cambridge Artists – Continued"
• Years: The exhibition commemorates the period from 1846 to 1946, indicating a centennial celebration.
• Location: Germania Museum, Harvard University, Cambridge, Massachusetts.
• Dates: June 17 – July 7, 1946.
• Hours: Daily, 12:6 O’Clock; Sunday, 2:6 O’Clock.

Layout:

The page is divided into several sections:

1. Artists and Their Works:

The left side of the page lists artists alphabetically, along with their works. Each entry includes:

• Artist Name
• Work Title
• Medium (e.g., WC = Watercolor, Oil, etc.)
• Awards or honors (if applicable)

Examples:

• Ross, Kimball, Jr.
  • 141. Boulevard (WC)
• Bowland, Denham
  • 142. September in Penn. (WC)
  • 143. Repetto Sunlight (WC)
• Santino, Joseph L.
  • 144. Water Hat (WC)
  • 145. Base Rocks (WC)
  • 146. Rolling Surf (WC)
• Schmalz, Carl, Jr.
  • 147. Awakening Sunrise (WC)
  • 148. Market Trailer (WC)
  • 149. The Big Pine (WC)
• Schmitz, Edward A.
  • 150. Tenne (Oil)
• Schroeder, Eric
  • 151. Alley of Honor (Oil)
  • 152. Net Mesto del Cannit di Nostra Vita (Oil)
  • 153. Beechwood (WC)
• Schwartz, Maxwell
  • 154. George Washington Slept Here (Oil)
  • 155. Eastern Cliff (Oil)
  • 156. Rockport (Lithograph)
• Schwenkburg, Ada
  • 157. Milwaukee (Etching)
  • 158. Approaching Thunderstorm (Etching)
• Smith, W. Harry
  • 159. Helping Square (Oil)
  • 160. Lighthouse Grandee (WC)
• Spiers, Happy
  • 161. Monastery Memorial Drive (WC)
• Tondel, Alice B.
  • 162. Dock Square (WC)
  • 163. Rockport Roads (WC)
  • 164. Cambridge Car Line (WC)
• Twardzik, Clake
  • 165. Subway Life (WC)
  • 166. Gleason Street (WC)
  • 167. Little Mama (WC)
• Twardzik, Henryk
  • 168. Child Play Cowboy (Oil)
  • 169. City I Live In (Oil)
  • 170. Oh, I Love My Flowers (Oil)
  • 171. Storm King (Pastel Painting)
• Whitman, John Pratt
  • 172. North End Sketch (WC)
  • 173. Rockport Dorycase B (WC)
  • 174. Cape Ann Collage (WC)
• Williston, Constance I.
  • 175. — (No title provided)
• Winn, Edna
  • 176. Teak House, Lanesville (WC)
• Young, Eleanor M.
  • 177. Yelpe (WC)

2. Awards Section:

The right side of the page lists jury awards for various categories, including Oils, Sculpture, Water Color, Black and White, and Honorable Mentions.

Oils:

• First: Oval Table by Karl Schmalz, Jr.
• Second: Spring Jig by Carl Obersteller
• Third: A Sunday Morning by Henryk Twardzik

Sculpture:

• First: Two Figures by Arnold Geissbuhler
• Second: Martha’s Duck by Mary B. Fowler

Water Color:

• First: Harvard Square by Carl Schmalz, Jr.
• Second: A Sunday Morning by Cornelia Randall
• Third: Rolling Surf by Joseph Santoro

Black and White:

• First: Lou Garland by Dian S. Kelly
• Second: Baby’s Barn by Graham C. Merrill
• Third: Summer Artist by Thomas O’Hara

Honorable Mentions:

• Self Portrait by Katherine Nason
• North End Sketch by Edwin Johnson

3. Additional Notes:

• Invited Artists: A note at the bottom indicates that the listed artists’ works were invited and are therefore unfitted from competition for jury awards.
• Invited Artists List: Includes names such as:
  • Baske, Paeff
  • Edward W. Forbes
  • Arthur Pope
  • Charles Hopkinson

Design and Layout:

• The page is clean and organized, with a structured layout.
• The top right corner features the Cambridge Centennial Exhibition logo, which includes the years 1846–1946 and the text “Cambridge Centennial Exhibition of the work of Cambridge Artists.”
• The bottom right corner reiterates the location (Germania Museum, Harvard University, Cambridge, Massachusetts) and the dates and hours of the exhibition.

Overall Impression:

The image is a formal and detailed program for an art exhibition celebrating the centennial of Cambridge artists. It highlights the works of numerous artists, awards for outstanding pieces, and provides context for the invited artists. The design is professional, with clear categorization and easy-to-read typography.

The image presents a vintage program for the Cambridge Centennial Exhibition of the Work of Cambridge Artists, held from June 17 to July 7, 1946. The program is divided into sections, each highlighting different aspects of the exhibition.

Exhibition Information

• Title: Cambridge Centennial Exhibition of the Work of Cambridge Artists
• Dates: June 17 - July 7, 1946
• Location: Germanic Museum, Harvard University, Cambridge, Massachusetts

Artists and Their Works

• Sculpture: A list of 14 artists, including Ross Kimball Jr., Howland Benjamin, Santoro, Joseph L., Schmale, Carl Jr., Schmitz, Edward A., Schroeder, Elio, Schwartz, Maxwell, Schweinfurth, ADA, Smith, W. Harry, Spiers, Harry, Tondel, Alice B., Twardzik, Claire, Twardzik, Henrek, Whitman, John Pratt, Wellston, Constance B., Winn, Berna, Young, Eleanor N., and Baska, Parff.
• Historic Art: A section dedicated to historic art, featuring works by artists such as Lions, Zelia, Parpe, Baska, and Montgomery, Priscilla.
• Jury Awards: A list of award winners, including oils, sculpture, water color, and black and white categories.
• Oils: First place awarded to Karl Obermeuffer for "Spring Song" by Calvin Burnett, second place to Henryk Twardzik for "Paris 1943", and third place to Henryk Twardzik for "North End Sketch" by Katherine Mason and Self Portrait by Edwin Johnson.
• Sculpture: First place awarded to Arnold Geismuhler for "Two Figures" by Mary B. Fowler, second place to Mary B. Fowler for "Harvard Square" by Carl Schmale Jr., and third place to Joseph Santoro for "Rolling Surf".
• Water Color: First place awarded to Carl Schmale Jr. for "Sunday Morning" by Cornelia Randall, second place to Joseph Santoro for "Rolling Surf", and third place to Diana Kelty for "Bailey's Barn" by Hiram C. Merrill.
• Black and White: First place awarded to Diana Kelty for "Bailey's Barn" by Hiram C. Merrill, second place to Thomas O'Hara for "Summer Airie", and third place to Thomas O'Hara for "Summer Airie".

Additional Information

• Daily Schedule: 12-6 o'clock Sunday, 2-6 o'clock
• Admission: Not specified

In summary, the program provides an overview of the Cambridge Centennial Exhibition, featuring a diverse range of artists and their works, including sculpture, historic art, oils, water color, and black and white categories. The program also highlights the jury awards and daily schedule of the exhibition.

The image depicts a poster for the Cambridge Centennial Exhibition of the work of Cambridge Artists, which took place in 1846 and 1946. The poster is divided into two sections: the left side lists the artists and their works, while the right side provides information about the exhibition.

Left Section:

• The title "Cambridge Centennial Exhibition of the work of Cambridge Artists -- Continued" is written in blue text at the top.
• Below the title, there are two columns of text listing the artists and their works. Each entry includes the artist's name, the title of their work, and a brief description or medium used.
• The list includes a variety of artistic mediums, such as sculpture, painting, and printmaking.

Right Section:

• The title "Cambridge Centennial EXHIBITION of the work of Cambridge ARTISTS" is written in large blue text at the top.
• Below the title, there is a section titled "HISTORIC ART," which describes the exhibition as a "section of the Exhibition is devoted to pictures of historic scenes and events of the Centennial period, circa 1846."
• Further down, there is a section titled "JURY AWARDS," which lists the winners of various awards, including oils, sculpture, water color, and black and white.
• At the bottom of the poster, there is information about the exhibition's location, dates, and times. The exhibition was held at the Germanic Museum, Harvard University, Cambridge, Massachusetts, from June 17 to July 7, with daily hours from 12-6 o'clock and Sunday hours from 2-6 o'clock.

Overall, the poster provides a comprehensive overview of the Cambridge Centennial Exhibition, highlighting the diverse range of artistic works on display and the awards given to outstanding artists.

The image depicts a vintage program for the Cambridge Centennial Exhibition of the work of Cambridge Artists, held from June 17 to July 7.

Exhibition Details

• The exhibition was a continuation of the work of Cambridge artists.
• The event took place at the Germanic Museum, Harvard University, Cambridge, Massachusetts.

Program Layout

The program is divided into two main sections:

• The left side lists the participating artists and their works.
• The right side provides information about the exhibition, including:
  • Dates: June 17 - July 7
  • Hours: Daily, 12-6 O'clock; Sunday, 2-6 O'clock
  • Jury Awards for various categories, such as:
    • Oils
    • Sculpture
    • Water Color
    • Black and White

Additional Information

• The program also includes a note about the invited artists whose works were not considered for jury awards.

Overall

The program provides a comprehensive overview of the exhibition, showcasing the talent and creativity of Cambridge artists during the centennial celebration.

The image presents a vintage-style poster for the "Cambridge Centennial Exhibition of the work of Cambridge Artists," showcasing a comprehensive list of artworks and artists. The poster is divided into two sections, with the left side featuring a detailed catalog of artworks, and the right side providing essential information about the exhibition.

Catalog of Artworks:

• Sculpture:
  • Bachelder, Mary A.
    • 1. Deplanais (Plaster)
  • Emery, Margaret
    • 2. Young Madonna (Plaster Relief)
  • Fowler, Mary B.
    • 3. Martha (The Duck)
    • 3a. War Mother
  • Geissbuhler, Arnold
    • 4. Two Figures (Plaster)
    • 5. Awakening (Plaster)
    • 6. Daniel (Stone)
  • Greece, Marie Zoe
    • 7. Mother and Two Sons
  • Lions, Zelda
    • 8. Roma (Relief)
    • 9. Madonna (Relief)
  • Papayanni, Barka
    • 11-14. Eight works
  • Petytto, Albert
    • 15. Westerner Dancing Figure (Gypsum)
  • Montgomery, Priscilla
    • 20. Sea Piece

Historic Art:

• A section of the Exhibition is devoted to historic art objects of the actual period and kind which from 1846 to 1946, The Committee is greatly indebted to certain libraries, museums, local organizations, and Boston, as noted on the labels, and to many lending art treasures have kindly contributed by individuals.

Jury Awards:

• Oils:
  • FIRST—Oral Table by Karl Obertoffer
  • SECOND—Spinning Jig by Calvin Burnett
  • THIRD—Paris 1943 by Henryk Twardeck
• Honorables Mention:
  • North End Sketch by Katherine Nason
  • and Self Portrait by Edwin Johnson
• Sculpture:
  • FIRST—Two Figures by Arnold Geissbuhler
  • SECOND—"A Martha's" (Duck) by Mary R. Fowler
• Water Color:
  • FIRST—Harvard Square by Carl Schmalz, Jr.
  • SECOND—A Sunday Morning by Cornelia Randall
  • THIRD—Rolling Surf by Joseph Santoro
• Black and White:
  • FIRST—Lou Garland by Diana Kelly
  • SECOND—Beasley's Barn by Hiram C. Merrill
  • THIRD—Summer Artist by Thomas O'Neil

Invited:

• The following artists' works were invited. They are therefore not eligible for competition for jury awards.
• Baska Paruf
• Edward W. Forbes
• Arthur Pope
• Charles Hopkinson

Exhibition Details:

• Dates: June 17 - July 7
• Time: Daily, 12-6 o'clock; Sunday, 2-6 o'clock
• Location: Germanic Museum, Harvard University, Cambridge, Massachusetts

The image is a poster for the "Cambridge Centennial Exhibition of the work of Cambridge Artists," held from June 17 to July 7, 1946. The exhibition took place at the Germanic Museum at Harvard University in Cambridge, Massachusetts.

The poster lists various artists and their works, categorized by medium:

• Oils:

  • Ross Kimball, Jr.
  • Rowland and Benjamin
  • Sanford Joseph A.
  • Bohmall, Carl, Jr.
  • Schmitz, Edward A.
  • Schroeder, Eric
  • Soder, Arthur Maxwell
  • Schwienfurth, Ada
  • Smith, Lawrence
  • Spencer, Helen
  • Tondel, Alice B.
  • Tyler, Doris
  • Tyler, Hilde
  • Whitman, John Pratt
  • Williston, Constance B.
  • Wynn, Edy
  • Young, Elizabeth

• Sculpture:

  • Bacholors, Mary A.
  • Emory, Margaret
  • Farnsworth, John
  • Geppert, Harold
  • Gore, Elizabeth
  • Hutchins, Elizabeth
  • Lupa, Zela
  • Parry, Barbara
  • Pettit, Edward
  • Montgomery, Priscilla

• Historic Art:

  • A section dedicated to pictures and other art objects of the period 1846-1946, loaned by individuals and organizations.

• Jury Awards:

  • Oils:
    • First: "Oval Table" by Karl Schrag
    • Second: "Spring Jug" by Helen Blumen
    • Third: "Paris 1933" by Henryk Twardzik
    • Honorable Mention: "The Window" by Katherine Nason and "Self Portrait" by John Pratt
  • Sculpture:
    • First: "Boy and Dog" by Arnold Geissbuhler
    • Second: "Martha" (duck) by Lupa Zela
  • Water Color:
    • First: "Head of Queen" by Carl Schrag, Jr.
    • Second: "A. Sunny Morning" by Carl Schrag, Jr.
    • Third: "Rolling Surf" by Joseph Santerre
  • Black and White:
    • First: "Fishing" by Dana Kane
    • Second: "Baby's Room" by Mary P. Lilli
    • Third: "Summer Artist" by Thomas O'Hara

The poster also mentions that the following artists' works were not eligible for jury awards:

• Barka Pardy
• Edward W. Porter
• Arthur Pope
• Charles Hopkinson

The exhibition was open daily from 12:6 to 6:00 and on Sundays from 2:6 to 6:00.