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This image is a scanned newspaper clipping, specifically an Art Review titled “REGARDING ART” by Lawrence Dame, published in the Boston Herald on June 23, 1946.

Publication Details:

• Headline: “BOSTON NEWS CLIP”
• Address: 120 Tremont Street, Boston 8, Mass.
• Newspaper: Herald, Boston, Mass.
• Date: JUN 23 1946
• Author: Lawrence Dame
• Section/Title: “REGARDING ART”

Content Summary:

The article provides a detailed review of the 6th annual Cambridge Centennial Art Exhibition held at Hagar’s Germanic Museum (in Cambridge, MA). The reviewer notes that the show was organized by the Cambridge Art Committee and was a success.

Highlights from the Exhibition:

Awards:

• First Prize: Karl Obermeier’s sculpture, “Twin Figures,” described as “a loose and imaginative version of Harwood Square, Arnold Gestenholder’s ‘Twin Figures’” — likely a typo, and perhaps referring to his own work or another artist’s; the description notes the sculpture's modern, abstract qualities.
• Second Prize: Burt Mirault’s watercolor, “Woods,” for its “graceful, gay oil painting of sidewalk revelry,” possibly a misattribution or error; the actual prize is for a “graceful watercolor of sidewalk revelry to Hiram C. Merrill.”
• Third Prizes were awarded to:
  • Henry Tweedie for an oil oil life (“sic”; likely meant “oil on life” or “oil portrait of life”) — possibly a typo for “oil portrait” or “oil painting of life.”
  • Priscilla O’Hara for an oil portrait of a student (possibly Charles Perella’s portrait of a student, discussed below).
  • Philip L. “The Poet—full of light and feeling,” though the name is cut off.
  • Joseph Rains for “a loose handling of watercolor for rolling sun...” (text is incomplete).

[Note: There are some typographical or scanning errors in OCR, making some attributions slightly unclear.]

“Today-and Yesterday” Section:

This subsection discusses older, classic works being remembered or rediscovered:

• A Charles Perella oil portrait of a student, noted for its “bold, in its use of grays, mauve and green.”
• A portrait by Charles Hopkinson of a “proud, experienced style,” possibly of a woman walking in Harvard Yard, with “fine burn of color, golden color.”
• Katherine Mason’s “North End” painting, praised for its “honorific homage,” “tremendous tonal range,” and “exquisite handling of light and shade,” with “subtle color.”
• A portrait by Pat Erskine — “a sort of mystical impressionism who prefers symbolic themes.”
• Phoebe Lief’s work, “combines some deft handling of pigment and finish with surrealistic ideas in ‘Toy Place and Cowboy with Sand Pile’,” described as “a jagged lines and little dashes of what seems to be force.”

“The Stuart’s Picnic” Section:

This section reviews an exhibition at the Stuart Art Gallery in Stuart Street, Boston.

• Features Seymour Stewart’s “mystic, moody” piece titled “Rooms Christ.”
• Waldo Kaufer’s surrealist work, “a gnarled tree, and Ethel Shindler’s dreamy, almost plastic landscape.”
• Maurice Grant Barr’s self-portrait, “A Lazy Cove,” is described as “a sort of picnic which nearly 80 painters attend.”
• Manley Butler’s painting at the 20th Century Association, “an oil-monor roaring off of a Boston Museum,” noted for “the fun of painting above. Messrs. Shaw and Morrison and Miss Dean...”

Additional Notes:

• The review praises William Jewett’s watercolor, “Boston Common,” for its “mid-winter scene” and “water color tonal balance.”
• Mentions a “self-portrait” by John R. Loomis, which is “a quasist self-portrait by Long fellow” (possibly Loring).
• Discusses various other artists and techniques, including “stark, rhythmic piece” and “richly colored river landscapes.”

Visual Elements:

• The text is printed in a dense, two-column layout typical of mid-20th-century newspapers.
• The paper appears aged, yellowed, with some smudges and edge wear.
• The column is labeled “BOSTON NEWS CLIP,” suggesting this was clipped and saved for archival purposes.

Overall Tone:

The reviewer, Lawrence Dame, is knowledgeable and critical, offering both praise and nuanced critique. He values expressive color, imaginative forms, and technical skill. The article reflects the artistic milieu of post-war Boston and Cambridge — focused on local exhibitions, award-winning local artists, and the growing interest in modernist and surrealistic styles.

This clipping serves as a historical record of the Boston-area art scene in 1946, capturing the tastes, award systems, and critical discourse of the time.

The image depicts a newspaper clipping from the "Boston Herald" dated June 23, 1946. The headline reads "REGARDING ART" and is authored by Lawrence Dame. The article discusses various art exhibitions and events, highlighting artists and their works, including those at Harvard's Germanic Museum and the Stuart Gallery in Boston. The text includes descriptions of paintings, sculptures, and other artistic creations, mentioning artists like William Jewell, Anthony Milici, and others. The article also touches on the art scene in Boston, mentioning different galleries and events, and references both contemporary and historical aspects of art. The overall tone is informative and appreciative of the artistic community in Boston.

This image is a scanned copy of a newspaper clipping titled "REGARDING ART" by Lawrence Dame, dated June 23, 1946, from the Boston Herald. The clipping discusses various art exhibitions and events in the Boston area, including the Cambridge Centennial Art Exhibition at Harvard's Germanic Museum and the new exhibition at the Stuart Gallery in Stuart Street, Boston.

The article highlights several artists and their works, mentioning awards and notable pieces. It also describes the historical rooms at the Germanic Museum, which feature models of old Cambridge mansions and vanished gardens, self-portraits, and other historical items.

The section "Today and Yesterday" discusses the diversity of art styles and subjects, ranging from traditional portraits to abstract and surrealist works. It mentions artists like Charles Farrell, Charles Hopkinson, Katherine Nason, and many others, describing their techniques and the themes of their artworks.

The article concludes with information about other art exhibitions and galleries, including the 20th Century Association in Joy Street, the Margaret Brown Gallery in Newbury Street, and the Rodman Memorial Gallery in Fitzwilliam, N.H.

The image shows a newspaper clipping from the Boston News Clip Herald, dated June 23, 1946. The clipping is titled "Regarding Art" and features an article by Lawrence Hand. The article discusses various art exhibitions and events happening in Boston at the time. It mentions the opening of the 20th Century Association's exhibition at the Rodman Memorial Gallery, showcasing works by artists like Stanley Woodward and William N. Brown. The article also highlights other exhibitions, including one at the Copley Society featuring works by artists such as Ruth Cleveland, Pat Erickson, and Mac-Donald. The clipping provides a snapshot of the art scene in Boston during that period, showcasing the diversity of artistic styles and the vibrant cultural atmosphere of the city.

This image is of a newspaper clipping from the Boston News Clip Herald, dated June 23, 1946. The clipping is from an article titled "Regarding Art" by Lawrence Garland. The article discusses the upcoming celebration of the Cambridge Centennial at Harvard's Germanic Museum, which will feature an exhibition of watercolor paintings by Allan Crites. The article also mentions a watercolor exhibition at the Stuart Art Gallery, featuring works by various artists, including Polly Thayer Young, Waldo Kauffer, and Shindler. Additionally, the article highlights the Rodham Memorial Gallery's 14th season, which will feature paintings by Stanley Woodward.

The image is a scanned newspaper clipping from the Boston News Clip, dated June 23, 1946, and published by the Herald in Boston, Mass. The article is titled "REGARDING ART" and is authored by LAWRENCE DAME.

Key Details from the Image:

Header Information:

• Title: "REGARDING ART"
• Author: Lawrence Dame
• Publication: Boston News Clip, 120 Fremont Street, Boston, Mass.
• Date: June 23, 1946

Content Overview:

The article discusses various art-related topics, including exhibitions, artists, and critiques. It is structured into several sections, each addressing different aspects of the art world.

Section 1: "Cambridge's Coming Centennial"

• Focus: An upcoming exhibition at Harvard University to celebrate the 300th anniversary of the Cambridge Centennial.
• Details:
  • The exhibition features a hand-carved frame by William Jewett.
  • The frame is described as a mid-winter scene, with elements like snow-laden branches and ice crystals.
  • The article highlights the German guarantee to lend spring to the scene, suggesting a symbolic or thematic representation of nature.
  • Other notable pieces mentioned include:
    • Alma Otterson's watercolors of Boston Common and much-repeated scenes.
    • Antony Milici's triptych for the Germanic Library, featuring a fraying sail and storm-tossed boats.
    • William Chilion's oil painting of the Charles River landscape.
    • Kay Macomber's portraits of notable figures, including General Hospital patients.

Section 2: "The Stuart's Picnic"

• Focus: A critique of an art exhibition at the Stuart Gallery.
• Details:
  • The article discusses the modernist direction of the exhibition, noting that it has stirred controversy.
  • Seymour Swenson's work is highlighted, described as balanced between precision and abstraction.
  • Waldorf Kramer's surrealistic piece, titled "The Christ Shindler," is mentioned, featuring a graffited tree and athletic landscape.
  • Grindel's work is described as steeply sloped portraits, with gray, massive forms and subtle gradations.
  • Katharine Nash's work is noted for its fervent use of color, with electric charges and gleaming surfaces.
  • Clifford Mosher's work is praised for its simplicity, with flat surfaces and bold colors.
  • Ernst Haescheke's work is critiqued for being profound but lacking in subtlety, described as a whole field of flowers and planned them in.

Other Mentions:

• Today and Yesterday: A brief section discussing Charles Pfenninger's work, noting its gray, massive forms and steeply sloped portraits.
• The Newman Memorial Gallery: An upcoming exhibition featuring rare paintings by Puritanism, Framingham Center, and Framingham Memorial Gallery.
• The Newbury Street Gallery: Mentioned as a venue for rare paintings.

Visual Elements:

• The text is printed in a standard newspaper font, with clear headings and subheadings.
• The article is densely packed with information, typical of a newspaper column.
• There are no images or illustrations accompanying the text; it is purely textual.

Overall Impression:

The article provides a snapshot of the art scene in Boston during the mid-20th century, highlighting exhibitions, artists, and critical perspectives. It reflects the era's interest in modern art and the diverse styles being showcased in local galleries. The tone is analytical and informative, aimed at art enthusiasts and the general public.

This image shows a vintage newspaper clipping from the Boston Herald dated June 23, 1946. The title of the article is "Regarding Art," written by Lawrence Dame. The article discusses various aspects of art and exhibitions, referencing specific artists, their techniques, and notable works. It includes observations on the art scene in Cambridge and beyond, mentions centennial celebrations, and highlights trends in painting and artistic styles. The text includes critiques and descriptions of individual works, as well as details about historical rooms, portrait styles, and events.

• A collage of old newspaper clippings mounted on a light gray wall.
• The central piece is a tall, yellowed clipping with the bold headline “REGARDING ART” (by Lawrence Dame). It’s set in two narrow columns of text and extends into a long vertical strip.
• Above the main piece is a small clippings labeled “BOSTON NEWS CLIP” with an address (Boston, Mass.) and a date that appears to be June 23, 1946.
• The left column clipping includes subheadings like “Today and Yesterday,” while the right side features mentions of topics such as “The Stuart’s Picnic.”
• The papers look aged, with rough, torn edges, and they are arranged in a layered collage on a plain gray background.

This image shows a newspaper clipping titled "BOSTON NEWS CLIP" from the "Herald" at 120 Tremont Street, Boston, Mass., dated Jun 2 3 1946. The main article is headlined "REGARDING ART" and is written by Lawrence Dame. It appears to be an opinion or commentary piece relating to the art scene, mentioning several artists, exhibitions, and commentary on the quality and nature of various artworks and exhibitions.

The column is split into two parts. The first ("REGARDING ART") covers topics such as exhibitions in Cambridge's Continental Art Galleries and various pieces of artwork, as well as mentioning artists, including Winslow Homer and Andrew Wyeth. The text also refers to other locations like the Metropolitan Museum of Art and discusses opinions on certain artworks.

The second part of the column, below the first, is titled "Today and Yesterday" and seems to compare different periods or aspects of art and society. The text is cut off at the right side, so not all the content can be read fully.

The newspaper clipping is displayed against a solid grey background, and the physical condition of the paper suggests age and wear, with some discoloration and rough edges. There are handwritten numbers on the clipping, perhaps for archival or organizational purposes.

The image shows a newspaper clipping from the "Herald" in Boston, Mass., dated June 23, 1946, titled "Regarding Art" by Lawrence Dame. The article discusses various art-related news and events in Cambridge as part of its centennial celebrations. It mentions exhibits at the Cambridge Centennial Art Exhibition at Harvard's Germanic Museum, highlighting several artists and their works, including paintings, sculptures, and drawings. Specific artists like John Kelty, Charles Farrell, Charles Hopkins, and others are noted for their contributions. The article also covers upcoming exhibitions, awards, and notable pieces, along with details about art styles and themes. Additionally, it discusses the opening of new art galleries and mentions individuals involved in organizing or participating in these events. The text is presented in a narrow column format and appears aged, with some handwritten annotations at the top. There is also a small header at the top indicating it is a "BOSTON NEWS CLIP" from 120 Tremont Street, Boston.