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This image is a scanned newspaper clipping, specifically an Art Review titled “REGARDING ART” by Lawrence Dame, published in the Boston Herald on June 23, 1946.

Publication Details:

• Headline: “BOSTON NEWS CLIP”
• Address: 120 Tremont Street, Boston 8, Mass.
• Newspaper: Herald, Boston, Mass.
• Date: JUN 23 1946
• Author: Lawrence Dame
• Section/Title: “REGARDING ART”

Content Summary:

The article provides a detailed review of the 6th annual Cambridge Centennial Art Exhibition held at Hagar’s Germanic Museum (in Cambridge, MA). The reviewer notes that the show was organized by the Cambridge Art Committee and was a success.

Highlights from the Exhibition:

Awards:

• First Prize: Karl Obermeier’s sculpture, “Twin Figures,” described as “a loose and imaginative version of Harwood Square, Arnold Gestenholder’s ‘Twin Figures’” — likely a typo, and perhaps referring to his own work or another artist’s; the description notes the sculpture's modern, abstract qualities.
• Second Prize: Burt Mirault’s watercolor, “Woods,” for its “graceful, gay oil painting of sidewalk revelry,” possibly a misattribution or error; the actual prize is for a “graceful watercolor of sidewalk revelry to Hiram C. Merrill.”
• Third Prizes were awarded to:
  • Henry Tweedie for an oil oil life (“sic”; likely meant “oil on life” or “oil portrait of life”) — possibly a typo for “oil portrait” or “oil painting of life.”
  • Priscilla O’Hara for an oil portrait of a student (possibly Charles Perella’s portrait of a student, discussed below).
  • Philip L. “The Poet—full of light and feeling,” though the name is cut off.
  • Joseph Rains for “a loose handling of watercolor for rolling sun...” (text is incomplete).

[Note: There are some typographical or scanning errors in OCR, making some attributions slightly unclear.]

“Today-and Yesterday” Section:

This subsection discusses older, classic works being remembered or rediscovered:

• A Charles Perella oil portrait of a student, noted for its “bold, in its use of grays, mauve and green.”
• A portrait by Charles Hopkinson of a “proud, experienced style,” possibly of a woman walking in Harvard Yard, with “fine burn of color, golden color.”
• Katherine Mason’s “North End” painting, praised for its “honorific homage,” “tremendous tonal range,” and “exquisite handling of light and shade,” with “subtle color.”
• A portrait by Pat Erskine — “a sort of mystical impressionism who prefers symbolic themes.”
• Phoebe Lief’s work, “combines some deft handling of pigment and finish with surrealistic ideas in ‘Toy Place and Cowboy with Sand Pile’,” described as “a jagged lines and little dashes of what seems to be force.”

“The Stuart’s Picnic” Section:

This section reviews an exhibition at the Stuart Art Gallery in Stuart Street, Boston.

• Features Seymour Stewart’s “mystic, moody” piece titled “Rooms Christ.”
• Waldo Kaufer’s surrealist work, “a gnarled tree, and Ethel Shindler’s dreamy, almost plastic landscape.”
• Maurice Grant Barr’s self-portrait, “A Lazy Cove,” is described as “a sort of picnic which nearly 80 painters attend.”
• Manley Butler’s painting at the 20th Century Association, “an oil-monor roaring off of a Boston Museum,” noted for “the fun of painting above. Messrs. Shaw and Morrison and Miss Dean...”

Additional Notes:

• The review praises William Jewett’s watercolor, “Boston Common,” for its “mid-winter scene” and “water color tonal balance.”
• Mentions a “self-portrait” by John R. Loomis, which is “a quasist self-portrait by Long fellow” (possibly Loring).
• Discusses various other artists and techniques, including “stark, rhythmic piece” and “richly colored river landscapes.”

Visual Elements:

• The text is printed in a dense, two-column layout typical of mid-20th-century newspapers.
• The paper appears aged, yellowed, with some smudges and edge wear.
• The column is labeled “BOSTON NEWS CLIP,” suggesting this was clipped and saved for archival purposes.

Overall Tone:

The reviewer, Lawrence Dame, is knowledgeable and critical, offering both praise and nuanced critique. He values expressive color, imaginative forms, and technical skill. The article reflects the artistic milieu of post-war Boston and Cambridge — focused on local exhibitions, award-winning local artists, and the growing interest in modernist and surrealistic styles.

This clipping serves as a historical record of the Boston-area art scene in 1946, capturing the tastes, award systems, and critical discourse of the time.

The image depicts a newspaper clipping from the "Boston Herald" dated June 23, 1946. The headline reads "REGARDING ART" and is authored by Lawrence Dame. The article discusses various art exhibitions and events, highlighting artists and their works, including those at Harvard's Germanic Museum and the Stuart Gallery in Boston. The text includes descriptions of paintings, sculptures, and other artistic creations, mentioning artists like William Jewell, Anthony Milici, and others. The article also touches on the art scene in Boston, mentioning different galleries and events, and references both contemporary and historical aspects of art. The overall tone is informative and appreciative of the artistic community in Boston.

This image is a scanned copy of a newspaper clipping titled "REGARDING ART" by Lawrence Dame, dated June 23, 1946, from the Boston Herald. The clipping discusses various art exhibitions and events in the Boston area, including the Cambridge Centennial Art Exhibition at Harvard's Germanic Museum and the new exhibition at the Stuart Gallery in Stuart Street, Boston.

The article highlights several artists and their works, mentioning awards and notable pieces. It also describes the historical rooms at the Germanic Museum, which feature models of old Cambridge mansions and vanished gardens, self-portraits, and other historical items.

The section "Today and Yesterday" discusses the diversity of art styles and subjects, ranging from traditional portraits to abstract and surrealist works. It mentions artists like Charles Farrell, Charles Hopkinson, Katherine Nason, and many others, describing their techniques and the themes of their artworks.

The article concludes with information about other art exhibitions and galleries, including the 20th Century Association in Joy Street, the Margaret Brown Gallery in Newbury Street, and the Rodman Memorial Gallery in Fitzwilliam, N.H.

The image shows a newspaper clipping from the Boston News Clip Herald, dated June 23, 1946. The clipping is titled "Regarding Art" and features an article by Lawrence Hand. The article discusses various art exhibitions and events happening in Boston at the time. It mentions the opening of the 20th Century Association's exhibition at the Rodman Memorial Gallery, showcasing works by artists like Stanley Woodward and William N. Brown. The article also highlights other exhibitions, including one at the Copley Society featuring works by artists such as Ruth Cleveland, Pat Erickson, and Mac-Donald. The clipping provides a snapshot of the art scene in Boston during that period, showcasing the diversity of artistic styles and the vibrant cultural atmosphere of the city.

This image is of a newspaper clipping from the Boston News Clip Herald, dated June 23, 1946. The clipping is from an article titled "Regarding Art" by Lawrence Garland. The article discusses the upcoming celebration of the Cambridge Centennial at Harvard's Germanic Museum, which will feature an exhibition of watercolor paintings by Allan Crites. The article also mentions a watercolor exhibition at the Stuart Art Gallery, featuring works by various artists, including Polly Thayer Young, Waldo Kauffer, and Shindler. Additionally, the article highlights the Rodham Memorial Gallery's 14th season, which will feature paintings by Stanley Woodward.

The image is a scanned newspaper clipping from the Boston News Clip, dated June 23, 1946, and published by the Herald in Boston, Mass. The article is titled "REGARDING ART" and is authored by LAWRENCE DAME.

Key Details from the Image:

Header Information:

• Title: "REGARDING ART"
• Author: Lawrence Dame
• Publication: Boston News Clip, 120 Fremont Street, Boston, Mass.
• Date: June 23, 1946

Content Overview:

The article discusses various art-related topics, including exhibitions, artists, and critiques. It is structured into several sections, each addressing different aspects of the art world.

Section 1: "Cambridge's Coming Centennial"

• Focus: An upcoming exhibition at Harvard University to celebrate the 300th anniversary of the Cambridge Centennial.
• Details:
  • The exhibition features a hand-carved frame by William Jewett.
  • The frame is described as a mid-winter scene, with elements like snow-laden branches and ice crystals.
  • The article highlights the German guarantee to lend spring to the scene, suggesting a symbolic or thematic representation of nature.
  • Other notable pieces mentioned include:
    • Alma Otterson's watercolors of Boston Common and much-repeated scenes.
    • Antony Milici's triptych for the Germanic Library, featuring a fraying sail and storm-tossed boats.
    • William Chilion's oil painting of the Charles River landscape.
    • Kay Macomber's portraits of notable figures, including General Hospital patients.

Section 2: "The Stuart's Picnic"

• Focus: A critique of an art exhibition at the Stuart Gallery.
• Details:
  • The article discusses the modernist direction of the exhibition, noting that it has stirred controversy.
  • Seymour Swenson's work is highlighted, described as balanced between precision and abstraction.
  • Waldorf Kramer's surrealistic piece, titled "The Christ Shindler," is mentioned, featuring a graffited tree and athletic landscape.
  • Grindel's work is described as steeply sloped portraits, with gray, massive forms and subtle gradations.
  • Katharine Nash's work is noted for its fervent use of color, with electric charges and gleaming surfaces.
  • Clifford Mosher's work is praised for its simplicity, with flat surfaces and bold colors.
  • Ernst Haescheke's work is critiqued for being profound but lacking in subtlety, described as a whole field of flowers and planned them in.

Other Mentions:

• Today and Yesterday: A brief section discussing Charles Pfenninger's work, noting its gray, massive forms and steeply sloped portraits.
• The Newman Memorial Gallery: An upcoming exhibition featuring rare paintings by Puritanism, Framingham Center, and Framingham Memorial Gallery.
• The Newbury Street Gallery: Mentioned as a venue for rare paintings.

Visual Elements:

• The text is printed in a standard newspaper font, with clear headings and subheadings.
• The article is densely packed with information, typical of a newspaper column.
• There are no images or illustrations accompanying the text; it is purely textual.

Overall Impression:

The article provides a snapshot of the art scene in Boston during the mid-20th century, highlighting exhibitions, artists, and critical perspectives. It reflects the era's interest in modern art and the diverse styles being showcased in local galleries. The tone is analytical and informative, aimed at art enthusiasts and the general public.

The image shows a newspaper clipping from the Boston News Clip, dated June 23, 1946. The article is titled "Regarding Art" by Lawrence Dame and features a column of text discussing art exhibitions in Boston. The clipping is placed on a gray background.

Here are the key points about the image:

• Newspaper Clipping:
  • Title: "Regarding Art"
  • Author: Lawrence Dame
  • Date: June 23, 1946
  • Location: Boston News Clip
• Article Content:
  • Discusses art exhibitions in Boston
  • Mentions various artists and their works
  • Provides information about upcoming events and shows
• Visual Description:
  • The clipping is a vertical rectangle with a beige background
  • The text is black and printed in a standard newspaper font
  • The article is divided into paragraphs with clear headings and subheadings
• Background:
  • The background of the image is a solid gray color

Overall, the image provides a snapshot of the art scene in Boston in 1946, highlighting the work of local artists and the exhibitions that were taking place at the time.

The image depicts a newspaper clipping from the Boston News Clip, dated June 23, 1946. The clipping features an article titled "Regarding Art" by Lawrence Dame, which discusses various art exhibitions and events in Boston.

Key Points:

• Newspaper Clipping: The image shows a newspaper clipping from the Boston News Clip, dated June 23, 1946.
• Article Title: The article is titled "Regarding Art" and is written by Lawrence Dame.
• Content: The article discusses various art exhibitions and events in Boston, including a show at the Institute of Contemporary Art and a sculpture exhibition at the Museum of Fine Arts.
• Tone: The tone of the article is informative and objective, providing readers with information about the art scene in Boston.
• Purpose: The purpose of the article is to inform readers about the latest developments in the art world in Boston.

Visual Description:

• Layout: The clipping is arranged in a vertical format, with the title and author's name at the top.
• Font: The font used is clear and easy to read, with headings and subheadings used to break up the text.
• Images: There are no images accompanying the article, but there are several other articles and advertisements on the same page.
• Background: The background of the image is a light gray color, which provides a neutral backdrop for the clipping.

Conclusion:

In conclusion, the image depicts a newspaper clipping from the Boston News Clip, dated June 23, 1946, featuring an article titled "Regarding Art" by Lawrence Dame. The article discusses various art exhibitions and events in Boston, providing readers with information about the latest developments in the art world. The tone of the article is informative and objective, and the layout and design of the clipping make it easy to read and understand.

The image is a scanned newspaper clipping from the Boston Herald, dated June 23, 1946.

• The clipping is titled "REGARDING ART" and is written by Lawrence Dame.
  • The article discusses various art exhibitions and events in Boston.
  • It mentions the celebration of the city's 300th anniversary and the art exhibitions that are part of it.
  • The article highlights the work of several local artists, including Allan Crite, Anthony Milliot, and John Goodnough.
  • It also mentions the Stuart's Picnic exhibition at the Boris Mirski Gallery.
• The clipping is from the Boston News Clip, a service that provides news clippings to clients.
  • The address of the Boston News Clip is listed as 120 Tremont Street, Boston 8, Mass.
• The background of the image is a light gray color.
  • The clipping is centered on the page, with a slight tear at the bottom.

Overall, the image provides a glimpse into the art scene in Boston in 1946, highlighting the work of local artists and the exhibitions that were taking place at the time.

The image presents a vintage newspaper clipping, specifically from the "Boston News Clip" dated June 23, 1946. The article is titled "Regarding Art" and features a review of an art exhibition.

Newspaper Clipping Details:

• Date: June 23, 1946
• Source: Boston News Clip
• Title: "Regarding Art"
• Author: Lawrence Dame

Article Content:

The article discusses various artworks and artists, including:

• A review of the Cambridge Overseas Art Exhibition
• Mention of several artists, such as Allan Crite, Anthony Millicent, and John Leamman
• Discussion of different art styles and techniques

Visual Description:

The newspaper clipping is yellowed with age and has a worn appearance, with visible tears and creases. The text is in black ink, and the layout is typical of a newspaper article from the time period.

Background:

The background of the image is a solid gray color, which helps to highlight the newspaper clipping.

Overall:

The image provides a glimpse into the art world of 1946, showcasing the work of various artists and the styles of the time. The vintage newspaper clipping adds a unique touch to the image, making it a fascinating piece of art history.