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The image shows a newspaper clipping from the "Boston News Clip" dated June 29, 1946. The article is titled "Regarding Art" and is written by Lawrence Bane. The article discusses an exhibition of contemporary hand-woven frames at the Cambridge Centennial Art Exhibition. It highlights the work of various artists, including Doris Prouty, whose paintings are noted for their "delicate sensitivity" and "poetic quality." The article also mentions other artists like Donald Walton, Robert Emmons, and Harvey Brever, describing their works and styles. Additionally, there is a section titled "The Stuart's Picnic," which discusses a lecture by Walter Kaufman on the topic of "The Stuart's Picnic," focusing on the architecture and history of the Stuart House. The article concludes with a section titled "Today and Yesterday," which provides updates on various artists and their exhibitions, including mentions of Katherine Lane, William Paxton, and others. The clipping is from the Boston News Bureau and is located at 240 Tremont Street, Boston 16, Mass.

REGARDING ART

By LAWRENCE DAME

If Cambridge's coming centennial's hand-carved frame, the whole of which is a huge, intricate, inlaid map of the world, is any indication, the Cambridge Centennial Art Exhibition, which opens at the Fogg Art Museum, then we may expect the sound painting to be the rule. The Fogg, with its fine array of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For it is a fine show of characterist Allan Crite's water colors, and the Harvard Art Museum, with its fine collection of the work of the late John La Farge, are in triumph. For

The image is a newspaper clipping from the Boston Herald dated June 2, 1946. The headline of the article is "Regarding Art" by Lawrence Dame.

The article discusses various aspects of art exhibitions and artists from Boston and the surrounding areas. Here are some specific points highlighted:

1. Cambridge Exhibition:

   • The opening of a hand-carved frame from the Cambridge Centennial Art Exhibition is mentioned, which is expected to be a significant piece at the Cambridge Museum.

2. Artistic Contributions:

   • William Jewett Verrill's painting of a summer scene at the Cambridge Museum is highlighted as a noteworthy addition.
   • The work of artists such as Alan Critch and Anthony Milliken is praised, with Milliken's book being particularly noted.

3. Local Artists and Exhibits:

   • Several local artists are mentioned, including Eleanor Goodridge, Leo Steinberg, and others, whose works are featured in the Cambridge art exhibition.
   • Works by artists such as Joseph Stella, who has a painting at the German art committee, are discussed.

4. Artistic Themes and Styles:

   • The article mentions a variety of artistic styles, including impressionism, cubism, and surrealism.
   • Examples of works by artists like Paul Klee, Henri Matisse, and Wassily Kandinsky are noted for their unique contributions to modern art.

5. Notable Exhibitions:

   • The Sturt’s Picnic exhibition, featuring works by Henry Twartdick, is noted for its diverse collection of art pieces.
   • The exhibit showcases a range of styles, from the classic to the modern, including works by Henry Twartdick, Seymour H. Goodman, and others.

6. Gallery and Art Events:

   • Events and gallery openings are listed, such as the opening of the Rodman Memorial Gallery in Newbury Street, featuring a variety of artworks and events throughout the summer.

The article provides a snapshot of the cultural and artistic life in Boston during the mid-20th century, showcasing a mix of established and emerging artists and their contributions to the local art scene.

The image is a clipping from a newspaper titled "Boston News Clip," dated June 23, 1946, located at 120 Tremont Street, Boston, Massachusetts. The article is titled "Regarding Art" and is written by Lawrence Dame.

The article discusses an exhibition of art at the Cambridge Centennial Art Exposition. It highlights various artworks and artists, including:

• A hand-carved frame by William Jenney, depicting a spring scene.
• A sound painting by William Zorach.
• A "souvenir of war" by Anthony Melli, which is a painting of a soldier.
• An array of characteristically different works by Allan Cristea's watercolors and a painting by Arthur B. Davies.
• A "fascination" of a seascape by Anthony Melli.
• An academic and academic-almost painting by T. Leaman, depicting a landscape with figures.
• Works by John F. Carlson, such as a watercolor of the Charles River and a pastel of the Charles River at night.
• Portraits by Katharine O'Hara and Diana Kelly.
• A portrait of a woman by Carl Schmalz, Jr.
• A portrait of a man by Louise Emmons.
• A portrait of a woman by Key West artist Key West artist, John F. Carlson.
• A portrait of a woman by Henry Ossawa Tanner.
• A portrait by Arnold Genthe.
• A portrait by Ethel Marsden.
• A portrait by William Zorach.
• A portrait by John F. Carlson.
• A portrait by John F. Carlson.
• A portrait by Henry Ossawa Tanner.
• A portrait by Arthur B. Davies.
• A portrait by Maurice Prendergast.
• A portrait by Maurice Prendergast.
• A portrait by Maurice Prendergast.
• A portrait by Maurice Prendergast.
• A portrait by Maurice Prendergast.
• A portrait by Maurice Prendergast.
• A portrait by Maurice Prendergast.

The article also mentions an exhibition of prints by Henry Twombly, a portrait of a man by Seymour Rosofsky, and a surrealistic portrait by Waldo Kaufmann. Additionally, it discusses a show by Shulder's dreamy, almost-sentimental style and a group of artists including Katherine Nash, Endre Nemes, and others.

The article concludes by mentioning an exhibition of 20th Century art, featuring works by various artists such as Maurice Prendergast, Maurice Rosofsky, and others, held at the Cambridge Art Association. It also notes an upcoming exhibition at the Rodman Memorial Gallery in Framingham, Massachusetts.

The image is a newspaper clipping from the Boston News Clip, dated June 23, 1946. The article, titled "REGARDING ART," is written by Lawrence Dame. The article discusses an art exhibition held at the Cambridge Art Ex-Relief Exhibition, which showcases various artists and their works.

Key points of the article include:

1. Introduction: The article begins by mentioning the diverse array of artworks displayed, ranging from traditional to more contemporary pieces.

2. Artists and Works:

   • William Jennings: His work is described as a blend of "old-world" and "new-world" styles.
   • Alan Critz: His watercolor is noted for its "southern" feel.
   • Anthony Milici: Known for his sculptures, including a book by a city art committee.
   • Ellen Perper: Her academic and modern styles are mentioned.
   • Diana Kelly: Known for her portrait of a young girl.
   • Carl Schmalz, Jr.: His watercolor is noted for its historical depiction.
   • Charles H. Goodridge: His painting captures a sense of movement and energy.
   • Kay Oberwetter: Her portrait is praised for its technical skill and emotional depth.
   • Katherine Nash: Her work is described as having a "modern" feel.
   • Katherine Nash's "Merry Go Round": A standout piece with vibrant colors and a sense of movement.
   • Henry Twachtman: His watercolor is noted for its impressionistic style.

3. Today and Yesterday: The article contrasts modern art with traditional styles, highlighting how both can coexist and complement each other.

4. Specific Works and Artists:

   • Henry Stuart's "Picnic": Described as a balanced and harmonious piece.
   • Seymour Rosenthal's "The Pool": Known for its use of color and architectural elements.
   • Waldo Kaufer's "Surrealist": Noted for its dreamlike quality.
   • Other artists mentioned: Maurice Grossman, Charles Shulman, Katherine Nash, and others are noted for their unique styles and contributions to the exhibition.

5. Miscellaneous:

   • The article mentions the Cambridge Art Association's 10th season and an upcoming exhibition at the Framingham Art Association.
   • It also notes various other art-related events and exhibitions happening around Boston.

The overall tone of the article is informative and appreciative, providing a detailed look at the diversity and quality of the artworks on display at the exhibition.

The image is a newspaper clipping from the Boston News Clip, published by the Boston Herald on June 23, 1968. It features a column titled "Regarding Art" written by Lawrence Dame.

Summary of the Column:

Regarding Art by Lawrence Dame

1. Chagall’s Stained Glass Windows:

   • Dame discusses Marc Chagall's hand-carved stained glass windows, which are on display at the Chamberlain Memorial Art EX-International in Boston. He mentions the intricate detail and beauty of these pieces, noting that Chagall’s work brings a unique, almost otherworldly quality to the medium.

2. Local Art Exhibitions:

   • A new exhibit at the Groton Historical Society, featuring a fascinating assemblage by Anthony Mitchell, is highlighted. The display includes an old wooden book by a city art committee showing a soldier's gear and personal items.
   • There is also mention of a good painting by Charles Movalli displayed at the Grapevine Gallery in Harvard Square, Cambridge.

3. Upcoming Art Events:

   • Dame notes that Kay O’Neill Guptill will have an exhibition of watercolor mobiles and portraits at the Harvard Square Library.
   • An exhibit of works by Hans Hofmann, a prominent abstract expressionist, will be shown at the Boston Museum of Fine Arts.
   • The Boston Arts Festival is also mentioned, with a particular focus on the varied and eclectic works that will be on display.

4. Student Artwork:

   • The column praises the creativity of student artists from various local schools. The work of students from the Buckingham, Browne & Nichols School, and other institutions are noted for their innovation and talent.
   • The Student’s Picnic, an art piece by a young artist, is particularly highlighted for its whimsical and imaginative use of color.

Today and Yesterday Section:

This section briefly recaps various local events and news items:

1. Art and Exhibitions:

   • A review of a recent show featuring works by Charles Parsons and his interest in maritime subjects.
   • An exhibit by Katherine Nash, focusing on abstract forms and figures.
   • The work of artist Maude Crasty Barr, known for her dramatic charcoal drawings.

2. Music:

   • A concert by the Boston Symphony Orchestra with guest pianist Byron Janis.
   • Mentions of local musical performances and the talents of various musicians.

3. Miscellaneous News:

   • A local art association meeting, the 20th Century Association, where members discuss and display their artwork.
   • Announcements of various gallery openings and exhibitions, such as those at the Rockport Memorial Gallery and the Boston Memorial Gallery.

Overall, the column offers a broad look at the vibrant art scene in and around Boston, showcasing both established and emerging artists, and providing information on various exhibitions and events.

The image shows a newspaper clipping from the "Herald" in Boston, Mass., dated June 23, 1946, titled "Regarding Art" by Lawrence Dame. The article discusses various art-related news and events in Cambridge as part of its centennial celebrations. It mentions exhibits at the Cambridge Centennial Art Exhibition at Harvard's Germanic Museum, highlighting several artists and their works, including paintings, sculptures, and drawings. Specific artists like John Kelty, Charles Farrell, Charles Hopkins, and others are noted for their contributions. The article also covers upcoming exhibitions, awards, and notable pieces, along with details about art styles and themes. Additionally, it discusses the opening of new art galleries and mentions individuals involved in organizing or participating in these events. The text is presented in a narrow column format and appears aged, with some handwritten annotations at the top. There is also a small header at the top indicating it is a "BOSTON NEWS CLIP" from 120 Tremont Street, Boston.

This image shows a newspaper clipping titled "BOSTON NEWS CLIP" from the "Herald" at 120 Tremont Street, Boston, Mass., dated Jun 2 3 1946. The main article is headlined "REGARDING ART" and is written by Lawrence Dame. It appears to be an opinion or commentary piece relating to the art scene, mentioning several artists, exhibitions, and commentary on the quality and nature of various artworks and exhibitions.

The column is split into two parts. The first ("REGARDING ART") covers topics such as exhibitions in Cambridge's Continental Art Galleries and various pieces of artwork, as well as mentioning artists, including Winslow Homer and Andrew Wyeth. The text also refers to other locations like the Metropolitan Museum of Art and discusses opinions on certain artworks.

The second part of the column, below the first, is titled "Today and Yesterday" and seems to compare different periods or aspects of art and society. The text is cut off at the right side, so not all the content can be read fully.

The newspaper clipping is displayed against a solid grey background, and the physical condition of the paper suggests age and wear, with some discoloration and rough edges. There are handwritten numbers on the clipping, perhaps for archival or organizational purposes.

The image is a scanned newspaper clipping from the Boston News Clip, dated June 23, 1946, and published by the Herald in Boston, Mass. The article is titled "REGARDING ART" and is authored by LAWRENCE DAME.

Key Details from the Image:

Header Information:

• Title: "REGARDING ART"
• Author: Lawrence Dame
• Publication: Boston News Clip, 120 Fremont Street, Boston, Mass.
• Date: June 23, 1946

Content Overview:

The article discusses various art-related topics, including exhibitions, artists, and critiques. It is structured into several sections, each addressing different aspects of the art world.

Section 1: "Cambridge's Coming Centennial"

• Focus: An upcoming exhibition at Harvard University to celebrate the 300th anniversary of the Cambridge Centennial.
• Details:
  • The exhibition features a hand-carved frame by William Jewett.
  • The frame is described as a mid-winter scene, with elements like snow-laden branches and ice crystals.
  • The article highlights the German guarantee to lend spring to the scene, suggesting a symbolic or thematic representation of nature.
  • Other notable pieces mentioned include:
    • Alma Otterson's watercolors of Boston Common and much-repeated scenes.
    • Antony Milici's triptych for the Germanic Library, featuring a fraying sail and storm-tossed boats.
    • William Chilion's oil painting of the Charles River landscape.
    • Kay Macomber's portraits of notable figures, including General Hospital patients.

Section 2: "The Stuart's Picnic"

• Focus: A critique of an art exhibition at the Stuart Gallery.
• Details:
  • The article discusses the modernist direction of the exhibition, noting that it has stirred controversy.
  • Seymour Swenson's work is highlighted, described as balanced between precision and abstraction.
  • Waldorf Kramer's surrealistic piece, titled "The Christ Shindler," is mentioned, featuring a graffited tree and athletic landscape.
  • Grindel's work is described as steeply sloped portraits, with gray, massive forms and subtle gradations.
  • Katharine Nash's work is noted for its fervent use of color, with electric charges and gleaming surfaces.
  • Clifford Mosher's work is praised for its simplicity, with flat surfaces and bold colors.
  • Ernst Haescheke's work is critiqued for being profound but lacking in subtlety, described as a whole field of flowers and planned them in.

Other Mentions:

• Today and Yesterday: A brief section discussing Charles Pfenninger's work, noting its gray, massive forms and steeply sloped portraits.
• The Newman Memorial Gallery: An upcoming exhibition featuring rare paintings by Puritanism, Framingham Center, and Framingham Memorial Gallery.
• The Newbury Street Gallery: Mentioned as a venue for rare paintings.

Visual Elements:

• The text is printed in a standard newspaper font, with clear headings and subheadings.
• The article is densely packed with information, typical of a newspaper column.
• There are no images or illustrations accompanying the text; it is purely textual.

Overall Impression:

The article provides a snapshot of the art scene in Boston during the mid-20th century, highlighting exhibitions, artists, and critical perspectives. It reflects the era's interest in modern art and the diverse styles being showcased in local galleries. The tone is analytical and informative, aimed at art enthusiasts and the general public.

This image is of a newspaper clipping from the Boston News Clip Herald, dated June 23, 1946. The clipping is from an article titled "Regarding Art" by Lawrence Garland. The article discusses the upcoming celebration of the Cambridge Centennial at Harvard's Germanic Museum, which will feature an exhibition of watercolor paintings by Allan Crites. The article also mentions a watercolor exhibition at the Stuart Art Gallery, featuring works by various artists, including Polly Thayer Young, Waldo Kauffer, and Shindler. Additionally, the article highlights the Rodham Memorial Gallery's 14th season, which will feature paintings by Stanley Woodward.