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ARCH.2003.29, Rendition: 803700
The image is a clipping of a newspaper article from the Boston Daily Globe, dated June 19, 1946. The headline reads "Art Exhibit Here Mistaken for Impressionist Show." The article discusses a centennial art exhibit at Harvard University's Fogg Museum, which was mistakenly advertised as an Impressionist show. The exhibit, titled "Oval Table," was curated by Karl Oberhoffer and featured works by artists such as Cezanne, Renoir, and Picasso. The article critiques the exhibit for not living up to its advertised theme, stating that it lacks the masterpieces typically associated with Impressionist exhibitions. The author, George W. Robinson, highlights the absence of works by artists like Monet and Degas and notes that the exhibit includes pieces from various art movements, not just Impressionism. The article also mentions that the exhibit will be on display until July 1 and that the museum will be closed on Sundays.
The image shows a clipped newspaper article from "The Boston Daily Globe," dated Wednesday, June 18, 1947. The headline reads "Cambridge Edition: Art Exhibit Here Mistaken for Impressionist Show." The article discusses the Centennial Art Exhibit at the Fogg Art Museum, highlighting that many visitors mistakenly assumed it was an exhibition of Impressionist paintings due to its modern appearance.
The exhibit, featuring works by 19th and 20th-century artists, includes pieces from the museum's collection and loans from private sources. Notable artists mentioned include Arthur B. Davies, Charles W. Hawthorne, and John F. Pugh. The article also mentions that the exhibit was organized by the museum's curator, Mr. George P. Doane, and will be open until July 1.
The article provides a detailed description of several paintings, including "Girl in a Gray Dress" by Davies, "The Red Kimono" by Hawthorne, and "Girl with a Fan" by Pugh. It also notes that the exhibit aims to show the development of American art over the past century.
The image is a newspaper clipping from the Boston Daily Globe dated June 18, 1946. It is titled "Art Exhibit Here Mistaken for Impressionist Show" and is part of the Cambridge edition.
The article discusses a local art exhibition held in Cambridge. Key points include:
Centennial Art Exhibit:
Artists and Works:
Collection Highlights:
Opening and Location:
Specific Details on Artworks:
The article also includes photographs of the artists and their works, contributing to a detailed description of the exhibit.
The image is a clipping from "The Boston Daily Globe" dated Wednesday, June 18, 1947. The headline of the article is "Art Exhibit Here Mistaken for Impressionist Show," which is part of the Cambridge Edition.
The article discusses a Centennial Art Exhibit at the Fogg Art Museum, where two women artists, Kate Oberteuffer and Mary B. Fowler, had their works mistakenly categorized as Impressionist. The article highlights that these artists are actually part of the German Expressionist movement, and their work is part of the "Centennial Art Exhibition" held at the Fogg Museum.
The article mentions that the works of Oberteuffer and Fowler were displayed in the French Room, which is dedicated to Impressionist works from the late 19th century. The confusion arose because the curators mistakenly thought their works were Impressionist.
The article also includes a brief description of other notable works and artists in the exhibit, such as "Spring Day" by George Luks, which depicts a group of boys playing baseball. Additionally, it mentions other works by artists like Martin Johnson Heade and John Singer Sargent.
The exhibit opened on July 1 and continued until the end of July, with notable artists including Arthur Pope, Charles Conder, and others. The article also discusses the historical significance of the exhibit and its emphasis on American art.
In summary, the article points out a misclassification in the art exhibit, highlighting the importance of accurately identifying and categorizing art movements and artists.
The image is a newspaper clipping from The Boston Daily Globe, dated June 18, 1946, titled "Art Exhibit Here Mistaken for Impressionist Show." The clipping is from the Cambridge Edition.
The article discusses an art exhibit at the German Museum in Cambridge, Massachusetts, which was mistakenly labeled as an Impressionist show. The article mentions two women artists, Mary B. Fowler and Cornelia Randell, who were awarded prizes for their work in the exhibit.
The article includes a photo of the two artists with a jury member, Kay Obertsoffer, who won the First Jury Award for her painting. The exhibit was curated by a committee and features a variety of artworks, including paintings by notable artists such as Arthur Pope, William McGregor Paxton, and others.
The exhibit opened on July 1 and was scheduled to run until July 31. The article mentions that the exhibit includes works by artists such as Edgar Breed, Kenneth J. Conant, and Charles Hapgood, among others, and highlights the collection's significance, which includes a wide range of art from different periods and styles.
The article also mentions a specific painting titled "Spring Day" by Edgar Breed and another titled "The Old Stone Bridge" by Charles Hapgood, emphasizing the diversity and quality of the works on display.
The image is a newspaper clipping from the Boston Daily Globe, dated June 19, 1946. The headline of the featured article reads, "Art Exhibit Here Mistaken for Impressionist Show."
Title: "Centennial Art Exhibit—Keri Oberteuffer, Winner of First Jury Award, Stands Beside Winning Painting"
Content:
The article discusses a centennial art exhibition held at the Fogg Museum at Harvard University. The exhibition, which is part of a larger celebration, has mistakenly been perceived by some attendees as an Impressionist art show.
George McKinnon, the curator, explains that the paintings in the exhibit were chosen for their variety and to showcase different styles, rather than focusing solely on Impressionism. He notes that although some Impressionist works are included, the exhibit is more diverse.
The article mentions that Keri Oberteuffer won the first jury award for her painting, and it includes a photo of her standing next to her work.
It also highlights that the artworks were selected by a committee, including notable individuals such as Miss Mary B. Fowler and Miss Cornelia G. Cummings.
The exhibition features paintings from a broad spectrum of artists, ranging from well-known figures like Winslow Homer, John Singer Sargent, and Edward Hopper, to lesser-known artists.
The article details the variety of the collection, which includes portraits, landscapes, and other genres, aiming to represent different periods and styles.
The exhibition's opening was attended by numerous art enthusiasts, and it was noted for its rich and varied collection.
Collection Overseen: The collection is described as one of the most extensive and varied, gathered by Harvard graduates and associates.
Nearly Off Outstanding: This section lists several notable pieces from the exhibit, including works by famous artists like John Singleton Copley, Martin Johnson Heade, and others.
The overall tone of the article suggests that while the exhibition might have been misconstrued initially, it offers a comprehensive and diverse collection of artworks worth visiting.
This image is a photograph of a newspaper clipping from the Boston Daily Globe, dated Wednesday, June 19, 1948. The clipping is under the "Cambridge Edition" and features the headline: "Art Exhibit Here Mistaken for Impressionist Show."
The clipping includes a photograph showing three people standing beside a painting titled "Oval Table." The caption identifies one of the individuals as Karl Oberteuffer, winner of the First Jury Award for the painting, and the two other people as Cambridge Historic committee members, Miss Mary B. Fowler and Miss Cornelia Randall. The exhibit is located in the Germanic Museum at Harvard University.
The article, authored by George McKinnon, discusses the Centennial Art Exhibition at the Germanic Museum. The paintings have been confused with those of French Impressionist masters but are meant as a tribute to Impressionists, showcasing the works of both young and women artists. It mentions various artists and artworks in the show, as well as the exhibit's open date until July 7. The article also highlights the diversity and quality of the collection, which includes oils, watercolors, pastels, and lithographs by Cambridge residents. It notes that Cambridge is noted for art as well as education and industry.
This is an image of a newspaper clipping from "The Boston Daily Globe," dated Wednesday, June 18. The article is titled "CAMBRIDGE EDITION" and the headline reads "Art Exhibit Here Mistaken for Impressionist Show." It is a historical article, and judging by the style of the newspaper and the date mentioned, it appears to be from the year 1947. The article features a photograph related to an art exhibition and discusses an incident where the art exhibit was mistaken for an Impressionist art show. The newspaper clip shows signs of aging and has been preserved or archived, as indicated by the label and markings on the top left corner.
The image shows a newspaper clipping from The Boston Daily Globe, dated Wednesday, June 18, 1941, from the Cambridge Edition. The headline of the article is "Art Exhibit Here Mistaken for Impressionist Show".
Headline:
The main headline indicates that an art exhibit in Cambridge was mistakenly perceived as an Impressionist show.
Photograph:
Caption/Article Text:
The image is a clipping from a newspaper, specifically the Boston Daily Globe, dated June 10, 1948. The clipping features an article titled "Art Exhibit Here Mistaken for Impressionist Show." The article discusses an art exhibit that was mistakenly believed to be an Impressionist show. The exhibit is held at the Cambridge Museum and includes works by various artists, such as Karl Obertuffer, who won the First Jury Award, and other notable artists like Allen Critten, Diana Kanty, and Kenneth J. Conant. The article also mentions the involvement of several women artists and the presence of a sculpture by William Blake Purvis. The exhibit runs until July 7 and is open to the public.