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ARCH.2003.29, Rendition: 803698
This image shows a yellowed, aged newspaper clipping from the Boston Globe, dated June 12, 1946.
The headline reads: “‘To Be Famous in Boston Is to Be Famous Nowhere Else!’ Mother and Son Form Painting Team.”
The article, written by George McKinnon, profiles the Obersteufers, a mother-son painting duo:
They are based in Cambridge, Massachusetts, and work out of their apartment at 76 Magazine Street. The accompanying photo (a black-and-white halftone print) shows the two of them together at an easel with art supplies, seemingly in their studio.
Key points from the article include:
The clipping is from the Boston News Clip service, located at 120 Tremont Street, Boston 8, Mass. It appears to be a single page saved from the newspaper.
There is some handwritten text in blue ink on the headline — possibly a note or a cataloging mark — and the clipping has tape residues on the top edge, suggesting it was once mounted or stored in an album. The paper has yellowed with age, which is typical for newsprint from that era.
The image is a newspaper clipping dated June 12, 1946, from The Boston Globe. The headline reads, "Mother and Son Form Painting Team." The article discusses the Oberteuffer family, a mother and son duo who are both painters. The mother, Henriette Amaiard Oberteuffer, is described as a nationally known still-life and portrait artist, while her son, Karl, is mentioned as specializing in watercolors. The clipping also includes a photograph showing the mother and son looking at one of their paintings in their studio apartment on Magazine Street. The article highlights their creativity and the unique bond between the mother and son in the art world, despite living in a crowded apartment in Boston.
This image shows a newspaper clipping from the Boston Globe, dated June 12, 1946. The article is titled "Mother and Son Form Painting Team" and discusses the collaboration between Mrs. Henriette Amaillard Oberteuffer and her son, Karl, who are both painters. The article is attributed to George McKinnon.
The clipping includes a photograph of Mrs. Oberteuffer and Karl, who are looking over one of their paintings in their studio apartment on Magazine Street, as indicated in the caption under the photograph.
The article mentions their artistic backgrounds, the challenges of working in a crowded apartment, and their upcoming exhibition at the Centennial Art Exhibition at the Fogg Museum. It also touches on their personal lives and the influence of their family's artistic heritage. The clipping is labeled "BOSTON NEWS CLIP" at the top, along with the address "120 Tremont Street, Boston 8, Mass." and the date "JUN 12 1946."
The image is a newspaper clipping from the Boston News Clip, dated June 12, 1946. The clipping features an article titled "To Be Famous in Boston Is to Be Famous in Boston—but Nowhere Else!" and focuses on a mother and son painting team, Mrs. Henriette Amaiard Oberteuffer and her son, Karl.
The article is accompanied by a photograph of the two artists, Mrs. Oberteuffer and Karl, standing in front of a painting. Mrs. Oberteuffer is on the left, wearing a dress, and Karl is on the right, wearing a suit. They are both looking at a painting, with Karl holding a palette and brush, suggesting they are in the midst of their work.
The text of the article provides background on the Oberteuffers. Mrs. Oberteuffer is described as a nationally-known still-life and portrait artist, while Karl is noted for his interest in astronomy and optics, which he pursued during his time at the Harvard research department during the war. The article highlights their unique painting techniques, particularly their use of water colors and their ability to capture the essence of their subjects quickly.
The clipping also mentions their past exhibitions and the acclaim they have received, noting that while they are famous in Boston, their fame has not extended beyond the city. The article concludes with a quote from Karl, expressing his contentment with their local fame and his focus on his artistic pursuits.
The image is a newspaper clipping featuring an article titled "Mother and Son Form Painting Team" from the Boston News Clip. The clipping includes a photograph of a mother and her son, Henriette and Karl Oberteuffer, standing in front of one of their paintings. The article discusses their unique mother-son painting team, highlighting their dedication to their craft and the family's artistic legacy. The clipping also includes a small label at the top with the address of the Boston News Clip and the date of June 12, 1946.
The image is a scanned newspaper clipping from the Boston News Clip, dated June 12, 1946, and published by the Boston Globe. The article is titled "Mother and Son Form Painting Team" and features a photograph of a mother and son, Mrs. Henriette Amaid Oberteuffer and her son, Karl, who are described as a painting duo.
The clipping celebrates the Oberteuffers as a dynamic and accomplished mother-and-son artistic duo, showcasing their talent, collaboration, and contributions to the Boston art scene in the mid-20th century. The photograph and accompanying text provide a glimpse into their creative environment and highlight their unique partnership in the world of art.
The image shows a vintage newspaper clipping from the "Boston News Clip" dated June 12, 1946. The headline reads "Mother and Son Form Painting Team," and the photograph accompanying the article depicts two individuals, one standing and the other sitting, with the standing individual holding what appears to be a frame or canvas. The article text is partially visible and discusses the mother and son as painters, with mentions of exhibitions and their artistic process. There is also a sidebar text with the address of the Boston News Clip. The paper shows signs of age with yellowing and some creasing, adding to its historical ambiance.
The image shows a newspaper clipping from the Boston Globe dated June 12, 1946. The headline reads, "'To Be Famous in Boston Is to Be Famous in Boston—bat Nowhere Else!' Mother and Son Form Painting Team." The article by George McKinnon features Mrs. Henriette Amairad Oberteuffer and her son Karl, who are painting together in their studio apartment on Magazine Street.
There is a photograph accompanying the article showing the mother and son; Mrs. Oberteuffer is seated while Karl stands beside her. They appear to be looking at a painting or a large board with paintings on it.
The text highlights the family's artistic background, their crowded living quarters turned studio, and their specialization in watercolors. Mrs. Oberteuffer is described as a petite and gray-haired French-born artist with a charming Parisienne accent. Karl, her son, is noted to have a lifelong interest in painting influenced by his parents and has been painting since 1926. The article also mentions their encouragement of return interest in art, their educational roles at the Cambridge Center of Adult Education, and Karl's academic background.
Overall, the clipping celebrates the unique and collaborative artistic relationship between the mother and son during the mid-20th century in Boston.
This image is of a newspaper clipping from the Boston Globe, dated June 12, 1946, showcasing an article titled "Mother and Son Form Painting Team." The article highlights Mrs. Henriette Amaird Oberteuffer, an artist, and her son, Karl Oberteuffer, as a unique and notable painting duo. A photograph accompanies the article, depicting the mother and son examining one of their paintings.
The text describes their artistic background and collaboration in Cambridge at their studio apartment on Magazine Street. It discusses Karl's artistic upbringing, their techniques, inspirations, and special focus on modern and impressionist paintings. It details their individual contributions and work ethics, including their exhibitions and community involvement.
The clipping includes a short anecdote and some personal commentary about their artistic motivations, alongside their shared passion for creating vibrant and colorful works. The article provides insight into their artistic family dynamic, commitment to the arts, and the cultural impact of their paintings.