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This image displays a clipped article from the Science Monitor, dated Saturday, June 22, 1946. The clipping has been preserved with a small yellowed label at the top, marked “BOSTON NEWS CLIP” from the Christian Science Monitor, with the date JUN 22 1946 handwritten.

The article’s main headline is:
“Under a Spreading Chestnut Tree . . . ?”

Beneath this, there is a large, detailed black-and-white illustration of a large chestnut tree standing over a small house or cottage in a rural landscape. The caption identifies the drawing as:

“As a Self-Portrait: Another drawing, a self-portrait, sketched in pencil, shows Longfellow seated before a fireplace at Longfellow House, Cambridge. Both drawings were made by the poet.”

Below this drawing is a second illustration, a smaller sketch depicting a man reclining on a chaise longue or lounge chair beneath a decorative ceiling fixture. The caption reads:

“As a Self-Portrait: … sketch shows Longfellow seated before a fireplace…” — note: the caption seems to refer to both drawings, though the second is more clearly an indoor scene.

The lower half of the article is titled:
“Cambridge of 100 Years Ago Portrayed”

This section reports on a centennial exhibition held from June 26 to July 3, 1946, in Cambridge, Massachusetts, to commemorate the 100th anniversary of Longfellow’s move to the Cambridge home where he lived for most of his life. It notes that the event was hosted by the Cambridge Centennial Commission and the New England Historical Association and featured rare artworks, photographs, manuscripts, and sketches—all portraying Cambridge as it was in Longfellow’s time (circa 1846).

Key details from the text include:

• The exhibition opened with a speech by Dr. Kenneth Murdock.
• Two self-portraits of Longfellow are featured: one of him seated by a fireplace, and another of him writing under the chestnut tree.
• The tree, famously referenced in his poem “The Village Blacksmith,” was still standing in 1946 and was a centerpiece of the exhibition.
• The article mentions the jury awards for art and photography submissions.

The article concludes with a note that the exhibition included works from the 19th century, showcasing the historical character of Cambridge through drawings, photographs, and artifacts, all curated to provide insight into Longfellow’s life and milieu.

The clipping is a well-preserved historical artifact, offering a glimpse into mid-20th-century cultural heritage efforts centered around one of America’s most beloved poets.

The image is a newspaper clipping from the "Science Monitor" dated Saturday, June 22, 1946. The headline is "Under a Spreading Chestnut Tree...". The clipping includes two drawings: one of a spreading chestnut tree and a village smithy, and another self-portrait of Henry Wadsworth Longfellow seated before a fireplace at Longfellow House, Cambridge. The drawings are credited to a staff photographer and are described as rarely seen original pen-and-ink drawings by Longfellow. The text below the images discusses a centennial exhibition at the Germanic Museum, Harvard University, which features various works of art from the 19th century, including paintings, prints, sculptures, and photographs. The exhibition is part of the Cambridge Centennial Celebration and showcases Cambridge scenes from a century ago. The article also mentions the awards given by the jury for contemporary paintings on exhibit.

This image is a news clipping from the Christian Science Monitor, dated June 22, 1946. The clipping is titled "Under a Spreading Chestnut Tree..." and features two illustrations.

The top illustration is a pen-and-ink drawing by Henry Wadsworth Longfellow, depicting a scene with a spreading chestnut tree and the village smithy, which was made famous by his poem "The Village Blacksmith." The drawing is dated 1840, the year after the poem was written, and was on display until July 7 at the Germanic Museum, Harvard University, as part of an art exhibit held in connection with the Cambridge Centennial Celebration.

The second illustration is a self-portrait sketched in pencil, showing Longfellow seated before a fireplace at Longfellow House, Cambridge. Both drawings were lent by Henry W. Longfellow Dana, the poet's grandson.

The article discusses the Cambridge Centennial observances and a distinctive exhibit of 19th century and modern Cambridge art at the Germanic Museum, Harvard University. The exhibit features various works of art, including oils, prints, and sculptures, and includes works by contemporary Cambridge artists. The article also lists the awards given by the jury for contemporary paintings on exhibit.

The image is a collage of newspaper clippings from the Boston News Clip, dated June 22, 1946. The clippings are arranged vertically on a light-colored background.

The top clipping features a headline that reads "Under a Spreading Chestnut Tree," accompanied by a drawing of a large chestnut tree with a house in the background. Below this, there is a smaller drawing of a man sitting in a chair, with a fireplace and bookshelves visible in the background.

The second clipping is titled "Cambridge of 100 Years Ago Portrayed." It includes several paragraphs of text describing a historical exhibition showcasing Cambridge from 100 years prior. The text mentions various exhibits, including drawings, paintings, and photographs, and highlights the visual representation of the town's past. There are also smaller illustrations within this clipping, depicting scenes from the exhibition.

The clippings are bordered by white margins, and the text is in black font. The overall layout suggests that the clippings were carefully selected and arranged to provide a snapshot of historical and cultural content from the newspaper on that specific date.

A newspaper clipping from the Boston News Clip is pasted on a gray background. The clipping features a drawing of a tree with a house under it, and the text reads "Under a Spreading Chestnut Tree." The clipping also includes a drawing of a person sitting on a chair and a lamp hanging from the ceiling. The clipping is from the Christian Science Monitor, Boston, Massachusetts, on June 22, 1946.

The image is a scanned newspaper clipping from the Boston News Clip, dated June 22, 1946, and titled "Under a Spreading Chestnut Tree...". The clipping features an article discussing historical illustrations and portraits from Cambridge, 100 years ago, with a focus on the Cambridge Art Gallery.

Key Elements in the Image:

1. Header Information:

   • The top of the clipping includes the newspaper's name, Boston News Clip, and its address: 116 Tremont Street, Boston 8, Mass.
   • The date is clearly stated as June 22, 1946, and the article is labeled as "Christian Science Monitor".

2. Main Illustration:

   • The central illustration depicts a spreading chestnut tree with a bench or chair positioned beneath it. A person is reclining on the bench, seemingly relaxed or contemplative.
   • The setting appears to be an outdoor area, possibly a park or garden, with additional trees and a distant structure visible in the background.

3. Caption and Text:

   • Below the illustration, there is a caption that reads: "Under a Spreading Chestnut Tree...", indicating the theme of the article.
   • The article discusses portraits and illustrations from Cambridge 100 years ago, referencing the Cambridge Art Gallery and its collection. It mentions historical figures and artworks, including references to Henry W. Longfellow and the Cambridge Centennial Celebration of 1886.

4. Additional Illustrations:

   • Below the main illustration, there are two smaller sketches or engravings:
     • Left: A sketch of a person reclining in a chair, similar to the main illustration but in a different pose or setting.
     • Right: A sketch of a person sitting in a chair, possibly in an indoor setting, with a book or object on their lap.

5. Article Content:

   • The article provides historical context, discussing the Cambridge Art Gallery and its role in preserving and showcasing historical portraits and illustrations.
   • It references notable figures such as Henry W. Longfellow, the Cambridge Centennial Celebration, and various artworks and artists from the period.

Overall Impression:

The image captures a historical and cultural piece, blending art, literature, and local history. The focus on the spreading chestnut tree and the reclining figure suggests themes of relaxation, reflection, and the passage of time, while the accompanying text provides insight into the artistic and historical significance of Cambridge in the mid-19th century. The clipping serves as a snapshot of both the visual and textual representation of Cambridge's heritage.

This image shows a newspaper clipping from the "Boston News Clip." A small label at the top left indicates it is a reprint from the "Christian Science Monitor" and states that it is from Boston, Massachusetts, dated June 22, 1946. The clipping itself includes two distinct articles or sections and an accompanying illustration at the top.

The top section is titled "Under a Spreading Chestnut Tree..." and features a sketch of a large, spreading chestnut tree dominating the illustration. Below the tree, there appears to be a small structure resembling a booth with a sign, and two figures that could be interpreted as blacksmiths, possibly referencing the famous poem "The Village Blacksmith" by Henry Wadsworth Longfellow, which starts with the line "Under a spreading chestnut-tree..."

Below the first article is another section with the title "Cambridge of 100 Years Ago Portrayed" which seems to discuss historical reenactments or commemorations of events from 100 years prior to the publication date, in Cambridge. There is a separate illustration of a historic scene below this title. This drawing depicts a person reclining in an antique-styled bath with a shower fixture above them, referencing personal hygiene practices from the past.

The newspaper is aged and yellowing, which gives the impression of an artifact with historical value. The background on which the newspaper is placed is neutral, allowing the viewer to focus on the text and the images without distraction.

This is a newspaper clipping from the Christian Science Monitor, dated June 22, 1946. The title of the article is "Under a Spreading Chestnut Tree...". It includes:

1. An illustration at the top, showing a large chestnut tree with a small cottage or structure underneath, likely an artistic depiction.
2. Below that, another image of a person lounging in a chair near a fireplace or parlor setting.
3. A section of text below the images, titled "Cambridge of 100 Years Ago Portrayed."

The article appears to discuss historical depictions of Cambridge, Massachusetts, from an earlier time, referencing art, anecdotes, and cultural contexts from the 19th century. The clipping contains printed commentary and detailed descriptions to inform and possibly entertain readers.

A vertical collage made from vintage newspaper clippings mounted on a light gray background. The pieces are arranged in a narrow, elongated strip.

• Top: a small clipping labeled “BOSTON NEWS CLIP” with a date (June 22, 1946).
• Middle: a larger panel showing an illustration of a very large spreading chestnut tree with a house beneath it, under a headline that reads something like “Under a Spreading Chestnut Tree…”
• Mid-lower panel: an illustration of a person reclining in an ornate armchair in a room, with caption text beneath.
• Bottom: a tall, narrow clipping titled “Cambridge of 100 Years Ago Portrayed,” filled with dense columns of text.

Overall, it looks like an antique, sepia-toned montage combining drawings and newsprint about historical Cambridge and a chestnut-tree scene.

This image shows a newspaper clipping from the Christian Science Monitor, Boston, dated Saturday, June 22, 1946. The headline reads: "'Under a Spreading Chestnut Tree...'".

The clipping contains two black-and-white images. The upper image is a sketch of a large chestnut tree next to a small house or building, with some foliage and a chimney that appears to be emitting smoke. The caption indicates the drawing is by Langfellow, depicting the Chestnut Tree in The Village Sketchbook.

The lower image is a sketch of a man reclining in a high-backed chair beside a fireplace. The man appears relaxed with his legs stretched out. The caption explains that this is another drawing by Langfellow, showing Henry W. Longfellow seated before a fireplace at Longfellow House, Cambridge.

Below the images, there is an article titled "Cambridge of 100 Years Ago Portrayed," which discusses an exhibition presenting drawings and portraits related to Cambridge history, including those by Langfellow, and covers various aspects of the visual representation of Cambridge from a century ago. The article mentions the exhibition's significance, awards, and some contributing artists.