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ARCH.2003.29, Rendition: 803682
This image captures a close-up, slightly angled view of an open art book displayed against a neutral gray background. The book, bound in a muted olive-green cover, is turned to page 23. The page features a detailed, full-page reproduction of a pencil drawing by the British artist Edward Burne-Jones, titled “Hesperides” (1870).
“Mystical sentiment conveyed in delicate line and absence of structural form in Burne-Jones’ drawing exemplifies the ‘unrealistic’ vein in Pre-Raphaelite art. Though not a member of the original brotherhood, the artist became a Pre-Raphaelite disciple at Oxford in the 1850s when Rossetti opened for him ‘the gates of an enchanted world’. This pencil study is for watercolor painting ‘Hesperides’. From the Grenville L. Winthrop Collection, it is to be seen in the exhibit of work by the Pre-Raphaelites and their circle at the Fogg.”
The overall impression is one of scholarly presentation — a carefully reproduced study highlighting Burne-Jones’s contribution to the Pre-Raphaelite movement, emphasizing mood, line, and romantic idealism over realistic detail.
The image shows an open book with an illustration on the right-hand page. The illustration is a detailed pencil drawing of a profile portrait of a figure with curly hair, facing left. The hair is depicted with intricate, flowing lines, giving it a dynamic and expressive quality. The background of the illustration is a solid, light gray color, which helps to highlight the hair and the subtle shading on the figure's face.
Below the illustration, there is a caption that reads: "BURNE-JONES: HESPERIDES, 1870." The text below the caption provides context about the artwork, describing the mystical sentiment conveyed through the delicate line work and the absence of structural form in the piece. It notes that the artist, Burne-Jones, was not a member of the original Pre-Raphaelite Brotherhood but became a disciple at Oxford in the 1850s under the influence of Dante Gabriel Rossetti. The text also mentions that this pencil study was created for the watercolor painting "Hesperides," which is part of the Grenville L. Winthrop Collection and will be exhibited as part of work by the Pre-Raphaelites and their circle at the Fogg. The page number "23" is visible at the bottom right corner of the open book.
This image is a page from a book or a catalog. The central focus is a pencil sketch titled "HESPERIDES, 1870" by Burne-Jones. The sketch depicts a side profile of a woman with flowing, wavy hair. The drawing is done in a delicate, almost ethereal style, with fine lines that give the hair a sense of movement and fluidity. The woman's face is detailed, with a serene and contemplative expression.
The page also contains a caption at the bottom that provides context for the artwork. It describes the "unrealistic" vein in Pre-Raphaelite art, noting that Burne-Jones was a Pre-Raphaelite disciple at Oxford in the 1850s when Rossetti opened for him "the gates of an enchanted world." The caption mentions that this pencil study is for a watercolor painting and is from the Grenville L. Winthrop Collection. It is to be seen in an exhibit of work by the Pre-Raphaelites and their circle at the Fogg Museum. The page number "23" is visible in the bottom right corner.
The image depicts an open book with a page displaying a pencil drawing of a woman's head. The drawing features delicate lines and an absence of structural form, showcasing the artist's exceptional skill in capturing the essence of the subject. The book is titled "Burne-Jones: Hesperides, 1870," and it appears to be a collection of works by the artist Burne-Jones. The page also includes a brief description of the drawing and its significance within the context of Burne-Jones' artistic career.
An open book with a green spine is placed on a gray surface. The book contains a pencil drawing of a woman's head with curly hair. The drawing is in black and white, and it is in the middle of the page. The page has a watermark on the top left corner, and the text is written on the right side of the page. The text reads "BURNE-JONES: HESPERIDES, 1870."
The image shows an open book displaying a detailed pencil sketch of a woman's profile. The sketch is rendered in fine, delicate lines, capturing the flowing, voluminous hair of the subject. The hair is depicted with soft, dynamic curls that cascade over the shoulder, giving a sense of movement and elegance. The woman's face is turned slightly to the side, with her gaze directed downward, creating a contemplative and serene expression.
The image conveys a sense of historical and artistic significance, showcasing a Pre-Raphaelite-inspired pencil study with meticulous detail and expressive line work. The sketch is both aesthetically pleasing and historically informative, providing insight into the artistic practices and influences of the 19th century.
The image shows a page from a book or a collection of artwork. On the page, there is a caption at the bottom that reads "BURNE-JONES: HESPERIDES, 1870." The artwork is partially visible, displaying detailed, flowing lines that suggest hair or some sort of swirling pattern. There's a section of the illustration that is not visible. The visible artwork appears to be rendered in a monochromatic color scheme, using pencil or ink. The page itself appears aged, with a yellowish tint to its borders, indicating it could be from an old publication. The book or collection is bound, with other pages visible to the right, and has a greenish cover or protective box visible on the edge.
The image shows an open book with a printed page featuring a detailed pencil or ink drawing of a person's head and hair, viewed from the side. The drawing exhibits flowing wavy hair and the back of the ear is visible.
Below the drawing is some text, which includes the title and artist information:
The book appears to be an art book, likely reproducing artworks and providing commentary on them. The edges of the book show its thickness and a greenish cover.
This image shows an open page from a book. It features a delicate and detailed artwork depicting flowing, textured hair, drawn in a light, intricate style. A rectangular portion of the artwork is obscured by a gray overlay. Below the artwork, a caption provides context about the piece. The text identifies it as Burne-Jones: Hesperides, 1870 and describes how Burne-Jones’ skilled use of lines produced mystical sentiments in this work. The page is part of a larger volume, as evidenced by the visible insides of the book and its green hardcover binding.