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This image shows an open page from the May 1946 issue of Art News, specifically page 22. The article is titled:

PRE-RAPHAELITE TRAGEDIANS
THEIR DREAM WORLD RARELY BEFORE SO CLEARLY REVEALED

This is an art historical article discussing the Pre-Raphaelite Brotherhood (PRB), a group of 19th-century English painters who rebelled against the academic art of their time in favor of a return to the detail, intense colors, and complex compositions of early Renaissance art — particularly before Raphael. The piece explores their dreamlike, moral, and often narrative-driven works, comparing them to modern surrealists like André Breton.

Key elements of the article:

• Exhibit Context: Works by the Pre-Raphaelites, drawn largely from the Grenville L. Winthrop Collection, were being shown at the Fogg Museum of Art through May 31, 1946.

• Themes Discussed: The article notes how the Pre-Raphaelites, like surrealists, sought refuge in a “subterranean world of dreams,” avoiding materialism and using poetry, manifestos, and symbolism. It highlights their reformist, moralistic intentions and their use of naturalistic detail despite fantastical subjects.

• Notable Figures Mentioned: Charles Eliot Norton, William Gaunt, and D.G. Rossetti are referenced, along with their connections to the movement and its modern interpretation.

Five black-and-white illustrations accompany the text:

1. Top Left: A sketch by G.F. Watts of a figure seated on rocks, captioned as being inspired by “High Art,” the genus of Greek poetry.

2. Top Right: A watercolor by Millais, “A Lady with Greyhound,” noted as a design used in a magazine illustration in 1859.

3. Middle Left: A dramatic sketch by Hunt titled “The Triumph of the Innocents,” begun near Jerusalem in 1870, showing a procession of angels and children.

4. Bottom Left: A portrait by Burne-Jones — his only portrait of an American, Sarah Norton (1888), lent by Misses Norton, Cambridge.

5. Bottom Right: Rossetti’s “La Donna della Finestra” (sometimes called “Lady of Pity”), which uses themes from the life of Dante.

The article concludes with the note: “CONTINUED ON PAGE 42”, indicating it spans multiple pages.

The photograph shows the magazine page taped or pasted into a green folder or book, with handwritten markings including “15” on the edge of the page. The paper is aged, yellowing slightly, consistent with its 1946 publication date.

Overall, the article provides a rich, mid-20th-century art historical perspective on the Pre-Raphaelites, framing them as dreamers and rebels whose work resonated with the modern sensibility — and whose “tragedy” lay in the tension between their reforming ideals and the unreal, beautiful worlds they created.

This image appears to be a page from an article or publication from "Art News," dated May 1946. The page is titled "Pre-Raphaelite Tragedians" and discusses the artistic movement and its members. The text delves into the themes and philosophies of the Pre-Raphaelite Brotherhood, emphasizing their focus on high art, moral purity, and spiritual values in contrast to the materialism and decadence of the time.

The page includes four black-and-white illustrations of artworks associated with the Pre-Raphaelite movement. These include:

1. A man seated on a rock, likely a piece by Dante Gabriel Rossetti, titled "Genius of Greek Poetry."
2. A portrait of a woman in a long dress holding a parasol, attributed to Millais, titled "A Lady with Greyhound."
3. A sketch for the painting "Triumph of the Innocents," by John Everett Millais, which he began near Jerusalem in 1870.
4. A portrait titled "La Donna della Finestra" (The Lady by the Window) by Rossetti, inspired by Dante. This piece is sometimes known as the "Lady of Pity."

The illustrations are accompanied by text descriptions, and the overall layout suggests this is an excerpt from a larger article, as indicated by the note at the bottom of the page, which reads, "CONTINUED ON PAGE 67."

The image shows a page from the May 1946 issue of Art News. The page is titled "PRE-RAPHAELITE TRAGEDIANS" and the subtitle reads "THEIR DREAM WORLD RARELY BEFORE SO CLEARLY REVEALED." The article discusses the Pre-Raphaelite Brotherhood and their artistic movement, comparing them to surrealists and highlighting their dream world and fantasy realms in their art.

The page features several black-and-white illustrations:

1. The top left image is of a figure, possibly a statue, with the caption mentioning Watts and his absorption in "High Art" with "Genius of Greek Poetry" as a theme.
2. The top right image is a small watercolor by Millais titled "A Lady with Greyhound," which repeats a design he used in a magazine illustration in 1859.
3. The middle image is a sketch by Hunt for his monumental work "The Triumph of the Innocents," which was begun near Jerusalem in 1870.
4. The bottom left image is Burne-Jones' only portrait of an American, Sarah Norton, from 1888.
5. The bottom right image is Rossetti's "La Donna Della Finestra," sometimes known as the "Lady of Pity," which uses a theme from the life of Dante.

The article text discusses the Pre-Raphaelites' artistic intentions, their connection to surrealism, and their focus on naturalistic accuracy and moralistic themes. It also mentions the comprehensive exhibit of their works at the Fogg Museum of Art.

The image depicts a page from an old magazine, possibly from the early 20th century, featuring an article titled "PRE-RAPHAELITE TRAGEDIANS." The article discusses the works of artists who were part of the Pre-Raphaelite Brotherhood, a group of English painters, poets, and critics who formed in 1848. The article highlights the theme of tragedy in their art and how it reflects their worldview.

The page includes several black-and-white illustrations of artworks by Pre-Raphaelite artists, such as "Hunt's sketch for monumental work THE TRIUMPH OF THE INNOCENTS" and "Rossetti's LA DONNA DELLA FINESTRA." The illustrations are accompanied by brief descriptions of the artists and their works.

The article also mentions the influence of the Pre-Raphaelite Brotherhood on later art movements, such as the Symbolists and the Aesthetic Movement. It notes that the Pre-Raphaelites' emphasis on emotion, nature, and the past had a lasting impact on the art world.

Overall, the image provides a glimpse into the world of Pre-Raphaelite art and the themes that preoccupied its artists. The use of black-and-white illustrations and the vintage style of the magazine page add to the historical feel of the image.

The image is a magazine spread featuring an article titled "Pre-Raphaelite Tragedians." The article discusses the Pre-Raphaelite Brotherhood, a group of artists who sought refuge in a subterraneous world of dreams and morality. The magazine spread includes several black-and-white illustrations of Pre-Raphaelite art, such as Watts' "High Art," Millais' "A Lady with a Greyhound," and Rossetti's "Lady of the Della Fiscina." The article also mentions a special exhibition at the Fogg Museum of Art through May 31, showcasing works by members of the Pre-Raphaelite Brotherhood.

The image depicts a page from a book titled Art News, dated May 1946, featuring an article titled "PRE-RAPHAELITE TRAGEDIANS". The article discusses the Pre-Raphaelite Brotherhood (PRB) and their artistic ideals, emphasizing their dream world and the unique vision they brought to art.

Visual Elements:

1. Layout:

   • The page is formatted with a mix of text and illustrations. The text is in a serif font, typical of mid-20th-century publications.
   • The left side of the page contains four black-and-white illustrations, each accompanied by a brief caption.

2. Illustrations:

   • Top Left: A sketch titled "Watts, was absorbed in what he called 'High Art,' GENIUS OF GREEK POETRY was theme often reworked." This appears to be a dramatic scene with a central figure and a group of people, possibly depicting a mythological or literary theme.
   • Top Right: A watercolor titled "Millais' small watercolor A LADY WITH GREVOURS repeats a design he used in a magazine illustration in 1859." This illustration shows a woman in a flowing dress, seated and looking contemplative.
   • Bottom Left: A sketch titled "Hunt's sketch for monumental work THE TRIUMPH OF THE INNOCENTS was begun near Jerusalem in 1870." This depicts a group of figures, possibly children, in a dramatic or symbolic scene.
   • Bottom Right: A portrait titled "Rossetti's LA DONNA DELLA FINESTRA, sometimes known as 'THE LYNDA OF PITY' uses themes from Life of Dante." This shows a woman in a flowing dress, gazing pensively.

3. Text Content:

   • The article discusses the Pre-Raphaelites' approach to art, comparing them to modern artists who sought refuge in dreams and surrealism. It highlights their rejection of conventional artistic norms and their pursuit of a more authentic, morally and spiritually driven art form.
   • The text mentions key figures such as William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti, noting their influence and the themes they explored, such as morality, spirituality, and a return to medieval ideals.
   • The article references an exhibition at the Fogg Museum of Art, showcasing the Pre-Raphaelites' works, including paintings and drawings from the 19th century.

4. Design and Typography:

   • The page has a clean, structured layout with ample white space, typical of magazine or art journal design.
   • The illustrations are placed strategically to complement the text, enhancing the visual narrative of the article.

Overall Impression:

The page provides a historical and artistic analysis of the Pre-Raphaelite movement, using visual examples to illustrate the themes and ideals of the artists. The combination of text and imagery creates a rich, informative presentation that highlights the Pre-Raphaelites' unique contributions to art and their enduring legacy.

The image is of a vintage magazine page from "Art News, May 1946," discussing Pre-Raphaelite artists and their works. The title "PRE-RAPHAELITE TRAGEDIAN" appears prominently at the top with a subtitle, "THEIR DREAM WORLD RARELY BEFORE SO CLEARLY REVEALED." Below the title, an introductory paragraph explains how these artists took inspiration from the world of dreams and installed a sense of purpose in their works, distinct from their contemporary academic artists.

The page features reproductions of various artworks and extracts:

• In the top left, there is a black and white reproduction of a painting with several figures.
• A small watercolor sketch is displayed in the middle, with a caption noting that it was MILLAIS' watercolor "A HAMLET WITHOUT PRINCE."
• Below this, another illustration portrays people involved in some historical or religious scene, captioned as Hunt's sketch for monumental work.
• The bottom left has a portrait of a serene-looking individual, labeled as "Burne Jones’ very portrait; of an Ancient Model: Nimuë, 1861."
• The bottom right shows another artwork, a bust portrait with softer features.
• Sections of text are interleaved with these illustrations, providing context about the Pre-Raphaelite movement and its significance.

Surrounding these content features are light signs of aging on the page, suggesting a historical importance and maintaining the authenticity of the material.

This is a scan of a vintage magazine or book page, specifically from "Art News," dated May 1946. The article is titled "Pre-Raphaelite Tragedians" and subtitled "Their Dream World Rarely Before So Clearly Revealed." The text describes and analyzes the work and philosophy of the Pre-Raphaelite Brotherhood, emphasizing their escape from realism into a dreamlike, idealized artistic world.

The page includes four black-and-white illustrations of artwork created by or related to Pre-Raphaelite artists:

1. Top-left: A depiction of figures in a dramatic or pastoral scene by Watts.
2. Top-center-right: A light illustration labeled as "Millais' small watercolor A Lady with Geranium."
3. Center: A darker, detailed image labeled "Hunt's sketch for monumental work The Triumph of the Innocents," showing a complex, dynamic scene with numerous figures.
4. Bottom-right: A small portrait titled "Rossetti's La Donna Della Finestra." It features a seated woman in a contemplative pose.
5. Bottom-left: Portrait by Burne-Jones titled "Sarah Norton, 1888."

The publication has written commentary on the artistic and historical significance of Pre-Raphaelite pieces and their cultural resurgence. The page is part of a bound volume, evident from the green binding visible on the left.

This image shows a page from an art publication dated May 1946, featuring an article titled "PRE-RAPHAELITE TRAGEDIANS: THEIR DREAM WORLD RARELY BEFORE SO CLEARLY REVEALED." The text discusses the Pre-Raphaelite Brotherhood (PRB), emphasizing their departure from materialism into a fantasy realm and their artistic and poetic expressions.

On the left side of the page, there are several black-and-white images of Pre-Raphaelite artworks:

1. At the top left, a painting by Watts, described as inspired by "High Art" and Greek poetry.
2. Below it, a small watercolor by Millais titled "A Lady with Greyhound," based on a magazine illustration from 1859.
3. Next, a sketch by Hunt labeled "THE TRIUMPH OF THE INNOCENTS," begun near Jerusalem in 1870.
4. Toward the bottom left, a blurred portrait of an American woman by Burne-Jones from 1888, lent by Misses Norton, Cambridge.
5. To the right of the Burne-Jones portrait, a painting by Rossetti titled "LA DONNA DELLA FINESTRA," sometimes known as the "Lady of Pity," inspired by Dante.

The article text continues about the influence, inspirations, and ambitions of the Pre-Raphaelite artists, noting their desire to reform art by returning to older artistic principles and their goal to merge art with spiritual values. It states that a comprehensive exhibit of their works was being shown at the Fogg Museum of Art through May 31, highlighting works from the Grenville L. Winthrop Collection. The article contrasts the Pre-Raphaelites with later surrealists, portraying the former as youthful idealists with a mission to challenge contemporary academic art standards. The writer characterizes the Pre-Raphaelite movement as both a dream and a radical artistic reform, touching on themes of idealism and escapism. The article notes it continues on another page.

• A vintage scrapbook page showing a pasted magazine clipping.
• The clipping is from Art News, May 1946, with the bold headline: PRE-RAPHAELITE TRAGEDIANS and a subheading about their dream world.
• The right-hand column is dense text describing the Pre-Raphaelite Brotherhood; the left-hand side features a vertical strip of small black-and-white illustrations with captions (works by Watts, Millais, Hunt, Rossetti, Burne-Jones, etc.).
• Captions mention specific works and notes about the artists, such as Watts’ High Art, Millais’s Lady with Greyhound, Hunt’s Triumph of the Innocents, Rossetti’s La Donna della Finestra, and Burne-Jones’s portrait, all in a mid-20th-century article layout.
• The page is inside a bound book with a green cover visible at the edge; the clipping appears yellowed with age.