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ARCH.2003.29, Rendition: 803639
This image appears to be a page from a scrapbook or collection of newspaper clippings and documents. The page is dated February 14, 1946, and includes several articles and images related to George Washington and exhibitions at the Fogg Art Museum at Harvard University.
Headline and Image: The central part of the page features a portrait of George Washington with the caption "The Lost Portrait" of George Washington, painted by Charles Willson Peale. The portrait is described as being commissioned by Governor Harrison of Virginia to depict Washington at the moment of Cornwallis' surrender. The painting was sent to Thomas Jefferson and Benjamin Franklin in France to aid a sculptor in making a statue of the Revolutionary leader. The text notes that the painting came to rest in the Château of Noailles.
Left Column: On the left side, there are several articles and clippings. The top clipping is from the "Boston News Clip" dated February 14, 1946, and it mentions new exhibitions at the Fogg Art Museum, including medieval Korean pottery, treasures from the Islamic collection, French paintings, and the graphic work of Edward Munch.
Bottom Section: Below the main portrait, there is a clipping from the "Boston News Clip" dated February 21, 1946, which mentions exhibitions at the Fogg Art Museum, including treasures from the Islamic collection, French paintings, and the graphic work of Paul Gauguin and Edvard Munch.
The page also includes some stamps and a paperclip, indicating it is part of a collection of preserved articles and information. The overall theme seems to be the historical significance of George Washington and the exhibitions at the Fogg Art Museum in 1946.
This image shows a scrapbook page with various newspaper clippings and a central photograph. The central photograph is titled "George Washington" and is labeled as "THE LOST PORTRAIT" of George Washington, painted by Charles Willson Peale. The caption explains that the portrait was commissioned by Governor Harrison of Virginia to depict Washington at the moment of Cornwallis' surrender. The painting was sent to Thomas Jefferson and Benjamin Franklin in France to aid a sculptor in making a statue of the Revolutionary leader. It later came to rest in the Chateau of Noailles. The photograph is courtesy of the Fogg Art Museum.
Surrounding the central photograph are multiple newspaper clippings from the Boston News Clip and the C.S. Monitor, dated February 14, 18, and 21, 1946. These clippings discuss new exhibitions at the Fogg Art Museum in Harvard, including Mediaeval Korean Pottery, Treasures from the Islamic Collection, French Paintings, and the graphic works of Edward Munch and Paul Gauguin. The clippings provide details about the exhibitions, including dates and gallery hours.
The scrapbook page appears to be part of a collection of articles and information related to historical and artistic events, specifically focusing on the Fogg Art Museum and its exhibitions. The page is held together with a paperclip at the top, and there are some additional notes and markings on the page.
This image displays an open page from a vintage scrapbook or press clipping album, featuring a curated collection of newspaper clippings from February 1946, primarily related to art exhibitions and cultural events in Boston, Massachusetts.
The page, yellowed with age and mounted on a light green binder with visible staples, contains several clipped articles neatly taped or glued onto the page.
Central Feature:
Dominating the right side is a large clipping from the Boston Herald, dated February 17, 1946. It features a black-and-white reproduction of the famous portrait “THE LOST PORTRAIT” of George Washington, painted by Charles Willson Peale. Below the image, the caption explains that the portrait, commissioned by Governor Harrison of Virginia, depicts Washington at the moment of Cornwallis’s surrender. It further notes that the painting was sent to Thomas Jefferson and Benjamin Franklin to aid a sculptor in making a statue of the Revolutionary leader and is now housed at the Chateau de Noailles. The source is credited to the Fogg Art Museum.
Supporting Clippings:
Surrounding the portrait are several smaller clippings from various newspapers, all dated in mid-February 1946:
A Boston News Clip from February 14, 1946 (Park Street, Boston) announces New Exhibitions at the Fogg Art Museum, Harvard, detailing exhibits including:
Two nearly identical clippings from the Press Clipping Service (2 Park Square, Boston) dated February 15, 1946 and February 18, 1946, both repeating the same information about the Fogg Art Museum’s exhibitions.
Another Boston News Clip (120 Tremont Street, Boston) dated February 21, 1946 from the Globe, which reiterates the availability of the graphic works of Paul Gauguin and Edvard Munch, along with treasures from the Islamic Collection and French paintings. It notes, “Across the river a the Fogg Art Museum, Harvard University…”
Details:
In essence, the scrapbook page serves as a tangible artifact of mid-20th-century art and cultural journalism in Boston, preserving public announcements about significant exhibitions at one of the nation’s leading university museums.
The image shows a scrapbook page with a newspaper clipping about George Washington. The clipping has a photograph of George Washington. The clipping is pasted on the scrapbook page with a green border. There are several other clippings on the page, including one about exhibitions at the Fogg Art Museum in Harvard and another about press clipping services. The page also has a green border and appears to be part of a scrapbook.
The image depicts an open book with several pages that appear to be part of a scrapbook or a collection of press clippings. The book has a green spine and is placed on a gray background. The pages are filled with various clippings, some of which are from newspapers and others are labeled as press clippings.
The first page has a headline that reads "George Washington" and a picture of a man in a white suit and black boots. Below the picture, there is a caption that reads "The Lost Portrait of George Washington" and a description of the painting's history.
The second page has a headline that reads "Boston News Clip" and a clipping from the Boston Chronicle-Sun, dated February 1, 1946. The clipping is about an exhibition at the Fogg Art Museum in Cambridge, Massachusetts.
The third page has a headline that reads "Press Clipping Service" and a clipping from the Boston Globe, dated February 1, 1946. The clipping is about an exhibition of French pottery at the Fogg Art Museum.
The fourth page has a headline that reads "Boston News Clip" and a clipping from the Boston Chronicle-Sun, dated February 13, 1946. The clipping is about an exhibition of Korean pottery at the Fogg Art Museum.
The fifth page has a headline that reads "Press Clipping Service" and a clipping from the Boston Globe, dated February 13, 1946. The clipping is about an exhibition of French pottery at the Fogg Art Museum.
The book appears to be a collection of press clippings related to art exhibitions and events in Boston during the mid-1940s.
The image depicts a page from a scrapbook or archival collection, showcasing a historical newspaper clipping and a photograph. The page is part of a larger volume, as indicated by the visible spine and other pages on the left side of the image. Here is a detailed description:
Photograph:
The central feature of the right side is a black-and-white photograph of George Washington. The image shows Washington in formal attire, standing with a dignified posture. He is wearing a long coat, cravat, and knee-length breeches, typical of 18th-century fashion. The photograph is labeled as a reproduction or historical representation, as indicated by the caption below.
Caption Below the Photograph:
The caption reads:
"The LOST PORTRAIT" of George Washington, painted by Charles Willson Peale. Commissioned by Governor Harrison of Virginia to do a portrait of the first President, Peale chose to depict Washington at the moment of Cornwallis's surrender. The painting, sent to Thomas Jefferson and Benjamin Franklin, our statesmen in France, to aid sculptors in making a statue of the Revolutionary leader, came to rest in the Chateau of Noailles."
This caption provides historical context, explaining that the portrait was part of a significant commission and had a notable journey before being preserved.
The image captures a page from a historical or archival collection, combining newspaper clippings about art exhibitions at the Fogg Art Museum with a photograph of George Washington. The photograph is accompanied by a detailed caption that provides historical context, emphasizing the significance of the portrait and its connection to key figures in American history. The layout and content suggest this is part of a curated collection, likely used for research, exhibition, or preservation purposes.
The image shows an old scrapbook or album page that contains a collection of newspaper clippings and an image of a portrait titled "George Washington." The newspaper clippings are pasted onto the page and refer to various press mentions dated February 1946 about art exhibitions, particularly ones focusing on the subject of George Washington and related historical topics.
The central feature is a reproduction of a portrait of George Washington, reportedly painted by Charles Willson Peale, with accompanying text explaining its historical significance. It describes the piece as depicting Washington at the moment of Cornwallis's surrender, with ties to Thomas Jefferson and Benjamin Franklin. The clipping reveals the portrait's journey and historical importance.
The rest of the page contains clipped articles and segments from newspapers such as the Boston Herald and other publications, focusing on art news and exhibitions related to Washington and other historical works of art.
The image shows an open scrapbook or album page with multiple newspaper clippings pasted on it. The central and largest clipping is a sepia-toned newspaper article titled "George Washington," featuring a full-length portrait of George Washington and a dog beside him. The article discusses "The Lost Portrait" of George Washington, painted by Charles Willson Peale, commissioned by Governor Harrison of Virginia.
Surrounding the main clipping are smaller newspaper snippets with dates from February 1946, including dates like February 14, 18, and 21. These smaller clippings seem to mention exhibitions at the Fogg Art Museum, touching on various artistic displays including medieval Korean pottery, mid-19th century French paintings, and graphic work of Paul Gauguin, among others.
The overall color of the page is aged and beige, indicating that it is an older scrapbook or archive material. The clippings are neatly arranged and affixed to the page, documenting art exhibitions and related news in Boston from February 1946.
The image shows an open scrapbook containing multiple newspaper clippings that are yellowed with age. In the center of the right page, there's a main article with a heading that reads "George Washington" with a vintage portrait illustration underneath it. Various clippings around it seem to be related to historical subjects and exhibitions. There's visible text on the left page mentioning press clipping services in Boston, Massachusetts, and there are several references to dates in 1946 apparent on the clippings. The scrapbook appears well-maintained with neatly organized and pinned articles, reflecting a thematic collection focused on history or notable figures.