Archives Scrapbooks

This image shows an open, aged scrapbook or archival album with its left-hand page prominently displayed. The page features a historical newspaper clipping mounted on a piece of yellowed, slightly stained paper.

Main Clipping Details:

• Source: The clipping is from “The Home Forum,” a section of The Christian Science Monitor, as indicated by the masthead and registration notice at the top.
• Date: The clipping has a “Press Clipping Service” stamp from C.S. Monitor, Boston, Mass. dated OCT 1 1945.
• Title: “WILLIAM, PRINCE OF ORANGE: A Portrait in Old Wedgwood.”
• Image: Centered in the article is a black-and-white photograph of a small, oval medallion. This medallion, framed in a decorative border topped with a dolphin crown, shows the right-profile bust of a young boy, identified as William, Prince of Orange (later William I of the Netherlands).
• Caption: The photo is credited to “Courtesy of the Fogg Art Museum, Harvard University, to The Christian Science Monitor.”
• Text: The article, written by Doris Anlow, describes Josiah Wedgwood’s adaptation of pottery for artistic ends, his production of portrait medallions beginning around 1774 (called “Heads of Illustrious Moderns”), and specifically details this charming profile bust modeled in basalt and mounted in a gold frame.

Additional Features:

• A handwritten number, “250,” is visible on the green spine of the scrapbook or on the edge of the leftmost page.
• Another handwritten number, “150,” appears on the green book cover along the left edge. (Note: These might refer to catalog numbers or page numbers).
• Blue ballpoint pen scribbles mark the top right and bottom of the clipping, possibly indicating review or indexing.

Overall Context:

The page appears to be part of a curated collection of newspaper clippings, likely on historical or art-related topics. The aged paper, the press service stamp, and the handwritten annotations suggest it’s a researcher’s or collector’s item from the mid-20th century. The focus is on a historical artifact—Wedgwood’s portrait medallion—and its cultural and artistic significance.

The clipping is well-preserved despite its age and shows no signs of significant damage. The surrounding pages of the scrapbook are visible and also appear aged and yellowed, consistent with archival material from the 1940s.

The image appears to be a photograph of a page from a scrapbook or a collection of clippings. The page is aged, with a yellowish tint, indicating it may be quite old. At the top of the page, there is a piece of paper with a torn edge, which seems to be a clipping from a newspaper or magazine, dated October 15, 1945, from "The Home Forum." The edge of the paper is labeled "Press Clipping Service" and includes an address in Boston, Massachusetts.

Below this, there is a historical article titled "WILLIAM, PRINCE OF ORANGE: A Portrait in Old Wedgwood." The article discusses Josiah Wedgwood and his contributions to pottery and art during the 18th century. It mentions that Wedgwood adapted his skills to the prevailing mood of his time and produced wares that fulfilled the functions of utility and ornament. The article also describes a portrait of William, Prince of Orange, later known as William I of the Netherlands, and includes a small image of a profile bust of a young boy, likely William, enclosed in a gold frame. The bust is attributed to the Fogg Art Museum, Harvard University, and is part of a series called "Heads of Illustrious Moderns," created in 1774 by Wedgwood.

The text provides historical context and information about the Wedgwood workshop and its various artistic endeavors, including the production of locket, brooches, and tiaras, as well as other art forms such as medallions and inlay furniture.

The lower portion of the page includes footnotes and a mention of Dorothy Adlow, who may have written or contributed to the article. The overall presentation suggests that this is a carefully preserved piece of historical documentation, possibly from a collection of clippings or a scrapbook intended to preserve important historical and artistic information.

This image is a page from a book or a scrapbook containing a newspaper clipping. The clipping is from the "C. S. Monitor" dated October 15, 1945, and is titled "William, Prince of Orange: A Portrait in Old Wedgwood." The clipping features a black-and-white photograph of a portrait bust of a young boy, identified as William, Prince of Orange, who later became William I of the Netherlands. The portrait is mounted in a simple gold frame with a beaded edge and surmounted by a dolphin crown.

The text discusses Josiah Wedgwood's contributions to pottery and his ability to adapt his skills and inventions to the prevailing mood of his day. It mentions the various types of wares produced in Wedgwood's factories and the series of portraits called "Heads of Illustrious Moderns," which began around 1774. The article also includes a quote from Wedgwood written in 1774, describing the different forms in which models of people could be made.

The clipping is labeled as being from the "Press Clipping Service" located at 2 Park Square, Boston, Mass. The article is signed by Dorothy Adlow. The page shows signs of aging, with some discoloration and stains. The book or scrapbook has a green binding.

An open book with the pages facing each other. The left page is filled with text, while the right page has an image of a portrait of a young boy wearing a crown and a robe. The portrait is framed with a gold frame. The portrait is surrounded by a black border. The book is filled with pages, and the pages are filled with text. The book is probably a magazine.

The image appears to be a scanned page from a book or magazine. The page contains an article with a black-and-white portrait of a young boy in a crown. The article discusses the invention of Wedgwood pottery by Josiah Wedgwood in the 18th century. The article provides details about the types of pottery and ornaments produced by Wedgwood, as well as the materials and techniques used. The article also mentions that Wedgwood produced models of themselves and their friends, which were popular among gentlemen and ladies.

The image depicts an open book or scrapbook page showcasing a historical document or clipping. The page includes several distinct elements:

1. Top Left Corner: A label from the "Press Clipping Service" of Park Square, Boston, Massachusetts, dated October 13, 1945. This label indicates that the item is part of a press clipping archive.

2. Central Illustration: A circular, embossed or engraved portrait of a man, likely a historical figure. The portrait is framed within an ornate border and features detailed craftsmanship, suggesting it is a medallion or seal.

3. Text Below the Portrait: A detailed description or article about the portrait, attributed to the "Pogge Art Museum, Harvard University, Jos Cunnington Science Monitor." The text discusses the portrait's subject, Josiah Wedgwood, a prominent English potter and industrialist. It highlights his contributions to the pottery industry, his innovations, and his role in expanding the use and appreciation of porcelain and other ceramic wares. The text also mentions his creation of fine homes, gardens, and his influence on the artistic and industrial landscape of his time.

4. Page Layout: The page appears to be part of a larger collection or scrapbook, as indicated by the visible page numbers ("1580") and the green spine of the book on the left side. The paper has a slightly aged, sepia-toned appearance, consistent with historical documents.

5. Additional Details: The text includes references to Wedgwood's work, such as the production of "Wares" (pottery), his innovations in manufacturing, and his influence on the decorative arts. The description also touches on his social status and the impact of his work on society.

Overall, the image portrays a historical artifact or clipping focusing on Josiah Wedgwood, emphasizing his significance in the field of pottery and industrial design. The combination of the portrait and descriptive text provides a glimpse into the cultural and industrial context of the 18th century.

This image appears to be a page from a publication that has been clipped and preserved. It includes a photograph of an artwork titled "William, Prince of Orange: A Portrait in Old Wedgwood," showing a cameo-style portrait of the subject framed in a decorative oval with intricate detailing. The text below the image discusses Wedgwood pottery, its historical significance, and Josiah Wedgwood's contributions to the industry. It also provides insight into the artistic techniques and craftsmanship involved in producing similar works. The publication is dated October 5, 1945, and attributed to the "Press Clipping Service" located in Boston, Massachusetts.

• The image shows an opened scrapbook page with a single vintage newspaper clipping attached to a larger yellowed page.
• The clipping features a large oval portrait in the center, set in a decorative frame with a small crown atop the frame.
• The figure inside the frame appears to be a historical noble, shown in profile or three-quarter view, wearing period clothing; part of the face is covered by a small square patch.
• Beneath the portrait is a block of dense text, likely a caption or article, with a short line of text above it.
• A small label near the top of the clipping reads “Press Clipping Service” with an address, and there are evident tape marks and aging on the page.
• The book itself is thick, with a green spine visible on the left, and other pages fanning out around it.

The image shows an open scrapbook or archive with several pages visible. On the right-hand side, there is an aged newspaper clipping with a portrait oval at its center, detailed artwork around the oval, and text below. The clipping is from a publication named "The Christian Science Monitor," dated October 1, 1945, as indicated by the text on the top. On the left-hand side, there are multiple stacked pages, some with visible text, indicating that the book contains a collection of assorted documents. The visible newspaper clipping appears to be focused on a discussion of the featured oval-shaped artwork. The text and context suggest it's historical or informational content related to art, possibly with a focus on Wedgwood, as the name is prominently visible in the body of the text.

The image shows an open scrapbook or book page with a clipped newspaper article pasted on it. The article features a black-and-white portrait illustration of William, Prince of Orange, depicted in profile within an ornate oval frame topped with a crown. The portrait appears to be an engraved or lithographic image.

Above the illustration, there is a small label that reads:
"Press Clipping Service
2 Park Square, Boston, Mass.
C. S. Monitor
Boston, Mass.
OCT 15 1945"

Below the portrait, the article text describes Josiah Wedgwood and his creation of a portrait in old Wedgwood pottery style. The article provides some historical context about William, Prince of Orange, and Wedgwood's manufacture of pottery and medallions fashioned after this style.

The scrapbook page itself looks aged, with some discoloration and tape marks around the clipping. The entire page is part of a larger bound volume, as visible on the left and right edges.