Archives Scrapbooks

This image shows an open scrapbook or clipping album, with a single news clipping prominently displayed on the right-hand page.

The Clipping:
The central feature is a black-and-white photograph of a classical Chinese painting, mounted on newsprint. The clipping is from the Boston News-Clip Bureau and was distributed to the Christian Science Monitor in Boston, Massachusetts, on August 16, 1945.

• Headline: The image is captioned, "A CHINESE PAINTING OF LO FEI".
• Image Content: The painting depicts a graceful, full-length female figure from ancient Chinese legend, identified as the goddess Lo Fei. She is shown skimming over water waves, her long robes and ribbons flowing dramatically around her. Her hair is styled in an elaborate updo, and she gazes serenely forward. The style is characteristic of traditional Chinese ink wash painting.
• Caption Text: Below the photograph, a detailed article describes Lo Fei. It notes that the painting is by an artist of the Qing Dynasty (1644-1911) and is presented in a traditional style. The text includes a poetic description of Lo Fei from a 222 A.D. text by Ts'ao Chih, comparing her to a bird on the wing, more radiant than autumn flowers, with a waist like a bundle of silk. The caption further describes her draperies flowing with the swirling waters, the colors of her scarf (blue) and ribbon (red) as if they were originally painted, and notes that she "wears a blue scarf and her ribbon is red" — despite the black-and-white reproduction.
• Credit: The painting is credited to "By Courtesy of the Fogg Art Museum, Harvard University, to The Christian Science Monitor." The article is signed "D. A.".

The Scrapbook Context:

• The clipping is affixed to a cream-colored page of a large, hardcover scrapbook with a visible green binding on the left.
• The page shows signs of age, with some yellowing and discoloration.
• The clipping is secured with yellowed tape on its right side and appears to be taped over other, older clippings or materials underneath, visible as tan, rectangular patches.
• A handwritten page number, "150," is visible in pencil on the top left edge of the left-hand page.
• A small, handwritten number, "12387," is visible in pencil near the top left corner of the clipped image itself.

In summary, the image captures a historical document: a 1945 newspaper clipping featuring a photograph of a Chinese painting of the goddess Lo Fei, preserved in a scrapbook.

The image depicts an open book with a page that has a newspaper clipping pasted onto it. The clipping is titled "A Chinese Painting of Lo Fei" and includes a black-and-white illustration of a figure, presumably Lo Fei. The figure is depicted in a flowing, graceful pose, with draped clothing that seems to be harmonizing with the water below. The text accompanying the illustration provides a description of the painting, referencing themes from ancient Chinese legend and art.

The date of the newspaper clipping is August 16, 1945, and it is sourced from the Boston News-Clip Bureau and the Christian Science Monitor. The text also mentions that the image is courtesy of the Fogg Art Museum, Harvard University. The illustration of the figure is styled with traditional Chinese artistic techniques, and the text provides a poetic description of the figure's elegance and grace, comparing her to a bird in flight and the play of rain elves.

This image is of an open book with a clipping from the "Christian Science Monitor" dated August 16, 1945. The clipping is from the Boston News-Clip Bureau located at 8 Bosworth Street, Boston, Mass. The article features a black-and-white reproduction of a Chinese painting titled "A Chinese Painting of Lo Fei," courtesy of the Fogg Art Museum, Harvard University.

The painting depicts a graceful figure believed to be a river goddess from ancient Chinese legend. The figure is shown in traditional Chinese attire, with flowing drapery and a serene posture. The description in the article mentions that the figure is skimming the waves, with her garments harmonizing with the water's movement. She is wearing a blue scarf and a red ribbon.

The article provides a poetic description of Lo Fei, quoting from lines written in 222 A.D. by Ts'ao Chih, which highlights her grace, beauty, and the challenges of capturing her essence in art. The text also notes that the painting is from the Ch'ing Dynasty (1644-1911), a period when artists strove to maintain traditional art and learning.

The page has some visible wear and tear, with some brown adhesive tape on the edges, indicating that the clipping might have been pasted into the book. The book itself has a green spine.

The image shows an open book, with the right page featuring a black-and-white illustration of a woman. The illustration is titled "A Chinese Painting of Lo Fei." The book is open to page 150, and the illustration is on page 129F. The book is titled "Boston News-Clip Bureau," and it is from the Christian Science Monitor, published on August 16, 1945. The illustration depicts a woman in a traditional Chinese dress, standing in a flowing river. She is holding a scroll in her left hand and a fan in her right hand. The illustration is accompanied by a caption that describes the woman as a river goddess from Chinese legend. The book appears to be a collection of news clippings and illustrations from various sources.

The image appears to be a page from a book or magazine, with a black-and-white image of a woman in a flowing dress, accompanied by some text. The image and text are centered on the page, and the page has a white border. The image is titled "A Chinese Painting of Lo Fei" and is described as a depiction of a river goddess belonging to ancient Chinese legend. The text provides some context and background information about the painting and the subject it represents.

The image shows an open book with a page featuring a historical or artistic illustration and accompanying text. Here is a detailed description:

Visual Elements:

1. Illustration:

   • The central focus is a black-and-white illustration of a figure, likely a woman, depicted in a flowing, elegant pose.
   • The figure is dressed in traditional, flowing robes that cascade gracefully, suggesting a sense of movement and fluidity.
   • The style of the illustration appears to be inspired by classical or traditional Chinese art, with fine lines and a serene, contemplative atmosphere.
   • The figure is positioned slightly to the right of the page, with a calm and composed expression.

2. Text:

   • Header: At the top of the page, there is a header that reads:

     BOSTON NEWS-CLIP BUREAU
     5 Bowdoin Street
     Boston, Mass.
     Christian Science Monitor
     Boston, Mass.
     AUG 16 1945
     

     This indicates that the page is from a news clipping or archive, dated August 16, 1945, and sourced from the Christian Science Monitor.
   • Caption: Below the illustration, there is a caption that reads:

     By Courtesy of the Fogg Art Museum, Harvard University, *The Christian Science Monitor*
     A CHINESE PAINTING OF LO FEI
     

     This identifies the artwork as a Chinese painting of "Lo Fei," likely referencing a historical or mythological figure.
   • Description: Beneath the caption, there is a descriptive paragraph that elaborates on the painting:
     • It describes Lo Fei as a river goddess from ancient Chinese legend.
     • The text discusses the technical mode of the painting, noting its evolution over centuries and its representation of certain themes.
     • It mentions that Lo Fei is depicted as moving swiftly, with her garments flowing like water, and her posture and accessories (such as a blue scarf) harmonizing with the natural elements.
     • The description emphasizes the graceful and serene qualities of the figure, aligning with the visual depiction in the illustration.

3. Page Layout:

   • The page is part of a larger book or archive, as indicated by the visible spine and adjacent pages on the left side.
   • The left margin shows some wear or discoloration, suggesting age and frequent handling.
   • There is a handwritten notation in the top left corner of the page, reading "150," likely a page number or catalog reference.

Contextual Details:

• The illustration and text suggest that this is a historical or cultural artifact, possibly from an art history or cultural studies context.
• The reference to the Fogg Art Museum at Harvard University indicates that the artwork is of significant artistic or historical value.
• The date (August 16, 1945) places the clipping in a mid-20th-century context, possibly reflecting post-World War II interest in art and culture.

Overall Impression:

The image portrays a carefully preserved historical document, combining an artistic illustration with scholarly commentary. The illustration of Lo Fei, described as a river goddess, is rendered in a style reminiscent of traditional Chinese art, emphasizing grace, fluidity, and harmony with nature. The accompanying text provides context, enriching the viewer's understanding of the artwork's cultural and artistic significance.

This image depicts a scrapbook-style page featuring a newspaper clipping titled "A Chinese Painting of Lo Fei," sourced from the Christian Science Monitor, with a stamp indicating it was published on August 16, 1945. The clipping includes an illustration and a descriptive text block.

The illustration shows a traditional Chinese-style painting of a figure believed to be a river goddess, Lo Fei, draped in flowing garments. Her attire is depicted with intricate and decorative patterns, harmonizing with the fluidity of the waves beneath her. The figure appears serene, with elements of traditional Chinese art, such as the use of organic forms and stylized clouds or waves.

The accompanying text provides context about the painting, noting its traditional style, originating from the Qing Dynasty (1644–1911), and explaining its cultural significance. It reflects reverence for the skill and symbolism in this style, emphasizing its detail and spiritual themes.

The page appears aged, with visible tape marks, faded sections, and browning of the paper, suggesting it may have been archived or preserved for its historical importance.

This image shows a newspaper clipping from the "Boston News-Clip Bureau," specifically from the Christian Science Monitor, dated August 16, 1945. The article is titled "A Chinese Painting or Lo Fu," and includes an image of a classical figure that the text suggests is believed to be one of five goddesses related to ancient Chinese legend. The figure is depicted in a flowing, traditional attire, and the appearance suggests movement, with elongate garments that resemble waves or clouds, contributing to the ethereal quality typically associated with divine entities in art. Below the main image, there is text offering more context about the painting and its significance.

The clipping itself is pasted onto a page that is part of a bound collection or scrapbook, indicated by the visible binding on the left side. The page has yellowed with age, and there's a slight discoloration or staining apparent on the paper, indicating that this physical item has been preserved for quite some time since its original publication. There are also indications of handling and wear on the edges of the paper and clipping.

The image shows a page from a book or a folder containing a newspaper clipping.

At the top of the page, a label reads:
"BOSTON NEWS-CLIP BUREAU
8 Bosworth Street
Boston, Mass.

Christian Science Monitor
Boston, Mass.

AUG 1 6 1945"

The clipping below the label features a black-and-white illustration of a figure in flowing robes, standing with a serene expression. The figure's face has been pixelated or obscured. The painting is titled "A Chinese Painting of Lo Fei," with credit given to the Fogg Art Museum, Harvard University, and The Christian Science Monitor.

Beneath the illustration, there is a detailed caption describing the figure as a graceful character believed to be a river goddess from ancient Chinese legend. The text mentions painters of the Ch'ing Dynasty (1644-1911) who maintained traditional art forms and technical modes that had evolved centuries ago. It touches on the symbolism and artistic techniques used to depict Lo Fei, such as the flowing robes described as silk and the harmonious elements of the scenery including curling scrolls and a blue scarf with a red ribbon.

The entire clipping is affixed to the page, which shows signs of age with some fading and discoloration marks, particularly around where the clipping is attached. The left margin of the book shows a handwritten number "150".

A page from an old scrapbook or album. The page has yellowed with age and shows a mounted newspaper clipping in the center. The clipping comes from the Boston News-Clip Bureau with an August 16, 1945 date.

The clipping contains a vertical, black-and-white illustration of a seated figure in a long, flowing robe, with the face blurred by a square. The figure appears to be a woman or a deity, with long sleeves and draped clothing, set against a dark, textured background with flowing patterns around the lower half.

Below the image is a caption that reads something like “A Chinese Painting of Lo Fei,” followed by a column of small-print text explaining the piece. The page around the clipping shows tape marks and remnants of mounting, and there are other pages and paper strips visible along the left edge.