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ARCH.2003.29, Rendition: 803607
The image shows a page from a book or a document containing a newspaper clipping and a photograph. The newspaper clipping is from "The Christian Science Monitor," dated August 4, 1945, and is attributed to the Boston News-Clip Bureau. The clipping features an article titled "A Double Portrait, Attributed to John Singleton Copley." The article discusses a artwork, which is a black-and-white photograph of a double portrait.
The photograph depicts two figures, a woman and a man, dressed in historical attire. The woman is wearing a bonnet, and the man is holding a book or a scroll. The image is labeled with the title "A Double Portrait, Attributed to John Singleton Copley," and it is noted that it is by courtesy of the Fogg Museum of Art, Cambridge, Massachusetts, to The Christian Science Monitor.
The article provides background information on John Singleton Copley and his connection to the portrait. It mentions Copley’s mother, Mary Singleton Copley, and her half-brother, Henry Pelham. The article also discusses Copley's art background and the influence of his stepfather, Henry Pelham, on his work.
This image shows a page from a scrapbook or collection of clippings, dated August 4, 1945. The page contains a newspaper clipping from the Boston News-Clip Bureau, associated with the Christian Science Monitor in Boston, Massachusetts.
The clipping features a black-and-white image of a double portrait, attributed to John Singleton Copley. The portrait depicts a woman, presumably Mary Singleton Copley, and a boy, likely her half-brother, Henry Pelham. The woman is wearing a bonnet, and the boy appears to be holding a piece of paper.
Below the image, there is a detailed article discussing the double portrait, its attribution to John Singleton Copley, and the historical context surrounding the subjects of the portrait. The article mentions that Copley's widowed mother married Peter Pelham in 1748, and it provides information about the Pelham family's involvement in the art of portraiture and their connection to Copley's development as an artist.
The article is signed by Dorothy Adlow and includes a note at the bottom indicating that the image is courtesy of the Fogg Museum of Art in Cambridge, Massachusetts.
This image shows a page from an open scrapbook or archive, displaying a preserved newspaper clipping mounted on a beige background sheet. The clipping is from August 4, 1945, and is labeled at the top as being from the BOSTON NEWS-CLIP BUREAU (8 Bosworth Street, Boston, Mass.) and the Christian Science Monitor (Boston, Mass.).
The main feature is a black-and-white reproduction of a historical painting, captioned:
“By Courtesy of the Fogg Museum of Art, Cambridge, Massachusetts, in The Christian Science Monitor
A DOUBLE PORTRAIT, ATTRIBUTED TO JOHN SINGLETON COPLEY”
The portrait shows two figures: an older woman (Mary Singleton Copley) wearing a bonnet and dark dress, looking directly at the viewer, with her left hand resting on a book or table; and a young boy (Henry Pelham) resting his head on her shoulder, looking away from the viewer.
Below the image is an article written by Dorothy Arlow. It discusses the attribution of the double portrait to John Singleton Copley, a prominent 18th-century American painter. The article notes that while experts are hesitant to make an “assured statement,” they feel confident it was painted by Copley. It provides biographical context:
The clipping is marked with a handwritten “1945” and “F” in blue ink near the top, likely for cataloging purposes. The scrapbook page is aged and slightly yellowed, with visible wear along the edges. The overall presentation suggests a curated historical document preserved for research or personal interest in American art history.
Summary: This is a 1945 newspaper clipping featuring a double portrait attributed to John Singleton Copley, showing his mother and half-brother. The article provides historical and biographical context linking Copley’s early life and artistic development to his family, particularly his stepfather and half-brother. The clipping is archived in a scrapbook, indicating its value as a historical record.
The image is a page from a newspaper or magazine clipping. The clipping is affixed to a page within a scrapbook or binder, suggesting it was preserved for reference or historical purposes. The clipping features a black-and-white portrait of a woman holding a child, with accompanying text. The text includes a headline and an article that provides context for the portrait. The clipping is dated August 4, 1945, and is from the Boston News-Clip Bureau, located at 8 Bosworth Street, Boston, Massachusetts. The clipping is registered with the U.S. Patent Office.
The portrait depicts a woman with a serene expression, wearing a bonnet and a dress typical of the 18th century. She holds a young child in her arms, who is also dressed in period clothing. The article provides information about the portrait, attributing it to John Singleton Copley, a renowned American painter. The text describes Copley's background, his artistic style, and the significance of the portrait. It mentions that the portrait is of Copley's mother, Mary Singleton Copley, and his half-brother, Henry Pelham.
The article also discusses Copley's early life and education, noting that he learned to paint from his stepfather, Peter Pelham, a skilled mezzotint-scraper. It highlights Copley's talent and the impact of his mother's encouragement on his career. The text suggests that the portrait is a significant piece in understanding Copley's life and artistic development.
The scrapbook page also includes a label or sticker from the Christian Science Monitor, indicating that the clipping may have been sourced from or related to that publication. The overall presentation of the clipping, with its historical context and detailed description, suggests that it is part of a collection aimed at preserving and documenting historical information.
The image shows a page from a book, with a photograph of a woman and a child. The text on the page reads "A Double Portrait, Attributed to John Singleton Copley" and provides information about the portrait and its history. The photograph shows a woman and a child, possibly a mother and her child, with the woman holding the child's hand and looking at him. The page also includes a label that reads "Boston News-Clip Bureau" and a date of August 1, 1945.
The image shows an open book or scrapbook page containing a historical document and a photograph. Here is a detailed description:
In summary, the image depicts a historical document from August 4, 1945, featuring a photograph of a double portrait attributed to John Singleton Copley, accompanied by a detailed caption providing context about the subjects and the artist. The layout and content suggest it is part of an archival collection.
The image presents a newspaper clipping featuring a portrait of John Singleton Copley's mother, Mary Singleton Copley, and her half-brother, Henry Pelham. The clipping is from the Boston News-Clip Bureau, dated August 4, 1945.
In summary, the image presents a newspaper clipping featuring a portrait of John Singleton Copley's mother, Mary Singleton Copley, and her half-brother, Henry Pelham. The clipping is from the Boston News-Clip Bureau, dated August 4, 1945. The portrait is a double portrait attributed to John Singleton Copley, depicting Mary Singleton Copley and Henry Pelham. The article discusses the portrait and its significance, providing information about the subjects and their relationship.
The image is a page from an old book or scrapbook, featuring a newspaper clipping about a double portrait attributed to John Singleton Copley. The clipping includes a black-and-white photograph of the portrait, which depicts a woman holding a child.
Key Features:
Overall, the image provides insight into the art world of the 18th century and highlights the significance of John Singleton Copley's work.
The image depicts an open book with a newspaper clipping pasted on one of its pages.
The image presents a well-preserved and detailed representation of a historical newspaper clipping, showcasing a significant work of art and providing context about its creation and significance.
The image presents a vintage newspaper clipping from the Boston News-Clip Bureau, dated August 4, 1945. The clipping features a black-and-white portrait of a woman and child, accompanied by an article about the artwork.
In summary, the image showcases a vintage newspaper clipping featuring a portrait of a woman and child, attributed to John Singleton Copley, along with an article providing context and information about the artwork and its creator.