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The image shows a newspaper clipping from the Christian Science Monitor, dated August 5, 1945. The headline of the article is "A Double Portrait, Attributed to John Singleton Copley." The article discusses a portrait that has been attributed to the renowned American painter John Singleton Copley. The portrait in question is described as possibly being of Copley's mother, Mary Singleton Copley, and his half-sister, Elizabeth M. Pelham.

The accompanying image is a black-and-white reproduction of the double portrait. The text explains that while the identity of the sitters is not definitively proven, there are strong reasons to believe that it is indeed Copley's mother and half-sister. The article provides historical context about the subjects, including the remarriage of Copley's father, a merchant named Richard Copley, to Elizabeth M. Pelham, the widow of a merchant named Peter Pelham, who was also an engraver.

The article is part of a series called "The Art of the Past," and it mentions that the original portrait is housed at the Fogg Museum of Art in Cambridge, Massachusetts. The author of the article is Downey A. Downey.

The image is a newspaper clipping dated August 5, 1945, from the Christian Science Monitor, published in Boston, Massachusetts. The clipping is titled "A Double Portrait, Attributed to John Singleton Copley."

The main feature of the clipping is a portrait photograph of an elderly woman, likely Mary Singleton Copley, who is described in the accompanying text. The caption states that the portrait is traditionally attributed to John Singleton Copley, a famous American painter from the 18th century.

The article explains that Mary Singleton Copley was married to Peter Pelham, and she had a significant influence on Copley's artistic career. It mentions that Copley's mother, Mary Singleton Copley, was an accomplished artist and teacher who inspired him. The piece discusses her role in Copley's early life, noting that he learned from her and was influenced by her teachings.

Additionally, the article touches on Copley's own artistic endeavors, including his work on portraits and his notable contributions to Boston’s art scene. It mentions that Copley's prints and paintings were highly regarded, and his work was well-respected during his time.

The newspaper clipping is part of a larger document, with other pages visible on either side, indicating it is likely from a collection of historical or archival materials.

The image shows a clipping from the Christian Science Monitor, dated August 15, 1945. The clipping is from the Boston News-Clip Bureau, located at 8 Beacon Street in Boston, Massachusetts.

The article is titled "A DOUBLE PORTRAIT, ATTRIBUTED TO JOHN SINGLETON COPLEY." It features a black-and-white photograph of a double portrait, which appears to depict two women, likely a mother and daughter. The article discusses the artwork, mentioning that it was traditionally called "Copley's Mother, Mary Singleton Copley, and His Sister, Elizabeth Copley."

The text explains that John Singleton Copley's widowed mother, Mary Singleton Copley, married Peter Pelham in 1768. Pelham was skilled in engraving and taught Copley the art. Copley's stepfather introduced him to the art of portraiture, and he later created the double portrait.

The article notes that Copley's first great American portrait was of his stepfather, Peter Pelham, and that he made a print of the Boston Massacre, among other works. The clipping also mentions that Copley left Boston for London in 1774 and remained there for many years, maintaining a close relationship with his mother.

The author of the article is Dorothy Aclow. The clipping is part of a larger document, possibly a scrapbook or a collection of clippings.

This image is a newspaper clipping from the Christian Science Monitor, dated August 5, 1945. The clipping is titled "A Double Portrait Attributed to John Singleton Copley."

The article discusses a double portrait traditionally attributed to John Singleton Copley, a notable American painter active in the 18th century. The portrait features Copley's mother, Mary Singleton Copley, and his stepfather, Peter Pelham.

The text explains that the portrait was likely created in 1748, when Copley was 13 years old. It highlights that Mary Singleton Copley, Copley's mother, was widowed and remarried to Peter Pelham, who had been a skilled engraver from England. The article also mentions that Copley learned about portraiture from Pelham, who had a considerable influence on his artistic development.

The article further notes that this portrait is significant because it provides insight into Copley's early artistic training and the influences that shaped his career. The clipping includes a black-and-white photograph of the portrait, showing the two subjects seated closely together.

The source of the clipping is the Boston News-Clip Bureau, and the image was registered in Washington, D.C. by U.S. Patent Office. The article is signed by Dorothy Acklow.

The image is a newspaper clipping from the Christian Science Monitor, published in Boston, Massachusetts, dated August 4, 1945. The article discusses a double portrait attributed to John Singleton Copley, a renowned artist.

Key points in the article include:

1. Description of the Portrait:

   • The portrait is described as depicting a woman and a young boy, believed to be Peter Pelham and his mother, Mary Singleton Copley.
   • Mary Singleton Copley was the mother of the famous painter John Singleton Copley.

2. Historical Context:

   • Peter Pelham was Mary Singleton Copley's third husband.
   • The portrait has been traditionally called “Copley’s Mother” or “Mary Singleton Copley” and her son.

3. Artistic Insights:

   • The article mentions that Peter Pelham learned engraving from his step-father.
   • The portrait’s composition and the relationship between the subjects (mother and child) are noted.
   • Henry Pelham, another subject in Copley's work, is also mentioned, specifically in connection to another piece of art.

4. Provenance and Analysis:

   • The portrait is examined in the context of other works by Copley, suggesting a possible link to his early career and the influence of his family members.
   • The article discusses the correspondence between the portrait and a mezzotint engraving by Peter Pelham, indicating an artistic and historical relationship.

5. Signature:

   • The article is signed by Dorothy Adlow, indicating she is the author.

The article provides an insightful look into the history and attribution of the artwork, discussing the relationships and careers of the individuals involved.

The image appears to be a page from a newspaper or magazine, specifically from the Christian Science Monitor, dated August 3, 1945. The article is titled "A Doubtful Portrait, Attributed to John Singleton Copley."

The article discusses a painting attributed to John Singleton Copley, a famous American portraitist. The portrait in question is of a woman, and the article notes that there has been some doubt about the authenticity of this painting. The text mentions that the portrait has traditionally been called "Copley's Mother," but experts have questioned this attribution.

The article provides background on Copley, mentioning that he was born in Boston in 1738 and was the son of Richard and Mary Copley. It also discusses Copley's relationship with his half-brother, Henry Pelham, who was also an artist. The article suggests that the portrait might actually be of Henry Pelham's mother rather than Copley's, based on various factors including the style and the age of the sitter.

The image of the portrait shows a woman wearing a bonnet and holding a book, dressed in clothing typical of the 18th century. The article is written by Dorothy Adlow and includes details about the historical context and the artistic analysis of the portrait.

The image is a photograph of a page from a book or a scrapbook showing a newspaper clipping. The clipping is from the "Christian Science Monitor," dated August 8, 1945, as indicated by the header and the date stamp. It is labeled "BOSTON NEWS-CLIP BUREAU" and seems to discuss a portrait, citing "by courtesy of the Fogg Museum at Art, Cambridge, Massachusetts." The article mentions something about "a Douglas Portrait," "Attitude to John Singleton Copley," and seemingly discusses historical aspects related to portrait painting, referencing the 18th century, the city of Boston, and a piece titled "Boy with a Squirrel." The newspaper clip contains a section of continuous text and is attached to a page in the upper left corner. The surrounding area includes the edge of the book or scrapbook with visible paper texture and a partial view of another page or material to the right.

The image shows an old newspaper clipping mounted on a blank page of a book or album. The clipping includes a black-and-white portrait of a woman and a child, traditionally known as "Copley's Mother" and her half-brother. The woman's face has been obscured with a rectangular blur.

Above the clipping is a label that reads:
"BOSTON NEWS-CLIP BUREAU
8 Roxworth Street
Boston, Mass.
Christian Science Monitor
Boston, Mass.
AUG 14 - 1945"

Below the portrait is an article titled "A Double Portrait, Attributed to John Singleton Copley." The text discusses the possible attribution of the double portrait to John Singleton Copley, mentions the subjects of the portrait, and provides some historical context relating to the artist and the individuals pictured. The article is credited to Dorothy Adlow.

The image shows a page from a book, with a photograph of a woman and a child. The text on the page reads "A Double Portrait, Attributed to John Singleton Copley" and provides information about the portrait and its history. The photograph shows a woman and a child, possibly a mother and her child, with the woman holding the child's hand and looking at him. The page also includes a label that reads "Boston News-Clip Bureau" and a date of August 1, 1945.

The image is a page from a newspaper or magazine clipping. The clipping is affixed to a page within a scrapbook or binder, suggesting it was preserved for reference or historical purposes. The clipping features a black-and-white portrait of a woman holding a child, with accompanying text. The text includes a headline and an article that provides context for the portrait. The clipping is dated August 4, 1945, and is from the Boston News-Clip Bureau, located at 8 Bosworth Street, Boston, Massachusetts. The clipping is registered with the U.S. Patent Office.

The portrait depicts a woman with a serene expression, wearing a bonnet and a dress typical of the 18th century. She holds a young child in her arms, who is also dressed in period clothing. The article provides information about the portrait, attributing it to John Singleton Copley, a renowned American painter. The text describes Copley's background, his artistic style, and the significance of the portrait. It mentions that the portrait is of Copley's mother, Mary Singleton Copley, and his half-brother, Henry Pelham.

The article also discusses Copley's early life and education, noting that he learned to paint from his stepfather, Peter Pelham, a skilled mezzotint-scraper. It highlights Copley's talent and the impact of his mother's encouragement on his career. The text suggests that the portrait is a significant piece in understanding Copley's life and artistic development.

The scrapbook page also includes a label or sticker from the Christian Science Monitor, indicating that the clipping may have been sourced from or related to that publication. The overall presentation of the clipping, with its historical context and detailed description, suggests that it is part of a collection aimed at preserving and documenting historical information.