Archives Scrapbooks

The image shows a page from a book or a document containing a newspaper clipping and a photograph. The newspaper clipping is from "The Christian Science Monitor," dated August 4, 1945, and is attributed to the Boston News-Clip Bureau. The clipping features an article titled "A Double Portrait, Attributed to John Singleton Copley." The article discusses a artwork, which is a black-and-white photograph of a double portrait.

The photograph depicts two figures, a woman and a man, dressed in historical attire. The woman is wearing a bonnet, and the man is holding a book or a scroll. The image is labeled with the title "A Double Portrait, Attributed to John Singleton Copley," and it is noted that it is by courtesy of the Fogg Museum of Art, Cambridge, Massachusetts, to The Christian Science Monitor.

The article provides background information on John Singleton Copley and his connection to the portrait. It mentions Copley’s mother, Mary Singleton Copley, and her half-brother, Henry Pelham. The article also discusses Copley's art background and the influence of his stepfather, Henry Pelham, on his work.

This image shows a page from a scrapbook or collection of clippings, dated August 4, 1945. The page contains a newspaper clipping from the Boston News-Clip Bureau, associated with the Christian Science Monitor in Boston, Massachusetts.

The clipping features a black-and-white image of a double portrait, attributed to John Singleton Copley. The portrait depicts a woman, presumably Mary Singleton Copley, and a boy, likely her half-brother, Henry Pelham. The woman is wearing a bonnet, and the boy appears to be holding a piece of paper.

Below the image, there is a detailed article discussing the double portrait, its attribution to John Singleton Copley, and the historical context surrounding the subjects of the portrait. The article mentions that Copley's widowed mother married Peter Pelham in 1748, and it provides information about the Pelham family's involvement in the art of portraiture and their connection to Copley's development as an artist.

The article is signed by Dorothy Adlow and includes a note at the bottom indicating that the image is courtesy of the Fogg Museum of Art in Cambridge, Massachusetts.

This image shows a page from an open scrapbook or archive, displaying a preserved newspaper clipping mounted on a beige background sheet. The clipping is from August 4, 1945, and is labeled at the top as being from the BOSTON NEWS-CLIP BUREAU (8 Bosworth Street, Boston, Mass.) and the Christian Science Monitor (Boston, Mass.).

The main feature is a black-and-white reproduction of a historical painting, captioned:

“By Courtesy of the Fogg Museum of Art, Cambridge, Massachusetts, in The Christian Science Monitor
A DOUBLE PORTRAIT, ATTRIBUTED TO JOHN SINGLETON COPLEY”

The portrait shows two figures: an older woman (Mary Singleton Copley) wearing a bonnet and dark dress, looking directly at the viewer, with her left hand resting on a book or table; and a young boy (Henry Pelham) resting his head on her shoulder, looking away from the viewer.

Below the image is an article written by Dorothy Arlow. It discusses the attribution of the double portrait to John Singleton Copley, a prominent 18th-century American painter. The article notes that while experts are hesitant to make an “assured statement,” they feel confident it was painted by Copley. It provides biographical context:

• The woman is Copley’s mother, Mary Singleton Copley.
• The boy is his half-brother, Henry Pelham.
• Henry’s father, Peter Pelham (Copley’s stepfather), was the first skilled mezzotint engraver in the American colonies.
• Henry later became a portraitist himself and wrote letters describing Boston to Copley, providing valuable insight into Copley’s career.

The clipping is marked with a handwritten “1945” and “F” in blue ink near the top, likely for cataloging purposes. The scrapbook page is aged and slightly yellowed, with visible wear along the edges. The overall presentation suggests a curated historical document preserved for research or personal interest in American art history.

Summary: This is a 1945 newspaper clipping featuring a double portrait attributed to John Singleton Copley, showing his mother and half-brother. The article provides historical and biographical context linking Copley’s early life and artistic development to his family, particularly his stepfather and half-brother. The clipping is archived in a scrapbook, indicating its value as a historical record.

The image is a page from a newspaper or magazine clipping. The clipping is affixed to a page within a scrapbook or binder, suggesting it was preserved for reference or historical purposes. The clipping features a black-and-white portrait of a woman holding a child, with accompanying text. The text includes a headline and an article that provides context for the portrait. The clipping is dated August 4, 1945, and is from the Boston News-Clip Bureau, located at 8 Bosworth Street, Boston, Massachusetts. The clipping is registered with the U.S. Patent Office.

The portrait depicts a woman with a serene expression, wearing a bonnet and a dress typical of the 18th century. She holds a young child in her arms, who is also dressed in period clothing. The article provides information about the portrait, attributing it to John Singleton Copley, a renowned American painter. The text describes Copley's background, his artistic style, and the significance of the portrait. It mentions that the portrait is of Copley's mother, Mary Singleton Copley, and his half-brother, Henry Pelham.

The article also discusses Copley's early life and education, noting that he learned to paint from his stepfather, Peter Pelham, a skilled mezzotint-scraper. It highlights Copley's talent and the impact of his mother's encouragement on his career. The text suggests that the portrait is a significant piece in understanding Copley's life and artistic development.

The scrapbook page also includes a label or sticker from the Christian Science Monitor, indicating that the clipping may have been sourced from or related to that publication. The overall presentation of the clipping, with its historical context and detailed description, suggests that it is part of a collection aimed at preserving and documenting historical information.

The image shows a page from a book, with a photograph of a woman and a child. The text on the page reads "A Double Portrait, Attributed to John Singleton Copley" and provides information about the portrait and its history. The photograph shows a woman and a child, possibly a mother and her child, with the woman holding the child's hand and looking at him. The page also includes a label that reads "Boston News-Clip Bureau" and a date of August 1, 1945.

The image shows an open book or scrapbook page containing a historical document and a photograph. Here is a detailed description:

Document Header:

• The top of the page features a header with the following information:
  • "BOSTON NEWS-CLIP BUREAU" is prominently displayed at the top.
  • Below this, the address is given: "8 Bosworth Street, Boston, Mass."
  • The source of the document is noted as the "Christian Science Monitor" from "Boston, Mass."
  • The date is clearly marked as "AUG 4-1945", indicating when the document was clipped or archived.

Photograph:

• Below the header is a black-and-white photograph depicting two individuals:
  • The photograph shows an older woman dressed in period clothing, likely from the 17th or 18th century, holding a young child in her arms.
  • The woman has a serene expression and is wearing a bonnet and a long, flowing dress typical of the era.
  • The child appears to be a toddler, dressed in simpler attire, and is nestled comfortably in the woman's arms.
  • The photograph is labeled at the bottom:
    "By Courtesy of The Fogg Museum of Art, Cambridge, Massachusetts. © The Courtauld Institute of Art, London."

Caption:

• Beneath the photograph is a detailed caption that provides historical context:
  • The caption is titled: "A DOUBLE PORTRAIT, ATTRIBUTED TO JOHN SINGLETON COPLEY".
  • It discusses a double portrait believed to have been executed by John Singleton Copley, a renowned American painter of the 18th century.
  • The portrait is said to depict Mary Singleton Copley Pelham (Copley's mother) and her half-brother, Henry Pelham.
  • The caption explains that Mary Pelham was Copley's first wife, and after her death, Copley married Peter Pelham, Henry's half-brother, who was living in England at the time.
  • It also mentions that Copley taught young ladies to dance and learned about portraiture from Peter Pelham.
  • The caption references correspondence between Copley and his relative, Denon, and notes that the portrait is part of a larger collection of Copley's works.

Layout and Design:

• The page is neatly organized, with the header, photograph, and caption clearly separated.
• The text is typed, suggesting it is a clipping or archival entry, likely from a newspaper or magazine.
• The overall design is formal and historical, consistent with archival or museum documentation.

Context:

• The document appears to be part of a historical archive or scrapbook, possibly from the Boston News-Clip Bureau, used to preserve and organize news clippings, articles, and photographs related to historical events, art, or notable figures.
• The inclusion of the photograph and detailed caption indicates an effort to document and analyze historical art and its creators, specifically focusing on John Singleton Copley and his family.

In summary, the image depicts a historical document from August 4, 1945, featuring a photograph of a double portrait attributed to John Singleton Copley, accompanied by a detailed caption providing context about the subjects and the artist. The layout and content suggest it is part of an archival collection.

The image is a photograph of a page from a book or a scrapbook showing a newspaper clipping. The clipping is from the "Christian Science Monitor," dated August 8, 1945, as indicated by the header and the date stamp. It is labeled "BOSTON NEWS-CLIP BUREAU" and seems to discuss a portrait, citing "by courtesy of the Fogg Museum at Art, Cambridge, Massachusetts." The article mentions something about "a Douglas Portrait," "Attitude to John Singleton Copley," and seemingly discusses historical aspects related to portrait painting, referencing the 18th century, the city of Boston, and a piece titled "Boy with a Squirrel." The newspaper clip contains a section of continuous text and is attached to a page in the upper left corner. The surrounding area includes the edge of the book or scrapbook with visible paper texture and a partial view of another page or material to the right.

The image shows an old newspaper clipping mounted on a blank page of a book or album. The clipping includes a black-and-white portrait of a woman and a child, traditionally known as "Copley's Mother" and her half-brother. The woman's face has been obscured with a rectangular blur.

Above the clipping is a label that reads:
"BOSTON NEWS-CLIP BUREAU
8 Roxworth Street
Boston, Mass.
Christian Science Monitor
Boston, Mass.
AUG 14 - 1945"

Below the portrait is an article titled "A Double Portrait, Attributed to John Singleton Copley." The text discusses the possible attribution of the double portrait to John Singleton Copley, mentions the subjects of the portrait, and provides some historical context relating to the artist and the individuals pictured. The article is credited to Dorothy Adlow.

A page from a scrapbook or album shows a clipped newspaper article mounted on a blank page. At the top left there is a small label reading “BOSTON NEWS-CLIP BUREAU” with an address in Boston and the date Aug 4, 1945. The main clipping is a black‑and‑white reproduction of a painting, labeled below as “A DOUBLE PORTRAIT, ATTRIBUTED TO JOHN SINGLETON COPLEY.” The image depicts two figures (likely a man and a woman) in 18th‑century attire; the right figure’s head is covered by a blurred or masked square. The article text beneath discusses the painting and its attribution, mentioning possible subjects and the artist (Copley). The clipping is taped to the page with beige/cream tape, and the page itself has a light, aged look with a pale backing visible around the edges.

This image shows a page with a newspaper clipping from the Christian Science Monitor, dated August 4, 1945, attached to it. The clipping includes a black-and-white artwork, described as a double portrait attributed to John Singleton Copley. The image depicts two individuals, one adult figure and presumably a child, captured in a detailed and structured pose.

Above the image is an article discussing the provenance and context of the portrait, mentioning individuals like Mary Singleton Copley and Henry Pelham in relation to the work and the life of John Singleton Copley. The clipping is adhered to the page, and the content provided is an analysis of its artistic and historical significance.