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ARCH.2003.29, Rendition: 803606
This image shows an open scrapbook, displaying a mounted newspaper clipping dated August 3, 1945, from The Christian Science Monitor. The clipping features a historical watercolor drawing titled “Review on Kew Green” by Thomas Rowlandson (1756–1827), a renowned English caricaturist and illustrator.
The illustration itself depicts a lively outdoor scene on what appears to be a wide, grassy area — Kew Green — with numerous figures in 18th- or early 19th-century attire. People are seen standing in groups, conversing, and observing a rider on horseback who appears to be part of a military review or public parade. Trees and distant buildings frame the background, contributing to the pastoral, public-spectacle atmosphere.
Above the newspaper clipping, a stamped label from the “Boston News-Clip Bureau,” located at 8 Bosworth Street, Boston, Massachusetts, indicates the source and date (August 3, 1945). Below the image, a caption credits the work to Thomas Rowlandson and notes it is reproduced “By Courtesy of the Fogg Art Museum, Harvard University.”
Further text below the caption provides biographical context, describing Rowlandson as a draftsman who traveled the English countryside, capturing characteristic, amusing, and ironic episodes of daily life, often working with quill and sepia on warm-toned paper.
The page itself is aged, yellowed, and bears handwritten markings, including “158” in the upper left corner — likely a scrapbook page or filing number — and a blue ink “MONITOR 138E” penciled onto the clipping, possibly for archival indexing.
Overall, the photograph captures a curated historical moment preserved in a mid-20th-century clipping, offering a window into 18th-century English social life through the lens of a celebrated artist, as presented for contemporary readers through a respected news publication.
The image depicts a page from a publication, likely a newspaper or magazine, dated August 3, 1945. The page is part of a collection of clippings or articles, as indicated by the header "BOSTON NEWS-CLIP BUREAU" and the address "8 Bosworth Street, Boston, Mass." Below this, there is a reference to "The Home Forum," which appears to be the name of the publication.
The central focus of the page is a black-and-white illustration titled "Review on Kew Green." This drawing is attributed to Thomas Rowlandson, a British caricaturist and illustrator known for his work during the late 18th and early 19th centuries. The illustration depicts a scene in a park or green area, with figures dressed in what appears to be 18th-century attire, engaging in various activities. The caption below the illustration identifies it as a "Water-Color Drawing."
Additional text on the page provides context about Thomas Rowlandson, noting that he was a caricaturist and illustrator of English life in his day, traveling over the English countryside to record characteristic episodes, amusing and ironical situations. It also mentions his expertise in draftsmanship, working with quill and sepia on warm-toned paper.
The page shows signs of age, with yellowed edges and some wear, suggesting it is from an older collection of clippings. The overall presentation gives a historical glimpse into both the artwork and the publication it was featured in.
The image appears to be a page from a scrapbook or document containing a clipping from a newspaper or magazine. The clipping is from "The Monitor," specifically from "The Home Forum," dated August 3, 1945, and is associated with the Christian Science Monitor in Boston, Massachusetts.
The clipping features a watercolor drawing titled "Review on Kew Green" by Thomas Rowlandson. The drawing depicts a scene with a group of people dressed in period clothing, standing and interacting in a park-like setting. There are trees and open spaces in the background, and a few individuals are riding horses.
Below the drawing, there is a caption that provides information about Thomas Rowlandson, describing him as a caricaturist and illustrator of English life in the late 18th and early 19th centuries. It mentions that he traveled over the English countryside and recorded characteristic episodes, amusing and ironic situations. He was an expert draftsman, working with quill and sepia on warm-toned paper. The caption also notes that the image is courtesy of the Fogg Art Museum, Harvard University.
The page has a label from the Boston News-Clip Bureau, indicating the source of the clipping, and there are some handwritten notations, including "128F" on the clipping. The overall appearance suggests that this is part of a historical collection or archive.
The image is a photograph of an old book that is open to a page with a clipping of a newspaper article pasted on it. The clipping is from the "Boston News-Clip Bureau" and is dated August 3, 1945. The clipping is from the "Christian Science Monitor" and is titled "The Home Forum." The clipping features a black-and-white illustration of a group of people standing in a field with a horse and carriage in the background. The illustration is titled "Review on Kew Green." The book also has a green cover and is open to page 150.
The image shows an open book with a page displaying a clipping from the Christian Science Monitor. The clipping includes a black-and-white illustration of people gathered in a field, with a horse and rider in the distance. The illustration is labeled "Review on Kew Green," indicating it is a depiction of a review or gathering at Kew Green. The clipping is placed on the right side of the page, with text above and below it. The page also includes the date "AUG 3 - 1945" and the name "Boston News-Clip Bureau."
The image shows an open book or scrapbook page from the Boston News-Clip Bureau, dated August 3, 1945, and published by the Christian Science Monitor in Boston, Massachusetts. The page features a historical illustration titled "Review on Kew Green", attributed to Thomas Rowlandson.
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The page appears to be a curated collection of historical and artistic content, likely intended for educational or archival purposes. The inclusion of Rowlandson’s work suggests an appreciation for historical art and literature, with the illustration serving as a visual representation of a specific scene or theme. The scrapbook format indicates that this page is part of a larger collection of clippings or curated materials.
The image shows a page from a publication or a collection of clippings. At the top of the page is a label from the "BOSTON NEWS-CLIP BUREAU" with an address on Beacon Street in Boston, Massachusetts, noting that it services the Christian Science Monitor, also based in Boston, Massachusetts. The date given is "AUG 3 - 1945."
Below that label is a section header or title of a feature named "The HOME Forum," which is a portion of a newspaper page. The main article or focus of the image is a reproduced artwork entitled "Review on Kew Green"; it is described as a watercolor drawing by Thomas Rowlandson. Below the image of the artwork, there is a caption with information about the artist and his work. The caption acknowledges that the artwork is from a watercolor by Thomas Rowlandson, characterizing him as a distinguished observer of English countryside and rendering characteristic episodes, amusements, and social interaction.
The artwork itself depicts a scene with many figures, both on foot and on horseback, in a setting that suggests a military review or a gathering in a park or public space.
The entire page appears to be mounted or stored within a larger collection, as indicated by the edges of other pages or possibly mats visible to the left of the image.
The overall state of the page suggests it is a historical document, preserved as reference material, possibly from an archival or library collection.
The image is of an open scrapbook or album page featuring an old newspaper clipping. The clipping includes a sepia-toned watercolor drawing titled "Review on Kew Green" by Thomas Rowlandson. The drawing depicts a group of people, some on horseback and some standing, gathered in an open area, possibly a park or green. Trees and a building can be seen in the background.
Above the clipping, there is a label from the Boston News-Clip Bureau, addressed to the Christian Science Monitor in Boston, Massachusetts, dated August 3, 1945. Below the drawing, there is a small text block providing information about Thomas Rowlandson, noting he was a caricaturist and illustrator of English life during 1756-1827, known for recording episodes with humor and irony, and working with quill and sepia on warm-toned paper.
The image shows a page from an old scrapbook or album. A newspaper clipping is mounted on the page, with a small Boston News-Clip Bureau label dated Aug 3, 1945. The main clipping features an illustration titled “Review on Kew Green: A Water-Color Drawing by Thomas Rowlandson,” showing a landscape with a line of people in period dress on a path, a rider on a horse in the distance, and trees in the background. Beneath the illustration is a short caption about Rowlandson and his work. The page itself is aged, with beige-toned paper and the book bound in a green cover.
This is a scanned page from a scrapbook or archival collection that contains a newspaper clipping mounted on a blank page. The clipping appears to be an old publication from the Christian Science Monitor, dated August 3, 1945, and features an artwork titled "Review on Kew Green: A Water-Color Drawing by Thomas Rowlandson."
The image in the clipping is a historical illustration depicting a gathering of people outdoors, likely on Kew Green in London. Groups of individuals dressed in period attire are engaged in various activities such as walking and conversing, with some riding horses. Trees and an open landscape form part of the background. Below the illustration, there is a description of the artist, Thomas Rowlandson (1756–1827), detailing his life and work as a caricaturist and illustrator of English life. It highlights his travel across the countryside and his skill in capturing scenes with a quill and sepia on warm-toned paper.
To the upper left, a sticker from the Boston News-Clip Bureau marks the origin of the clipping.