Archives Scrapbooks

This image displays a single page from the Herald Tribune newspaper, dated Thursday, June 21, 1945. The page is laid open and rests on what appears to be a green folder or binder, suggesting it is part of a preserved collection.

The newspaper page is dominated by a major news story on the left-hand side titled:
“Nazis Planned To Destroy Art In Salt Mine”

Authored by Russell Hill, the article details the discovery that Nazi forces, as they retreated, had planned to destroy massive quantities of looted European art by storing them in a salt mine near Salzburg, Austria, and then detonating the mine. Key points from the story include:

• The mine held over 10,000 works of art, including masterpieces by Van Gogh, Titian, Rubens, and Dürer.
• American soldiers found the mines and saved the art just in time. The article notes that while some paintings were damaged by humidity, the works were largely intact.
• Art was stored in mine shafts over 4,000 feet deep, packed in crates and air-raid bunkers.
• The article references statements from U.S. officers, including Major LaFarge and Major George Stout, on the rescue and the broader context of Nazi art looting and destruction.

Below the main article, a smaller sub-heading reads “Jewish Collections Saved”, noting that some art from Italian museums was found in a cave near the salt mine and had been moved for safekeeping.

On the right-hand side of the page, there is a prominent article from the Boston News-Clip Bureau, dated Jun 22 1945, titled:
“The Bronze Horses of St. Mark’s: A Water Color by Joseph Lindon Smith”

This article features a large, detailed watercolor illustration of the famous Bronze Horses of St. Mark’s Basilica in Venice, Italy. The caption explains that this is one of a series of paintings by Joseph Lindon Smith. The accompanying text provides historical context, noting that these four bronze horses, which once adorned a Greco-Roman triumphal quadriga, were brought to Venice in 1204. It also describes St. Mark’s Basilica as a historic Byzantine church that suffered fire damage and was later rebuilt.

The layout is typical of mid-20th-century newspapers, with dense columns of text, bold headlines, and a single large illustration. The physical condition of the paper shows signs of aging, with yellowed color and some creases, indicating its historical nature. A handwritten number, “127”, is visible in blue ink in the margin above the illustration.

Overall, the image captures a historic moment in journalism, reporting on the Allied discovery and rescue of priceless art stolen by the Nazis during World War II, while also featuring a cultural article on a famous Venetian landmark.

This image shows a page from a newspaper from Thursday, June 21, 1945, titled "Herald Tribune." The main article discusses the Nazis' plans to destroy art in a salt mine near Salzburg, Austria, and mentions the detonation of bombs near stolen paintings stored in the mine. The article provides details about the destruction of artworks, including the works of Jan and Hubert van Eyck, Dierik Bouts, Michaelangelo, and others. The article also mentions the Jewish collections seized and the actions taken to save the masterpieces.

On the right side of the page, there is a watercolor illustration of the "Bronze Horses of St. Mark's," created by Joseph Lindon Smith, with a brief description of the artwork and its historical significance. The page is from the "Boston News-Clip Bureau" and "Christian Science Monitor," and there is a note indicating it was registered in the U.S. Patent Office. The page appears to be aged and has some wear and tear, which suggests it is an original historical document.

This image is a scanned page from the Herald Tribune, dated Thursday, June 21, 1945. The page features an article titled "Nazis Planned To Destroy Art In Salt Mine," written by Russell Hill. The article discusses the Nazis' plans to destroy art stored in a salt mine near Salzburg, including stolen paintings and other items. It mentions Major Bancel LaFarge and Lieutenant George Stout, who were involved in the Monuments, Fine Arts, and Archives (MFAA) program, also known as the Monuments Men, who were tasked with protecting and recovering cultural treasures during World War II.

On the right side of the page, there is a photograph of a statue, which is described as one of the bronze horses of St. Mark's Basilica in Venice. The caption indicates that this is a watercolor by Joseph Lindon Smith, made from a series of paintings of the horses. The horses were originally part of a Greco-Roman triumphal quadriga and were brought to Venice by Doge Enrico Dandolo in 1204.

There are also various stamps and markings on the page, including one from the Boston News-Clip Bureau and the Christian Science Monitor, indicating that this article was clipped and saved for reference. The page is slightly yellowed and shows signs of age, consistent with its publication date in 1945.

The image depicts an open book with several newspaper clippings pasted on the pages. The clippings are from various newspapers, including the "Herald Tribune" and the "Boston News-Clip Bureau." The clippings are dated June 21, 1945, and June 22, 1945.

The clippings cover various topics, including art theft during World War II, the discovery of stolen artworks, and the efforts to recover them. One of the clippings features an image of a bronze horse sculpture, which is described as part of a series of paintings made by Joseph Lindon Smith. The sculpture is mentioned as one of the greatest of Byzantine art, originally from a church in the East that was destroyed by fire.

The clippings also discuss the seizure of Jewish collections and the efforts to protect and recover artworks during the war. The articles mention specific artworks, such as "Mystic Lamb" by Jan and Hubert Van Eyck and "The Last Supper" by Leonardo da Vinci, which were moved to secure locations for safekeeping.

The clippings provide a glimpse into the historical context of art theft and recovery during World War II, highlighting the importance of preserving cultural heritage during times of conflict.

A newspaper clipping from the Boston News Clip Bureau is open to a page with two articles. The first article is titled "Nazis Planned To Destroy Art In Bombs Ready To Go Off Near Stolen Paintings Stored Near Salzburg" and discusses the Nazis' plans to destroy art in salt mines near Salzburg. The second article is titled "The Bronze Horses of St. Mark's" and features a painting of bronze horses by Joseph Lindon Smith.

The image shows an open book or document, likely a newspaper or historical archive, dated Thursday, June 21, 1945. The content is divided into two main sections:

Left Page:

• Headline: "Nazis Planned To Destroy Art In Salt Mine"
• Subheadline: "Had Bombs Ready To Go Off Near Stolen Paintings Stored Near Salzburg"
• Byline: By Russell Hill
• Content Summary:
  • The article discusses the discovery of a Nazi plan to destroy valuable art stored in a salt mine near Salzburg, Austria.
  • It mentions that the Nazis had prepared bombs to destroy the art, which included masterpieces by renowned artists such as Rembrandt, Van Gogh, and others.
  • The art was stored in a mine as part of a secret collection, and the bombs were intended to obliterate the treasures if the Allies approached.
  • The article also references the involvement of U.S. officers, including Major La Farge and Lieutenant Wright, who uncovered the plan.
  • The text includes details about the location, the types of art stored, and the efforts to safeguard the collection.

Right Page:

• Header: "BOSTON NEWS-CLIP BUREAU" and "Christian Science Monitor, Boston, Mass., JUN 22 1945."
• Illustration: A detailed black-and-white sketch or engraving of a bronze statue of a horse and rider. The caption identifies it as "The Bronze Horses of St. Mark's: A Water Color by Joseph Linton Smith."
  • The illustration depicts a classical equestrian statue, likely referencing the famous Bronze Horses of St. Mark's Basilica in Venice.
  • The caption notes that these horses were originally made of bronze and later replaced with copies in the 19th century.
• Text Adjacent to the Illustration:
  • A brief description of the horses, mentioning their history, their replacement, and their significance.
  • The text also refers to the Venetian Republic and the Oriental Church, indicating a historical and artistic context.

Overall Context:

The image appears to be a historical document or archive page combining two distinct topics:

1. Historical News: The left page covers a significant wartime event involving the Nazis' plan to destroy art stored in a salt mine.
2. Artistic/Historical Illustration: The right page features an artistic rendering of the Bronze Horses of St. Mark's, providing historical and cultural context.

The layout suggests this is part of a collection of clippings or archival material, possibly from a newspaper or historical research archive. The combination of news and art highlights the intersection of history, art, and wartime events.

The image depicts an open book or binder displaying two pages. On the right page, there is a news clipping with a black and white reproduction of an artwork featuring a horse. The artwork is titled "The Bronze Horses of St. Mark's: A Water Color by Joseph Lindon Smith," and according to the caption, it is a courtesy of the Fogg Art Museum, Harvard University, to The Christian Science Monitor, Boston, Mass. It is dated "JUN 22 1945". The artwork shows a detailed image of a horse in a dynamic pose, standing on a platform, with what appears to be architectural elements in the background.

On the left page of the book or binder, there is the front page of a newspaper titled "HERALD TRIBUNE, THURSDAY, JUNE 21, 1945," featuring the headline "Nazis Planned To Destroy Art In Salt Mine." The article continues with a subheading "Had Bombs Ready to Go Off Near Sealed Paintings Stored Near Salzburg" and is written by Russell Hill. There are additional articles and text on the page, but they are largely obscured by the newspaper clipping pasted on the right side.

The pages of the book or binder show noticeable aging, and there is a visible crease down the center of the right page where the newspaper clipping is attached. The clipping itself has toned with age and shows signs of wear, including creases and a slight tear on the lower right corner.

The image also captures the edges of other pages sticking out from behind the right page, suggesting this is a collection of clippings or a scrapbook of sorts.

This is a clipping from a 1945 newspaper, specifically from the Herald Tribune dated Thursday, June 21, 1945, with an additional clipping from the Christian Science Monitor dated June 22, 1945. The main article discusses Nazi plans to destroy art stored in a salt mine near Salzburg, Austria, during World War II. The text delves into details of how artworks, including masterpieces, were hidden or prepared for destruction in the face of Allied advances, measures taken to recover them, and specific artworks of value that were impacted.

On the right, there is a reproduced watercolor image by Joseph Lindon Smith depicting the famous Bronze Horses of St. Mark's in Venice. The image is labeled as "The Bronze Horses of St. Mark's: A Water Color by Joseph Lindon Smith," and accompanying text provides historical context about these sculptures, their origins, and their cultural importance.

The layout comprises a combination of text and images, capturing historical documentation about the preservation and recovery of significant cultural artifacts during and after WWII.

The image shows a scrapbook page opened to a spread of old newspaper clippings.

• Left side: A columned article with a large headline reading “Nazis Planned To Destroy Art In Salt Mine” from the Herald Tribune (dated Thursday, June 21, 1945). The text discusses Nazis and stolen paintings in a salt mine near Salzburg, with subheads about bombs and destruction.

• Right side: A clipping from the Boston News-Clip Bureau, dated June 22, 1945, featuring a large black-and-white illustration of the Bronze Horses of St. Mark’s (Venice). The caption mentions a watercolor by Joseph Lind (or similar) and a short description of the horses.

• The page has a yellowed, aged look and is mounted on a green-covered scrapbook page. There are smaller columns of text around the main articles.

The image shows a scrapbook page with several newspaper clippings attached.

On the left side, there is a lengthy article from the "Herald Tribune," dated Thursday, June 21, 1945, titled "Nazis Planned To Destroy Art In Salt Mine" by Russell Hill. The article discusses the Nazis' plans to destroy art stored in salt mines near Salzburg and the efforts of the Allied forces to save these artworks. There are subsections about stolen paintings, Jewish collections seized, statements by U.S. officers, and details about collections being moved to secret points.

Near the top center, there is a small article heading from the "Boston News-Clip Bureau" and a date stamp from the "Christian Science Monitor, Boston, Mass." marked "JUN 22 1945."

To the right, there is a black and white image of a painting titled "The Bronze Horses of St. Mark's: A Water Color by Joseph Lindon Smith." It depicts the four bronze horses of colossal size that are part of a Roman triumphal quadriga, brought to Venice in 1204. The article below the image provides historical context about the horses, St. Mark's church, and its significance during the Byzantine era.

Overall, the page is a historical collection of articles related to art preservation during and after World War II, focusing on the endangered artworks in Europe and the heroic efforts to save them.