Archives Scrapbooks

This image displays an open page from a vintage scrapbook or clipping album, showcasing newspaper clippings and related items.

The central focus is a large, aged newspaper clipping from The Christian Science Monitor, specifically from its “The Home Forum” section. This clipping features two detailed charcoal or graphite drawings of the same man, Emilio Bassi, in profile—one looking to the left and the other to the right. Below the portraits, handwritten in ink, is the name “Emilio Bassi” and “85 L’Amastig K’ Nottingham.” A caption beneath the artwork reads: “Two Drawings of Emilio Bassi: By John Singer,” and the article, attributed to “By Courtesy of the Fogg Art Museum,” discusses John Singer Sargent’s success as a portrait painter.

Affixed to the page above the main clipping are three smaller, rectangular labels from the “BOSTON NEWS-CLIP BUREAU,” located at “8 Bosworth Street, Boston, Mass.” These labels indicate the source of the clippings and are dated:

• May 28, 1945
• June 4, 1945
• A third label, dated May 30, 1945, has a blue ink stamp reading “MONITOR” on it.

Beneath the “May 28, 1945” label is a smaller rectangular clipping detailing an exhibition at the “Fogg Museum of Art, Harvard University” focused on “American Painters of the 19th Century.” The “June 4, 1945” label also includes a snippet of text mentioning “Page Museum’s 18th and 19th century exhibitions.” These snippets suggest the clippings are related to art exhibitions held at Harvard around that time.

The entire page is yellowed with age and appears to be mounted in a green-bound scrapbook. A handwritten number, “150,” is visible in pencil in the top left corner of the scrapbook’s page, likely serving as an inventory or page number within the album. The overall presentation suggests a curated collection of archival material from mid-20th century art journalism and exhibitions.

The image shows a scrapbook page with several newspaper clippings and a photograph or illustration. The central feature is a photograph or illustration of two male heads, seemingly side profiles, with the text "Two Drawings of Emilio Bassi: By John Singer." Below the photograph, there is a caption mentioning John Singer Sargent, a renowned portrait painter, and some text about his work.

The page also includes several newspaper clippings from the "Boston News-Clip Bureau" dated May 28 and June 4, 1945, which provide information about art exhibitions at the Fogg Museum of Art, Harvard University, and other cultural events. The overall appearance of the page suggests it is part of a historical or personal collection, possibly documenting art and cultural events during that time. The edges of the paper show some signs of aging, indicating the photograph or illustration and clippings are from an older source.

This image is a page from a scrapbook or collection of newspaper clippings, specifically from the "Christian Science Monitor" published in Boston, Mass. The page is dated May 28, 1945, and June 4, 1945, as indicated by the stamps from the Boston News-Clip Bureau. The page features an article titled "The Home Forum," which includes two drawings of Emilio Bassi by John Singer Sargent. The text below the drawings discusses John Singer Sargent's exceptional success as a portrait painter and his achievements in the field. There are also handwritten notes and additional text about exhibitions at the Fogg Museum of Art, Harvard University, including mentions of Venetian etchers of the 18th century and British art of the 18th and 19th centuries. The page shows signs of age, with a yellowed color and some wear.

A book is open, revealing a page with a newspaper clipping attached. The clipping features two pencil sketches of a man's face, one on each side. The text "The Home Forum" is printed at the top of the clipping. Below the sketches, there is a caption that reads "Two Drawings of Emila Bassi." The newspaper clipping is affixed to the page with tape, and the page has a green border.

An open book with a green cover is on a gray surface. The book contains many pages with text and images. The text on the top left page is "BOSTON NEWS-CLIP BUREAU 8 Bosworth Street Boston, Mass." The text on the top right page is "Christian Science Monitor Boston, Mass." The text on the bottom left page is "The Home Forur." The text on the bottom right page is "Two Drawings of John Singer Sargent." The image on the bottom left page is a portrait of a man.

The image depicts an open book, likely a scrapbook or archive, containing newspaper clippings and documents from the Boston News-Clip Bureau. The book is titled "The Home Forum", as indicated by the header on the page. The visible pages are dated May 28, 1945, and June 4, 1945, and are sourced from the Christian Science Monitor in Boston, Massachusetts.

Key Details:

1. Layout:

   • The book is organized with multiple clippings and annotations.
   • The pages are numbered, with visible numbers such as 150 and 151 on the spine.

2. Content:

   • The central focus is a newspaper article titled "Two Drawings of Emilio Bassi", accompanied by two sketches or drawings of a man's face.
   • The article discusses John Singer Sargent, an American artist, and mentions his work, including a portrait of Emilio Bassi.
   • The text provides context about Sargent's career, his commissions, and his recognition as a portraitist.

3. Annotations:

   • Handwritten notes are present on the page, including the name "Emilio Bassi" and a signature or initials "E. R. Nottley".
   • There is also a handwritten note at the bottom of the page, possibly indicating a reference or comment.

4. Design:

   • The book has a structured, organized appearance, with clippings neatly placed and annotated.
   • The spine of the book is visible, showing the page numbering and suggesting it is part of a larger collection.

5. Historical Context:

   • The dates (1945) and the mention of John Singer Sargent (who lived from 1856 to 1925) suggest this is a historical archive, possibly used for research or preservation of art-related news and commentary.

Overall, the image portrays a carefully curated collection of newspaper clippings focused on art and artists, with particular emphasis on John Singer Sargent and his work. The annotations and organization indicate it may be part of a research or archival project.

The image shows an open scrapbook or collection of newspaper clippings. These clippings seem to be from the Boston News-Clip Bureau, referencing the "Christian Science Monitor" based in Boston, Massachusetts with dates visible as May 28, 1945 and June 4, 1945. The larger, central clipping features a section titled "The Home Forum" and below it, there is a subtitle 'Courtesy of the Art Museum of Santa Ana' and a text referring to two drawings by "Emilio B***," authored by John S******. It also mentions some text about an artist renowned for portraits, comparing him to John Singer S******, and referring to another artist, S******, and American art becoming renowned. The physical condition of the papers suggests they are quite old, with some discoloration and signs of wear. The pages are held together with what looks like a tan or beige cloth binding on the left, indicating it may be a bound volume of collected newspaper clippings.

The image shows a scrapbook page with several newspaper and news-clip clippings attached to it. The main focus is an old newspaper clipping featuring two pencil or charcoal portrait sketches of heads in profile, presumably by Emidio Bassi. The sketches are detailed, showing the side view of two individuals with hair styled back and some shading to accentuate their facial features. Below the drawings, there is a handwritten note that reads "Emilio Bassi" followed by an address "85 Lancaster R Nottingham."

Above the sketches, there are three smaller clipped pieces from the "Boston News-Clip Bureau" and "Christian Science Monitor" dated May 28, 1945, May 29, 1945, and June 4, 1945. These clippings seem to be related to art exhibitions or museum announcements, specifically mentioning the Fogg Museum of Art at Harvard University.

In the bottom right corner of the page, there is a partially visible article text that seems to discuss the artistic work of John Singer Sargent, referring to his success as a portrait painter.

Overall, this scrapbook page appears to document art-related news clippings and drawings, possibly as a reference or memory collection related to portrait art from the 1940s.

• A vintage scrapbook page with aged yellow-brown paper.
• The central feature is a large newspaper clipping with the header “The Home Forum” and two pencil drawings of upper-body/head portraits (likely from John Singer Sargent). The faces have been obscured with gray boxes.
• Around the drawings are small clipped articles from the Boston News-Clip Bureau dated May 28, 1945 and June 4, 1945, plus other tiny clippings.
• There are handwritten notes along the margins and a caption under the drawings that reads something like “Two Drawings of Emilio Bass by John Singer Sargent.”
• The page shows signs of aging and handling, with taped or glued fragments and torn edges.

This image shows a scrapbook or album page featuring a collection of clipped newspaper articles. The layout includes:

1. Newspaper Articles: There are clippings from the Christian Science Monitor, labeled with dates from 1945, such as May 28, June 4, and May 9. These clippings are neatly pasted on the page, marked with a stamp indicating "Boston News-Clip Bureau."

2. A Central Art Piece: In the middle of the page, there is a reproduction of two drawings attributed to John Singer Sargent. The drawings depict a man’s profile and head, labeled as "Emilio Bass," alongside handwritten notes. The faces in the artwork are blurred or covered.

3. Text and Annotation: Below the drawings is a headline that reads, "Two Drawings of Emilio Bass" by John Singer Sargent, followed by descriptive text, partially visible, discussing Sargent's achievements as a portrait painter.

4. General Presentation: The page appears aged, with yellowing paper and adhesive tape marks visible. Additional text clippings and handwritten notes fill out the space, giving it an archival or research-based appearance.

The compilation showcases a mix of journalistic entries with artistic focus, hinting at a historical or academic purpose behind its curation.