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ARCH.2003.29, Rendition: 803568
This image shows a page from a scrapbook or clippings album, featuring a newspaper clipping mounted on aged, yellowed paper.
The clipping is from the Christian Science Monitor, dated MAR 28 1945, as indicated by a stamp from the BOSTON NEWS-CLIP BUREAU at the top left.
The central focus of the clipping is an article about a watercolor painting titled “THE MATTERHORN” by John Singer Sargent. Below the title, it notes the image is “By Courtesy of the Fogg Art Museum, Harvard University, in The Christian Science Monitor.”
The article itself, printed beneath a reproduction of the watercolor, discusses Sargent’s approach to painting the Matterhorn. It notes that watercolor became a popular medium for 19th-century landscape painters who sought to capture nature’s essence. It describes Sargent’s rendering of the iconic Alpine peak as “challenging,” involving “unweaving contours,” and mentions his attempt to translate the “conflicting character, of movement in the design, of solidity in geological structure.”
A small, separate block of text at the bottom right corner contains an inspirational quote: “Spring and the Easter / Season always bring / hope eternal — and”
The clipping has been affixed to the page with tape, and the paper of the scrapbook page shows signs of age with discoloration and slight foxing. A handwritten “128E” is visible in pencil near the top left of the clipping. The overall presentation suggests a carefully curated collection of press clippings related to art and culture.
The image appears to be a page from a book or a scrapbook containing a newspaper clipping. The clipping is from "The Home Forum" dated March 28, 1945. It features a watercolor painting titled "The Matterhorn" by John Singer Sargent. The painting is accompanied by a description in the newspaper article praising the artist's work and its depiction of the Matterhorn, a famous mountain in the Swiss Alps.
The article mentions the use of watercolor as a medium for landscape painting in the 19th century. It also references the influence of artists like John Ruskin on the depiction of geological structures and the study of mountain peaks. The page is aged and has some stains and marks, indicating it may be from a collection of historical clippings or a personal archive.
The image shows a page from a scrapbook or a collection of newspaper clippings. The page includes a clipping from the "Christian Science Monitor," dated March 28, 1945. The clipping features an illustration titled "THE MATTERHORN," which is a watercolor painting by John Singer Sargent. The illustration depicts a mountainous landscape with the Matterhorn prominently featured in the background.
The text accompanying the illustration discusses the challenges and techniques of watercolor painting in the 19th century, mentioning artists inspired by Turner and instilled with the learning of Ruskin. It describes the Matterhorn as a challenging subject due to its upswinging contours and the effect of conflicting character of movement in its geological structure.
There are also some tabs and labels on the page, including one from the "Boston News-Clip Bureau" and another that reads "Spring and the Easter hope eternal," suggesting that the page is part of a larger collection or a scrapbook with various topics and articles.
The image shows a page from a book. The page is filled with text and an image of a mountain. The image is a monochromatic illustration of a mountain with a lake in the middle and a waterfall on the right. The text is written in black ink and appears to be a description of the mountain. The page is old and has some stains on it.
A book is open to a page with a newspaper clipping. The clipping is from the Christian Science Monitor and has a date of March 28, 1945. The clipping has a headline that reads "The Matterhorn" and features an image of a mountain. The clipping also includes text that discusses the Matterhorn and its significance in art and culture. The book appears to be a collection of newspaper clippings, and the clipping is pasted onto the page.
The image depicts a page from a scrapbook or archive, showcasing a collection of newspaper clippings and photographs. The page is dated March 28, 1945, and is labeled as part of the Boston News-Clip Bureau, located at 8 Bosworth Street, Boston, Mass. The source of the content is the Christian Science Monitor, also based in Boston, Mass.
Photograph:
"The Matterhorn. A water-color by John Singer Sargent."
Caption and Text:
Clippings and Layout:
Visual Style:
The image portrays a page from a historical archive or scrapbook, dated March 28, 1945, featuring a black-and-white photograph of the Matterhorn by John Singer Sargent. The accompanying text discusses Sargent's watercolor technique and its comparison to the work of J.M.W. Turner. The page is part of the Boston News-Clip Bureau and the Christian Science Monitor, indicating its origin as a curated collection of news and artistic content from that era.
The image shows an open book or a binder with a preserved newspaper clipping. At the top of the clipping, a stamp or label from "BOSTON NEWS-CLIP BUREAU" indicates that the source is the "Christian Science Monitor" from Boston, Massachusetts, dated "MAR 2 8 1945."
The newspaper clipping features an image of the famous mountain, the Matterhorn, with the caption "'THE MATTERHORN:' A Water Color by John Singer Sargent." The image is a monochromatic reproduction of a watercolor painting, depicting the Matterhorn with its characteristic pointed summit and steep, sloping sides, appearing grand and solitary.
Below the image is part of an article discussing how watercolor inevitably became the medium of nature-painters of the nineteenth century. It mentions that their subjects encouraged them to explore scenery and that those who were inspired by Turner (likely referring to the artist J. M. W. Turner) aimed to instill expression similar to his.
The text suggests an analysis and appreciation of John Singer Sargent's work and its context within art history. However, the text of the article is cut off at the edge of the page, making it impossible to read it in full.
The physical condition of the clipping indicates some aging, with yellowing paper and possible wear marks. The method of preservation in the book or binder suggests an emphasis on archiving or collecting historical documents.
This image shows a scrapbook page with a newspaper clipping attached. The clipping is from the Boston News-Clip Bureau, Christian Science Monitor, dated March 28, 1945. The main content of the clipping is an illustration titled "The Matterhorn," a watercolor by John Singer Sargent. The illustration depicts the Matterhorn mountain surrounded by other peaks and terrain. The clipping includes some text about watercolor painting, nature painters of the nineteenth century, and mentions the influence of Turner and Ruskin. The page itself appears aged with some discoloration and tape marks around the clipping.
The image shows a page from a scrapbook or album with a collage of vintage newspaper clippings. The central piece is a vertical halftone illustration of the Matterhorn—a snow-capped mountain—likely a watercolor by John Singer Sargent. A caption under the image reads something like “The Matterhorn: A Water Color by John Singer Sargent,” with accompanying article text around it. At the top left is a small clipping from the Boston News-Clip Bureau dated March 28, 1945. The page is decorated with various beige paper slips and other small cuttings, all arranged in a collage-style layout. The overall look is that of mid-20th-century press clippings mounted in a scrapbook.
The image shows a newspaper clipping mounted on a scrapbook page. The clipping includes an illustration of a mountain identified as "The Matterhorn," painted in watercolor by John Singer Sargent. The piece is accompanied by descriptive text discussing Sargent's work and the subject of the Matterhorn. "Boston News-Clip Bureau" and "Christian Science Monitor" are labeled on the clipping, with a date stamp marked "Mar 28 1945." Other details, including additional text and an upside-down portion, are visible but appear secondary to the main content of the illustration and article.