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ARCH.2003.29, Rendition: 803562
This image displays a single, aged page from a newspaper or magazine clipping, dated March 5, 1945. The page is laid open on top of other papers and appears to be stored within or alongside a green folder or book.
The main article, titled “Wood and Benton at Fogg”, is written by Dorothy Adlow and is a review of a lithography exhibition at the Fogg Museum of Art in Cambridge. The article focuses on the work of two prominent American artists: Grant Wood and Thomas Hart Benton.
The text analyzes their artistic styles within the context of regionalism, praising Wood’s craftsmanship, clean edges, and decorative patterns, and contrasting him with Benton’s more narrative, “journalistic” approach. It notes that both artists were instrumental in promoting American regionalism, though neither is described as a “great lithographer.” The article specifically mentions Wood’s famous prints “Lonesome Road,” “Frankie and Johnnie,” and “In the Ozarks.”
A large, central black-and-white photograph on the page is a reproduction of a lithograph by Grant Wood titled “Fertility.” The print depicts a stylized rural scene with a barn-like structure featuring a distinctive arched roof, set behind a field of crops. The accompanying caption notes the work is “now on exhibition at the Fogg Museum of Art in Cambridge.”
In the upper-right corner, stamped text identifies the source as the “BOSTON NEWS-CLIP BUREAU” located at 8 Bosworth Street, Boston, Mass., and notes it was clipped for the Christian Science Monitor, Boston, Mass.
The paper itself is yellowed with age, and there are some visible stains or discolorations, particularly along the bottom edge. A handwritten notation, possibly “480,” appears on the green folder or page to the left of the clipping.
This image appears to be a page from a newspaper or magazine, specifically from an article titled "Wood and Benton at Fogg" by Dorothy Adlow. The article discusses an exhibition at the Fogg Museum of Art in Cambridge, Massachusetts, featuring lithographs by Grant Wood and Thomas Hart Benton, two notable American modern artists.
The page contains a detailed description of the artists' work, highlighting their contributions to the regionalist movement in American art. It mentions their interest in painting life in rural areas like Kansas, Iowa, and Missouri. The text praises their ability to create authentic, indigenous art that reflects the American landscape and way of life.
Below the article, there is a black-and-white illustration of a farm scene, specifically a lithograph by Grant Wood titled "Fertility." The image depicts a barn, silos, and a cornfield, all rendered in a stylized manner characteristic of Wood's work. The caption identifies the work and its exhibition location at the Fogg Museum of Art in Cambridge.
The newspaper page shows signs of age, with the paper appearing yellowed and some creases, indicating it is likely from an older publication. There is a stamp from the "Boston News-Clip Bureau" and a date marking the article as from March 5, 1945.
This image shows a preserved clipping from the Christian Science Monitor, dated March 5, 1945, and placed in a green scrapbook. The article, titled "Wood and Benton at Fogg," is written by Dorothy Adlow and discusses an exhibition at the Fogg Museum of Art featuring lithographs by Grant Wood and Thomas Hart Benton. The article highlights their contributions to American art, particularly their focus on regionalism and their interpretations of American rural life.
The clipping includes a photograph of a lithograph by Grant Wood titled "Fertility," which is part of the exhibition. The image depicts a rural scene with a barn, silo, and cornfield, characteristic of Wood's style.
The clipping also features a stamp from the Boston News-Clip Bureau, indicating the source of the clipping. The article provides a detailed analysis of the artists' techniques and their impact on American art.
The image depicts an open page of a book or magazine with a spread of text and an illustration. The text is divided into two columns on the left side of the page and is titled "Wood and Benton at Fogg." The article discusses the works of two artists, Grant Wood and Thomas Benton, who are being exhibited at the Fogg Museum of Art. The text provides a detailed analysis of their artistic styles and contributions to American art.
On the right side of the page, there is a black-and-white illustration of a rural landscape, which appears to be a lithograph by Grant Wood. The illustration depicts a farm scene with a barn, a house, and a field of corn. The text below the illustration identifies it as a lithograph by Grant Wood and mentions that it is part of an exhibition at the Fogg Museum of Art.
The page also includes a header at the top right corner that reads "Boston News-Clip Bureau" and "Christian Science Monitor," indicating that the article may have been sourced from a news clipping service. The date "March 5, 1935," is also printed at the top right corner, suggesting that the article was published in that year.
Overall, the image showcases an article about the exhibition of Grant Wood and Thomas Benton's works at the Fogg Museum of Art, with a focus on their artistic styles and contributions to American art. The illustration of the rural landscape by Grant Wood adds visual context to the article and highlights the artists' connection to the American rural landscape.
The image is a double-page spread from a book or magazine. On the left page, there is an article titled "Wood and Benton at Fogg" by Dorothy Adlow. The article discusses the exhibition of lithographs by two eminent modern American artists, Grant Wood and Thomas Hart Benton, at the Fogg Museum of Art. The article highlights the artists' techniques, styles, and the subjects they chose to depict in their works.
On the right page, there is a black-and-white lithograph titled "Fertility" by Grant Wood. The lithograph depicts a barn, a house, and a field of crops, with a focus on the theme of fertility and agricultural life. The lithograph is accompanied by a caption that reads "Lithograph by Grant Wood."
The article and the lithograph are part of a larger collection of images and articles related to American art and culture in the mid-20th century. The image also includes a clipping from the Boston News-Clip Bureau, which was a news service that provided syndicated articles and photographs to newspapers and magazines.
The image shows an open book with two pages visible. The left page is titled "Wood and Benton at Fogg" and is attributed to Dorothy Aldow. The text discusses the work of artists Grant Wood and Thomas Benton, highlighting their contributions to American art, particularly in the context of the Fogg Art Museum in Cambridge, Massachusetts. The passage elaborates on their techniques, themes, and the reception of their work, emphasizing their focus on American life, rural settings, and social commentary.
The right page features a lithograph by Grant Wood titled "Fertility," which is noted to be on exhibition at the Fogg Museum of Art in Cambridge. The illustration depicts a rural scene with a barn, a house, and agricultural elements, such as rows of crops and a windmill, symbolizing fertility and the connection between humans and the land. The artwork is rendered in a detailed, expressive style characteristic of Wood's work.
Additionally, there is a news clipping from the Boston News-Clip Bureau, dated March 5, 1945, indicating that the article or review may have been published in the Christian Science Monitor in Boston, Massachusetts. The clipping is placed in the top right corner of the right page, suggesting it is part of the book's content or a reference.
The overall presentation suggests that this is a historical or art-focused publication, likely from the mid-20th century, discussing significant American artists and their works. The combination of text and visual art provides context and analysis of the artists' contributions to American art.
The image appears to be of an open book or a scrapbook page with a newspaper article pasted onto it. The headline of the article reads "Wood and Benton at Fogg" by Dorothy Adlow. Just below the headline, there is a smaller heading that says "At Fogg Museum" and an excerpt beginning with "In the Fogg Museum of Art in the..."
The newspaper article seems to be discussing an exhibition of works by American artists at the Fogg Museum. It mentions two artists, Grant Wood and Thomas Hart Benton, indicating their different styles and approaches to their work. Part of the text is obscured due to the fold of the page, making it slightly difficult to read.
A small black-and-white rectangular inset image of an artwork is present in the bottom right corner of the article, with the caption "Lithograph by Grant Wood" identifying the piece, and below that caption another one that reads "'Fertility,' now on exhibition at the Fogg Museum of Art in Cambridge". The artwork portrayed is a rural scene, featuring a large barn with a distinctive roof and stylized vegetation in the foreground, which is characteristic of Wood's iconic style.
Further context is given by the stamp from the "BOSTON NEWS-CLIP BUREAU" in the top right corner with an address listed below and the "Christian Science Monitor Boston, Mass." logo. Also, the date "MAR 5 1945" is indicated, which suggests that the article was published on March 5, 1945.
The page itself is somewhat yellowed with age, indicating that this is a historical document. There are some signs of wear on the edges of the paper, and the paper is discolored around the edges, further suggesting an old document. The page number "K50" is handwritten in pencil at the upper left corner, likely indicating its sequence within the book or scrapbook. The left edge of the image shows a green cover or binder, suggesting the whole page is part of a larger collection or album.
The image shows a page from an old scrapbook or album containing a newspaper article titled "Wood and Benton at Fogg" by Dorothy Adlow. The article discusses an exhibition of lithographs by Grant Wood and Thomas Hart Benton at the Fogg Museum of Art. The text describes Wood's exceptional craftsmanship and distinctive style, as well as Benton's focus on American scenes and themes.
There is a small stamp on the page from the "Boston News-Clip Bureau" dated March 5, 1945, from the Christian Science Monitor in Boston, Massachusetts.
Below the article, there is a black and white lithograph by Grant Wood titled "Fertility," which is now on exhibition at the Fogg Museum of Art in Cambridge. The lithograph depicts a rural scene with a house, cornfield, and a large barn with a curved roof. The overall style is characteristic of Wood's work, emphasizing detailed, stylized, and slightly idealized representations of American rural life.
This image shows a newspaper clipping mounted on what appears to be an archival or scrapbook page. The article, titled "Wood and Benton at Fogg" by Dorothy Adlow, discusses an art exhibition at the Fogg Museum of Art featuring works by Grant Wood and Thomas Hart Benton. The article delves into the artists’ styles and subject matter, discussing their contributions to lithography and illustration.
To the right of the article, there is a stamp indicating the clipping comes from the Boston News-Clip Bureau, dated March 5, 1945, and attributed to the Christian Science Monitor. Beneath the article is an illustration labeled "Lithograph by Grant Wood," depicting a rural scene titled Fertility. The artwork features a barn, a silo, a house with a wraparound porch, fields of crops, and a pathway, characteristic of Grant Wood’s midwestern themes and style.
The entire clipping is mounted on yellowed paper, indicating age and archival preservation. The number "150" is handwritten in the upper left margin.