Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.29, Rendition: 803559
This image displays a vintage newspaper clipping mounted within a scrapbook. The clipping is from a section titled “The Home Forum” in the Christian Science Monitor, dated Tuesday, January 23, 1945.
The article features a large, monochromatic sepia-toned illustration titled “SAMBBRE ON THE MEUSE”, identified as a sepia wash drawing by Thomas Allom (1804–1872). The drawing depicts a dramatic European riverside town nestled under towering rocky cliffs. A prominent, ornate church with a spire stands in the center, while buildings line the riverbank. In the foreground, figures by the water’s edge and small boats suggest daily life. The text notes that this scene is based on Sambre, France, and describes Allom as an English architect and landscape painter who traveled extensively for his subjects.
The clipping is affixed to a cream-colored page using several pieces of aged, translucent tape, with some parts slightly peeling or faded, indicative of its age. A white label from the “Boston News-Clip Bureau” is affixed at the top left, providing the original address: 8 Bosworth Street, Boston, Mass. A handwritten blue number, “1282,” appears next to the headline, perhaps from the scrapbook’s indexing system. The text block below the illustration provides biographical and contextual information about the artist, Thomas Allom, and his work.
The overall appearance suggests this is a carefully preserved historical artifact—a mid-20th-century newspaper clipping highlighting British architectural artistry, curated for educational or archival purposes.
The image appears to be a photograph of a newspaper clipping from "The Home Forum," dated January 23, 1945. The clipping is from the Boston News-Clip Bureau and is featured in the Christian Science Monitor. The headline reads "The Home Forum" and includes a sepia-toned illustration of a picturesque scene, likely a river with a church or cathedral-like structure in the background, surrounded by mountains. The illustration is captioned as "Sambre on the Meuse," a sepia wash drawing by Thomas Allom.
Thomas Allom (1804–1872) was an English architect and landscape painter who was also a founder of the Institute of British Architects. The article accompanying the illustration provides background on Allom's work and travels, explaining that this particular sepia wash was painted in France from direct observation. It highlights his architectural interests, his appreciation for the natural landscape, and the influence of his travels on his art.
This image shows a newspaper clipping from the Christian Science Monitor, dated January 23, 1945, as indicated by the stamp on the left side of the page. The clipping is from "The Home Forum" section. The main feature of the page is a black-and-white image of a sepia wash drawing titled "Sambre on the Meuse" by Thomas Allom. The drawing depicts a scenic view of a town with a prominent church and rocky cliffs in the background, situated near a river with people engaged in activities on the banks.
Below the image, there is a caption that reads: "By Courtesy of the Fogg Art Museum, Harvard University, to The Christian Science Monitor." The text underneath provides information about Thomas Allom, describing him as an English architect and landscape painter who lived from 1804 to 1872. It mentions that Allom was a founder of the Institute of British Architects and that he traveled extensively to find subjects for his paintings. The caption also notes that the depicted scene combines Allom's architectural and landscape interests, showing a sweeping view of rocky cliffs, a prominent church, and solid facades overlooking the Meuse River. The text concludes by mentioning busy laundresses on the riverbanks, a sight still common in rural France.
The clipping has been pasted into a scrapbook or binder, as indicated by the visible staples and the beige-colored paper surrounding the printed content. There are also some adhesive marks and a red checkmark in the top right corner of the clipping.
The image shows a page of a newspaper or magazine. It is open, and the left page is visible. The title of the newspaper is "The Home Forum." The page has a black-and-white illustration of a castle on top of a hill, with a river in front and a few boats. There is also a text below the illustration, which reads "SAMBRÉ ON THE MEUSE" and "A Sepia Wash Drawing by Thomas Allom." The page has a yellowish tint, and the edges are slightly curled.
An open book with the title "The Home Forum" is placed on a gray surface. It is an old book with a few pages. The book has a black and white image of a river with a boat on it. The text is written in black font. The book has a few stickers on it. The book has a few pages with text. The book has a few stickers on it.
The image shows a page from a newspaper clipping archive, specifically from the "Boston News-Clip Bureau" located at 8 Bosworth Street, Boston, Massachusetts. The clipping is from the Christian Science Monitor dated January 2, 1935, and is part of a section titled "The Home Forum", dated Tuesday.
Headline and Illustration:
Caption and Text:
Layout and Design:
Additional Details:
The page serves as a historical artifact, combining art appreciation with architectural and geographical commentary. It highlights Thomas Allom's work and provides insight into his artistic process and the landscapes that inspired him. The sepia wash illustration adds a visual element that complements the textual description, offering a glimpse into 19th-century artistic and architectural perspectives.
This image depicts an old newspaper clipping or print article titled "The Home Forum" from Tuesday, January 2, 1945, attributed to the Boston News-Clip Bureau. The prominent feature of the article is a sepia-toned illustration captioned "SAMBER ON THE MEUSE": A Sepia Wash Drawing by Thomas Allom. The drawing showcases a picturesque scene with a grand, ornately detailed building complex nestled among rugged terrain, possibly hills or cliffs, with a body of water in the foreground. The image, seemingly from a bygone era, has a historical and perhaps romantic quality, capturing an architectural and natural landscape.
There is a small paragraph underneath the drawing giving context about Thomas Allom (1804-1872), who was an English architect and landscape painter, also a founder of the Institute of British Architects. It mentions his extensive travel overseas which provided inspiration for paintings such as this one and notes that his wash paintings gave him an opportunity to combine his architectural observation with landscape interest.
The clipping shows signs of age, with some discoloration and slight wear. There are a few handwritten marks on the clipping, a check mark in red near the Boston News-Clip Bureau's stamp, and what appears to be two blue pen marks near the title "The Home Forum." The corner where the bureau's address is stamped reads "8 Beacon Street, Room 14, Boston, Mass." with the dated stamp "JAN 2 1945" clearly visible. The article is part of a larger book or collection of clippings, this suggested by the binding visible on the left side of the image.
The image shows a newspaper clipping from "The Home Forum," dated around January 23, 1945, as indicated by a stamp from the Boston News-Clip Bureau, Christian Science Monitor, Boston, Mass. The clipping features a sepia drawing titled "Sambre on the Meuse" by Thomas Allom. The drawing depicts a scenic view of a riverside town with a large church or cathedral as a focal point, surrounded by rocky cliffs and other buildings along the riverbank.
Beneath the image, a brief text describes Thomas Allom (1804-1872) as an English architect and landscape painter, also a founder of the Institute of British Architects. It mentions that the sepia wash was painted in France from direct observation, highlighting Allom's opportunity to combine architectural lectures with his landscape interests. The text describes the striking view of rocky cliffs, the church in Sambre, and the mass of façades overlooking the Meuse River, noting that busy laundresses on river-banks may still be seen in rural France. The clipping is affixed to a page with some adhesive tape marks around it.
This image shows an old newspaper clipping featuring an illustration and text. The page is labeled "The Home Forum" across the top, and below it is a sepia-toned landscape drawing titled "Sambre on the Meuse" by artist Thomas Allom. The illustration depicts a picturesque riverside town dominated by a large church with an ornate spire and a rocky hill with fortress-like structures in the background. The serene water in the foreground reflects the structures, and small boats are visible.
The accompanying text mentions Thomas Allom (1804–1872), an English architect and landscape painter, and explains how he combined his architectural and artistic skills in this work, inspired by scenes in France. Specific references are made to life on the Meuse River involving "busy laundries on river banks." The clipping appears to have been archived and includes evidence of aging, with tape marks and an annotation indicating it was clipped from the Christian Science Monitor by the "Boston News-Clip Bureau" on January 23, 1945.