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The image is a spread from the "Harvard Alumni Bulletin" detailing the history and development of the Fogg Museum at Harvard University. The spread includes text and several black-and-white photographs.

Text Summary:

1. In the Beginning:

   • The Fogg Museum was established in 1895 by Edward W. Forbes, initially located in a rented house on Quincy Street in Cambridge.
   • The museum was intended as a center for the study of medieval and Renaissance art.
   • The initial collection included several beautiful buildings and artworks, such as paintings, drawings, and illuminated manuscripts.

2. Expansion:

   • The museum's growth necessitated larger spaces.
   • In 1908, Forbes, with the help of President Lowell, raised funds to build a new museum.
   • The new building, designed by architect Charles H. Moore, was completed in 1916.
   • The museum's collection expanded, and it became a significant center for art studies.

3. Museum Center:

   • The museum has continued to grow, with new wings and facilities added over the years.
   • The Cloisters Court, modeled after the cloister of a house by San Giulio at Monticellino, Italy, was added in 1927.
   • The museum has been a center for training museum directors and curators.

4. Training Museum Directors:

   • The Fogg Museum has been instrumental in training museum professionals.
   • Many notable museum directors and curators have been trained at the Fogg.

Photographs:

1. Top Left: The old Fogg Museum after Mr. Forbes had raised the roof.
2. Bottom Left: The Fogg Museum on Quincy Street as it is today.
3. Top Right: The Cloisters Court in the Fogg Museum, modeled after the cloister of a house by San Giulio at Monticellino.
4. Bottom Right: The first collection of 19th-century furniture in America.

The spread highlights the museum's growth, its significant contributions to art education, and its role in training museum professionals.

The image shows two pages from a publication titled "HARVARD ALUMNI BULLETIN." The left page is numbered 186, and the right page is numbered 187. Both pages contain text and black-and-white photographs related to the Fogg Museum at Harvard University.

Left Page (186):

1. Title: The title of the bulletin is at the top: "HARVARD ALUMNI BULLETIN."
2. Photographs:
   • Top photograph: Shows the exterior of the Fogg Museum, captioned "THE OLD FOGG MUSEUM AFTER MR. FORBES HAD RAISED THE ROOF."
   • Bottom photograph: Shows another view of the Fogg Museum, captioned "THE FOGG MUSEUM ON QUINCY STREET AS IT IS TODAY."
3. Text:
   • The text discusses the history and development of the Fogg Museum. It mentions key figures like Edward W. Forbes, who played a significant role in the establishment and expansion of the museum. The text describes the early days, the need for more space, and the efforts to raise funds for a new building. It also highlights the contributions of various individuals and the growth of the museum's collections.

Right Page (187):

1. Title: The title of the bulletin is at the top: "HARVARD ALUMNI BULLETIN."
2. Photographs:
   • Top photograph: Shows the courtyard of the Fogg Museum, captioned "The Central Court in the Fogg Museum is modeled on the facade of a house by San Gallo in Montepulciano, Italy. The stone is Italian travertine."
   • Bottom photograph: Shows a collection of drawings, captioned "THE FINEST COLLECTION OF 19TH CENTURY DRAWINGS IN AMERICA. Exhibitions of these are arranged from time to time in special galleries."
3. Text:
   • The text on this page continues the discussion about the Fogg Museum. It mentions the official opening of the new building, the role of the Department of Fine Arts, and the various activities and events held at the museum. It also highlights the museum's role as a training center for curators and the establishment of the Department of Music. The text includes quotes and anecdotes from individuals associated with the museum, emphasizing its importance and achievements.

Overall, the pages provide a detailed historical account of the Fogg Museum, its architectural evolution, and its significance within the Harvard community and the broader field of art and education.

The image is a page from the Harvard Alumni Bulletin detailing the history and expansion of the Fogg Museum of Art.

1. Left Side:

   • The Old Fogg Museum: The leftmost section describes the establishment of the old Fogg Museum, built in 1895. Initially, the museum had limited space and was located in Cambridge, but it faced several challenges, including the need for more extensive facilities. Edward M. Cary and Alfred A. Pope played significant roles in its development. The text also mentions the efforts of Mr. Forbes, who raised funds and oversaw the roof's renovation.

   • The Fogg Museum Today: The section includes a photograph of the Fogg Museum as it stands today on Quincy Street.

2. Center:

   • Paul Sachs: This part highlights Paul Sachs, a key figure in the museum's history, who contributed to its expansion and collections. Sachs was instrumental in securing additional funding and space for the museum.

   • Expansion and New Building: The text explains the extensive efforts to build a new museum, including raising funds and securing permissions. It notes that the new building, designed to be a center for fine arts, was completed with the support of Mr. Forbes and others.

3. Right Side:

   • Maxwell Center: Describes the Maxwell Center, a new wing established in 1955, which houses collections of drawings and paintings. It also mentions the establishment of the Department of Conservation and the Department of X-Ray Shadowgraphy, which are integral to preserving and studying artworks.

   • Finest Collection of 19th Century Drawings: This section discusses the remarkable collection of 19th-century drawings housed in the museum, emphasizing its significance and the variety of artworks it contains.

   • Training Museum Directors: The bottom right section talks about the establishment of a course in Museum Work and Fine Arts Administration, aimed at training future museum directors and administrators.

   • Photographs: Accompanying the text are several black-and-white photographs showing different aspects of the museum, including the interior and the central courtyard modeled after San Gallo in Montepulciano, Italy.

Overall, the page provides a comprehensive overview of the museum's growth, its key contributors, and its current facilities and collections.

The image is a page from the Harvard Alumni Bulletin, specifically page 186, and page 187, detailing the history and development of the Fogg Museum at Harvard University.

Page 186:

Title: Harvard Alumni Bulletin

Main Content:

• The Old Fogg Museum: The page starts with a historical overview of the Fogg Museum, which was built in 1895. The original building was designed to accommodate the growing collection of artworks, with provisions for future expansion.
• Inconveniences and Contributions: The text describes the inconveniences of the old building, which led to the decision to expand. The inconveniences included inadequate space for the collection and administrative needs. Contributions from various individuals, such as Edward M. Cary and Alfred A. Pope, are highlighted.
• Paul Sachs: Paul Sachs, a member of the Overseers' Visiting Committee, played a significant role in the expansion efforts. He was instrumental in securing funding and support for the new building.
• Expansion Plans: The expansion plan involved raising funds for a new museum, which was to be designed by the renowned architect San Gallo. The new museum was to be modeled after a Renaissance building.
• Quincy Street Museum: The current Fogg Museum on Quincy Street is shown in a photograph.

Page 187:

Title: Harvard Alumni Bulletin

Main Content:

• Museum Center: The new museum center was formally dedicated in 1927, featuring a central courtyard designed by San Gallo. The building's design was inspired by the Palazzo della Cancelleria in Rome.
• Winthrop Churchill: The page mentions Winthrop Churchill, who received his LLD degree and donated a significant amount to the museum, contributing to its expansion and activities.
• Fine Collection of 19th Century Drawings: The museum houses an extensive collection of 19th-century drawings, which is noted for its quality and variety.
• Training Museum Directors: The Fogg Museum has been a training ground for future museum directors, including Sachs himself, who played a key role in the museum's growth.
• Department of Fine Arts: The text also mentions the Department of Fine Arts, which has been integral in supporting the museum's educational and curatorial activities.

Images:

• Page 186: Photographs of the old Fogg Museum on Quincy Street, showing its exterior and interior.
• Page 187: A photograph of the central courtyard of the new Fogg Museum, modeled on the Palazzo della Cancelleria, and an image of a 19th-century drawing.

The text and images together illustrate the history, development, and significance of the Fogg Museum within Harvard University, highlighting the contributions of key individuals and the architectural evolution of the building.

The image is a two-page spread from the Harvard Alumni Bulletin, detailing the history and development of the Fogg Museum at Harvard University. Here's a detailed summary:

Page 186

Title: Harvard Alumni Bulletin

The Beginning

• The Fogg Museum was built in 1895 in Cambridge, Massachusetts, with a design by the architectural firm of Shepley, Rutan, and Coolidge.
• The museum was initially intended to house the collection of fine arts from Harvard, with a focus on medieval and Byzantine art.
• The building was made possible through a bequest from Mrs. Mary Louisa Fogg, who left her estate to establish the museum.

Edward M. Cary and Alfred A. Pope

• Cary and Pope were key figures in the early development of the Fogg Museum.
• They were influential in raising funds and in the planning of the museum's expansion and activities.

Paul Sachs

• Paul Sachs joined the museum in 1903 and became a significant member of the Visiting Committee.
• He was crucial in the expansion of the museum, especially during the 1920s when he was instrumental in raising funds for new buildings and renovations.
• Sachs, along with Mr. Forbes, oversaw the expansion, which included raising the roof and adding new facilities.

Expansion

• The museum underwent a major expansion in 1925, raising $1,000,000 for the new Fogg Museum building.
• The expansion was designed by the firm of Shepley, Rutan, and Coolidge, with Charles F. Meyrick Rogers as the architect.
• The new museum was completed in 1927 and housed the finest collection of 19th-century drawings in America.

Page 187

Museum Center

• The museum was formally opened on October 20, 1927, by President Lowell.
• The new museum included the Central Court, which was designed to resemble a cloister.
• The Central Court was intended to be an area for quiet contemplation and study.

The Fogg Museum Collection

• The museum's collection includes works from various periods and cultures, with a focus on European art.
• The collection is housed in several galleries, including the 19th-century drawings collection.
• The museum also features a collection of casts of ancient sculptures and architectural elements.

Paul Sachs and the Museum

• Paul Sachs continued to be involved with the museum throughout his life, contributing to its growth and activities.
• He was instrumental in establishing the Harvard University Art Museums, which include the Fogg Museum, Busch-Reisinger Museum, and Arthur M. Sackler Museum.

Training Museum Directors

• The museum has been a training ground for museum directors and professionals, providing a platform for hands-on experience.
• Sachs and other members of the museum have been influential in shaping the museum profession in America.

Images

• The pages include several photographs:
  • The old Fogg Museum after Mr. Forbes had raised the roof.
  • The Fogg Museum on Quincy Street as it is today.
  • The Central Court in the Fogg Museum.
  • The finest collection of 19th-century drawings in America, housed in the museum.

This summary captures the essence of the historical development and significance of the Fogg Museum as presented in the Harvard Alumni Bulletin.

The image is a spread from the Harvard Alumni Bulletin, detailing the history and evolution of the Fogg Museum at Harvard University. Here's a detailed summary:

Left Page:

Title and Headline:

• The headline reads "The Old Fogg Museum after Mr. Forbes had raised the roof," and it discusses the transformation of the museum over the years.

Text Content:

1. Introduction:

   • The article starts by mentioning a new center for the study of medical and Byzantine culture, hinting at the expansion and diversification of Harvard's museums.

2. Early Beginnings:

   • The Fogg Museum was initially built in 1895 in Cambridge, Massachusetts, based on the original design by Richard Morris Hunt. However, the building had significant issues, particularly in lighting and spatial arrangements.

3. Renovations and Leadership:

   • Edward W. Forbes was appointed as the Director of the Fogg Museum in 1909. He made immediate changes to improve the museum, including raising the roof to enhance natural lighting.
   • Forbes, along with Paul Sachs (Assistant Director from 1915), aimed to create a more functional space for both art storage and exhibition.

4. Building Expansion:

   • By the mid-1920s, it was evident that a new building was necessary. A plan for a new Fogg Museum was agreed upon and quickly advanced, leading to the construction of the current building.

5. Architectural Design:

   • Coolidge, Shepley, Bulfinch, and Abbott were the architects chosen for the new building. The design was inspired by the Renaissance architecture of a 15th-century Italian palace, specifically the Palazzo della Cancelleria in Rome.

Images:

• Two photographs are included:
  • The old Fogg Museum after renovations.
  • The Fogg Museum building on Quincy Street as it stands today.

Right Page:

Text Content:

1. Museum Center:

   • The new Fogg Museum became central to the arts at Harvard, housing various departments and collections.
   • It not only focused on art but also served as a center for drawing, painting, and other artistic activities.

2. Collections and Contributions:

   • The museum expanded its collections with significant contributions from various donors, including works of art, artifacts, and funds.
   • Important donations included those from the Friends of the Fogg Museum, which helped in acquiring major works and supporting museum activities.

3. Significant Contributions:

   • The text mentions specific contributions by individuals such as Mrs. Jesse Isidor Straus and the establishment of various rooms and galleries within the museum.

4. Training Museum Directors:

   • The Fogg Museum became renowned for training future museum directors. Many alumni from the program went on to lead major museums across the United States.

Images:

• The right page features three images:
  • A courtyard scene of the Fogg Museum.
  • The interior of the Fogg Museum, specifically the "Tapestry Room."
  • A display labeled "The Finest Collection of 17th Century Drawings in America," showcasing some of the museum's prized collections.

Overall, the article details the rich history of the Fogg Museum, its architectural evolution, and its significant role in both education and the arts community at Harvard and beyond.

The image shows a two-page spread from the Harvard Alumni Bulletin.

• The left page (page 186) contains text and two black-and-white photos related to the Fogg Museum. The top photo shows the old Fogg Museum building after the roof was raised, with a clear view of the roof and trees around it. The bottom photo shows the Fogg Museum on Quincy Street as it appears in the present day of the publication, displaying a more modern brick building with several windows and some trees around it.

• The right page (page 187) also contains text and two black-and-white photos related to the Fogg Museum. The top photo shows the central court of the Fogg Museum, which features an open courtyard design with arches along the upper and lower levels. The bottom photo depicts a room with the finest collection of 19th-century drawings in America, showing framed artwork hung on the walls and classic-style chairs and a table set below.

The text discusses the history, expansion, and activities of the Fogg Museum, including contributions by Edward M. Cary, Mr. Forbes, and others in improving and maintaining the museum. The museum's role as a center for medieval and Byzantine culture study, as well as its function as a museum and library, are emphasized. The content also includes information about the museum center's architecture and the importance of the drawings collection displayed.

The image is a scanned two-page spread from a periodical called "Harvard Alumni Bulletin." The pages appear to be from an older publication given the typography and layout characteristic of mid-20th-century print design. There are multiple articles or sections with text, photographs, and captions.

On the left page, there are three black-and-white photographs. The top photo is captioned "The old Fogg Museum after Mr. Fogg had raised the roof." It shows a historical building. The middle photo is labeled "The Fogg Museum on Quincy Street as it is today." It shows a relatively contemporary view of the museum building. The bottom photo doesn’t have a visible caption in the image. The text on the left page continues onto the right page, discussing various topics related to the Harvard Alumni community, such as building projects and exhibitions.

The right page features a black-and-white photo with the caption "The finest collection of 19th-century drawings in America." Beneath the photo, the text outlines various collections, exhibitions, and events. It mentions a "Museum Center," and there is discussion about architecture and art.

The document serves as a historical reference, providing insights into the museum's development and exhibitions, as well as the broader Harvard alumni community and their interests at the time of publication.

The image depicts two pages from the Harvard Alumni Bulletin, specifically pages 186 and 187. The pages are part of a historical account detailing the evolution and development of the Fogg Art Museum at Harvard University.

Left Page (Page 186):

• Title: "THE OLD FOGG MUSEUM AFTER MR. FORBES HAD RAISED THE ROOF"
• Content:
  • The page discusses the early history of the Fogg Art Museum, emphasizing its origins as a center for the study of medieval and Byzantine art.
  • It mentions that the museum was built in 1895, when the current Old University Hall was still under construction. The plan for the museum was to establish an art museum in Cambridge, which was seen as a novel idea at the time.
  • The text highlights the challenges faced in establishing the museum, including the limited space and the need to adapt the building for teaching and displaying art.
  • It references key figures such as Paul Sachs, Edward M. Cary, and Alfred M. Sachs, who played significant roles in the museum's development.
  • The page includes a captioned photograph titled "THE OLD FOGG MUSEUM ON QUINCY STREET AS IT IS TODAY," showing the museum's exterior in its early form.

Right Page (Page 187):

• Title: "THE FINEST COLLECTION OF 17TH CENTURY DRAWINGS IN AMERICA"
• Content:
  • This page continues the narrative about the Fogg Museum, focusing on its expansion and transformation over time.
  • It describes the museum's growth, including the raising of the roof to accommodate more space for collections and exhibitions.
  • The text mentions the contributions of individuals such as Mr. Forbes, who played a pivotal role in the museum's development.
  • It discusses the museum's collections, particularly highlighting its renowned collection of 17th-century drawings, which is described as the finest in America.
  • The page includes several photographs:
    1. "THE OLD FOGG MUSEUM AFTER MR. FORBES HAD RAISED THE ROOF" – A photograph showing the museum's exterior after structural modifications.
    2. "THE FINEST COLLECTION OF 17TH CENTURY DRAWINGS IN AMERICA" – An image showcasing a display of 17th-century drawings, emphasizing the museum's rich collection.
    3. Smaller images and captions provide additional context, such as a model of the Fogg Museum designed by San Galli in Montepulciano, Italy, and a mention of Winston Churchill's visit to the museum.

Visual Elements:

• Photographs:
  • The left page features a photograph of the Fogg Museum's exterior, showing its early architectural style.
  • The right page includes multiple photographs, including one of the museum's interior displaying 17th-century drawings and another showing the museum's exterior after structural changes.
• Text Layout:
  • The text is formatted in a classic, serif font typical of early 20th-century publications.
  • The pages are numbered (186 and 187) and include headings and subheadings to organize the content.
• Design:
  • The pages have a clean, structured layout with a mix of text and images.
  • The images are integrated seamlessly with the text, providing visual context to the historical narrative.

Overall Context:

The pages provide a detailed historical account of the Fogg Art Museum's early years, its architectural evolution, and its growing collection, particularly its renowned 17th-century drawings. The inclusion of photographs enhances the narrative, offering a visual representation of the museum's development and significance. The content reflects the museum's importance as a cultural and educational institution at Harvard University.

The image shows an open page from the Harvard Alumni Bulletin. The left page contains a black and white photograph of the Fogg Museum on Quincy Street in Cambridge, Massachusetts, with the heading "The Fogg Museum on Quincy Street as It Is Today." The right page features a black and white photograph of the interior of the Fogg Museum, with the heading "The Central Court in the Fogg Museum is modeled on the façade of a house by Sangallo." The text below the photograph discusses the history of the Fogg Museum, its collections, and its role in the study of art and architecture.