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ARCH.2003.29, Rendition: 803529
This image appears to be a news clipping from "The Christian Science Monitor" dated December 21, 1944. The clipping features a photograph of a portrait of Madame Frederic Reiset, painted by J.A.D. Ingres. The portrait is oval-shaped and is set against a dark background, showcasing the subject in a formal manner, dressed in period clothing. The photograph is labeled as being by courtesy of the Fogg Art Museum, Harvard University, to THE CHRISTIAN SCIENCE MONITOR.
Below the image is an article discussing the portrait and the artist, J.A.D. Ingres. The article provides insights into the art of painting, comparing it to earlier periods and discussing the contrast between the traditional, detailed style of Ingres and the more expressive, modern styles of other artists like Courbet, Manet, Degas, and Gauguin. The text highlights Ingres as a perfectionist who valued meticulous preparation and a close study of nature, in contrast to the spontaneity and directness favored by some of his contemporaries. The article is signed by Dorothy Adlow. The clipping is affixed to a piece of paper, and there is a label at the top indicating it was from the Boston News-Clip Bureau, located at 8 Bosworth Street, Boston, Mass.
This image is a scanned page of a newspaper clipping from the Christian Science Monitor, Boston, Mass. The clipping is dated February 2, 1944, as indicated in the top left corner of the clipping. The clipping is attached to a light orange paper, likely part of a scrapbook or a collection.
The main focus of the clipping is a portrait titled "Madame Frederic Reiset," painted by J.A.D. Ingres. The portrait is a black and white image of a woman in formal attire. The woman has long hair and is wearing a dress with a lace collar and a fur stole draped over her shoulders. The caption below the image credits the Fogg Art Museum, Harvard University, as the source of the portrait.
Below the portrait, there is an article by Dorothy Adlow discussing the historical context of Ingres' art style and its evolution over time. The article mentions that Ingres was an advocate of classical art and was opposed to the Romantic movement. It also compares Ingres' portrait of Madame Reiset with the works of other artists such as Courbet, Manet, Degas, Gauguin, Van Gogh, Lautrec, Picasso, and Rouault, highlighting the changes in the art of painting since Ingres' time.
The clipping is affixed to the orange paper with a small white label in the top left corner that reads "BOSTON NEWS-CLIP BUREAU" and "8 Bosworth Street, Boston, Mass." There are also two holes punched on the right side of the orange paper, suggesting it was part of a binder or a collection of similar clippings.
This image displays a vintage newspaper clipping mounted on a yellowed, aged piece of paper, likely from a scrapbook or archive. The clipping is from "The Home Forum," a section of The Christian Science Monitor, as indicated by the header and a small label from the "BOSTON NEWS-CLIP BUREAU" at the top left.
Key Features:
Central Image: A black-and-white reproduction of the famous 1845 portrait Madame Frédéric Reiset by the French neoclassical painter Jean-Auguste-Dominique Ingres. The portrait shows a young woman with dark, flowing hair, wearing a dark gown with a lace collar and a white shawl draped over one shoulder. Her gaze is directed slightly to the viewer’s right. The image is framed within an oval shape.
Caption: Below the portrait, the caption reads:
“MADAME FREDERIC REISET: A Portrait by J. A. D. Ingres”
Beneath that, a credit line acknowledges:
“By Courtesy of the Fogg Art Museum, Harvard University, in The Christian Science Monitor”
Article Text: The article discusses the portrait and Ingres’s artistic philosophy. It contrasts his meticulous, classical approach — his admiration for Raphael, his focus on perfect drawing, and his pursuit of order and discipline — with the emerging Romantic movement and later modern styles (Courbet, Manet, Degas, etc.). The text notes that Ingres was seen by contemporaries as old-fashioned and rigid, especially in contrast to the “youthful romanticism” of artists like Delacroix. It mentions how Ingres’s ideal of “perfection” — symmetry, smoothness, stability — was later rejected by younger painters who preferred distortion, roughness, and realism.
Physical Condition: The clipping shows signs of age, including yellowing, slight creases, and a small tear at the bottom left corner. It is taped to a larger sheet of brown paper. Two round, white metal fasteners (likely brads or paper fasteners) are visible along the right edge of the page. Handwritten numbers (“1321”) can be seen in the upper left corner of the clipping, likely an archival or catalog number.
This clipping serves as an historical artifact, preserving early 20th-century commentary on Ingres’s neoclassical style and his place within the broader evolution of Western art. The inclusion of the newspaper source and the official news bureau label suggests it may have been part of a curated educational or informational file.
The image is a photograph of a paper clipping attached to a larger piece of paper. The clipping is from the Boston News Clip Bureau, located at 3 Bosworth Street in Boston, Massachusetts. The clipping includes a portrait of Madame Frederic Reiset, a notable figure in the art world. The portrait is titled "Madame Frederic Reiset: A Portrait by J. A. D. Ingres." The image of Madame Frederic Reiset is a black-and-white photograph showing a woman with a serene expression, wearing a high-collared dress and a shawl draped over her shoulders. The photograph is bordered by a decorative frame. Below the portrait, there is a text excerpt that provides information about Madame Frederic Reiset and the portrait by Ingres. The text mentions that the portrait was painted by Jean-Auguste-Dominique Ingres, a renowned French Neoclassical painter, and that it was created when Madame Reiset was 18 years old. The text also highlights Ingres's meticulous attention to detail and his ability to capture the essence of his subjects. The larger piece of paper to which the clipping is attached is brown and appears to be a standard sheet of paper used for mounting clippings. There are two circular holes punched into the paper, likely for filing or organizing purposes. The overall condition of the paper suggests that it has been handled and stored for a significant period, as evidenced by the slight discoloration and wear around the edges.
The image is a black-and-white photograph of a woman with a serious expression, possibly a portrait. The photograph is printed on a beige-colored sheet of paper with a white border. The text "MADAME FREDERIC REISE" is written in the upper left corner, and "A PORTRAIT BY J. A. D. INGRES" is written below the photograph. The photograph is accompanied by a caption that reads, "So many changes have come about in the art of painting, since this portrait was finished ninety-eight years ago, that Madame Reiset was regenerated and old-fashioned."
The image shows a historical document or archival page featuring a portrait and accompanying text. Here is a detailed description:
Portrait:
Text:
Header Information:
Archival Markings:
This image combines visual art (the portrait) with textual analysis, providing a comprehensive view of the subject and its historical significance.
The image depicts an old newspaper clipping from the "Boston News-Clip Bureau," specifically for the "Christian Science Monitor" located in Boston, Massachusetts. The article includes a photograph adhered to the paper, which appears to be from a historic period, judging by the attire visible. The subject is wearing a dark garment with elegant detailing that suggests the clothing style from a bygone era.
The headline of the article reads, "Madame Pierre Seriziat: A Portrait By J. A. D. Ingres." Below the headline, there's an extensive body of text that seems to discuss the significance and history of a painting, its subject, and the artist. The text includes particular attention to artistic details and the representation of the subject, along with evaluations of the artistic value of the work.
To the right and below the photograph, there's more commentary or analysis related to the subject. Unfortunately, due to the cut-off text and the quality of the image, the full details of the texts are not discernible.
At the bottom right corner of the brown paper, onto which the newspaper clipping has been mounted, there's a white circular sticker, possibly indicating its archival or cataloguing status. The brown paper itself shows signs of aging with slight discoloration and there are staple marks on the top left indicating that the clipping was perhaps attached to other materials or for organizational purposes.
The image depicts a vintage newspaper clipping mounted on a brown board. The clipping is from the Boston News-Clip Bureau located at 8 Bosworth Street, Boston, Mass., and is associated with the Christian Science Monitor, also in Boston, Mass. The main content of the clipping is a black-and-white portrait titled "MADAME FRÉDÉRIC REISET: A Portrait by J.A.D. Ingres."
Below the portrait is an article discussing the significance of the portrait and the artist Jean-Auguste-Dominique Ingres. The article notes the historical context of the painting, its classical influences, and the artistic techniques employed by Ingres, highlighting his adherence to traditional values in art such as symmetry, smoothness, and stability. It contrasts Ingres’ style with the changes in modern French painting and the move away from visible brushwork towards a more disciplined form of expression.
The overall presentation suggests that this clipping was preserved for its art historical importance or as a reference to Ingres' work and Madame Frédéric Reiset. The board has a couple of holes on the right side, possibly for filing or storing purposes.
This image depicts an old newspaper clipping mounted on a brown background, possibly from a scrapbook or archival page. The clipping features a black-and-white portrait of a woman, accompanied by text below and beside it. The text describes the portrait labeled as "Madame Frederic Reiset: A Portrait by J.A.D. Ingres." The clipping seems to come from the "Christian Science Monitor," as indicated by the headline and watermark. Additionally, there is a label at the top left of the page from the "Boston News-Clip Bureau." The entire page appears to have a vintage aesthetic, with aged paper and a hole punch on the right. Some sections of the image show wear or discoloration consistent with old materials.
An old scrapbook page on tan/brown paper. It contains two newspaper clippings: